1) In his past lives, PIG … Read Full Bio ↴There are more than one artist named PIG.
1) In his past lives, PIG was Lord Raymond Watts, known variously as Raymond Scaballero in Foetus, an icy addition to Psychic TV, a savage PA destroyer in Einstürzende Neubauten, and a founding catalyst of KMFDM. Watts began his arrest record in London where he was most likely pissed off about something and doing sound manipulations, loops and live sound for Psychic TV. He soon crashed into Einstürzende Neubauten (probably in a strip bar) and escaped the smug complacency of the English music scene by moving to Hamburg, Germany and setting up his Building Site studio in a bunker of munitions factory, where he invited in artists including Sprung Aus Den Wolken, Die Haut, and Christiane F. In his pursuit of a cutting edge music scene he sought out like-minded souls to create terrorism instead of tonality. Playing on European/American Neubauten tours, he quickly earned a reputation for destroying PA systems -- the security guards sent by the PA companies to protect the gear were not amused. Between their security thugs and ones hired by Watts to protect him from them, most nights ended up bloody, tense and occasionally on fire.
While collaborating with Neubauten's "gritter" twins: Blixa Bargeld and FM Einheit, Watts lived in the red light district next to a brothel, in amongst the sleaze of the Hamburg docks. Watts heard about Sascha Konietzko who was doing bizarre work with vacuum cleaners, and after drinking him into submission, dragged him and his tall, pale cohort En Esch down the stairs into the freezing Building Site studio, where they locked themselves into Watts' "frozen cesspit" with 20' steel sheets and other garbage, emerging with the debut What Do You Know Deutschland?
As one of the architects of the KMFDM sound, Watts went east to plow through the entrails of the German avant garde, planting the seed of his new experiment while KMFDM moved to America. The mutant was born out of the blood and piss in a basement studio opposite the Berlin Wall and became the 1988 debut album A Poke In The Eye. In addition, Watts was recruited by Foetus (Jim Thirwell) to be in his first live band, and after a European tour which involved disappearances, catholic school girls, and worms, Thirwell stayed on the produce the 12" Shit for Brains. Watts said he'd buy the next round and went to the US to record Steroid Maximus with Thirwell, and also did sound for Crime & the City Solution.
When the wall came down, Watts split his time between London and Tokyo, looking for a new alien habitat after Berlin's pleasure dome exploded. PIG morphed with various collaborators and Watts started working with Japanese musicians, turning his attention to Schaft, which became a huge hit there. The Watts system emerged as an elastic style of working with refuse and collaborating with pariahs: one man's trash is another man's treasure, darling.
Long-time PIG fan Trent Reznor came to see him around '91/'92 at a tiny club in Camden, England and introduced himself to the unimpressed Watts who was surprised that this fellow knew most of PIG's scattered discography. PIG was invited to open Nine Inch Nails' European tour in '94 -- complete with real pig heads on stage that were a load of fun after a few days' decomposition. Later, in 1995, Reznor's Nothing label released his fourth album, Sinsation.
In the mid 1990s, Konietzko ran into Watts again and they worked on the Sin, Sex & Salvation EP, which led to Watts returning to the fold for Nihil, the most successful KMFDM album to date, which included the Watts-penned hit Juke Joint Jezebel. Watts also appeared on the band's Symbols album, doing vocals on the delightfully-titled Spit Sperm and Unfit, while KMFDM's Gunter Schulz and Sascha Konietzko appear on the 1997 release Wrecked, furthering their incestuous relationship.
Still bigger in Japan than the rest of the world, PIG released his sixth album, Genuine American Monster, there in 1999. Finally, in 2002, PIG found a new American home with the Metropolis Records label, who had that year recently released the album ATTAK.
In 2012 PIG released two demos; written by Watts; and performed by Watts and Marc Heal (Cubanate) entitled: Drugzilla (Rough As A Hog's Arse Mix) released on June 8th; Shake (Rough Mix) released on July 14th; and Drugzilla (Pork Talk Mix by Raymond Watts) released on December 2nd.
2) PIG is a Japanese melodic punk band from Japan.
http://www.audioleaf.com/piggip3/
3) pig used to be the alias of Oscar Lang when he first started releasing music in 2017. In 2019 however, he started releasing under his real name, and with that the already released pig releases were re-released under Oscar Lang.
4) Pig is a Beatmaker who became known for his '' dirty '' beats so he earned the nickname Pig which was adopted with an artistic name. Producer and Beatmaker for more than 5 years, he has accumulated several experiences in his career, with more than 15 million Streams.
Salambo
Pig Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
It hurts and then how
Well I got the time
But I ain't got the temper
Soak me in sweat
The sin the glitter
Your secret is senseless
The noose is a necklace
Salambo
Salambo
P I G
PIG
Get up do the walking
This dead man is talking
Syphilis will sing
For the misery you bring
Like the drug like the rush
This hem thus you touch
Fantastic bombastic
The devil in plastic
Salambo
Salambo
Salambo
P I G
PIG
P I G
PIG
With a fistful of luck
You'll kneel and say suck
Add a taste of the money
You're a fly in the honey
Your settlement a sellout
So duly deny
Your loss is your need
You bleed where you please
Salambo
Salambo
Salambo
Salambo
Salambo
P I G
PIG
P I G
PIG
The lyrics of PIG's song Salambo are cryptic and obscure, but they seem to revolve around the themes of power, corruption, and sexual desire. The song is filled with gritty and unnerving imagery, portraying a world where people are willing to do anything to gain power and wealth, even if it means sacrificing their own dignity and morality. The opening verses talk about a barren furrow that hurts and the singer's lack of patience. The phrase "soak me in sweat" could be a reference to the physical and emotional toll of trying to gain power and control. The lyrics also suggest that the idea of power and control is ultimately meaningless and senseless in the grand scheme of things. The "noose is a necklace" is a powerful metaphor, highlighting the self-destructive nature of those who are consumed by their own desire for power.
The middle verses of the song evoke a sense of despair and hopelessness, as the singer laments the misery and suffering that is inflicted upon them. The use of syphilis as a metaphor for the singer's pain and misery is especially poignant, as the disease was often associated with social and moral degradation in the early 20th century. The chorus of the song repeats the name "Salambo," which is likely a reference to the novel by Gustave Flaubert. The novel tells the story of a young woman named Salambo whose beauty and seduction ultimately lead to her downfall. The repetition of the name suggests that the singer is similarly doomed by their own desires and moral corruption.
Line by Line Meaning
One barren furrow to plough
Trying to achieve something that seems impossible and unrewarding.
It hurts and then how
The pain of failing despite putting in the effort.
Well I got the time
Plenty of time to waste on something insignificant.
But I ain't got the temper
Lacking the patience and perseverance to see it through.
Soak me in sweat
Drowning in hard work with no reward.
The sin the glitter
The allure and temptation of something forbidden or scandalous.
Your secret is senseless
The secret is not worth keeping or sharing.
The noose is a necklace
The burden of a mistake or bad decision worn like an accessory.
Salambo
The name of a mysterious and alluring woman, symbolizing temptation and danger.
P I G
The name of the band performing the song.
Get up do the walking
Taking action and making progress towards a goal.
This dead man is talking
Despite feeling defeated, still pushing forward and speaking up.
Syphilis will sing
The consequences of bad decisions or moral decay will be heard loud and clear.
For the misery you bring
Blaming others for the negative consequences of one's own actions.
Like the drug like the rush
The addictive excitement of living on the edge or indulging in something dangerous.
This hem thus you touch
The familiar yet dangerous territory that one keeps returning to.
Fantastic bombastic
Exaggerated and flashy, yet ultimately empty and meaningless.
The devil in plastic
The superficial and fake nature of temptation and danger.
With a fistful of luck
Depending solely on chance rather than hard work or skill.
You'll kneel and say suck
Desperately submitting to someone or something for personal gain.
Add a taste of the money
The seductive power and influence of wealth.
You're a fly in the honey
Easily ensnared and trapped by temptation and greed.
Your settlement a sellout
Sacrificing one's own values or principles for personal gain.
So duly deny
Refusing to acknowledge the truth or consequences of one's actions.
Your loss is your need
The self-destructive and addictive nature of indulging in temptation and danger.
You bleed where you please
The inevitable pain and suffering caused by bad decisions and selfish actions.
Salambo
Repeated as a haunting reminder of the seductive and dangerous nature of temptation and indulgence.
P I G
Repeated as a bold reminder of the band behind this provocative and introspective song.
P I G
Repeated as a final expression of the band's identity and creative vision.
Lyrics © OBO APRA/AMCOS
Lyrics Licensed & Provided by LyricFind
Johnny Begood
on Stage Slut
Hilarious schtz