There are more than one artist named PIG.

1) In his past lives, PIG … Read Full Bio ↴There are more than one artist named PIG.

1) In his past lives, PIG was Lord Raymond Watts, known variously as Raymond Scaballero in Foetus, an icy addition to Psychic TV, a savage PA destroyer in Einstürzende Neubauten, and a founding catalyst of KMFDM. Watts began his arrest record in London where he was most likely pissed off about something and doing sound manipulations, loops and live sound for Psychic TV. He soon crashed into Einstürzende Neubauten (probably in a strip bar) and escaped the smug complacency of the English music scene by moving to Hamburg, Germany and setting up his Building Site studio in a bunker of munitions factory, where he invited in artists including Sprung Aus Den Wolken, Die Haut, and Christiane F. In his pursuit of a cutting edge music scene he sought out like-minded souls to create terrorism instead of tonality. Playing on European/American Neubauten tours, he quickly earned a reputation for destroying PA systems -- the security guards sent by the PA companies to protect the gear were not amused. Between their security thugs and ones hired by Watts to protect him from them, most nights ended up bloody, tense and occasionally on fire.

While collaborating with Neubauten's "gritter" twins: Blixa Bargeld and FM Einheit, Watts lived in the red light district next to a brothel, in amongst the sleaze of the Hamburg docks. Watts heard about Sascha Konietzko who was doing bizarre work with vacuum cleaners, and after drinking him into submission, dragged him and his tall, pale cohort En Esch down the stairs into the freezing Building Site studio, where they locked themselves into Watts' "frozen cesspit" with 20' steel sheets and other garbage, emerging with the debut What Do You Know Deutschland?

As one of the architects of the KMFDM sound, Watts went east to plow through the entrails of the German avant garde, planting the seed of his new experiment while KMFDM moved to America. The mutant was born out of the blood and piss in a basement studio opposite the Berlin Wall and became the 1988 debut album A Poke In The Eye. In addition, Watts was recruited by Foetus (Jim Thirwell) to be in his first live band, and after a European tour which involved disappearances, catholic school girls, and worms, Thirwell stayed on the produce the 12" Shit for Brains. Watts said he'd buy the next round and went to the US to record Steroid Maximus with Thirwell, and also did sound for Crime & the City Solution.

When the wall came down, Watts split his time between London and Tokyo, looking for a new alien habitat after Berlin's pleasure dome exploded. PIG morphed with various collaborators and Watts started working with Japanese musicians, turning his attention to Schaft, which became a huge hit there. The Watts system emerged as an elastic style of working with refuse and collaborating with pariahs: one man's trash is another man's treasure, darling.

Long-time PIG fan Trent Reznor came to see him around '91/'92 at a tiny club in Camden, England and introduced himself to the unimpressed Watts who was surprised that this fellow knew most of PIG's scattered discography. PIG was invited to open Nine Inch Nails' European tour in '94 -- complete with real pig heads on stage that were a load of fun after a few days' decomposition. Later, in 1995, Reznor's Nothing label released his fourth album, Sinsation.

In the mid 1990s, Konietzko ran into Watts again and they worked on the Sin, Sex & Salvation EP, which led to Watts returning to the fold for Nihil, the most successful KMFDM album to date, which included the Watts-penned hit Juke Joint Jezebel. Watts also appeared on the band's Symbols album, doing vocals on the delightfully-titled Spit Sperm and Unfit, while KMFDM's Gunter Schulz and Sascha Konietzko appear on the 1997 release Wrecked, furthering their incestuous relationship.

Still bigger in Japan than the rest of the world, PIG released his sixth album, Genuine American Monster, there in 1999. Finally, in 2002, PIG found a new American home with the Metropolis Records label, who had that year recently released the album ATTAK.

In 2012 PIG released two demos; written by Watts; and performed by Watts and Marc Heal (Cubanate) entitled: Drugzilla (Rough As A Hog's Arse Mix) released on June 8th; Shake (Rough Mix) released on July 14th; and Drugzilla (Pork Talk Mix by Raymond Watts) released on December 2nd.

2) PIG is a Japanese melodic punk band from Japan.
http://www.audioleaf.com/piggip3/

3) pig used to be the alias of Oscar Lang when he first started releasing music in 2017. In 2019 however, he started releasing under his real name, and with that the already released pig releases were re-released under Oscar Lang.

4) Pig is a Beatmaker who became known for his '' dirty '' beats so he earned the nickname Pig which was adopted with an artistic name. Producer and Beatmaker for more than 5 years, he has accumulated several experiences in his career, with more than 15 million Streams.

One for the Neck
Pig Lyrics

Jump to: Overall Meaning ↴ Line by Line Meaning ↴

Easy, ready, willing, overtime
Where does it stop
Where do you dare me
To draw the line
You've got the body
Now you want my soul
Don't even think about it
Say no go

Yeah, I 'll do anything
That you want me to do
And I'll do almost anything
That you want me too, ooh

Yeah but I can't go for that no (no can do)
I can't go for that no (no can do)
I can't go for that no (no can do)

I can't go for that
Can't go for that
Can't go for that
Can't go for that

I can go for being twice as nice
I can go for just repeating
The same old lines
Use the body
Now you want my soul
Ooh, forget about it
Now say no go

Yeah I, I'll do anything
That you want me to do
Yeah I'll do almost anything
That you want me to do

Yeah but I can't go for that no (no can do)
I can't go for that no (no can do)
I can't go for that no (no can do)

I can't go for that
Can't go for that
Can't go for that
Can't go for that yeah

Yeah I'll do anything
That you want me to do
Yeah I'll do almost anything
That you want me to do

Yeah but I can't go for that no (no can do)
I can't go for that no (no can do)
I can't go for that no (no can do)

I can't go for that
Can't go for that
Can't go for that
Can't go for that yeah

No, I can't go for that (no can do)
I can't go for that
I can't go, I can't go
No, I can't go for that no
No can do (no can do)
Forget about it
Forget about it no go
No go no go
I can't go for that yeah (no can do)
Forget about it no
Forget about it no go
No go no go
No can do (no can do)
No no no no no
No no no no no no can do
Can't go for that yeah (no can do)
No no no no no
No no no no no no can do
Can't go for that yeah (no can do)
I can't go
No can't go
No can't go
Go for that, yeah
No can do (no can do)
I can't go
No can't go
I can't go
Go for that, yeah
No can do (no can do)

No no no no no
No no no no no no can do

Overall Meaning

The song "I Can't Go for That (No Can Do)" by Pig&Dan and Rachel Lyn is about a person who is being pursued by another person who wants their body and soul. The person being pursued is willing to do almost anything to make the other person happy, but draws the line when it comes to losing their own identity and integrity. The lyrics describe the struggle between desire and self-respect, and the need to set boundaries in relationships.

The repeated refrain "I can't go for that" represents the person's refusal to give up their own identity and desires in order to please someone else. The phrase "no can do" emphasizes this refusal, as if the person is setting a firm boundary that cannot be crossed. The verses describe the other person's attempts to persuade and seduce the person, but the chorus remains steadfast in its rejection of their advances.

Overall, the song is a commentary on the importance of maintaining personal boundaries and standing up for oneself in relationships. It encourages listeners to value their own autonomy and not to compromise their own identity for someone else's sake.

Line by Line Meaning

Easy, ready, willing, overtime
I am willing to go the extra mile and put extra effort into this relationship.

Where does it stop
I wonder how far you will go in asking for my love and commitment.

Where do you dare me
Where is the boundary for your demands and expectations from me?

To draw the line
When will you cross the line and ask for too much from me?

You've got the body
You are physically attracted to me.

Now you want my soul
You also want my complete emotional commitment and availability.

Don't even think about it
I am not willing to give up my emotional freedom for you.

Say no go
I cannot say yes to your demands and expectations.

Yeah, I'll do anything
I am willing to compromise and make some sacrifices for the relationship.

That you want me to do
As long as it is reasonable and within my boundaries, I will try to do what you ask.

And I'll do almost anything
But there are limits to how much I can give and how much I am willing to sacrifice for the relationship.

That you want me too, ooh
I will listen to your requests and try my best to make you happy.

Yeah but I can't go for that no (no can do)
However, there are certain things that I am not willing to do for the relationship.

I can go for being twice as nice
I am willing to make an extra effort to show my affection and commitment to you.

I can go for just repeating
I can accept some repetition and routine in our relationship.

The same old lines
I am okay with repeating some of the things that we have done before in our relationship.

Use the body
You are only interested in using me for physical pleasure.

Now you want my soul
But you also want me to be emotionally attached and committed to you.

Ooh, forget about it
I am not willing to sacrifice my emotional well-being for your physical desires.

Now say no go
I cannot agree to your terms and demands for the relationship.

No, I can't go for that (no can do)
I cannot agree to your unreasonable or unacceptable expectations for the relationship.

No no no no no
I am making a strong and definitive statement about my unwillingness to comply with your requests.

Can't go for that yeah (no can do)
I am reiterating my refusal to agree to your requests.

No no no no no no can do
I am rejecting your requests for the relationship.

Can't go for that
I cannot agree to your terms, and we cannot continue the relationship as you want it to be.

Lyrics © Warner/Chappell Music, Inc., Universal Music Publishing Group
Written by: MELISSA A. ELLIOTT, DARYL HALL, SARA ALLEN, JOHN WILLIAM OATES, BRYCYN JAMARI MALYKKE EVANS, ROOSEVELT III HARRELL

Lyrics Licensed & Provided by LyricFind

To comment on or correct specific content, highlight it

TRACKS