Early music and with the Wailers
Tosh was born in Westmoreland, the westernmost parish of Jamaica. He was abandoned by his parents and "shuffled among relatives". When McIntosh was fifteen, his aunt died and he moved to Trenchtown in Kingston, Jamaica. He first learned guitar after watching a man in the country play a song that captivated him. He watched the man play the same song for half a day, memorizing everything his fingers were doing. He then picked up the guitar and played the song back to the man. The man then asked McIntosh who had taught him to play; McIntosh told him that he had. During the early 1960s, as an aspiring musician, Tosh went to vocal teacher Joe Higgs, who gave free music lessons to young people. Through his contact with Higgs, Tosh met Robert Nesta Marley (Bob Marley) and Neville O'Reilly Livingston (Bunny Wailer). He then changed his name to Peter Tosh and the trio started singing together in 1962. Higgs taught the trio to harmonise and while developing their music, they would often play on the street corners of Trenchtown.
In 1964 Tosh helped organise the band the Wailing Wailers, with Junior Braithwaite, a falsetto singer, and backup singers Beverley Kelso and Cherry Smith. Initially, Tosh was the only one in the group who could play musical instruments. According to Bunny Wailer, Tosh was critical to the band because he was a self-taught guitarist and keyboardist, and thus became an inspiration for the other band members to learn to play. The Wailing Wailers had a major ska hit with their first single, "Simmer Down", and recorded several more successful singles before Braithwaite, Kelso and Smith left the band in late 1965. Marley spent much of 1966 in Delaware in the United States with his mother, Cedella (née Malcolm) Marley-Booker, and for a brief time was working at a nearby Chrysler factory. He returned to Jamaica in early 1967 with a renewed interest in music and a new spirituality. Tosh and Bunny were already Rastafarians when Marley returned from the US, and the three became very involved with the Rastafari faith. Soon afterwards, they renamed the musical group the Wailers. Tosh would explain later that they chose the name Wailers because to "wail" means to mourn or to, as he put it, "...express one's feelings vocally". He also claims that he was the beginning of the group, and that it was he who first taught Bob Marley the guitar. Also according to Bunny Wailer, the early Wailers learned to play instruments from Tosh.
During the mid-1960s Tosh, along with Bob Marley and Bunny Wailer, were introduced to Danny Sims and Johnny Nash who signed the three artists to an exclusive recording contract on Sims' and Nash's JAD Records label as well as an exclusive publishing agreement through Sims' music publishing company, Cayman Music. Rejecting the up-tempo dance of ska, the band slowed their music to a rocksteady pace, and infused their lyrics with political and social messages inspired by their new-found faith. The Wailers composed several songs for the American-born singer Nash before teaming with producer Lee "Scratch" Perry to record some of the earliest well-known reggae songs, including "Soul Rebel", "Duppy Conqueror", and "Small Axe". The collaboration had given birth to reggae music and in 1970 bassist Aston "Family Man" Barrett and his brother, drummer Carlton Barrett, joined the group. They recorded the album The Best of The Wailers, which was produced by Leslie Kong and released in 1971.[citation needed]
In 1972, Danny Sims assigned the balance of the JAD Records recording contract with the band to Chris Blackwell and Island Records company and released their debut, Catch a Fire, in 1973, following it with Burnin' the same year. The Wailers had moved from many producers after 1970 and there were instances where producers would record rehearsal sessions that Tosh did and release them in England under the name "Peter Touch".
In 1973, Tosh was driving home with his girlfriend Evonne when his car was hit by another car driving on the wrong side of the road. The accident killed Evonne and severely fractured Tosh's skull. After Island Records president Chris Blackwell refused to issue his solo album in 1974, Tosh and Bunny Wailer left the Wailers, citing the unfair treatment they received from Blackwell, to whom Tosh often referred with a derogatory play on Blackwell's surname, 'Whiteworst'. Tosh had written many of the Wailers' hit songs such as "Get Up, Stand Up", "400 Years", and "No Sympathy". Tosh began recording and released his solo debut, Legalize It, in 1976 with CBS Records company, and Treasure Isle. The title track soon became popular among endorsers of cannabis legalization, reggae music lovers and Rastafari all over the world, and was a favourite at Tosh's concerts.
That was his last album from the Wailers, Island Records. In 2013, a book co-written by French scholar Dr Jeremie Kroubo Dagnini and American Lee Jaffe, his former associate, says Tosh was part of a smuggling operation that raised money to fund this album.
Solo career
Tosh started to make his own albums with Rolling Stones Records and CBS Records Equal Rights followed in 1977, featuring his recording of a song co-written with Marley, "Get Up, Stand Up", and a cover of "Stepping Razor" that would also appear on the soundtrack to the film Rockers.
Tosh organised a backing band, Word, Sound and Power, who were to accompany him on tour for the next few years, and many of whom performed on his albums of this period. In 1978, the Rolling Stones record label Rolling Stones Records contracted with Tosh, on which the album Bush Doctor was released, introducing Tosh to a larger audience. The album featured Rolling Stones frontmen Mick Jagger and Keith Richards, and the lead single – a cover version of The Temptations song "Don't Look Back" – was performed as a duet with Jagger.
During Bob Marley's free One Love Peace Concert of 1978, Tosh lit a marijuana spliff and lectured about legalising cannabis, lambasting attending dignitaries Michael Manley and Edward Seaga for their failure to enact such legislation. Several months later he was apprehended by police as he left Skateland dance hall in Kingston and was beaten severely while in police custody.
Mystic Man (1979), and Wanted Dread and Alive (1981) followed, both released on Rolling Stones Records. Tosh tried to gain some mainstream success while keeping his militant views, but was only moderately successful, especially when compared to Marley's achievements.
In 1984, after the release of 1983's album Mama Africa, Tosh went into self-imposed exile, seeking the spiritual advice of traditional medicine men in Africa, and trying to free himself from recording agreements that distributed his records in South Africa. Tosh had been at odds for several years with his label, EMI, over a perceived lack of promotion for his music.
Tosh also participated in the international opposition to South African apartheid by appearing at anti-apartheid concerts and by conveying his opinion in various songs like "Apartheid" (1977, re-recorded 1987), "Equal Rights" (1977), "Fight On" (1979), and "Not Gonna Give It Up" (1983). In 1987, Peter Tosh seemed to be having a career revival. He was awarded a Grammy Award for Best Reggae Performance in 1987 for No Nuclear War, his last record.
Death
On 11 September 1987, just after Tosh had returned to his home in Jamaica, a three-man gang came to his house on motorcycles demanding money. Tosh replied that he did not have any with him but the gang did not believe him. They stayed at his residence for several hours and tortured Tosh in an attempt to extort money from him. Over the hours, as various associates of Tosh arrived to visit him, they were also taken hostage by the gunmen. The gunmen became more and more frustrated, especially the chief thug, Dennis "Leppo" Lobban, a man whom Tosh had previously befriended and tried to help find work after a long jail sentence. Tosh said he did not have any money in the house, after which Lobban and the fellow gunmen began opening fire in a reckless manner. Tosh was shot twice in the head and killed. Herbalist Wilton "Doc" Brown and disc jockey Jeff 'Free I' Dixon also died as a result of wounds sustained during the robbery. Several others in the house were wounded, including Tosh's common law wife Andrea Marlene Brown, Free I's wife Yvonne ("Joy"); Tosh's drummer Carlton "Santa" Davis, and musician Michael Robinson.
According to Police Commissioner Herman Ricketts, Dennis "Leppo" Lobban surrendered and two other men were interrogated but not publicly named. Lobban went on to plead innocent during his trial, telling the court he had been drinking with friends. The trial was held in a closed court due to the involvement of illegal firearms. Lobban was ultimately found guilty by a jury of eight women and four men and sentenced to death by hanging. His sentence was commuted in 1995 and Lobban remains in jail. Another suspect was acquitted due to insufficient evidence. The other two gunmen were never identified by name.
Discography
Legalize It (1976)
Equal Rights (1977)
Bush Doctor (1978)
Mystic Man (1979)
Wanted Dread & Alive (1981)
Mama Africa (1983)
No Nuclear War (1987)
You Can't Fool Me Again
Peter Tosh Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
But all your members just lust after vanity
Telling them to trust in you faithfully
Not seeing it's the return of the slavery
Taught us of heaven way up in the sky
Where we can't reach unless we die
But you can't fool me again
You can't fool me again and again
You just can't fool me, no you can't fool me
Of things you taught me in school
There's so much to make me a fool
But if I was a mule
I know I'd be used as a tool
I said that, you can't fool me again
You can't fool me again, and again
You can't fool me again
You just can't fool me, you can't fool me
You draw and object on piece of a paper
Said I'm to serve it as lord and as savior
Tell me of a heaven way up in the sky
Where I can't reach unless I die
You can't fool me again
I said you can't fool me, you can't fool me
You can't fool me again
You just can't fool me, no you can't fool me
You said Humpty sat up on a wall
You say Humpty, he had a fall
You said that cow, jump over moon
And the dish ran away with the spoon
But I know you can't fool me again
You can't...
The lyrics of Peter Tosh's song "You Can't Fool Me Again" express his distrust of Christianity and his frustration with being taught things in school that do not make sense to him. Tosh believes that Christianity has been used as a means to control people and keep them in bondage, just as slavery did in the past. He sees the promises of heaven as a way to make people obedient and not question their circumstances on earth.
Tosh also points out the absurdity of some of the things he was taught in school. He refuses to be a "mule" and be used as a tool because of the things he learned. He questions the notion of Humpty Dumpty sitting on a wall and cows jumping over moons, indicating that he is not easily fooled by things that do not make sense. The repetition of the chorus "you can't fool me again" emphasizes Tosh's determination to not be misled by anyone, whether it be in religion or education.
This song reflects Tosh's strong views on social justice, politics, and the power structures that exist in society. He was a fierce advocate for human rights, and his music often tackled themes of oppression, inequality, and the need for societal change.
Line by Line Meaning
First you came and you sold us Christianity
You introduced Christianity to us and we believed you.
But all your members just lust after vanity
Your followers are only chasing after material things.
Telling them to trust in you faithfully
You're preaching to them to trust in you without question.
Not seeing it's the return of the slavery
You don't realize that what you're doing is enslaving us all over again.
Taught us of heaven way up in the sky
You told us about a faraway heaven above us.
Where we can't reach unless we die
And we can only reach it after we die.
But you can't fool me again
But I am not foolish enough to believe it blindly.
You can't fool me again and again
I won't fall for it over and over again.
You can't fool me again
You just can't fool me anymore.
You just can't fool me, no you can't fool me
I am wise enough to see through your lies and deception.
Of things you taught me in school
You taught me so many things in school.
There's so much to make me a fool
But some of what you taught me is misleading and foolish.
But if I was a mule
If I were a donkey,
I know I'd be used as a tool
I would still be used as a tool by you.
I said that, you can't fool me again
And that's why I know you won't be able to deceive me again.
You draw and object on piece of a paper
You draw something on a piece of paper.
Said I'm to serve it as lord and as savior
And tell me that it is my lord and savior.
Tell me of a heaven way up in the sky
You tell me about a heaven far away from us, up in the sky.
Where I can't reach unless I die
And say that I can only reach it after I die.
I said you can't fool me, you can't fool me
I repeat that you can't deceive me.
You can't fool me again
And you certainly can't fool me again.
You just can't fool me, no you can't fool me
I stand by my conviction that you cannot deceive me anymore.
You said Humpty sat up on a wall
You told me the story of Humpty Dumpty.
You say Humpty, he had a fall
And said that Humpty Dumpty had a great fall.
You said that cow, jump over moon
You told me the nursery rhyme about a cow jumping over the moon.
And the dish ran away with the spoon
And you said that the dish ran away with the spoon.
But I know you can't fool me again
But I won't fall for these lies and nonsense again.
You can't...
Contributed by Taylor D. Suggest a correction in the comments below.
@negusdawoo
Havent heard this in foreva ... TOSH!
@glendoncodling1012
Peter Tosh.the eye 👁️👀 opener
@nshah32
One of my fav jams, thanks for the upload. Awesome vocals.
@Mikhail.Tolstykh
jah bless that upload me brother...;) awesome irie tune... respect from portugal brother
@RidinOnABigCog
nice JAH!
@SpiderGuile
so cool!!
@bastido_
do you have the acapella version????? please send me!