There are more than one artist named PIG.

1) In his past lives, PIG … Read Full Bio ↴There are more than one artist named PIG.

1) In his past lives, PIG was Lord Raymond Watts, known variously as Raymond Scaballero in Foetus, an icy addition to Psychic TV, a savage PA destroyer in Einstürzende Neubauten, and a founding catalyst of KMFDM. Watts began his arrest record in London where he was most likely pissed off about something and doing sound manipulations, loops and live sound for Psychic TV. He soon crashed into Einstürzende Neubauten (probably in a strip bar) and escaped the smug complacency of the English music scene by moving to Hamburg, Germany and setting up his Building Site studio in a bunker of munitions factory, where he invited in artists including Sprung Aus Den Wolken, Die Haut, and Christiane F. In his pursuit of a cutting edge music scene he sought out like-minded souls to create terrorism instead of tonality. Playing on European/American Neubauten tours, he quickly earned a reputation for destroying PA systems -- the security guards sent by the PA companies to protect the gear were not amused. Between their security thugs and ones hired by Watts to protect him from them, most nights ended up bloody, tense and occasionally on fire.

While collaborating with Neubauten's "gritter" twins: Blixa Bargeld and FM Einheit, Watts lived in the red light district next to a brothel, in amongst the sleaze of the Hamburg docks. Watts heard about Sascha Konietzko who was doing bizarre work with vacuum cleaners, and after drinking him into submission, dragged him and his tall, pale cohort En Esch down the stairs into the freezing Building Site studio, where they locked themselves into Watts' "frozen cesspit" with 20' steel sheets and other garbage, emerging with the debut What Do You Know Deutschland?

As one of the architects of the KMFDM sound, Watts went east to plow through the entrails of the German avant garde, planting the seed of his new experiment while KMFDM moved to America. The mutant was born out of the blood and piss in a basement studio opposite the Berlin Wall and became the 1988 debut album A Poke In The Eye. In addition, Watts was recruited by Foetus (Jim Thirwell) to be in his first live band, and after a European tour which involved disappearances, catholic school girls, and worms, Thirwell stayed on the produce the 12" Shit for Brains. Watts said he'd buy the next round and went to the US to record Steroid Maximus with Thirwell, and also did sound for Crime & the City Solution.

When the wall came down, Watts split his time between London and Tokyo, looking for a new alien habitat after Berlin's pleasure dome exploded. PIG morphed with various collaborators and Watts started working with Japanese musicians, turning his attention to Schaft, which became a huge hit there. The Watts system emerged as an elastic style of working with refuse and collaborating with pariahs: one man's trash is another man's treasure, darling.

Long-time PIG fan Trent Reznor came to see him around '91/'92 at a tiny club in Camden, England and introduced himself to the unimpressed Watts who was surprised that this fellow knew most of PIG's scattered discography. PIG was invited to open Nine Inch Nails' European tour in '94 -- complete with real pig heads on stage that were a load of fun after a few days' decomposition. Later, in 1995, Reznor's Nothing label released his fourth album, Sinsation.

In the mid 1990s, Konietzko ran into Watts again and they worked on the Sin, Sex & Salvation EP, which led to Watts returning to the fold for Nihil, the most successful KMFDM album to date, which included the Watts-penned hit Juke Joint Jezebel. Watts also appeared on the band's Symbols album, doing vocals on the delightfully-titled Spit Sperm and Unfit, while KMFDM's Gunter Schulz and Sascha Konietzko appear on the 1997 release Wrecked, furthering their incestuous relationship.

Still bigger in Japan than the rest of the world, PIG released his sixth album, Genuine American Monster, there in 1999. Finally, in 2002, PIG found a new American home with the Metropolis Records label, who had that year recently released the album ATTAK.

In 2012 PIG released two demos; written by Watts; and performed by Watts and Marc Heal (Cubanate) entitled: Drugzilla (Rough As A Hog's Arse Mix) released on June 8th; Shake (Rough Mix) released on July 14th; and Drugzilla (Pork Talk Mix by Raymond Watts) released on December 2nd.

2) PIG is a Japanese melodic punk band from Japan.
http://www.audioleaf.com/piggip3/

3) pig used to be the alias of Oscar Lang when he first started releasing music in 2017. In 2019 however, he started releasing under his real name, and with that the already released pig releases were re-released under Oscar Lang.

4) Pig is a Beatmaker who became known for his '' dirty '' beats so he earned the nickname Pig which was adopted with an artistic name. Producer and Beatmaker for more than 5 years, he has accumulated several experiences in his career, with more than 15 million Streams.

Serial Killer Thriller
Pig Lyrics

Jump to: Overall Meaning ↴ Line by Line Meaning ↴

This is the dirt that grows the misery that you suck upon
Oh come to bedlam you will find a fist to fuck upon
This soul is itchin' to receive the taste upon your spoon
My guilt will marry me and lies are gonna be my groom

*Oh silence I can hear you
Swinging slowly on the gentle rope

**Serial killer thriller
Sinsation
Serial killer thriller
Sinsation
Serial killer thriller
Sinsation
Serial killer thriller
Just for you

And from your bitter string I suck upon all your bitter lies
And wait with baited bitter breath upon your bridal knife
I cannot take this thing you force into my face again
I cannot hate this thing you force into my face again
A choir of flies rehearse their hymns upon my open eyes
Your devil crawls to me to give my somewhere I can hide

*&**Repeat
*&**Repeat

Overall Meaning

In "Serial Killer Thriller" by PIG, the lead singer is delving into the mind of a serial killer. The introduction of the lyrics sets the tone of the song, with the line "This is the dirt that grows the misery that you suck upon." This can be interpreted as the killer's motives to kill, the pain and suffering that leads to their actions. The killer invites the listener, or their victim, to "come to bedlam" and find a "fist to fuck upon." This creates an atmosphere of violence and danger that is common in the mind of a serial killer.

The chorus of the song has a catchy repetitive hook, with the phrase "Serial Killer Thriller" repeated four times. This hook creates a sense of obsession and addiction, both for the killer and the listener. The next few lines of the chorus, "Sinsation," are a play on words. This is because the word "sin" and "sensation" could be interpreted as the same thing in this song. This creates another layer of the killer's twisted mindset.

The next verse continues with the idea of the killer's victim being force-fed lies and bitterness. They are waiting for the killer's knife, which could be interpreted as literal or metaphorical. The killer cannot "hate this thing" that they are doing and instead "learns to live with it." The final line of the bridge, "Your devil crawls to me to give me somewhere I can hide," is a reference to the killer's evil thoughts being a safe place to hide from reality.

Line by Line Meaning

This is the dirt that grows the misery that you suck upon
The singer is referring to the source of the misery in their life; it is something that their audience has been directly or indirectly contributing to.

Oh come to bedlam you will find a fist to fuck upon
The singer invites their audience to join them in a place of madness, where they're ready and willing to fight.

This soul is itchin' to receive the taste upon your spoon
The singer is eager for their audience to give them their next 'fix' of whatever misery or pain they've been inflicting on the singer.

My guilt will marry me and lies are gonna be my groom
The artist's negative feelings towards themselves and the lies they've been living under are overwhelming enough to become their 'partners' in life.

Oh silence I can hear you Swinging slowly on the gentle rope
The artist depicts silence as something volatile, hanging above their head like an executioner's noose.

Serial killer thriller Sinsation Serial killer thriller Sinsation Serial killer thriller Sinsation Serial killer thriller Just for you
The chorus builds off of the dark, twisted themes introduced earlier. Being slain or destroyed by a 'serial killer' is a thrilling sensation that will be provided to the listener.

And from your bitter string I suck upon all your bitter lies And wait with baited bitter breath upon your bridal knife I cannot take this thing you force into my face again I cannot hate this thing you force into my face again
The singer describes their relationship with their audience as one where they're subjected to lies and pain, and yet they can't stop craving more of it; even if they know it's slowly killing them.

A choir of flies rehearse their hymns upon my open eyes Your devil crawls to me to give my somewhere I can hide
The artist describes their own condition as akin to a corpse, preyed on by insects, and yet they still find comfort in getting close to their tormentor.

Lyrics © O/B/O APRA AMCOS

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