1) In his past lives, PIG … Read Full Bio ↴There are more than one artist named PIG.
1) In his past lives, PIG was Lord Raymond Watts, known variously as Raymond Scaballero in Foetus, an icy addition to Psychic TV, a savage PA destroyer in Einstürzende Neubauten, and a founding catalyst of KMFDM. Watts began his arrest record in London where he was most likely pissed off about something and doing sound manipulations, loops and live sound for Psychic TV. He soon crashed into Einstürzende Neubauten (probably in a strip bar) and escaped the smug complacency of the English music scene by moving to Hamburg, Germany and setting up his Building Site studio in a bunker of munitions factory, where he invited in artists including Sprung Aus Den Wolken, Die Haut, and Christiane F. In his pursuit of a cutting edge music scene he sought out like-minded souls to create terrorism instead of tonality. Playing on European/American Neubauten tours, he quickly earned a reputation for destroying PA systems -- the security guards sent by the PA companies to protect the gear were not amused. Between their security thugs and ones hired by Watts to protect him from them, most nights ended up bloody, tense and occasionally on fire.
While collaborating with Neubauten's "gritter" twins: Blixa Bargeld and FM Einheit, Watts lived in the red light district next to a brothel, in amongst the sleaze of the Hamburg docks. Watts heard about Sascha Konietzko who was doing bizarre work with vacuum cleaners, and after drinking him into submission, dragged him and his tall, pale cohort En Esch down the stairs into the freezing Building Site studio, where they locked themselves into Watts' "frozen cesspit" with 20' steel sheets and other garbage, emerging with the debut What Do You Know Deutschland?
As one of the architects of the KMFDM sound, Watts went east to plow through the entrails of the German avant garde, planting the seed of his new experiment while KMFDM moved to America. The mutant was born out of the blood and piss in a basement studio opposite the Berlin Wall and became the 1988 debut album A Poke In The Eye. In addition, Watts was recruited by Foetus (Jim Thirwell) to be in his first live band, and after a European tour which involved disappearances, catholic school girls, and worms, Thirwell stayed on the produce the 12" Shit for Brains. Watts said he'd buy the next round and went to the US to record Steroid Maximus with Thirwell, and also did sound for Crime & the City Solution.
When the wall came down, Watts split his time between London and Tokyo, looking for a new alien habitat after Berlin's pleasure dome exploded. PIG morphed with various collaborators and Watts started working with Japanese musicians, turning his attention to Schaft, which became a huge hit there. The Watts system emerged as an elastic style of working with refuse and collaborating with pariahs: one man's trash is another man's treasure, darling.
Long-time PIG fan Trent Reznor came to see him around '91/'92 at a tiny club in Camden, England and introduced himself to the unimpressed Watts who was surprised that this fellow knew most of PIG's scattered discography. PIG was invited to open Nine Inch Nails' European tour in '94 -- complete with real pig heads on stage that were a load of fun after a few days' decomposition. Later, in 1995, Reznor's Nothing label released his fourth album, Sinsation.
In the mid 1990s, Konietzko ran into Watts again and they worked on the Sin, Sex & Salvation EP, which led to Watts returning to the fold for Nihil, the most successful KMFDM album to date, which included the Watts-penned hit Juke Joint Jezebel. Watts also appeared on the band's Symbols album, doing vocals on the delightfully-titled Spit Sperm and Unfit, while KMFDM's Gunter Schulz and Sascha Konietzko appear on the 1997 release Wrecked, furthering their incestuous relationship.
Still bigger in Japan than the rest of the world, PIG released his sixth album, Genuine American Monster, there in 1999. Finally, in 2002, PIG found a new American home with the Metropolis Records label, who had that year recently released the album ATTAK.
In 2012 PIG released two demos; written by Watts; and performed by Watts and Marc Heal (Cubanate) entitled: Drugzilla (Rough As A Hog's Arse Mix) released on June 8th; Shake (Rough Mix) released on July 14th; and Drugzilla (Pork Talk Mix by Raymond Watts) released on December 2nd.
2) PIG is a Japanese melodic punk band from Japan.
http://www.audioleaf.com/piggip3/
3) pig used to be the alias of Oscar Lang when he first started releasing music in 2017. In 2019 however, he started releasing under his real name, and with that the already released pig releases were re-released under Oscar Lang.
4) Pig is a Beatmaker who became known for his '' dirty '' beats so he earned the nickname Pig which was adopted with an artistic name. Producer and Beatmaker for more than 5 years, he has accumulated several experiences in his career, with more than 15 million Streams.
Death Rattle 'N' Roll
Pig Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
I'm a bile-boxed baby
I camp in my lip
With rods on my hip
I'm out of my hole
I'm on cruise control
I'm wrapped in flesh
I've gotta merge with death
On the highway
I gotta' spread you thin
All over the ground
By the silent savior
The supersonic wrecker
On the road kill, road killer
Road people, road thriller
Don't do what I do
Do what I say
You could believe
You could be saved
I'm a chip off the old block
I got a chip on my shoulder
I can't face reality
But down in the poor melody
Of my death rattle and roll
Death rattle and roll
Death rattle and roll
Death rattleâ¦
One track baby
Where the torment never sleeps
The shits off the show
Their is no relief
From my death rattle and roll
Death rattle and roll
The lyrics in PIG's song Death Rattle 'N' Roll are quite heavy and intense, highlighting themes such as death, rebellion, and destruction. The opening lines "I was born to burn, I'm a bile-boxed baby" set the tone for the rest of the song, with the singer embracing their destructive tendencies and their desire to ignite chaos. The phrase "camp in my lip, with rods on my hip" suggests that the singer is armed and ready to unleash their havoc. They are "wrapped in flesh" and ready to merge with death, personifying death as a force that they want to unite with.
The next lines in the song, "Were goin' my way, on the highway", suggests a sense of arrogance and confidence in the singer. They believe that others should follow their lead, and they're headed for destruction. "I gotta spread you thin, all over the ground", highlights their desire to harm others and spread destruction in their wake.
Towards the end of the song, the lyrics "I'm a chip off the old block, I got a chip on my shoulder" suggest that the singer's rebellious and destructive tendencies are inherited, perhaps hinting at a troubled upbringing. They cannot face reality and instead indulge in their "death rattle and roll".
Overall, Death Rattle 'N' Roll is a dark and intense song that explores themes of death, rebellion, and destruction.
Line by Line Meaning
I was born to burn
I was meant to destroy and leave behind ashes
I'm a bile-boxed baby
I am filled with rage and anger, like a container of bile
I camp in my lip
I hold back my true emotions and intentions
With rods on my hip
I am armed and ready for violence
I'm out of my hole
I am no longer hiding or restrained
I'm on cruise control
I am acting without any regard for consequences
I'm wrapped in flesh
I am a mortal being, but my soul is consumed by darkness
I've gotta merge with death
I am seeking to become one with death, to embrace it fully
Were goin' my way
Those who follow me are heading towards destruction
On the highway
The path to death is a fast and reckless one
I gotta' spread you thin
I will inflict pain and suffering until there is nothing left of my victim
All over the ground
The aftermath of my destruction will litter the earth
By the silent savior
Death is a release from the pain and torment of life
The supersonic wrecker
I move and act with incredible speed, leaving destruction in my wake
On the road kill, road killer
I am a destroyer of all things in my path
Road people, road thriller
Those who encounter me on my path will be terrified
Don't do what I do
Do not follow in my footsteps towards destruction
Do what I say
Listen to my warning and avoid the pain I bring
You could believe
You have the power to choose a different path
You could be saved
By avoiding my path of destruction, you can avoid a similar fate
I'm a chip off the old block
I am following in the footsteps of those before me, who embraced darkness
I got a chip on my shoulder
I am easily angered and resentful towards those who oppose me
I can't face reality
I am ignoring the consequences of my actions and the destruction I leave behind
But down in the poor melody
Amidst the destruction I cause, there is a sense of melancholy and despair
Of my death rattle and roll
My actions lead towards death and destruction, with no regard for the consequences
One track baby
My path is singular, with no deviation
Where the torment never sleeps
My path is one of unceasing pain and suffering
The shits off the show
There is no escape or relief from the destruction I bring
Their is no relief
Anyone who encounters me will find no comfort or safety
From my death rattle and roll
I bring destruction and death wherever I go, with no regard for the consequences
Contributed by Dominic G. Suggest a correction in the comments below.
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