1) In his past lives, PIG … Read Full Bio ↴There are more than one artist named PIG.
1) In his past lives, PIG was Lord Raymond Watts, known variously as Raymond Scaballero in Foetus, an icy addition to Psychic TV, a savage PA destroyer in Einstürzende Neubauten, and a founding catalyst of KMFDM. Watts began his arrest record in London where he was most likely pissed off about something and doing sound manipulations, loops and live sound for Psychic TV. He soon crashed into Einstürzende Neubauten (probably in a strip bar) and escaped the smug complacency of the English music scene by moving to Hamburg, Germany and setting up his Building Site studio in a bunker of munitions factory, where he invited in artists including Sprung Aus Den Wolken, Die Haut, and Christiane F. In his pursuit of a cutting edge music scene he sought out like-minded souls to create terrorism instead of tonality. Playing on European/American Neubauten tours, he quickly earned a reputation for destroying PA systems -- the security guards sent by the PA companies to protect the gear were not amused. Between their security thugs and ones hired by Watts to protect him from them, most nights ended up bloody, tense and occasionally on fire.
While collaborating with Neubauten's "gritter" twins: Blixa Bargeld and FM Einheit, Watts lived in the red light district next to a brothel, in amongst the sleaze of the Hamburg docks. Watts heard about Sascha Konietzko who was doing bizarre work with vacuum cleaners, and after drinking him into submission, dragged him and his tall, pale cohort En Esch down the stairs into the freezing Building Site studio, where they locked themselves into Watts' "frozen cesspit" with 20' steel sheets and other garbage, emerging with the debut What Do You Know Deutschland?
As one of the architects of the KMFDM sound, Watts went east to plow through the entrails of the German avant garde, planting the seed of his new experiment while KMFDM moved to America. The mutant was born out of the blood and piss in a basement studio opposite the Berlin Wall and became the 1988 debut album A Poke In The Eye. In addition, Watts was recruited by Foetus (Jim Thirwell) to be in his first live band, and after a European tour which involved disappearances, catholic school girls, and worms, Thirwell stayed on the produce the 12" Shit for Brains. Watts said he'd buy the next round and went to the US to record Steroid Maximus with Thirwell, and also did sound for Crime & the City Solution.
When the wall came down, Watts split his time between London and Tokyo, looking for a new alien habitat after Berlin's pleasure dome exploded. PIG morphed with various collaborators and Watts started working with Japanese musicians, turning his attention to Schaft, which became a huge hit there. The Watts system emerged as an elastic style of working with refuse and collaborating with pariahs: one man's trash is another man's treasure, darling.
Long-time PIG fan Trent Reznor came to see him around '91/'92 at a tiny club in Camden, England and introduced himself to the unimpressed Watts who was surprised that this fellow knew most of PIG's scattered discography. PIG was invited to open Nine Inch Nails' European tour in '94 -- complete with real pig heads on stage that were a load of fun after a few days' decomposition. Later, in 1995, Reznor's Nothing label released his fourth album, Sinsation.
In the mid 1990s, Konietzko ran into Watts again and they worked on the Sin, Sex & Salvation EP, which led to Watts returning to the fold for Nihil, the most successful KMFDM album to date, which included the Watts-penned hit Juke Joint Jezebel. Watts also appeared on the band's Symbols album, doing vocals on the delightfully-titled Spit Sperm and Unfit, while KMFDM's Gunter Schulz and Sascha Konietzko appear on the 1997 release Wrecked, furthering their incestuous relationship.
Still bigger in Japan than the rest of the world, PIG released his sixth album, Genuine American Monster, there in 1999. Finally, in 2002, PIG found a new American home with the Metropolis Records label, who had that year recently released the album ATTAK.
In 2012 PIG released two demos; written by Watts; and performed by Watts and Marc Heal (Cubanate) entitled: Drugzilla (Rough As A Hog's Arse Mix) released on June 8th; Shake (Rough Mix) released on July 14th; and Drugzilla (Pork Talk Mix by Raymond Watts) released on December 2nd.
2) PIG is a Japanese melodic punk band from Japan.
http://www.audioleaf.com/piggip3/
3) pig used to be the alias of Oscar Lang when he first started releasing music in 2017. In 2019 however, he started releasing under his real name, and with that the already released pig releases were re-released under Oscar Lang.
4) Pig is a Beatmaker who became known for his '' dirty '' beats so he earned the nickname Pig which was adopted with an artistic name. Producer and Beatmaker for more than 5 years, he has accumulated several experiences in his career, with more than 15 million Streams.
Everything
Pig Lyrics
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Everything you hate, everything you hurt, I love
Everything you cut, everything you kill, I feel
Everything you burn, every little bribe, I lose
Everything you want, everything you waste, I need
Everything you saw, everything you say, I hear
Everything you make, everything that's mine, I break
Don't you wanna fill every little vein, I do
Don't you wanna suck every little hole, I do
Don't you wanna crave, don't you wanna crawl, I do
Don't you wanna break every little bone, I do
Everything you give, everything you bleed, I need
Everything you hate, everything you hurt, I love
Everything you cut, everything you kill, I feel
Everything you burn, every little bribe, I lose
Every little nail, every little slip, I fail
Every little nail, every little slip, I fail
With every little nail, every little slip, I fail
With every little nail, every little slip, I fail
I fail
The first verse of Pig's song "Everything" reads like a twisted love song, or rather, an ode to obsession, lust and the darker parts of relationships. The first two lines suggest that the singer, Pig, needs everything that his love interest gives and bleeds - perhaps implying that he needs her emotionally, but also that he needs to feed off of her in some vampiric or parasitic way. The next line furthers this notion, stating that he loves everything that hurts or damages her, suggesting that his love is possessive and destructive. The final line of the first verse implies that Pig feels everything his lover does, even the most sinister of actions like killing and burning - again, suggesting that their connection is parasitic or that he is deeply entwined in her life, emotions and even criminal activities.
The second verse continues in a similar vein. Pig again suggests that he needs everything his love interest wastes or discards, perhaps implying that he wants to use her leftovers in some way, either physically or emotionally. He also states that he hears everything she says and sees everything she does, implying that he is always watching her and interpreting her actions in a twisted way. The next line suggests that he breaks everything that is his - potentially implying that he is a destructive person and that he enjoys tearing down whatever he has constructed. Finally, he states that he hates everything that she loves and everything she leaves behind - suggesting that he wants to possess her entirely and hates anything that might suggest she is separate from him.
The chorus takes on a more violent and potentially disturbing tone. Pig sings that he wants to fill every vein and suck every hole of his love interest, implying a sexual and potentially dangerous desire. He also hints that he wants to hurt or harm her physically, by breaking every little bone. The repetition of the verse at the end of the song emphasizes the idea that Pig is failing in some way - perhaps failing to fully possess his love interest or failing to control his desires.
Overall, the lyrics of "Everything" suggest a twisted and disturbed relationship, in which one party is obsessed with the other to a violent and potentially dangerous degree. The lyrics are unsettling, but also intriguing in their exploration of the darker aspects of relationships and human nature.
Line by Line Meaning
Everything you give, everything you bleed, I need
I am dependent on every single thing you offer in both an emotional and physical context.
Everything you hate, everything you hurt, I love
I find pleasure in the things that you find repulsive and physically harmful.
Everything you cut, everything you kill, I feel
I vicariously experience the sensations of mutilation and death that you inflict upon others.
Everything you burn, every little bribe, I lose
I am negatively affected and experience personal loss as a result of your destructive behavior and attempts at bribery.
Everything you want, everything you waste, I need
I am motivated by your wants and desires, even when you are wasteful or careless with what you have.
Everything you saw, everything you say, I hear
I pay close attention to everything you communicate through your words and actions.
Everything you make, everything that's mine, I break
I take pleasure in destroying everything you create and everything that is valuable to you.
Everything you leave, everything you love, I hate
I have a strong aversion to everything that you cherish and value, especially when you are absent.
Don't you wanna fill every little vein, I do
I have a strong desire to inject substances into my bloodstream, similar to the way you might crave an addictive substance.
Don't you wanna suck every little hole, I do
I take pleasure in engaging in perverse and disturbing sexual behaviors, similar to the way you might enjoy oral sex.
Don't you wanna crave, don't you wanna crawl, I do
I have an insatiable desire to crawl and suffer like an animal or insect, just as you might crave certain foods or experiences.
Don't you wanna break every little bone, I do
I take pleasure in causing physical harm and breaking bones, similar to the way you might enjoy cracking your knuckles or other joints.
Every little nail, every little slip, I fail
I am consistently unsuccessful and prone to making mistakes in even the smallest of tasks.
Every little nail, every little slip, I fail
My tendency to fail continues, even in the most insignificant circumstances.
With every little nail, every little slip, I fail
My failures compound and become more significant as they continue to occur.
With every little nail, every little slip, I fail
I cannot seem to escape my pattern of failure, no matter how insignificant the task or action.
I fail
Overall, I am a failure and cannot succeed in any aspect of my life.
Lyrics © O/B/O APRA AMCOS
Lyrics Licensed & Provided by LyricFind
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