After touring the US and Europe for two years, he left Humble Pie as the group was gaining popularity because of disdain for Marriott's hard living lifestyle and screaming boogie rock direction. Aside from his work with Humble Pie, other recordings of this era that feature Frampton include albums by Harry Nilsson, Jerry Lee Lewis, and George Harrison. His solo debut was 1972's Wind of Change, which did not fare well on the charts though receiving critical praise. It also featured appearances by musicians such as Ringo Starr and Mick Jones.
Two more efforts by Frampton also struggled commercially, one released under the moniker Frampton's Camel. Constant touring began to create awareness of his talents, however, and 1974's Frampton LP went gold. It also peaked #32 on the Billboard 200 chart in the U.S., showing his growing international appeal.
He finally gained lasting international fame by 1976 when his much-loved live album, Frampton Comes Alive! was released. Having built up his reputation on the road, the LP debuted at No. 1 on the charts in January 1976. It was long considered the best-selling live album of all time, moving over 16 million copies worldwide.
In 1978, Peter suffered a near fatal car crash in the Bahamas, which left him with a concussion, muscle damage and broken bones. But in 1979, he released the album 'Where I Should Be', which went gold and produced the hit 'I Can't Stand It No More'.
His extensive use of the Talk Box effect was and still is an integral part of the Peter Frampton experience.
His albums never regained the high chart placements of the 70's era but he has continued his musical career none the less. Among the gimmicks he's employed to maintain interest have been releasing Frampton Comes Alive II, as well as joining Ringo Starr's touring revue, recording two CDs with ex-Stone Bill Wyman and unsucessfully attempting to reunite with Steve Marriott before his death in 1991. Other notable occasions include starring with the Bee Gees in a film version of The Beatles Sgt Pepper's Lonely Hearts Club Band album and playing with David Bowie on his Never Let Me Down album and tour.
In 2006, Frampton released Fingerprints, a completely instrumental guitar showcase album.
In 2013, two of the ballet’s spring production segments were choreographed to Frampton and his band. A third section featured these new compositions. As Frampton says about the experience: “Writing for dance was a wonderfully freeing experience, There were no boundaries…Songwriters and musicians create music to move people. This was beautiful, graceful, and instantly gratifying!”
“The Promenade’s Retreat” features Frampton laying down some light picking. The verses are few, so we don’t get all that much singing, though Frampton’s voice is very distinctive. There is an easy backbeat provided by drummer Chad Cromwell and Frampton manages his trills, pulls-offs and clean intricate leading.
The title track is a poppy acoustic guitar number. Frampton sings at the high end of his range, we get very Beatlesque sing-able choruses, a tickle of Dobro guitar slide in the bridge, and harmony vocals from Gordon Kennedy. Erik Darken’s congas keep everything slipping along as Frampton leads on top of the concoction, showing his mastery on acoustic as much as he ever has on electric.
“The One in 901” is the first real rock mover and probably the heaviest. There is a chunky Chad Cromwell drumming and Frampton double octave riffing. Over the top, he delivers slightly distorted simple yet effective leads. We even hear some softly sung “ooh’s” before the break out at the end.
“Heart To My Chest” is a delicate tune. Frampton offers up his acoustic yet again for the main voicing and some poignant lyric, his voice breaking even slightly on top of it all. When Blair Master’s piano, Gordon Kennedy’s bass and Cromwell’s drums come in for the choruses, we are in latter-day John Lennon-sounding territory. This tune features guitar and piano descending lines at its end with Frampton offering up clean leads over it. This is the best tune here.
A shuffling mid-tempo beat pushes “Norman Wisdom.” Frampton leads all over the tune on acoustic, offering a fun lyric and Steely Dan-like backing vocals from Kennedy and Frampton. Hummingbird In A Box: Songs For A Ballet is clean, simple, not overly stylized playing from Peter Frampton. The songs are strong enough to stand on their own, ballet or not. We get another example of what Peter Frampton is capable of after five decades.
Peter now resides in Cincinnati, Ohio and can still be found playing concerts around the world.
Baby
Peter Frampton Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
And they're moving across the page
Suddenly the day turns into night
Far away from the city but don't hesitate
'Cause your love won't wait hey
Ooh baby I love your way every day
want to tell you I love your way every day
want to be with you night and day
Moon appears to shine and light the sky
With the help of some fireflies
I wonder how they have the power shine shine shine
I can see them under the pines
But don't hesitate 'cause your love won't wait hey
Ooh baby I love your way every day
want to tell you I love your way every day
want to be with you night and day uh yeah
But don't hesitate 'cause your love won't wait
I can see the sunset in your eyes
Brown and grey and blue besides
Clouds are stalking islands in the sun
Wish I could dry one out of season
But don't hesitate 'cause your love won't wait hey
Ooh baby I love your way every day
want to tell you I love your way uuhh
want to be with you night and day
Ooh baby I love your way every day
want to tell you I love your way uuhh
want to be with you night and day
In Peter Frampton's song "Baby," the lyrics talk about the excitement and anticipation of a fresh start in the new year. The singer talks about feeling confident that this year will be their year and that they cannot go wrong. The lyrics also suggest that the singer has some new plans and that they are excited about sharing them with their loved ones. The singer mentions that they keep teasing someone and that they do not exactly know why, but they are looking forward to the new year and not feeling blue all year round.
Throughout the song, the singer emphasizes the feeling that something big and exciting is happening. They encourage the listener to hold tight and wait for something extraordinary to occur. They also mention that they feel like dancing and cannot sleep because their heart keeps beating faster. The singer emphasizes the importance of a positive attitude and not letting anything bring you down. They assure the listener that they will always be there to pick them up if they are feeling down.
Line by Line Meaning
Who said It's my year was it you there - can't go wrong
The singer wonders who said that this is their year, and questions whether the person they're addressing might have been the one. They express optimism and confidence that things will go well.
I see a new way you'll be in my play - sing my song
The singer imagines a new way forward and envisions the person they're addressing as a participant in their endeavours. They encourage them to share in their artistic vision.
Where is the reason I keep teasing - if I knew
The singer is perplexed by their own behaviour and wonders why they keep teasing the person they're addressing. They express uncertainty and confusion.
Now to see the new year not being blue here - all year round
The artist hopes that the new year will bring happiness and joy, and not sadness or depression. They express a desire for good things to continue throughout the year.
Alright somethin's happening
The artist senses that something is going on, but is unsure what it is. They express a feeling of anticipation and excitement.
Hold tight it might be lightning
The singer urges the person they're addressing to hold on tight, as something big might be about to happen. They use a metaphor of lightning to suggest that it will be intense and sudden.
Turn up the lights somethin's moving
The singer notices that something is changing and calls for more light to illuminate what is happening. They express a sense of urgency and importance.
Can't sleep at night my heart keeps missing a beat
The artist is deeply affected by whatever is going on, and feels restless and anxious. They express a strong emotional response to the situation.
I know it's my year ain't got no fear - hold me down
The artist reiterates their belief that this is their year, and expresses confidence and courage. They ask the person they're addressing to support them in their endeavours.
Take it easy if not for me - sing my song
The artist asks the person they're addressing to take it easy, if not for themselves, then for the artist's sake. They encourage them to join in with their creative pursuits.
Ooh baby, don't ever let it bring you down
The singer offers words of encouragement to the person they're addressing, telling them not to let anything get them down or discourage them. They express care and concern.
Ooh baby, that's not the way I want it to sound
The artist corrects what they perceive to be a negative tone, and lets the person they're addressing know that they want things to be more positive. They express a desire for happiness and harmony.
Ooh baby, don't catch me when I'm runnin' around
The singer asks the person they're addressing not to judge them when they're being playful or carefree. They express a desire for acceptance and understanding.
Ooh baby, I'll pick you up if your on the ground
The singer promises to be there for the person they're addressing if they ever need help or support. They express a sense of loyalty and devotion.
Lyrics © BMG Rights Management, Universal Music Publishing Group
Written by: Peter Kenneth Frampton
Lyrics Licensed & Provided by LyricFind
Alivia
Shadows grow so long before my eyes
And they're moving across the page
Suddenly the day turns into night
Far away from the city
Don't hesitate
'Cause your love won't wait
Ooh baby I love your way
Want to tell you I love your way
Want to be with you night and day
Moon appears to shine and light the sky
With the help of some firefly
Wonder how they have the power to shine, shine, shine
I can see them under the pine
Don't hesitate
Cause your love won't wait
Ooh baby I love your way
Want to tell you I love your way
Want to be with you night and day
Well don't hesitate
Cause your love won't wait
I can see the sunset in your eyes
Brown and gray, blue besides
Clouds are stalking islands in the sun
I wish I could buy one
Out of season
Don't hesitate
Cause your love won't wait
Ooh baby I love your way
Want to tell you I love your way
Want to be with you night and day
tropicwave1
Baby I Love Your Way
Peter Frampton
Shadows grow so long before my eyes
And they're moving across the page
Suddenly the day turns into night
Far away from the city but don't hesitate
'Cause your love won't wait hey
Ooh baby I love your way every day
want to tell you I love your way every day
want to be with you night and day
Moon appears to shine and light the sky
With the help of some fireflies
I wonder how they have the power shine shine shine
I can see them under the pines
But don't hesitate 'cause your love won't wait hey
Ooh baby I love your way every day
want to tell you I love your way every day
want to be with you night and day uh yeah
But don't hesitate 'cause your love won't wait
I can see the sunset in your eyes
Brown and grey and blue besides
Clouds are stalking islands in the sun
Wish I could dry one out of season
But don't hesitate 'cause your love won't wait hey
Ooh baby I love your way every day
want to tell you I love your way uuhh
want to be with you night and day
Ooh baby I love your way every day
want to tell you I love your way uuhh
want to be with you night and day
Songwriters
FRAMPTON, PETER KENNETH
Published by
Lyrics © Universal Music Publishing Group
Harold Hatley
I was 15 in 1974. I only had 2 albums for my record player. Robin Trower’s Bridge of Sighs, and Peter Frampton. Now i’m 62 and battling Cancer. When i listen to THIS song, im 15 again and back in my room with my record player. When i was 15, i was gonna live forever.
Thank you Peter Frampton for letting me feel that way just one more time.
Terry
I love the transformative power of music and how unique it is to everyone. All the best on your journey. ❤❤❤
Harold Hatley
@Terry thank you!
Deborah Merkerson
Harold, you can beat cancer. It is not the formidable disease it once was. I am a survivor and know you can be too. M.
Harold Hatley
@Deborah Merkerson thank you for the support. Heading to Stanford Medical Center today to beat this thing. I will be taking a little Frampton with me during my stay. Thank you!
John Seabrook
All the best to you, mate. I liked his music too. Greetings from Australia.
Raymond Wilks
The older you get the more meaning this song has. One day you'll wake up and this song will come on the radio and just slap you across the face.
Nicole Torgler
I respectful love your comment
Lisa Dougherty
It just did....
D. B.
@Lisa Dougherty me too!!!