1) In his past lives, PIG … Read Full Bio ↴There are more than one artist named PIG.
1) In his past lives, PIG was Lord Raymond Watts, known variously as Raymond Scaballero in Foetus, an icy addition to Psychic TV, a savage PA destroyer in Einstürzende Neubauten, and a founding catalyst of KMFDM. Watts began his arrest record in London where he was most likely pissed off about something and doing sound manipulations, loops and live sound for Psychic TV. He soon crashed into Einstürzende Neubauten (probably in a strip bar) and escaped the smug complacency of the English music scene by moving to Hamburg, Germany and setting up his Building Site studio in a bunker of munitions factory, where he invited in artists including Sprung Aus Den Wolken, Die Haut, and Christiane F. In his pursuit of a cutting edge music scene he sought out like-minded souls to create terrorism instead of tonality. Playing on European/American Neubauten tours, he quickly earned a reputation for destroying PA systems -- the security guards sent by the PA companies to protect the gear were not amused. Between their security thugs and ones hired by Watts to protect him from them, most nights ended up bloody, tense and occasionally on fire.
While collaborating with Neubauten's "gritter" twins: Blixa Bargeld and FM Einheit, Watts lived in the red light district next to a brothel, in amongst the sleaze of the Hamburg docks. Watts heard about Sascha Konietzko who was doing bizarre work with vacuum cleaners, and after drinking him into submission, dragged him and his tall, pale cohort En Esch down the stairs into the freezing Building Site studio, where they locked themselves into Watts' "frozen cesspit" with 20' steel sheets and other garbage, emerging with the debut What Do You Know Deutschland?
As one of the architects of the KMFDM sound, Watts went east to plow through the entrails of the German avant garde, planting the seed of his new experiment while KMFDM moved to America. The mutant was born out of the blood and piss in a basement studio opposite the Berlin Wall and became the 1988 debut album A Poke In The Eye. In addition, Watts was recruited by Foetus (Jim Thirwell) to be in his first live band, and after a European tour which involved disappearances, catholic school girls, and worms, Thirwell stayed on the produce the 12" Shit for Brains. Watts said he'd buy the next round and went to the US to record Steroid Maximus with Thirwell, and also did sound for Crime & the City Solution.
When the wall came down, Watts split his time between London and Tokyo, looking for a new alien habitat after Berlin's pleasure dome exploded. PIG morphed with various collaborators and Watts started working with Japanese musicians, turning his attention to Schaft, which became a huge hit there. The Watts system emerged as an elastic style of working with refuse and collaborating with pariahs: one man's trash is another man's treasure, darling.
Long-time PIG fan Trent Reznor came to see him around '91/'92 at a tiny club in Camden, England and introduced himself to the unimpressed Watts who was surprised that this fellow knew most of PIG's scattered discography. PIG was invited to open Nine Inch Nails' European tour in '94 -- complete with real pig heads on stage that were a load of fun after a few days' decomposition. Later, in 1995, Reznor's Nothing label released his fourth album, Sinsation.
In the mid 1990s, Konietzko ran into Watts again and they worked on the Sin, Sex & Salvation EP, which led to Watts returning to the fold for Nihil, the most successful KMFDM album to date, which included the Watts-penned hit Juke Joint Jezebel. Watts also appeared on the band's Symbols album, doing vocals on the delightfully-titled Spit Sperm and Unfit, while KMFDM's Gunter Schulz and Sascha Konietzko appear on the 1997 release Wrecked, furthering their incestuous relationship.
Still bigger in Japan than the rest of the world, PIG released his sixth album, Genuine American Monster, there in 1999. Finally, in 2002, PIG found a new American home with the Metropolis Records label, who had that year recently released the album ATTAK.
In 2012 PIG released two demos; written by Watts; and performed by Watts and Marc Heal (Cubanate) entitled: Drugzilla (Rough As A Hog's Arse Mix) released on June 8th; Shake (Rough Mix) released on July 14th; and Drugzilla (Pork Talk Mix by Raymond Watts) released on December 2nd.
2) PIG is a Japanese melodic punk band from Japan.
http://www.audioleaf.com/piggip3/
3) pig used to be the alias of Oscar Lang when he first started releasing music in 2017. In 2019 however, he started releasing under his real name, and with that the already released pig releases were re-released under Oscar Lang.
4) Pig is a Beatmaker who became known for his '' dirty '' beats so he earned the nickname Pig which was adopted with an artistic name. Producer and Beatmaker for more than 5 years, he has accumulated several experiences in his career, with more than 15 million Streams.
Peoria
Pig Lyrics
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250 lbs. of flabby harlot woman flesh
Is wobbling around the hotel room, farting
Mucus is dripping from her pig-hole nostrils into her mouth
Nah, streaming
Steaming, streaming great green rivulet
Her tounge makes sure no leftover chunks go astray, miss their mark
Mom I mean buisness
Yeah, will do
Just let me finish this page
I said (hog call)
Sticky, sticky, sticky, sticky, sticky
Tounge's feeling dry, swollen up like a pocket full of lint inclusive
Know what I mean
Know what I mean
Know what I mean
Failing that, the falling fat
Crack another six pack and get on with the job at hand
Many hands make light work
But makes palms broth
Fists flying and slipping into hole after hole after hole after heat
Hey, she buys cayenneby the quart
Filled up to the elbow bone, fried up to the joint
Filed at the shin, skin hanging off in sheets and shards
You do this shit for a living
Those grimey, greasy pores exuding their slimy mixture of filth and puss
In little white whorled pustules
Every time she smiles that yellow, shit-eating grin
That shit-eating grin
Christ, she was beautiful
The lyrics to PIG's song Peoria describe a grotesque and disturbing encounter with a severely overweight woman in a hotel room in Peoria. The singer vividly describes the woman's physical appearance, including her flabby flesh, nostrils dripping with mucus, and swollen tongue. Despite the revulsion expressed in the lyrics, there is also a sense of fascination and a kind of detached observation. The singer seems almost like a scientist examining an unusual specimen.
As the lyrics progress, the tone becomes more violent and aggressive. The singer speaks of putting his finger on a button and cracking open a six-pack to get on with the job at hand. The job remains undefined, but it seems to involve some kind of physical work or violence. The woman is portrayed as repulsive, with greasy pores and whorled pustules, but also strangely alluring. The final line of the song describes her as "beautiful," twisting the listener's perceptions of the encounter once again.
Line by Line Meaning
I met her in Peoria
This is where PIG met the woman described in the song
250 lbs. of flabby harlot woman flesh
The woman PIG met in Peoria is very large and of questionable character
Is wobbling around the hotel room, farting
The woman is walking around the hotel room and passing gas
Mucus is dripping from her pig-hole nostrils into her mouth
The woman has a lot of mucus in her nose and it is running down into her mouth
Nah, streaming
The mucus is not just dripping, it is flowing steadily
Steaming, streaming great green rivulet
The mucus is green and flowing a lot
Her tounge makes sure no leftover chunks go astray, miss their mark
The woman's tongue is keeping any chunks of food from falling out of her mouth
Mom I mean buisness
PIG is serious and focused on the task at hand
Put your finger on the button
PIG needs his mother's help with something important
Yeah, will do
PIG's mother agrees to help him
Just let me finish this page
PIG's mother is currently reading something
I said (hog call)
PIG makes a sound like a hog
Sticky, sticky, sticky, sticky, sticky
PIG's mouth is dry and sticky
Tounge's feeling dry, swollen up like a pocket full of lint inclusive
PIG's tongue is dry and swollen like it has something caught in it
Know what I mean
PIG is asking if his mother understands
Know what I mean
PIG asks again to make sure his mother understands
Know what I mean
PIG asks a third time to confirm that his mother understands
Failing that, the falling fat
If his mother doesn't understand, PIG will move on and do his best on his own
Crack another six pack and get on with the job at hand
PIG will drink some beer and do his task without his mother's help if necessary
Many hands make light work
Things are easier when more people work together
But makes palms broth
Working together can also make things messy or unpleasant
Fists flying and slipping into hole after hole after hole after heat
PIG is working hard and getting his hands dirty
Hey, she buys cayenneby the quart
The woman in Peoria buys a lot of cayenne pepper
Filled up to the elbow bone, fried up to the joint
The woman's body is filled with cayenne and she is cooked like a chicken
Filed at the shin, skin hanging off in sheets and shards
The woman's skin is damaged and peeling off
You do this shit for a living
Someone does this work for a job
Those grimey, greasy pores exuding their slimy mixture of filth and puss
The woman's pores are dirty and greasy and have pus coming out of them
In little white whorled pustules
The pus is in small white bumps on her skin
Every time she smiles that yellow, shit-eating grin
The woman has an unpleasant grin on her face
That shit-eating grin
The grin is particularly unpleasant
Christ, she was beautiful
Despite all of the flaws and unpleasant descriptions, PIG thought the woman was beautiful
Contributed by Jordyn B. Suggest a correction in the comments below.
@blazejames47
you will never hear anything like this again
@jvcdeadmoney
Except if you listen to Foetus, since Thirlwell made this song with Watts...
@MimosaSector
Thanks