Peter Frampton (born 22 April 1950 in Beckenham, Kent) is a British musicia… Read Full Bio ↴Peter Frampton (born 22 April 1950 in Beckenham, Kent) is a British musician, best known today for his multi-platinum selling solo work in the mid-70s when he was an "arena rocker". He originally became famous, however, as a young member of psychedelic era band The Herd and became a teen idol in Britain. Steve Marriott reportedly wanted to bring the 18-year-old Frampton into the Small Faces lineup but ended up starting Humble Pie with Frampton instead.
After touring the US and Europe for two years, he left Humble Pie as the group was gaining popularity because of disdain for Marriott's hard living lifestyle and screaming boogie rock direction. Aside from his work with Humble Pie, other recordings of this era that feature Frampton include albums by Harry Nilsson, Jerry Lee Lewis, and George Harrison. His solo debut was 1972's Wind of Change, which did not fare well on the charts though receiving critical praise. It also featured appearances by musicians such as Ringo Starr and Mick Jones.
Two more efforts by Frampton also struggled commercially, one released under the moniker Frampton's Camel. Constant touring began to create awareness of his talents, however, and 1974's Frampton LP went gold. It also peaked #32 on the Billboard 200 chart in the U.S., showing his growing international appeal.
He finally gained lasting international fame by 1976 when his much-loved live album, Frampton Comes Alive! was released. Having built up his reputation on the road, the LP debuted at No. 1 on the charts in January 1976. It was long considered the best-selling live album of all time, moving over 16 million copies worldwide.
In 1978, Peter suffered a near fatal car crash in the Bahamas, which left him with a concussion, muscle damage and broken bones. But in 1979, he released the album 'Where I Should Be', which went gold and produced the hit 'I Can't Stand It No More'.
His extensive use of the Talk Box effect was and still is an integral part of the Peter Frampton experience.
His albums never regained the high chart placements of the 70's era but he has continued his musical career none the less. Among the gimmicks he's employed to maintain interest have been releasing Frampton Comes Alive II, as well as joining Ringo Starr's touring revue, recording two CDs with ex-Stone Bill Wyman and unsucessfully attempting to reunite with Steve Marriott before his death in 1991. Other notable occasions include starring with the Bee Gees in a film version of The Beatles Sgt Pepper's Lonely Hearts Club Band album and playing with David Bowie on his Never Let Me Down album and tour.
In 2006, Frampton released Fingerprints, a completely instrumental guitar showcase album.
In 2013, two of the ballet’s spring production segments were choreographed to Frampton and his band. A third section featured these new compositions. As Frampton says about the experience: “Writing for dance was a wonderfully freeing experience, There were no boundaries…Songwriters and musicians create music to move people. This was beautiful, graceful, and instantly gratifying!”
“The Promenade’s Retreat” features Frampton laying down some light picking. The verses are few, so we don’t get all that much singing, though Frampton’s voice is very distinctive. There is an easy backbeat provided by drummer Chad Cromwell and Frampton manages his trills, pulls-offs and clean intricate leading.
The title track is a poppy acoustic guitar number. Frampton sings at the high end of his range, we get very Beatlesque sing-able choruses, a tickle of Dobro guitar slide in the bridge, and harmony vocals from Gordon Kennedy. Erik Darken’s congas keep everything slipping along as Frampton leads on top of the concoction, showing his mastery on acoustic as much as he ever has on electric.
“The One in 901” is the first real rock mover and probably the heaviest. There is a chunky Chad Cromwell drumming and Frampton double octave riffing. Over the top, he delivers slightly distorted simple yet effective leads. We even hear some softly sung “ooh’s” before the break out at the end.
“Heart To My Chest” is a delicate tune. Frampton offers up his acoustic yet again for the main voicing and some poignant lyric, his voice breaking even slightly on top of it all. When Blair Master’s piano, Gordon Kennedy’s bass and Cromwell’s drums come in for the choruses, we are in latter-day John Lennon-sounding territory. This tune features guitar and piano descending lines at its end with Frampton offering up clean leads over it. This is the best tune here.
A shuffling mid-tempo beat pushes “Norman Wisdom.” Frampton leads all over the tune on acoustic, offering a fun lyric and Steely Dan-like backing vocals from Kennedy and Frampton. Hummingbird In A Box: Songs For A Ballet is clean, simple, not overly stylized playing from Peter Frampton. The songs are strong enough to stand on their own, ballet or not. We get another example of what Peter Frampton is capable of after five decades.
Peter now resides in Cincinnati, Ohio and can still be found playing concerts around the world.
After touring the US and Europe for two years, he left Humble Pie as the group was gaining popularity because of disdain for Marriott's hard living lifestyle and screaming boogie rock direction. Aside from his work with Humble Pie, other recordings of this era that feature Frampton include albums by Harry Nilsson, Jerry Lee Lewis, and George Harrison. His solo debut was 1972's Wind of Change, which did not fare well on the charts though receiving critical praise. It also featured appearances by musicians such as Ringo Starr and Mick Jones.
Two more efforts by Frampton also struggled commercially, one released under the moniker Frampton's Camel. Constant touring began to create awareness of his talents, however, and 1974's Frampton LP went gold. It also peaked #32 on the Billboard 200 chart in the U.S., showing his growing international appeal.
He finally gained lasting international fame by 1976 when his much-loved live album, Frampton Comes Alive! was released. Having built up his reputation on the road, the LP debuted at No. 1 on the charts in January 1976. It was long considered the best-selling live album of all time, moving over 16 million copies worldwide.
In 1978, Peter suffered a near fatal car crash in the Bahamas, which left him with a concussion, muscle damage and broken bones. But in 1979, he released the album 'Where I Should Be', which went gold and produced the hit 'I Can't Stand It No More'.
His extensive use of the Talk Box effect was and still is an integral part of the Peter Frampton experience.
His albums never regained the high chart placements of the 70's era but he has continued his musical career none the less. Among the gimmicks he's employed to maintain interest have been releasing Frampton Comes Alive II, as well as joining Ringo Starr's touring revue, recording two CDs with ex-Stone Bill Wyman and unsucessfully attempting to reunite with Steve Marriott before his death in 1991. Other notable occasions include starring with the Bee Gees in a film version of The Beatles Sgt Pepper's Lonely Hearts Club Band album and playing with David Bowie on his Never Let Me Down album and tour.
In 2006, Frampton released Fingerprints, a completely instrumental guitar showcase album.
In 2013, two of the ballet’s spring production segments were choreographed to Frampton and his band. A third section featured these new compositions. As Frampton says about the experience: “Writing for dance was a wonderfully freeing experience, There were no boundaries…Songwriters and musicians create music to move people. This was beautiful, graceful, and instantly gratifying!”
“The Promenade’s Retreat” features Frampton laying down some light picking. The verses are few, so we don’t get all that much singing, though Frampton’s voice is very distinctive. There is an easy backbeat provided by drummer Chad Cromwell and Frampton manages his trills, pulls-offs and clean intricate leading.
The title track is a poppy acoustic guitar number. Frampton sings at the high end of his range, we get very Beatlesque sing-able choruses, a tickle of Dobro guitar slide in the bridge, and harmony vocals from Gordon Kennedy. Erik Darken’s congas keep everything slipping along as Frampton leads on top of the concoction, showing his mastery on acoustic as much as he ever has on electric.
“The One in 901” is the first real rock mover and probably the heaviest. There is a chunky Chad Cromwell drumming and Frampton double octave riffing. Over the top, he delivers slightly distorted simple yet effective leads. We even hear some softly sung “ooh’s” before the break out at the end.
“Heart To My Chest” is a delicate tune. Frampton offers up his acoustic yet again for the main voicing and some poignant lyric, his voice breaking even slightly on top of it all. When Blair Master’s piano, Gordon Kennedy’s bass and Cromwell’s drums come in for the choruses, we are in latter-day John Lennon-sounding territory. This tune features guitar and piano descending lines at its end with Frampton offering up clean leads over it. This is the best tune here.
A shuffling mid-tempo beat pushes “Norman Wisdom.” Frampton leads all over the tune on acoustic, offering a fun lyric and Steely Dan-like backing vocals from Kennedy and Frampton. Hummingbird In A Box: Songs For A Ballet is clean, simple, not overly stylized playing from Peter Frampton. The songs are strong enough to stand on their own, ballet or not. We get another example of what Peter Frampton is capable of after five decades.
Peter now resides in Cincinnati, Ohio and can still be found playing concerts around the world.
Black Hole Sun
Peter Frampton Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Black hole sun
Won't you come?
Black hole sun
Won't you come?
Won't you come?
Black hole sun
Won't you come?
Black hole sun
Won't you come?
Won't you come?
Won't you come?
Black hole sun
Won't you come?
Won't you come?
Black hole sun
Won't you come?
Won't you come?
Won't you come?
The lyrics to Peter Frampton's "Black Hole Sun" invite the listener to a dark and foreboding place. The repeated plea to the "black hole sun" suggests a sense of desperation and a desire to be consumed by the void. The lyrics could be interpreted as a reflection of the artist's personal struggles at the time, or a commentary on the darker aspects of society.
The refrain of "won't you come?" is particularly haunting, suggesting a longing to be enveloped by something greater than oneself. The song's ominous tone is amplified by the distorted guitar riffs and moody vocals. Overall, the lyrics to "Black Hole Sun" create a sense of unease and unease that is both unsettling and captivating.
Line by Line Meaning
Black hole sun
The state of mind or emotional turmoil that feels like trying to find light in an inexplicably dark and oppressive state
Won't you come?
The longing to escape or find a way out of that dark state, even if it means surrendering to the unknown
Black hole sun
The recurring presence and inescapable nature of the emotional turmoil represented by the black hole sun
Won't you come?
The desperation and hopelessness of trying to find a way out, only to be met with the same overwhelming darkness
Won't you come?
The persistent, almost pleading nature of the desire to escape the black hole sun and find a way to the light
Lyrics © HIPGNOSIS SONGS GROUP, Peermusic Publishing
Written by: Christopher J. Cornell
Lyrics Licensed & Provided by LyricFind
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@guitarcenter
You know what's cool? Peter Frampton covering Soundgarden's "Blackhole Sun" on #GCSessions back in 2011. That was cool.
@Allan62T
I saw him in Dallas in "06". Top shelf!... He played "While my guitar gently weeps" That would make Harrison cry...
@RealDiaz
Frampton has a way with the guitar sets him apart from all of his contemporaries, so lyrical. Being a singer songwriter helps your soloing big time. If you don't believe me just ask Eric Clapton, David Gilmour or Rick Medlocke, hehe.
@guitarist2752
Superbe!
@Jay_M_See
You go Pete, loved it!
@hatebreed516
hehe hehe butthead, it rules, it rules!! yeah, this was cool beavis, hehe hehe
@guitarcenter
#happybirthday Peter Frampton! Here's a celebratory #WBW of him performing the Soundgarden classic "Black Hole Sun" on #GCSessions back in 2011.
@dorothydavis2369
Letter z song
@Jan-tu6hv
Love him with his guitar technics
@gofish6856
DREW AND KAM..HOW GIFTED YOU ARE WITH ALL INSREMENTS..PLS TEACH ME...I LOVE YOU WITH ALL MY HEART...MOM