Winston Hubert McIntosh, OM (19 October 1944 – 11 September 1987), profess… Read Full Bio ↴Winston Hubert McIntosh, OM (19 October 1944 – 11 September 1987), professionally known as Peter Tosh, was a Jamaican reggae musician. Along with Bob Marley and Bunny Wailer, he was one of the core members of the band the Wailers (1963–1976), after which he established himself as a successful solo artist and a promoter of Rastafari. He was murdered in 1987 during a home invasion.
Early music and with the Wailers
Tosh was born in Westmoreland, the westernmost parish of Jamaica. He was abandoned by his parents and "shuffled among relatives". When McIntosh was fifteen, his aunt died and he moved to Trenchtown in Kingston, Jamaica. He first learned guitar after watching a man in the country play a song that captivated him. He watched the man play the same song for half a day, memorizing everything his fingers were doing. He then picked up the guitar and played the song back to the man. The man then asked McIntosh who had taught him to play; McIntosh told him that he had. During the early 1960s, as an aspiring musician, Tosh went to vocal teacher Joe Higgs, who gave free music lessons to young people. Through his contact with Higgs, Tosh met Robert Nesta Marley (Bob Marley) and Neville O'Reilly Livingston (Bunny Wailer). He then changed his name to Peter Tosh and the trio started singing together in 1962. Higgs taught the trio to harmonise and while developing their music, they would often play on the street corners of Trenchtown.
In 1964 Tosh helped organise the band the Wailing Wailers, with Junior Braithwaite, a falsetto singer, and backup singers Beverley Kelso and Cherry Smith. Initially, Tosh was the only one in the group who could play musical instruments. According to Bunny Wailer, Tosh was critical to the band because he was a self-taught guitarist and keyboardist, and thus became an inspiration for the other band members to learn to play. The Wailing Wailers had a major ska hit with their first single, "Simmer Down", and recorded several more successful singles before Braithwaite, Kelso and Smith left the band in late 1965. Marley spent much of 1966 in Delaware in the United States with his mother, Cedella (née Malcolm) Marley-Booker, and for a brief time was working at a nearby Chrysler factory. He returned to Jamaica in early 1967 with a renewed interest in music and a new spirituality. Tosh and Bunny were already Rastafarians when Marley returned from the US, and the three became very involved with the Rastafari faith. Soon afterwards, they renamed the musical group the Wailers. Tosh would explain later that they chose the name Wailers because to "wail" means to mourn or to, as he put it, "...express one's feelings vocally". He also claims that he was the beginning of the group, and that it was he who first taught Bob Marley the guitar. Also according to Bunny Wailer, the early Wailers learned to play instruments from Tosh.
During the mid-1960s Tosh, along with Bob Marley and Bunny Wailer, were introduced to Danny Sims and Johnny Nash who signed the three artists to an exclusive recording contract on Sims' and Nash's JAD Records label as well as an exclusive publishing agreement through Sims' music publishing company, Cayman Music. Rejecting the up-tempo dance of ska, the band slowed their music to a rocksteady pace, and infused their lyrics with political and social messages inspired by their new-found faith. The Wailers composed several songs for the American-born singer Nash before teaming with producer Lee "Scratch" Perry to record some of the earliest well-known reggae songs, including "Soul Rebel", "Duppy Conqueror", and "Small Axe". The collaboration had given birth to reggae music and in 1970 bassist Aston "Family Man" Barrett and his brother, drummer Carlton Barrett, joined the group. They recorded the album The Best of The Wailers, which was produced by Leslie Kong and released in 1971.[citation needed]
In 1972, Danny Sims assigned the balance of the JAD Records recording contract with the band to Chris Blackwell and Island Records company and released their debut, Catch a Fire, in 1973, following it with Burnin' the same year. The Wailers had moved from many producers after 1970 and there were instances where producers would record rehearsal sessions that Tosh did and release them in England under the name "Peter Touch".
In 1973, Tosh was driving home with his girlfriend Evonne when his car was hit by another car driving on the wrong side of the road. The accident killed Evonne and severely fractured Tosh's skull. After Island Records president Chris Blackwell refused to issue his solo album in 1974, Tosh and Bunny Wailer left the Wailers, citing the unfair treatment they received from Blackwell, to whom Tosh often referred with a derogatory play on Blackwell's surname, 'Whiteworst'. Tosh had written many of the Wailers' hit songs such as "Get Up, Stand Up", "400 Years", and "No Sympathy". Tosh began recording and released his solo debut, Legalize It, in 1976 with CBS Records company, and Treasure Isle. The title track soon became popular among endorsers of cannabis legalization, reggae music lovers and Rastafari all over the world, and was a favourite at Tosh's concerts.
That was his last album from the Wailers, Island Records. In 2013, a book co-written by French scholar Dr Jeremie Kroubo Dagnini and American Lee Jaffe, his former associate, says Tosh was part of a smuggling operation that raised money to fund this album.
Solo career
Tosh started to make his own albums with Rolling Stones Records and CBS Records Equal Rights followed in 1977, featuring his recording of a song co-written with Marley, "Get Up, Stand Up", and a cover of "Stepping Razor" that would also appear on the soundtrack to the film Rockers.
Tosh organised a backing band, Word, Sound and Power, who were to accompany him on tour for the next few years, and many of whom performed on his albums of this period. In 1978, the Rolling Stones record label Rolling Stones Records contracted with Tosh, on which the album Bush Doctor was released, introducing Tosh to a larger audience. The album featured Rolling Stones frontmen Mick Jagger and Keith Richards, and the lead single – a cover version of The Temptations song "Don't Look Back" – was performed as a duet with Jagger.
During Bob Marley's free One Love Peace Concert of 1978, Tosh lit a marijuana spliff and lectured about legalising cannabis, lambasting attending dignitaries Michael Manley and Edward Seaga for their failure to enact such legislation. Several months later he was apprehended by police as he left Skateland dance hall in Kingston and was beaten severely while in police custody.
Mystic Man (1979), and Wanted Dread and Alive (1981) followed, both released on Rolling Stones Records. Tosh tried to gain some mainstream success while keeping his militant views, but was only moderately successful, especially when compared to Marley's achievements.
In 1984, after the release of 1983's album Mama Africa, Tosh went into self-imposed exile, seeking the spiritual advice of traditional medicine men in Africa, and trying to free himself from recording agreements that distributed his records in South Africa. Tosh had been at odds for several years with his label, EMI, over a perceived lack of promotion for his music.
Tosh also participated in the international opposition to South African apartheid by appearing at anti-apartheid concerts and by conveying his opinion in various songs like "Apartheid" (1977, re-recorded 1987), "Equal Rights" (1977), "Fight On" (1979), and "Not Gonna Give It Up" (1983). In 1987, Peter Tosh seemed to be having a career revival. He was awarded a Grammy Award for Best Reggae Performance in 1987 for No Nuclear War, his last record.
Death
On 11 September 1987, just after Tosh had returned to his home in Jamaica, a three-man gang came to his house on motorcycles demanding money. Tosh replied that he did not have any with him but the gang did not believe him. They stayed at his residence for several hours and tortured Tosh in an attempt to extort money from him. Over the hours, as various associates of Tosh arrived to visit him, they were also taken hostage by the gunmen. The gunmen became more and more frustrated, especially the chief thug, Dennis "Leppo" Lobban, a man whom Tosh had previously befriended and tried to help find work after a long jail sentence. Tosh said he did not have any money in the house, after which Lobban and the fellow gunmen began opening fire in a reckless manner. Tosh was shot twice in the head and killed. Herbalist Wilton "Doc" Brown and disc jockey Jeff 'Free I' Dixon also died as a result of wounds sustained during the robbery. Several others in the house were wounded, including Tosh's common law wife Andrea Marlene Brown, Free I's wife Yvonne ("Joy"); Tosh's drummer Carlton "Santa" Davis, and musician Michael Robinson.
According to Police Commissioner Herman Ricketts, Dennis "Leppo" Lobban surrendered and two other men were interrogated but not publicly named. Lobban went on to plead innocent during his trial, telling the court he had been drinking with friends. The trial was held in a closed court due to the involvement of illegal firearms. Lobban was ultimately found guilty by a jury of eight women and four men and sentenced to death by hanging. His sentence was commuted in 1995 and Lobban remains in jail. Another suspect was acquitted due to insufficient evidence. The other two gunmen were never identified by name.
Discography
Legalize It (1976)
Equal Rights (1977)
Bush Doctor (1978)
Mystic Man (1979)
Wanted Dread & Alive (1981)
Mama Africa (1983)
No Nuclear War (1987)
Early music and with the Wailers
Tosh was born in Westmoreland, the westernmost parish of Jamaica. He was abandoned by his parents and "shuffled among relatives". When McIntosh was fifteen, his aunt died and he moved to Trenchtown in Kingston, Jamaica. He first learned guitar after watching a man in the country play a song that captivated him. He watched the man play the same song for half a day, memorizing everything his fingers were doing. He then picked up the guitar and played the song back to the man. The man then asked McIntosh who had taught him to play; McIntosh told him that he had. During the early 1960s, as an aspiring musician, Tosh went to vocal teacher Joe Higgs, who gave free music lessons to young people. Through his contact with Higgs, Tosh met Robert Nesta Marley (Bob Marley) and Neville O'Reilly Livingston (Bunny Wailer). He then changed his name to Peter Tosh and the trio started singing together in 1962. Higgs taught the trio to harmonise and while developing their music, they would often play on the street corners of Trenchtown.
In 1964 Tosh helped organise the band the Wailing Wailers, with Junior Braithwaite, a falsetto singer, and backup singers Beverley Kelso and Cherry Smith. Initially, Tosh was the only one in the group who could play musical instruments. According to Bunny Wailer, Tosh was critical to the band because he was a self-taught guitarist and keyboardist, and thus became an inspiration for the other band members to learn to play. The Wailing Wailers had a major ska hit with their first single, "Simmer Down", and recorded several more successful singles before Braithwaite, Kelso and Smith left the band in late 1965. Marley spent much of 1966 in Delaware in the United States with his mother, Cedella (née Malcolm) Marley-Booker, and for a brief time was working at a nearby Chrysler factory. He returned to Jamaica in early 1967 with a renewed interest in music and a new spirituality. Tosh and Bunny were already Rastafarians when Marley returned from the US, and the three became very involved with the Rastafari faith. Soon afterwards, they renamed the musical group the Wailers. Tosh would explain later that they chose the name Wailers because to "wail" means to mourn or to, as he put it, "...express one's feelings vocally". He also claims that he was the beginning of the group, and that it was he who first taught Bob Marley the guitar. Also according to Bunny Wailer, the early Wailers learned to play instruments from Tosh.
During the mid-1960s Tosh, along with Bob Marley and Bunny Wailer, were introduced to Danny Sims and Johnny Nash who signed the three artists to an exclusive recording contract on Sims' and Nash's JAD Records label as well as an exclusive publishing agreement through Sims' music publishing company, Cayman Music. Rejecting the up-tempo dance of ska, the band slowed their music to a rocksteady pace, and infused their lyrics with political and social messages inspired by their new-found faith. The Wailers composed several songs for the American-born singer Nash before teaming with producer Lee "Scratch" Perry to record some of the earliest well-known reggae songs, including "Soul Rebel", "Duppy Conqueror", and "Small Axe". The collaboration had given birth to reggae music and in 1970 bassist Aston "Family Man" Barrett and his brother, drummer Carlton Barrett, joined the group. They recorded the album The Best of The Wailers, which was produced by Leslie Kong and released in 1971.[citation needed]
In 1972, Danny Sims assigned the balance of the JAD Records recording contract with the band to Chris Blackwell and Island Records company and released their debut, Catch a Fire, in 1973, following it with Burnin' the same year. The Wailers had moved from many producers after 1970 and there were instances where producers would record rehearsal sessions that Tosh did and release them in England under the name "Peter Touch".
In 1973, Tosh was driving home with his girlfriend Evonne when his car was hit by another car driving on the wrong side of the road. The accident killed Evonne and severely fractured Tosh's skull. After Island Records president Chris Blackwell refused to issue his solo album in 1974, Tosh and Bunny Wailer left the Wailers, citing the unfair treatment they received from Blackwell, to whom Tosh often referred with a derogatory play on Blackwell's surname, 'Whiteworst'. Tosh had written many of the Wailers' hit songs such as "Get Up, Stand Up", "400 Years", and "No Sympathy". Tosh began recording and released his solo debut, Legalize It, in 1976 with CBS Records company, and Treasure Isle. The title track soon became popular among endorsers of cannabis legalization, reggae music lovers and Rastafari all over the world, and was a favourite at Tosh's concerts.
That was his last album from the Wailers, Island Records. In 2013, a book co-written by French scholar Dr Jeremie Kroubo Dagnini and American Lee Jaffe, his former associate, says Tosh was part of a smuggling operation that raised money to fund this album.
Solo career
Tosh started to make his own albums with Rolling Stones Records and CBS Records Equal Rights followed in 1977, featuring his recording of a song co-written with Marley, "Get Up, Stand Up", and a cover of "Stepping Razor" that would also appear on the soundtrack to the film Rockers.
Tosh organised a backing band, Word, Sound and Power, who were to accompany him on tour for the next few years, and many of whom performed on his albums of this period. In 1978, the Rolling Stones record label Rolling Stones Records contracted with Tosh, on which the album Bush Doctor was released, introducing Tosh to a larger audience. The album featured Rolling Stones frontmen Mick Jagger and Keith Richards, and the lead single – a cover version of The Temptations song "Don't Look Back" – was performed as a duet with Jagger.
During Bob Marley's free One Love Peace Concert of 1978, Tosh lit a marijuana spliff and lectured about legalising cannabis, lambasting attending dignitaries Michael Manley and Edward Seaga for their failure to enact such legislation. Several months later he was apprehended by police as he left Skateland dance hall in Kingston and was beaten severely while in police custody.
Mystic Man (1979), and Wanted Dread and Alive (1981) followed, both released on Rolling Stones Records. Tosh tried to gain some mainstream success while keeping his militant views, but was only moderately successful, especially when compared to Marley's achievements.
In 1984, after the release of 1983's album Mama Africa, Tosh went into self-imposed exile, seeking the spiritual advice of traditional medicine men in Africa, and trying to free himself from recording agreements that distributed his records in South Africa. Tosh had been at odds for several years with his label, EMI, over a perceived lack of promotion for his music.
Tosh also participated in the international opposition to South African apartheid by appearing at anti-apartheid concerts and by conveying his opinion in various songs like "Apartheid" (1977, re-recorded 1987), "Equal Rights" (1977), "Fight On" (1979), and "Not Gonna Give It Up" (1983). In 1987, Peter Tosh seemed to be having a career revival. He was awarded a Grammy Award for Best Reggae Performance in 1987 for No Nuclear War, his last record.
Death
On 11 September 1987, just after Tosh had returned to his home in Jamaica, a three-man gang came to his house on motorcycles demanding money. Tosh replied that he did not have any with him but the gang did not believe him. They stayed at his residence for several hours and tortured Tosh in an attempt to extort money from him. Over the hours, as various associates of Tosh arrived to visit him, they were also taken hostage by the gunmen. The gunmen became more and more frustrated, especially the chief thug, Dennis "Leppo" Lobban, a man whom Tosh had previously befriended and tried to help find work after a long jail sentence. Tosh said he did not have any money in the house, after which Lobban and the fellow gunmen began opening fire in a reckless manner. Tosh was shot twice in the head and killed. Herbalist Wilton "Doc" Brown and disc jockey Jeff 'Free I' Dixon also died as a result of wounds sustained during the robbery. Several others in the house were wounded, including Tosh's common law wife Andrea Marlene Brown, Free I's wife Yvonne ("Joy"); Tosh's drummer Carlton "Santa" Davis, and musician Michael Robinson.
According to Police Commissioner Herman Ricketts, Dennis "Leppo" Lobban surrendered and two other men were interrogated but not publicly named. Lobban went on to plead innocent during his trial, telling the court he had been drinking with friends. The trial was held in a closed court due to the involvement of illegal firearms. Lobban was ultimately found guilty by a jury of eight women and four men and sentenced to death by hanging. His sentence was commuted in 1995 and Lobban remains in jail. Another suspect was acquitted due to insufficient evidence. The other two gunmen were never identified by name.
Discography
Legalize It (1976)
Equal Rights (1977)
Bush Doctor (1978)
Mystic Man (1979)
Wanted Dread & Alive (1981)
Mama Africa (1983)
No Nuclear War (1987)
Ketchy Shuby
Peter Tosh Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Come make we play some ketchy shuby
And when me shuby, you feel ketchy
And when you ketchy, don't make it drop
'Cause if it drop, it will pop
And if it pop, no one can mend it
'Cause if they mend it, you can easily bend it
So we all go ketchy-ketchy, shuby-shuby tonight
All night long we a go ketchy-ketchy, shuby-shuby tonight
Tell me if you like it, ketchy-ketchy, shuby-shuby tonight
All night long we a go ketchy-ketchy, shuby-shuby tonight
It don't take too long to learn
Just you do as I say
It may only take one hour or two
And by the next time you will know what to do
We a go ketchy-ketchy, shuby-shuby tonight
Me and you a go ketchy-ketchy, shuby-shuby tonight
All night long we a go ketchy-ketchy, shuby-shuby tonight
Ketchy-ketchy, shuby-shuby tonight
Come make we play some ketchy shuby
And when me shuby, you feel ketchy
And when you ketchy, don't make it drop
'Cause if it drop, it will pop
And if it pop, no one can mend it
'Cause if they mend it, you can easily bend it
So we all go ketchy-ketchy, shuby-shuby tonight
All night long we a go ketchy-ketchy, shuby-shuby tonight
Your mama don't like it, ketchy-ketchy, shuby-shuby tonight
Your papa don't like it, ketchy-ketchy, shuby-shuby tonight
Long time I'm waiting, ketchy-ketchy, shuby-shuby tonight
Get you right where your ketchy-ketchy, shuby-shuby tonight
All night long we a go ketchy-ketchy, shuby-shuby tonight
Me and you a go ketchy-ketchy, shuby-shuby tonight
Tell me if you like it, ketchy-ketchy, shuby-shuby tonight
All night long, all night long, shuby-shuby tonight
Ketchy-ketchy, shuby-shuby tonight
Ketchy-ketchy, shuby-shuby tonight
I'm always free to ketchy-ketchy, shuby-shuby tonight
I know you like it ketchy-ketchy, shuby-shuby tonight
Ketchy-ketchy, shuby-shuby tonight
Ketchy-ketchy, shuby-shuby tonight
And when me shuby, you feel ketchy
And when you ketchy, don't make it drop
'Cause if it drop, it will pop
And if it pop, no one can mend it
'Cause if they mend it, you can easily bend it
So we all go ketchy-ketchy, shuby-shuby tonight
Tell me if you like it, ketchy-ketchy, shuby-shuby tonight
All night long we a go ketchy-ketchy, shuby-shuby tonight
It don't take too long to learn
Just you do as I say
It may only take one hour or two
And by the next time you will know what to do
We a go ketchy-ketchy, shuby-shuby tonight
Me and you a go ketchy-ketchy, shuby-shuby tonight
All night long we a go ketchy-ketchy, shuby-shuby tonight
Ketchy-ketchy, shuby-shuby tonight
Come make we play some ketchy shuby
And when me shuby, you feel ketchy
And when you ketchy, don't make it drop
'Cause if it drop, it will pop
And if it pop, no one can mend it
'Cause if they mend it, you can easily bend it
So we all go ketchy-ketchy, shuby-shuby tonight
All night long we a go ketchy-ketchy, shuby-shuby tonight
Your mama don't like it, ketchy-ketchy, shuby-shuby tonight
Your papa don't like it, ketchy-ketchy, shuby-shuby tonight
Long time I'm waiting, ketchy-ketchy, shuby-shuby tonight
Get you right where your ketchy-ketchy, shuby-shuby tonight
All night long we a go ketchy-ketchy, shuby-shuby tonight
Me and you a go ketchy-ketchy, shuby-shuby tonight
Tell me if you like it, ketchy-ketchy, shuby-shuby tonight
All night long, all night long, shuby-shuby tonight
Ketchy-ketchy, shuby-shuby tonight
Ketchy-ketchy, shuby-shuby tonight
I'm always free to ketchy-ketchy, shuby-shuby tonight
I know you like it ketchy-ketchy, shuby-shuby tonight
Ketchy-ketchy, shuby-shuby tonight
Ketchy-ketchy, shuby-shuby tonight
The song "Ketchy Shuby" by Peter Tosh features a playful and upbeat melody accompanied by light percussion and horn arrangements. However, the lyrics seem to allude to a profound sexual metaphor. The term "ketchy shuby" seems to refer to sexual intercourse, with Tosh encouraging his partner to catch his rhythm and let the passion build up slowly. The first verse is about maintaining the rhythm, with a warning about handling it gently to prevent it from breaking. The chorus repeats the invitation to join him with the ketchy shuby, all night long.
The second verse encourages the partner to follow his lead and not worry about taking long to catch up. The bridge then acknowledges the societal pressures that might condemn such behavior, with chants of "Your mama don't like it, your papa don't like it" suggesting a taboo nature to the activity. However, the song ends with Tosh seeming to assert his independence and freedom in pursuing his desires.
Overall, the song captures the intrigue and excitement of sexual activity but also the societal pressures that can come with it.
Line by Line Meaning
Come make we play some ketchy shuby
Let's have some fun together
And when me shuby, you feel ketchy
When I move, you'll feel the rhythm and want to join in
And when you ketchy, don't make it drop
When you feel the rhythm, don't lose it
'Cause if it drop, it will pop
If you lose the rhythm, the atmosphere will change
And if it pop, no one can mend it
If the atmosphere is ruined, it can't be easily fixed
'Cause if they mend it, you can easily bend it
If someone fixes it, it won't be the same as before
It don't take too long to learn
Learning the rhythm is easy
Just you do as I say
Follow my lead
It may only take one hour or two
It won't take a lot of time to learn
And by the next time you will know what to do
After practicing once, you'll know what to do
Your mama don't like it, ketchy-ketchy, shuby-shuby tonight
Your mom might not approve, but we're still going to have fun
Your papa don't like it, ketchy-ketchy, shuby-shuby tonight
Your dad might not approve, but we're still going to have fun
Long time I'm waiting, ketchy-ketchy, shuby-shuby tonight
I've been waiting a long time to have some fun
Get you right where your ketchy-ketchy, shuby-shuby tonight
We'll have fun all night long
All night long we a go ketchy-ketchy, shuby-shuby tonight
We'll have fun dancing all night long
Me and you a go ketchy-ketchy, shuby-shuby tonight
You and I will dance together all night long
Tell me if you like it, ketchy-ketchy, shuby-shuby tonight
Let me know if you're having fun
Ketchy-ketchy, shuby-shuby tonight
We're dancing and having fun all night long
I'm always free to ketchy-ketchy, shuby-shuby tonight
I'm always up for dancing and having fun
I know you like it ketchy-ketchy, shuby-shuby tonight
I know you're having fun
Lyrics © Universal Music Publishing Group, Sony/ATV Music Publishing LLC
Written by: PETER TOSH
Lyrics Licensed & Provided by LyricFind
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@collinsoyombe8749
One of the greatest musicians to have ever graced the musical scene....a man who lived before his time.... continue Resting in Peace Legend
@user-sw4kt5oh2h
Good music is never to late history
@elizabethhann4028
[18 December 2023] Selah ❤💛💚The songs of sweet soul rebels never die.
@dreemeagle
one of the most fantastic debuts ever from an artist transcendent in his talent as he was terrifying to some (see Blackwell, Chris) in appearance, from a band overloaded with true lead singers and songwriters many of the same musicians enjoyed playing for all of at one time or another;
@elizabethhann4028
[22 December 2022] Surprising sweetness from a soul rebel. Luxe, calme, et volupte.
@kwameaboagye-cl9me
Baba Peter Tosh is my hero.
What a man.
Ase o Ase Baba Peter Tosh.
@mathewmcdonald3657
So great. I love Peter Tosh. Heart.
@NuruNurubary
Ga l
@blackjack4241
Brilliant song.
@gustavolima9724
Big Up fi di Master Mister Peter Tosh.
You're di Best,Mi Brida!
Rest in Heaven!