Broderick he grew up in a small town of Carlton, near Portland, Oregon. Coming from a musical family, he started violin lessons at age 7, and in high school became interested in all different kinds of instruments. He started to play piano, guitar, banjo, mandolin, musical saw, and anything else he could find. After high school he moved to Portland, OR, where he studied music theory and filmmaking. During this time he began to play in multiple bands around town, and was able to establish himself as a regular session musician at various recording studios for artists like M. Ward.
In late 2007 he was miraculously invited by some of his musical heroes, the Danish band Efterklang, to move to Copenhagen and join the live band. So he did, and since then he has toured with the band all around the world, playing hundreds of concerts, and opening many of them as a solo act.
Since this move he has released several solo recordings as well. Starting with a few primarily instrumental, piano-based releases in 2007, then branching out into a completely different world with the more folky ‘Home’ in late 2008, which has all but established Broderick as the young composer to watch – with critical acclaim from music magazines (NME/Mojo/Uncut) and broadsheet press alike. ‘A precociously talented, classically trained multi-instrumentalist’ – The Independent / ‘A songwriter of beguiling depth' #19 Album of 2008 – The Sunday Times
2009 saw his first major release, ‘Music for Falling From Trees’, a 30-minute piece, in seven sections, created for a contemporary dance by London-based choreographer Adrienne Hart (Neon Productions). Adrienne was looking for a score of piano and strings, so he left the guitar and his voice aside and focused entirely on those two timbres. ‘I decided to take this literally and make a rule not to use any other instrument. In the script it called for the sound of a ticking clock. I made this sound by tapping on the body of the violin with my fingernails.’ The dance tells the story of a man in a psychiatric hospital, and his struggle to maintain his identity. The music is sometimes melancholic, sometimes playful, sometimes chaotic, but with the combination of piano and strings, full of beauty, reverence and awe. The dance premièred at The Place, London, on January 21st, 2009.
His album "‘These Walls of Mine" was released in 2012.
With The Notes In My Ears
Peter Broderick Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
With the notes in my ears
And the ones I often mimicked
With the notes in my fingers
And my bed is on the floor
Yes, my bed is on the floor
Of one of the ones I often dreamt of
And that's why I know that
And that's how I know that
It's time to be brave
The lyrics of Peter Broderick's With The Notes In My Ears suggest a sense of nostalgia and reminiscence. The first two lines speak about individuals that Broderick often dreamt of and mimicked, perhaps referring to musical influences or inspirations. The following line, "my bed is on the floor," creates a stark and simplistic image that symbolizes humility and minimalistic living. The fact that Broderick's bed is in "one of the ones" he often dreamt of signifies that he may have achieved his musical aspirations or goals, yet he remains modest and grounded.
Broderick's reflective tone shifts in the chorus as he declares himself "lucky" and "brave." These words suggest that he has realized his dreams and is now taking pride in his musical abilities. The phrase "with the notes in my ears" is repeated, emphasizing the importance of music to Broderick and how it has shaped his life. The song's simple structure and gentle melody complement the introspective nature of the lyrics, which provoke individuals to reflect on their own life journeys and which forces them to acknowledge the potential impact of pursuing one's passions.
Overall, Peter Broderick's With The Notes In My Ears highlights the power of music in shaping one's experiences and perspectives. The song also possesses a sense of humility and groundedness, reminding us that despite our successes, it is important to remain humble and reflective.
Line by Line Meaning
Oh, the ones I often dreamt of
The people whom I frequently fantasized about
With the notes in my ears
All while listening to music
And the ones I often mimicked
The people whom I often imitated
With the notes in my fingers
While playing music myself
And my bed is on the floor
My bed is not elevated or situated properly
Yes, my bed is on the floor
I confirm that my bed is not elevated
Of one of the ones I often dreamt of
In the living space of someone I idolized
And that's why I know that
This informs my understanding that
I can say I'm lucky today
I am fortunate at this moment
And that's how I know that
This is how I came to realize that
It's time to be brave
I need to exhibit courage and boldness now
Writer(s): Peter Broderick Copyright: Tonic Music Ltd.
Contributed by Jake V. Suggest a correction in the comments below.
@kiaradelgado5629
Oh los que a menudo soñé
con las notas en mis oídos
y los que a menudo imitaba
con las notas en mis dedos
y mi cama está en el suelo
Sí, mi cama está en el suelo
de uno de los que a menudo soñaba
con las notas en mis oídos
y es por eso que sé que puedo decir
Tengo suerte hoy
y así es como sé que es hora
ser valiente
@keitrajano
Cristina and Owen brought me here
@beverlymapes8785
Same!
@neev99_66
Me 2
@aayushi2866
This song transports me to a calm place.. Grey's does have the best songs!
@MsCarrcarr
Best song !!!! I found it on Greys anatomy !!
@jones616
Love that guitar style, I could listen for hours...also a G A fan
@franciscamena2364
cristina and owen💓😔 love this song😻
@raianedasilva262
Grey's Anatomy ❤
@dairylandbogurt
I never watch grey's anatomy; but it never seizes to amaze me how they beat me to bands. Even when I think I've totally found some obscure ones. One of these days grey's...
@jones616
Just make certain to start at the beginning (G's A)