The musical duo Perrey and Kingsley (Jean-Jacques Perrey (1929—2016) and Ge… Read Full Bio ↴The musical duo Perrey and Kingsley (Jean-Jacques Perrey (1929—2016) and Gershon Kingsley, (1922—2019), were pioneers in the field of electronic music. Prior to their collaboration in 1964, electronic music was considered to be purely avant-garde. They were among the first to create electronic music for the general public.
Kingsley was born in Germany. As his father was Jewish, his family fled the Deutsches Reich in 1938 to settle in Palestine-Land of Israel where the 15-year-old, self-taught musician began his career in music. After World War II, Kingsley emigrated to America where he became a pit conductor for Broadway musical shows after graduating from the Los Angeles Conservatory of Music.
Perrey was a French accordion player and medical student who abandoned his studies after meeting Georges Jenny in Paris in 1952. Jenny was the inventor of the Ondioline, a vacuum tube-powered keyboard instrument that was a forerunner of today's synthesizers and was capable of creating an amazing variety of sounds. Its keyboard had a unique feature — the keyboard was suspended on special springs that were capable of introducing a natural vibrato if the player moved the keyboard from side to side with the playing hand. The result was a beautiful, almost human-like vibrato that lent the Ondioline a wide range of expression. The keyboard was also pressure-sensitive, and the instrument had a knee volume lever as well. Jenny hired Perrey as a salesman and demonstrator of the new instrument. As a result, he came to the attention of French singer Édith Piaf, who sponsored him to record a demo tape that later facilitated him access to work and live in the United States between 1960 and 1970.
Perrey and Kingsley came together during Kingsley's stint as a staff arranger at Vanguard Records, an independent label in New York City that specialized not in avant-garde music, but in folk music. At that time, Perrey was experimenting with tape loops, which he had been introduced to by the French avant-garde musician Pierre Schaeffer. Each loop was a laboriously hand-spliced assemblage of filtered sounds, pitch-manipulated sounds and sometimes even animal calls. The end result of their first collaborative effort in 1966 combined Perrey's tape loops, and his inventive melodies with Kingsley's complementary arrangements and instrumentation. The resulting album was filled with tunes that sounded like music from an animated cartoon gone berserk. Their first LP was titled The In Sound From Way Out! and was released on Vanguard Records that same year. Since this was decades before the advent of widespread digital technology, each tune took weeks of painstaking editing and splicing to produce.
The twelve rather whimsical tracks bore names like "Unidentified Flying Object" and "The Little Man From Mars" in an attempt to make electronic music more accessible to the general public. In fact, "Unidentified Flying Object" and another of the album's cuts, "Electronic Can-Can" eventually became theme music for "Wonderama," a Metromedia Television children's program of the early 1970s. Though most of the melodies were original, two borrowed from the classics. "Swan's Splashdown" was based on Pyotr Tchaikovsky's "Dance of the Little Swans" while "Countdown At 6" borrowed from Amilcare Ponchielli's "Dance of the Hours," much as Allan Sherman did in 1963 with his hit recording, "Hello Muddah, Hello Fadduh." The final cut on the album, "Visa To The Stars" is co-credited to "Andy Badale," who would go on to fame as Angelo Badalamenti, arranger of the music in many of David Lynch's movies. In contrast to the rest of the album, "Visa To The Stars" is a more serious gesture and lacks the unusual sound effects of the other eleven cuts. It is highly reminiscent of the style of Joe Meek and his hit, "Telstar" by The Tornados. Perrey's Ondioline carries the melody throughout. This is also comparable to Kai Winding's 1963 recording of "More", which also carries the melody on the Ondioline.
Their second and final collaborative effort came in 1967 with the release of Kaleidoscopic Vibrations: Electronic Pop Music From Way Out, which was re-released in 1971 under the title: Kaleidoscopic Vibrations: Spotlight on the Moog. This was a similar sounding effort, but instead of all original compositions, the album was mostly versions of popular songs of the day. In this album, Perrey's tape loops and effects were added in post-production after Kingsley's orchestrations were recorded, a technique now commonly used by electronic artists to this day. The album was one of the first to use the new Moog modular synthesizer, a massive, complicated electronic instrument resembling an old-style telephone switchboard. The album also bore two notable singles. In fact, the Moog album was released a year and a half before the release of Wendy Carlos' ground-breaking Switched-On Bach. "The Savers" would go on to fame in 1968 as the Clio Award-winning music for a television ad for No-Cal diet drinks, and in 1972 as the theme to the American television game show "The Joker's Wild".
About the time "The Savers" was being used on television, engineers with the Walt Disney Company were at work on a new parade at Disneyland Park, the "Main Street Electrical Parade." The idea was to cover floats with thousands of electronically controlled colored lights and to set the show to music. Paul Beaver and then later Disney musician Don Dorsey helped rework a Perrey-Kingsley composition called "Baroque Hoedown," an upbeat, almost sparkling number best described as "harpsichord gone country." It would become the underlying theme song of the parade for the next three decades at Disneyland, Magic Kingdom, Tokyo Disneyland, Disneyland Paris, Disney California Adventure Park, with newer arrangements still heard in updated versions of the Electrical Parade at the Magic Kingdom and Tokyo Disneyland. The Don Dorsey arrangement also appeared in Disneyland's Remember... Dreams Come True fireworks show from 2005 to 2014. Yet another arrangement serves as one of two theme songs to Disney's Paint the Night Parade, which premiered at Hong Kong Disneyland in 2014, and will premiere at Disneyland on or around May 22, 2015.
Several segments of Sesame Street produced in the 1970s also made use of music from The In Sound from Way Out, as did other television programs, such as "The Red Skelton Show." A skit from the October 23, 1976 airing of Saturday Night Live titled "Jeopardy! 1999" used "Unidentified Flying Object" as the opening and closing themes.
Though Perrey and Kingsley never enjoyed tremendous commercial success, their music inspired a generation of musicians and was used (and still is used) extensively in advertising. Moog Indigo, a Jean-Jacques Perrey solo album from 1970 featured a cut called "E.V.A." (also co-written by "Andy Badale," aka: Angelo Badalamenti). This slow, funky track is one of the most sampled in hip hop and rap music history. A track on Siriusmo's 2010 release "The Plasterer Of Love", entitled "Blaue Sonne" features a sample of "Lovers Concerto", which features on "The In Sound from Way Out!" In the U.K., pioneered by Kenny Everett, DJs extensively used their tracks as continuity music or took clips for use as jingle backing from the late '60s and early '70s. In the U.S., it is currently being used in a TV ad for Zelnorm, a prescription medication for female irritable bowel syndrome. The same album produced "The Elephant Never Forgets" which is used as the theme of the Televisa sitcom, "El Chavo del Ocho" Even the Beastie Boys (who asked permission from Perrey and Kingsley) used both the title and cover art of P & K's first album for their own The In Sound From Way Out! album in 1996, while Smash Mouth (who didn't ask for permission) borrowed the opening riff from "Swan's Splashdown" for their 1997 hit, "Walkin' On the Sun". Gershon Kingsley's biggest contribution to mainstream pop music came in the early 1970s as the composer of "Popcorn," the single biggest hit of the German phantom-band "Hot Butter", led by American Stan Free.
Their work for Vanguard is available on a three-CD set called The Out Sound From Way In! The Complete Vanguard Recordings. The bonus CD features two remixes of "E.V.A." by Fatboy Slim, remixes of "Winchester Cathedral" and "Lover's Concerto" from Kaleidoscopic Vibrations as well as "Electronic Can-Can" and "Unidentified Flying Object," each by techno artists Eurotrash.
Perrey has released four new CDs since the year 2000: Eclektronics - recorded in 1997 with musician David Chazam (Basta, 2000), and Circus of Life - recorded in 1999, with musician Gilbert Sigrist (PHMP, 2000). Perrey released The Happy Electropop Music Machine (2006), and Destination Space (2008), with musician and arranger Dana Countryman.
Perrey lived in France, and was in high demand for lectures and concerts all over the world. In August 2006, Perrey gave a concert tour with Dana Countryman, of Seattle, San Francisco and Hollywood, to support the release of "The Happy Electropop Music Machine" CD. Perrey performed in Russia, in April 2007 with David Chazam, and Perrey and Countryman did a concert in Norway in September 2007. In 2008, Perrey and Chazam performed in Bucharest, Romania, and in 2008, Perrey and Countryman gave concerts in Newcastle, England, New York City and Montreal, Canada to support the release of their "Destination Space" CD, also on Oglio Records.
Gershon Kingsley lives in New York City, and in 2007 was a featured performer, and received the "Lifetime Achievement Award" at Moogfest, an annual celebration of Dr. Robert Moog and his synthesizers.
Kingsley was born in Germany. As his father was Jewish, his family fled the Deutsches Reich in 1938 to settle in Palestine-Land of Israel where the 15-year-old, self-taught musician began his career in music. After World War II, Kingsley emigrated to America where he became a pit conductor for Broadway musical shows after graduating from the Los Angeles Conservatory of Music.
Perrey was a French accordion player and medical student who abandoned his studies after meeting Georges Jenny in Paris in 1952. Jenny was the inventor of the Ondioline, a vacuum tube-powered keyboard instrument that was a forerunner of today's synthesizers and was capable of creating an amazing variety of sounds. Its keyboard had a unique feature — the keyboard was suspended on special springs that were capable of introducing a natural vibrato if the player moved the keyboard from side to side with the playing hand. The result was a beautiful, almost human-like vibrato that lent the Ondioline a wide range of expression. The keyboard was also pressure-sensitive, and the instrument had a knee volume lever as well. Jenny hired Perrey as a salesman and demonstrator of the new instrument. As a result, he came to the attention of French singer Édith Piaf, who sponsored him to record a demo tape that later facilitated him access to work and live in the United States between 1960 and 1970.
Perrey and Kingsley came together during Kingsley's stint as a staff arranger at Vanguard Records, an independent label in New York City that specialized not in avant-garde music, but in folk music. At that time, Perrey was experimenting with tape loops, which he had been introduced to by the French avant-garde musician Pierre Schaeffer. Each loop was a laboriously hand-spliced assemblage of filtered sounds, pitch-manipulated sounds and sometimes even animal calls. The end result of their first collaborative effort in 1966 combined Perrey's tape loops, and his inventive melodies with Kingsley's complementary arrangements and instrumentation. The resulting album was filled with tunes that sounded like music from an animated cartoon gone berserk. Their first LP was titled The In Sound From Way Out! and was released on Vanguard Records that same year. Since this was decades before the advent of widespread digital technology, each tune took weeks of painstaking editing and splicing to produce.
The twelve rather whimsical tracks bore names like "Unidentified Flying Object" and "The Little Man From Mars" in an attempt to make electronic music more accessible to the general public. In fact, "Unidentified Flying Object" and another of the album's cuts, "Electronic Can-Can" eventually became theme music for "Wonderama," a Metromedia Television children's program of the early 1970s. Though most of the melodies were original, two borrowed from the classics. "Swan's Splashdown" was based on Pyotr Tchaikovsky's "Dance of the Little Swans" while "Countdown At 6" borrowed from Amilcare Ponchielli's "Dance of the Hours," much as Allan Sherman did in 1963 with his hit recording, "Hello Muddah, Hello Fadduh." The final cut on the album, "Visa To The Stars" is co-credited to "Andy Badale," who would go on to fame as Angelo Badalamenti, arranger of the music in many of David Lynch's movies. In contrast to the rest of the album, "Visa To The Stars" is a more serious gesture and lacks the unusual sound effects of the other eleven cuts. It is highly reminiscent of the style of Joe Meek and his hit, "Telstar" by The Tornados. Perrey's Ondioline carries the melody throughout. This is also comparable to Kai Winding's 1963 recording of "More", which also carries the melody on the Ondioline.
Their second and final collaborative effort came in 1967 with the release of Kaleidoscopic Vibrations: Electronic Pop Music From Way Out, which was re-released in 1971 under the title: Kaleidoscopic Vibrations: Spotlight on the Moog. This was a similar sounding effort, but instead of all original compositions, the album was mostly versions of popular songs of the day. In this album, Perrey's tape loops and effects were added in post-production after Kingsley's orchestrations were recorded, a technique now commonly used by electronic artists to this day. The album was one of the first to use the new Moog modular synthesizer, a massive, complicated electronic instrument resembling an old-style telephone switchboard. The album also bore two notable singles. In fact, the Moog album was released a year and a half before the release of Wendy Carlos' ground-breaking Switched-On Bach. "The Savers" would go on to fame in 1968 as the Clio Award-winning music for a television ad for No-Cal diet drinks, and in 1972 as the theme to the American television game show "The Joker's Wild".
About the time "The Savers" was being used on television, engineers with the Walt Disney Company were at work on a new parade at Disneyland Park, the "Main Street Electrical Parade." The idea was to cover floats with thousands of electronically controlled colored lights and to set the show to music. Paul Beaver and then later Disney musician Don Dorsey helped rework a Perrey-Kingsley composition called "Baroque Hoedown," an upbeat, almost sparkling number best described as "harpsichord gone country." It would become the underlying theme song of the parade for the next three decades at Disneyland, Magic Kingdom, Tokyo Disneyland, Disneyland Paris, Disney California Adventure Park, with newer arrangements still heard in updated versions of the Electrical Parade at the Magic Kingdom and Tokyo Disneyland. The Don Dorsey arrangement also appeared in Disneyland's Remember... Dreams Come True fireworks show from 2005 to 2014. Yet another arrangement serves as one of two theme songs to Disney's Paint the Night Parade, which premiered at Hong Kong Disneyland in 2014, and will premiere at Disneyland on or around May 22, 2015.
Several segments of Sesame Street produced in the 1970s also made use of music from The In Sound from Way Out, as did other television programs, such as "The Red Skelton Show." A skit from the October 23, 1976 airing of Saturday Night Live titled "Jeopardy! 1999" used "Unidentified Flying Object" as the opening and closing themes.
Though Perrey and Kingsley never enjoyed tremendous commercial success, their music inspired a generation of musicians and was used (and still is used) extensively in advertising. Moog Indigo, a Jean-Jacques Perrey solo album from 1970 featured a cut called "E.V.A." (also co-written by "Andy Badale," aka: Angelo Badalamenti). This slow, funky track is one of the most sampled in hip hop and rap music history. A track on Siriusmo's 2010 release "The Plasterer Of Love", entitled "Blaue Sonne" features a sample of "Lovers Concerto", which features on "The In Sound from Way Out!" In the U.K., pioneered by Kenny Everett, DJs extensively used their tracks as continuity music or took clips for use as jingle backing from the late '60s and early '70s. In the U.S., it is currently being used in a TV ad for Zelnorm, a prescription medication for female irritable bowel syndrome. The same album produced "The Elephant Never Forgets" which is used as the theme of the Televisa sitcom, "El Chavo del Ocho" Even the Beastie Boys (who asked permission from Perrey and Kingsley) used both the title and cover art of P & K's first album for their own The In Sound From Way Out! album in 1996, while Smash Mouth (who didn't ask for permission) borrowed the opening riff from "Swan's Splashdown" for their 1997 hit, "Walkin' On the Sun". Gershon Kingsley's biggest contribution to mainstream pop music came in the early 1970s as the composer of "Popcorn," the single biggest hit of the German phantom-band "Hot Butter", led by American Stan Free.
Their work for Vanguard is available on a three-CD set called The Out Sound From Way In! The Complete Vanguard Recordings. The bonus CD features two remixes of "E.V.A." by Fatboy Slim, remixes of "Winchester Cathedral" and "Lover's Concerto" from Kaleidoscopic Vibrations as well as "Electronic Can-Can" and "Unidentified Flying Object," each by techno artists Eurotrash.
Perrey has released four new CDs since the year 2000: Eclektronics - recorded in 1997 with musician David Chazam (Basta, 2000), and Circus of Life - recorded in 1999, with musician Gilbert Sigrist (PHMP, 2000). Perrey released The Happy Electropop Music Machine (2006), and Destination Space (2008), with musician and arranger Dana Countryman.
Perrey lived in France, and was in high demand for lectures and concerts all over the world. In August 2006, Perrey gave a concert tour with Dana Countryman, of Seattle, San Francisco and Hollywood, to support the release of "The Happy Electropop Music Machine" CD. Perrey performed in Russia, in April 2007 with David Chazam, and Perrey and Countryman did a concert in Norway in September 2007. In 2008, Perrey and Chazam performed in Bucharest, Romania, and in 2008, Perrey and Countryman gave concerts in Newcastle, England, New York City and Montreal, Canada to support the release of their "Destination Space" CD, also on Oglio Records.
Gershon Kingsley lives in New York City, and in 2007 was a featured performer, and received the "Lifetime Achievement Award" at Moogfest, an annual celebration of Dr. Robert Moog and his synthesizers.
Fallout
Perrey & Kingsley Lyrics
We have lyrics for 'Fallout' by these artists:
13th Draft ...And someone went so far! He was there not only once. So…
16xteen_Rsa Walking like a god Im on top of the wave I…
32Stitches I waited my whole life Waited a lifetime For something to fe…
Adam When the firewall breaks it's lifelong truth When the battle…
Ali Gatie What are you lookin' for? How come it's not at home? I…
All Good Things You set my soul set my soul set my soul…
Alter Bridge Oooooo. Another river runs against the grain Another is born…
Apulanta I don't know about using plastercine To close my wounds or…
B.U.T You'll wear the fallout You'll wear the fallout The world w…
Billy Pettinger Hey I forgot to call I was busy lining the walls with…
Blair Dunlop Here's to life in the dark Because I'm in the dark…
Bride SHARE YOUR LUST, INFLICT YOUR PAIN - Revelation 18:14; I…
Brookfield I’ll wait on the other side Your fate is out of…
Buckcherry Steady like a gun I'm living a nightmare Married to my fucki…
Bushido Schwarze Regentropfen fallen Es ist Fallout, Fallout! Sicker…
Call to the Faithful A person’s only a person if I can shift my…
CATFISH THE BOTTLEMEN I pissed you off again So that you'd leave me Alone in…
Catfish And The Bottlemen I pissed you off again So that you'd leave me Alone in…
Catfish and the Bottlemen Catfish & The Bottlemen I pissed you off again So that you'd leave me Alone in…
Celph Titled (Chorus: Dutchmassive) Don’t ever push yourself against’ …
CHERITON I always thought you went about it Like you were better…
Chri$topher Imma touch the sky i won't fallout Lil mama said i'm…
Data What are you going to do now, where are you…
Dealership Could we get out of here? Late today you saw the…
Devin Townsend As we're born to ride alone Never to return Cry unfair if…
Dixie You got nothing to lose, you never know They say, don't…
Dutchmassive (Hook: 2X) Don't ever push yourself against the wall Cause…
E.T Project As we're born to ride alone Never to return Cry unfair if…
Eisenfunk Clicking sounds - sounds that reveal the presence of radioac…
Enox Where do we run Nowhere to go Cover the world In ash and…
Eyes Wide Open Where’s our perspective? It seems to never change You pave t…
F-Timmi And now it's on cause there's nothing left to talk…
For All Eternity Inhale, inhale Life leaves as smoke prevails These walls wee…
Formalin Dirt dead dusted crap It will come taking back Our past bl…
Futureheads If we have to fallout, we should fallout together 'cause we…
G-Rex I been sleeping Lying dormant but never dreaming Woke with a…
Gavanni Yeah Everyday people come People stay People go At the end o…
Getter Is that a real gun? Yeah yes, its a real gun. He…
Grave Digger View your time are come The warning from the bell To late…
GreyMarket Who were you then? It's worth remembering See if you can Oh …
H.A.R.T.H A.L.D.U.L.A.I.M.Y You'll wear the fallout You'll wear the fallout The world w…
H.O.S I never meant to hurt you But knew I someday would It's…
H.O.S. I never meant to hurt you, but knew I someday…
Hate It Too Dressed as a stranger, the mirror's cracking My dreams are d…
Hope Republic There was a time when we tried Maybe too hard for…
HVDES Cold sweats, pupils shrinking Don′t know what I was thinking…
I Love You I Know You'll wear the fallout You'll wear the fallout The world w…
Imperative Reaction I am the lost hope I tried to never be I am…
IQ Down, unbowed, chased the omens Found in the clouds Drove th…
J-Ideas Thought you me fallout Now I pull my cash out Shoutout to…
John Frusciante Carried through the road so far alone Days glue themselves…
John Mojo Platformówka lubi skakać jak Kangurek Kao Pani Pac-Man goni …
Kirsten Proffit I'm sitting here alone You're on my mind And in the other…
KITCHEN - Yo La Tengo I won't tell you how it's gonna be I don't have…
LAREINE kizukanai no? boku ga shikaketa wana ni ashiba no nai anata…
Liege Lord I tried to escape, fallout All around me, yeah The blast…
Lifetheory (Poluykov A.I.) You'll wear the fallout You'll wear the fallout The world w…
Linkin Park I'm swimming in the smoke Of bridges I have burned So don't…
LUNA SEA Yogoreta mado glass sekaito ore wo hikihanasu Hibireta kaga…
Lyrical Lemonade Back in my arms once again I'm praying and hoping for…
Made of Hate The wave of death Has just crossed the world Burning whole…
Madison Acid and TV Girl Maddie Maddie Acid You can spell it with a double D Yeah…
Marianas An empty room, I'm empty too And everything reminds me of…
Masked Wolf Cold sweats, pupils shrinking Don't know what I was thinking…
Naked Empire If the web that we've spun Of law comes undone What would…
Nausea Destitute populations Diseased minds Censored opinions Dwell…
Neon Indian Melting asphalt Running start Winded tongue ties from a Heat…
Neon Indian. Melting asphalt Running start Winded tongue ties from a H…
No-1 Split down the middle On the smallest things Causing divisio…
Norsacce Berlusconi & Dinos Diamant vient d'Anvers, putain d'vie à l'envers Aucune confi…
Of Blood and Oak No more light cold as night No more sunlight Another day goe…
Otargos "Dystopic landscapes and burnished skies Dog-eat-dog planet…
Q.U.E You'll wear the fallout You'll wear the fallout The world w…
Queensrÿche I thought that you should see See the beginning Constant, I …
r. v. aggelen Blindsided by your perfection I just want your attention all…
S.E.T.H. Yea Spun around the block twice on a opp Who said you…
Severed Fifth As the darkness covers me, the walls inside are sound, Nev…
Sied van Riel vs. R.O.R. I never meant to hurt you, but knew I someday…
Silver Retriever I’m not waiting any longer I’ve licked my wounds for long…
Slaves on Dope Shut Up, Shut Up, I Hear What You're Saying I Know…
Sleep Theory Do you remember how it felt each time you looked…
Slumber From birth placed in a mad society Feeding on illusions Spea…
Sofi Bonde I seem to forget how Easy I fall out I'm not yours…
Solitiverse Put your head on my shoulder Whisper in my ear Baby Words I…
Sonic Syndicate This is the verity For a lot of you And how you…
Sons of Perdition Angels of Heaven Fall, fall The Fool of eleven Fall, fall Pl…
Spiritfall Complicate my complication but i just don't know interpreti…
Spun Mellow Yeah maybe if you take more time Yeah maybe it'll work…
Starsailor Keep it going 'til the next disaster Maybe we'll be happy…
Sturmreaktor War. War never changes. The end of the world occured pretty…
Sylvia Rose Novak From the corner of my eyes I see the shadows rise And…
T Clipse Yeah Is you gon' stay for the whole time? Is you on…
Tanya Donelly Honey won't you let yourself speak free Honey won't you let…
Terrorizer No shelter to hide No place to run No immunity to survive …
The Browning We live in the fallout To blind to see our downfall We…
The Futureheads If we have to fallout, we should fallout together 'cause we'…
The Mavis's Fallout Meltdown In your breath You breathe Me clear Li…
The Mayfield Four Done it to myself once again breaking off a piece for…
The Monochrome Set I used to be poor, but now I'm rich When people…
The Police I never thought of leading I've got my own machine And I've…
The Weirdos That stuff that's falling from the sky really isn't rain I'd…
The Workday Release It's coming back around now I always knew it would end…
TV Girl Maddie Maddie Acid You can spell it with a double D Yeah…
UNSECRET & Neoni Hush now Dry your eyes Fate is upon us The changing of times…
VNV Nation I tried to escape, fallout All around me, yeah The blast…
Weirdos That stuff that's falling from the sky really isn't rain I'd…
Yo La Tengo I won't tell you how it's gonna be I don't have…
Young Summer Bad break Reset the bone How long will this take / this…
Zachery Allan Starkey Let's have a good time Composed and Performed by Zachery Al…
We have lyrics for these tracks by Perrey & Kingsley:
15. Strangers in the Night Strangers in the night, Exchanging glances Wandering the …
Barnyard in Orbit Looking around like I can't believe it How did I let…
Cat in the Night Strangers in the night, Exchanging glances Wandering the ni…
Four Three Two One 4321…
Lover's Concerto How gentle is the rain, that falls softly on the…
Stranger in the Night Strangers in the night, Exchanging glances Wandering the ni…
Strangers in the Night Strangers in the night, Exchanging glances Wandering the ni…
Third Man Theme When a zither starts to play You'll remember yesterday In it…
Unidentified Flying Object Melting caramel drizzled over my baked custard pudding Softl…
We have lyrics for these tracks by Kingsley:
All Me Should of moved on But you wanted to say Should of let…
All of Me All of You I've never had this feeling before I've never wanted anyone…
Breaking Still Tired, breaking my Tired, breaking still I'm still sad and y…
Changed Trusted you with all of me Gifted you with my mind…
Coming Back to You Well my feet touched down on familiar ground again today The…
I'm Fine I'm fine I'm fine I'm fine I don't need you I don't I'm fine…
Imagination But it was just imagination That you have this fascination A…
Intro You think we would've figured it out by now Looking back…
Life After You Crying on the bedroom floor Shaking I can't take no more I'v…
Loving You You see, it was crazy right Falling, for you What is this…
Ma dulcinée Yeah kingsley ce soir j'ai mal j'ai besoin de te parler …
My Only Love If I had to live my life without you near…
One Of The Good Ones I'm fine I'm fine I'm fine I don't need you I don't I'm fine…
Popcorn Bip bip bip bip bip bip bip... Bip bip bip bip…
Run Me Down Baby bist du down for me ? Oh Baby bist du…
Take Me 2:30 you find me You know just what you want tonight Your…
The Game It's over If I jump on a track Then it's over Fuck on…
Therapy Damn I need some fucking therapy To get through you What the…
Wait for You We are flying together as birds to touch the sky…
Waiting on You Darling, don't you go changin' I'll always be chasin' But I'…
You God damn you, you, you Never beg for my forgiveness But I…
You Didn't I let you delegate, dictate I let my own faith, lead…
The lyrics are frequently found in the comments by searching or by filtering for lyric videos
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