After touring the US and Europe for two years, he left Humble Pie as the group was gaining popularity because of disdain for Marriott's hard living lifestyle and screaming boogie rock direction. Aside from his work with Humble Pie, other recordings of this era that feature Frampton include albums by Harry Nilsson, Jerry Lee Lewis, and George Harrison. His solo debut was 1972's Wind of Change, which did not fare well on the charts though receiving critical praise. It also featured appearances by musicians such as Ringo Starr and Mick Jones.
Two more efforts by Frampton also struggled commercially, one released under the moniker Frampton's Camel. Constant touring began to create awareness of his talents, however, and 1974's Frampton LP went gold. It also peaked #32 on the Billboard 200 chart in the U.S., showing his growing international appeal.
He finally gained lasting international fame by 1976 when his much-loved live album, Frampton Comes Alive! was released. Having built up his reputation on the road, the LP debuted at No. 1 on the charts in January 1976. It was long considered the best-selling live album of all time, moving over 16 million copies worldwide.
In 1978, Peter suffered a near fatal car crash in the Bahamas, which left him with a concussion, muscle damage and broken bones. But in 1979, he released the album 'Where I Should Be', which went gold and produced the hit 'I Can't Stand It No More'.
His extensive use of the Talk Box effect was and still is an integral part of the Peter Frampton experience.
His albums never regained the high chart placements of the 70's era but he has continued his musical career none the less. Among the gimmicks he's employed to maintain interest have been releasing Frampton Comes Alive II, as well as joining Ringo Starr's touring revue, recording two CDs with ex-Stone Bill Wyman and unsucessfully attempting to reunite with Steve Marriott before his death in 1991. Other notable occasions include starring with the Bee Gees in a film version of The Beatles Sgt Pepper's Lonely Hearts Club Band album and playing with David Bowie on his Never Let Me Down album and tour.
In 2006, Frampton released Fingerprints, a completely instrumental guitar showcase album.
In 2013, two of the ballet’s spring production segments were choreographed to Frampton and his band. A third section featured these new compositions. As Frampton says about the experience: “Writing for dance was a wonderfully freeing experience, There were no boundaries…Songwriters and musicians create music to move people. This was beautiful, graceful, and instantly gratifying!”
“The Promenade’s Retreat” features Frampton laying down some light picking. The verses are few, so we don’t get all that much singing, though Frampton’s voice is very distinctive. There is an easy backbeat provided by drummer Chad Cromwell and Frampton manages his trills, pulls-offs and clean intricate leading.
The title track is a poppy acoustic guitar number. Frampton sings at the high end of his range, we get very Beatlesque sing-able choruses, a tickle of Dobro guitar slide in the bridge, and harmony vocals from Gordon Kennedy. Erik Darken’s congas keep everything slipping along as Frampton leads on top of the concoction, showing his mastery on acoustic as much as he ever has on electric.
“The One in 901” is the first real rock mover and probably the heaviest. There is a chunky Chad Cromwell drumming and Frampton double octave riffing. Over the top, he delivers slightly distorted simple yet effective leads. We even hear some softly sung “ooh’s” before the break out at the end.
“Heart To My Chest” is a delicate tune. Frampton offers up his acoustic yet again for the main voicing and some poignant lyric, his voice breaking even slightly on top of it all. When Blair Master’s piano, Gordon Kennedy’s bass and Cromwell’s drums come in for the choruses, we are in latter-day John Lennon-sounding territory. This tune features guitar and piano descending lines at its end with Frampton offering up clean leads over it. This is the best tune here.
A shuffling mid-tempo beat pushes “Norman Wisdom.” Frampton leads all over the tune on acoustic, offering a fun lyric and Steely Dan-like backing vocals from Kennedy and Frampton. Hummingbird In A Box: Songs For A Ballet is clean, simple, not overly stylized playing from Peter Frampton. The songs are strong enough to stand on their own, ballet or not. We get another example of what Peter Frampton is capable of after five decades.
Peter now resides in Cincinnati, Ohio and can still be found playing concerts around the world.
Dig What I Say
Peter Frampton Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Put on some make-up baby dress up to kill
Dig what I'm saying cause it gives me a thrill
That's what I want to see, you know it's all for me
Well you have a way about you, drives me insane
Well where are your stockings baby I don't want you tame
That's all I want to do, you know it's all for you
Come with me now, walk in the wild
Watching your face, the face of a child
Don't be afraid to let yourself go
Do what you want no one will know
You drive me crazy with your golden beret
Dig what I'm saying, I'm sure it's okay
I'm getting used to you but you're always new
[Chorus: x2]
The lyrics of Peter Frampton's "Dig What I Say" express a desire for escapism and a rejection of societal norms. The chorus urges someone to put on makeup and dress up, not for anyone else's approval but for themselves and their own pleasure. The singer finds this kind of liberation exciting and seeks to witness it in another person. The second verse acknowledges the way this person drives the singer wild, inviting them to be more daring and free. Frampton seems to be suggesting that individuals should let go of their inhibitions and embrace their desires, even if it means going against the expectations of society.
The song has a playful and upbeat tone, reflecting the sense of fun and excitement that comes with breaking away from the norm. The lyrics emphasize the importance of individuality and authenticity, valuing personal expression over conformity. By framing this idea within a romantic context, Frampton also comments on the importance of being true to oneself in relationships. Overall, "Dig What I Say" encourages listeners to embrace their own unique perspectives and desires, rejecting societal restrictions and living life to the fullest.
Line by Line Meaning
Put on some make-up baby dress up to kill
I want you to put on makeup and dress up to impress me.
Dig what I'm saying cause it gives me a thrill
Listen to what I'm telling you because it excites me.
That's what I want to see, you know it's all for me
I want you to do it for me, and you know it.
Well you have a way about you, drives me insane
Your behavior and mannerisms are causing me to lose my mind.
Well where are your stockings baby I don't want you tame
I expect you to be wild, not demure, so where are your stockings?
That's all I want to do, you know it's all for you
All I want is to please you, and you understand that.
Come with me now, walk in the wild
Let's go out into the unknown and explore the wild side of life.
Watching your face, the face of a child
Observing your reaction as if you were a curious child.
Don't be afraid to let yourself go
Don't be scared to lose control and let your instincts take over.
Do what you want no one will know
You can indulge in any desires you have without worrying about anyone finding out.
You drive me crazy with your golden beret
The way you wear your golden beret is making me go insane with passion.
Dig what I'm saying, I'm sure it's okay
Understand what I'm communicating, and I'm convinced that it's acceptable.
I'm getting used to you but you're always new
I'm getting accustomed to being with you, but you're always surprising me.
[Chorus: x2]
Repeating the previous chorus of the song
Lyrics © BMG Rights Management, Universal Music Publishing Group
Written by: PETER KENNETH FRAMPTON
Lyrics Licensed & Provided by LyricFind
Beverly Esparaguera
on Apple Of Your Eye
Good Day Heritage Singers!!!
I am an avid of your singing group. I always listen to your songs because i feel more happy everytime i play your music everyday. I want to ask a lyrics of your song "The Apple of your Eye". I really love this music. Looking forward to receive a response from you, Thanks a lot. More Power and God Bless. Kindly send the lyrics to bhevscasida@gmail.com