1) In his past lives, PIG … Read Full Bio ↴There are more than one artist named PIG.
1) In his past lives, PIG was Lord Raymond Watts, known variously as Raymond Scaballero in Foetus, an icy addition to Psychic TV, a savage PA destroyer in Einstürzende Neubauten, and a founding catalyst of KMFDM. Watts began his arrest record in London where he was most likely pissed off about something and doing sound manipulations, loops and live sound for Psychic TV. He soon crashed into Einstürzende Neubauten (probably in a strip bar) and escaped the smug complacency of the English music scene by moving to Hamburg, Germany and setting up his Building Site studio in a bunker of munitions factory, where he invited in artists including Sprung Aus Den Wolken, Die Haut, and Christiane F. In his pursuit of a cutting edge music scene he sought out like-minded souls to create terrorism instead of tonality. Playing on European/American Neubauten tours, he quickly earned a reputation for destroying PA systems -- the security guards sent by the PA companies to protect the gear were not amused. Between their security thugs and ones hired by Watts to protect him from them, most nights ended up bloody, tense and occasionally on fire.
While collaborating with Neubauten's "gritter" twins: Blixa Bargeld and FM Einheit, Watts lived in the red light district next to a brothel, in amongst the sleaze of the Hamburg docks. Watts heard about Sascha Konietzko who was doing bizarre work with vacuum cleaners, and after drinking him into submission, dragged him and his tall, pale cohort En Esch down the stairs into the freezing Building Site studio, where they locked themselves into Watts' "frozen cesspit" with 20' steel sheets and other garbage, emerging with the debut What Do You Know Deutschland?
As one of the architects of the KMFDM sound, Watts went east to plow through the entrails of the German avant garde, planting the seed of his new experiment while KMFDM moved to America. The mutant was born out of the blood and piss in a basement studio opposite the Berlin Wall and became the 1988 debut album A Poke In The Eye. In addition, Watts was recruited by Foetus (Jim Thirwell) to be in his first live band, and after a European tour which involved disappearances, catholic school girls, and worms, Thirwell stayed on the produce the 12" Shit for Brains. Watts said he'd buy the next round and went to the US to record Steroid Maximus with Thirwell, and also did sound for Crime & the City Solution.
When the wall came down, Watts split his time between London and Tokyo, looking for a new alien habitat after Berlin's pleasure dome exploded. PIG morphed with various collaborators and Watts started working with Japanese musicians, turning his attention to Schaft, which became a huge hit there. The Watts system emerged as an elastic style of working with refuse and collaborating with pariahs: one man's trash is another man's treasure, darling.
Long-time PIG fan Trent Reznor came to see him around '91/'92 at a tiny club in Camden, England and introduced himself to the unimpressed Watts who was surprised that this fellow knew most of PIG's scattered discography. PIG was invited to open Nine Inch Nails' European tour in '94 -- complete with real pig heads on stage that were a load of fun after a few days' decomposition. Later, in 1995, Reznor's Nothing label released his fourth album, Sinsation.
In the mid 1990s, Konietzko ran into Watts again and they worked on the Sin, Sex & Salvation EP, which led to Watts returning to the fold for Nihil, the most successful KMFDM album to date, which included the Watts-penned hit Juke Joint Jezebel. Watts also appeared on the band's Symbols album, doing vocals on the delightfully-titled Spit Sperm and Unfit, while KMFDM's Gunter Schulz and Sascha Konietzko appear on the 1997 release Wrecked, furthering their incestuous relationship.
Still bigger in Japan than the rest of the world, PIG released his sixth album, Genuine American Monster, there in 1999. Finally, in 2002, PIG found a new American home with the Metropolis Records label, who had that year recently released the album ATTAK.
In 2012 PIG released two demos; written by Watts; and performed by Watts and Marc Heal (Cubanate) entitled: Drugzilla (Rough As A Hog's Arse Mix) released on June 8th; Shake (Rough Mix) released on July 14th; and Drugzilla (Pork Talk Mix by Raymond Watts) released on December 2nd.
2) PIG is a Japanese melodic punk band from Japan.
http://www.audioleaf.com/piggip3/
3) pig used to be the alias of Oscar Lang when he first started releasing music in 2017. In 2019 however, he started releasing under his real name, and with that the already released pig releases were re-released under Oscar Lang.
4) Pig is a Beatmaker who became known for his '' dirty '' beats so he earned the nickname Pig which was adopted with an artistic name. Producer and Beatmaker for more than 5 years, he has accumulated several experiences in his career, with more than 15 million Streams.
Rope
Pig Lyrics
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Don't you know what you could do for me with one more stroke?
Don't you know what your heaving breath for this burnt swelling flesh?
Don't you know how I feel with your fingers around my neck?
Pass me the rope the burn is intense
I'm starting to choke the yearning relents
Like a pig on a poke
Well I lie for the life of me
The bile's at the back of my throat
There's a bloated germ in my belly
That yearns for one small slit
Therein this writhing sperm
This blow off in the grit
Pass me the rope the burn is intense
I'm starting to choke the yearning relents
Like a pig on a poke
I've hurt and I've hoped
Well I lie for the life of me
The bile's at the back of my throat
I don't need no one to tell me nothing
I can take myself in my own good time
I met my maker when I met my mother
Not the seven bribes of christ
Don't trespass on my patience baby
Your eyes are bigger than your belly
Like the letter of the law
Like the ulcerating sore
I'm sucking on the stick that stinks
Pass me the rope the burn is intense
I'm starting to choke the yearning relents
Like a pig on a poke
I've hurt and I've hoped
Well I lie for the life of me
The bile's at the back of my throat
The lyrics to the PIG song "Rope" are quite dark and suggestive of self-harm or even suicide. The first verse asks if the listener knows what they could do for the singer with a thin rope or one more stroke. This could imply that the singer is considering ending their life. The second verse talks about the singer's burning desire and how they are starting to choke. They liken themselves to a "pig on a poke" which could represent feeling trapped or helpless. The third verse seems to address someone else, telling them not to trespass on their patience and describing their own suffering as being like an "ulcerating sore."
Overall, the lyrics paint a harrowing picture of someone who is in intense emotional pain and considering drastic measures to alleviate it. It's possible that the song is a commentary on mental health or the effects of trauma.
Line by Line Meaning
Don't you know what you could do for me with one thin rope?
Do you not realize the control and power you have over me with just a simple piece of rope?
Don't you know what you could do for me with one more stroke?
Do you not understand how much I crave your touch and attention?
Don't you know what your heaving breath for this burnt swelling flesh?
Are you not aware of how much I desire and need your passion for my own pleasure?
Don't you know how I feel with your fingers around my neck?
Have you not realized the height of the pleasure and pain you bring me with your grip around my throat?
Pass me the rope the burn is intense
Hand me the rope as the pain is already too much to bear.
I'm starting to choke the yearning relents
I am struggling to breathe as my need and desire for you takes over.
Like a pig on a poke I've hurt and I've hoped
I am like a helpless animal, trapped and used for your pleasure, but still hoping for more.
Well I lie for the life of me The bile's at the back of my throat
I am lying to myself just to cope with the overwhelming emotions and sickness I feel.
There's a bloated germ in my belly That yearns for one small slit
There is a sick part of me that craves the release of violence and death.
Therein this writhing sperm This blow off in the grit
This desire for violence and pain is ingrained within me and impossible to remove.
I don't need no one to tell me nothing I can take myself in my own good time
I do not need anyone else's approval or help, I will take what I want on my own time.
I met my maker when I met my mother Not the seven bribes of christ
My true identity and purpose were determined the moment I was born, not by any religious beliefs or ideals.
Don't trespass on my patience baby Your eyes are bigger than your belly
Do not try my patience, you are not capable of handling the true depths of my desire and need.
Like the letter of the law Like the ulcerating sore I'm sucking on the stick that stinks
I am constantly drawn to the painful and taboo, like a festering wound that I cannot help but touch and explore.
Lyrics © MUSIC SALES CORPORATION
Written by: ROBIN SMITH, Crispian St Peters
Lyrics Licensed & Provided by LyricFind
@theSemiChrist
This has to be the most under rated industrial song.
@Forgottentear
Pig is the most underrated industrial artist in the world.
@FirstnameLastname-py3bc
Most underrated composer!
Or, in fact, least known from the great composers! Quite highly rated from those, who know!
@Skeebins
anything by PIG or FOETUS
@kelvinacasillas1932
I finally found this song after searching for a very long time!
@megapni
Great stuff, i need more
@scottybrix151
THE SHIT!!!!! PASS ME THE ROPE!!!!!!
@ChawkletStudios
I don’t need no one to tell me nothing; I could tell ya myself.
@kaizermengele6669
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