There are more than one artist named PIG.

1) In his past lives, PIG … Read Full Bio ↴There are more than one artist named PIG.

1) In his past lives, PIG was Lord Raymond Watts, known variously as Raymond Scaballero in Foetus, an icy addition to Psychic TV, a savage PA destroyer in Einstürzende Neubauten, and a founding catalyst of KMFDM. Watts began his arrest record in London where he was most likely pissed off about something and doing sound manipulations, loops and live sound for Psychic TV. He soon crashed into Einstürzende Neubauten (probably in a strip bar) and escaped the smug complacency of the English music scene by moving to Hamburg, Germany and setting up his Building Site studio in a bunker of munitions factory, where he invited in artists including Sprung Aus Den Wolken, Die Haut, and Christiane F. In his pursuit of a cutting edge music scene he sought out like-minded souls to create terrorism instead of tonality. Playing on European/American Neubauten tours, he quickly earned a reputation for destroying PA systems -- the security guards sent by the PA companies to protect the gear were not amused. Between their security thugs and ones hired by Watts to protect him from them, most nights ended up bloody, tense and occasionally on fire.

While collaborating with Neubauten's "gritter" twins: Blixa Bargeld and FM Einheit, Watts lived in the red light district next to a brothel, in amongst the sleaze of the Hamburg docks. Watts heard about Sascha Konietzko who was doing bizarre work with vacuum cleaners, and after drinking him into submission, dragged him and his tall, pale cohort En Esch down the stairs into the freezing Building Site studio, where they locked themselves into Watts' "frozen cesspit" with 20' steel sheets and other garbage, emerging with the debut What Do You Know Deutschland?

As one of the architects of the KMFDM sound, Watts went east to plow through the entrails of the German avant garde, planting the seed of his new experiment while KMFDM moved to America. The mutant was born out of the blood and piss in a basement studio opposite the Berlin Wall and became the 1988 debut album A Poke In The Eye. In addition, Watts was recruited by Foetus (Jim Thirwell) to be in his first live band, and after a European tour which involved disappearances, catholic school girls, and worms, Thirwell stayed on the produce the 12" Shit for Brains. Watts said he'd buy the next round and went to the US to record Steroid Maximus with Thirwell, and also did sound for Crime & the City Solution.

When the wall came down, Watts split his time between London and Tokyo, looking for a new alien habitat after Berlin's pleasure dome exploded. PIG morphed with various collaborators and Watts started working with Japanese musicians, turning his attention to Schaft, which became a huge hit there. The Watts system emerged as an elastic style of working with refuse and collaborating with pariahs: one man's trash is another man's treasure, darling.

Long-time PIG fan Trent Reznor came to see him around '91/'92 at a tiny club in Camden, England and introduced himself to the unimpressed Watts who was surprised that this fellow knew most of PIG's scattered discography. PIG was invited to open Nine Inch Nails' European tour in '94 -- complete with real pig heads on stage that were a load of fun after a few days' decomposition. Later, in 1995, Reznor's Nothing label released his fourth album, Sinsation.

In the mid 1990s, Konietzko ran into Watts again and they worked on the Sin, Sex & Salvation EP, which led to Watts returning to the fold for Nihil, the most successful KMFDM album to date, which included the Watts-penned hit Juke Joint Jezebel. Watts also appeared on the band's Symbols album, doing vocals on the delightfully-titled Spit Sperm and Unfit, while KMFDM's Gunter Schulz and Sascha Konietzko appear on the 1997 release Wrecked, furthering their incestuous relationship.

Still bigger in Japan than the rest of the world, PIG released his sixth album, Genuine American Monster, there in 1999. Finally, in 2002, PIG found a new American home with the Metropolis Records label, who had that year recently released the album ATTAK.

In 2012 PIG released two demos; written by Watts; and performed by Watts and Marc Heal (Cubanate) entitled: Drugzilla (Rough As A Hog's Arse Mix) released on June 8th; Shake (Rough Mix) released on July 14th; and Drugzilla (Pork Talk Mix by Raymond Watts) released on December 2nd.

2) PIG is a Japanese melodic punk band from Japan.
http://www.audioleaf.com/piggip3/

3) pig used to be the alias of Oscar Lang when he first started releasing music in 2017. In 2019 however, he started releasing under his real name, and with that the already released pig releases were re-released under Oscar Lang.

4) Pig is a Beatmaker who became known for his '' dirty '' beats so he earned the nickname Pig which was adopted with an artistic name. Producer and Beatmaker for more than 5 years, he has accumulated several experiences in his career, with more than 15 million Streams.

The Keeper of the Margarita
Pig Lyrics

Jump to: Overall Meaning ↴ Line by Line Meaning ↴

Get down, get out of my way
Don't do what I do, do what I say
Get down, shut up, get out of my way
Don't do what I do, do what I say
I'm the keeper of the margarita
A little peep at the gate and the reaper
I leap like a salmon and I peel a lemon
My thirsty, greedy new found friend

Drink with me, just like!
My thirsty, greedy new found friend
Drink with me unitl I die
Get down, shut up, get out of my way
Don't do what I do, do what I say

Get down, shut up, get out of my way
Don't do what I do, do what I say

Overall Meaning

"Keeper of the Margarita" by PIG is a song that explores themes of control and desire through its lyrics. The singer is the "keeper" of the margarita, the one in charge of dispensing the drink, and he asserts his authority by commanding others to follow his lead. He tells them to get out of his way, not to do what he does, but rather to do as he says. The repetition of this command underscores his need for control and power over others. He likens himself to the grim reaper, and the gate represents the entrance to the afterlife, where he holds the power to let others in or keep them out.

The singer also expresses his own desires for alcohol by describing himself as "thirsty" and "greedy." He implores others to drink with him until he dies, painting a picture of excess and indulgence. He seems to find camaraderie in drinking, urging his "new found friend" to join him. The line "Drink with me, just like!" emphasizes his desire for others to share in his pleasure.

Overall, the lyrics of "Keeper of the Margarita" suggest a struggle between control and desire. The singer wants to be in charge, but also wants to indulge in his own appetites. It is a song that encourages the listener to consider the balance between control and pleasure in their own life.

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Line by Line Meaning

Get down, get out of my way
Move away, allow me to take the lead

Don't do what I do, do what I say
Follow my instructions rather than my actions

Get down, shut up, get out of my way
Step aside and remain silent as I take charge

I'm the keeper of the margarita
I control the supply of margaritas

A little peep at the gate and the reaper
An ominous sign of death lurking nearby

I leap like a salmon and I peel a lemon
I move swiftly and deftly to prepare the perfect margarita garnish

My thirsty, greedy new found friend, Drink with me, just like!
My friend who is eager to consume alcohol, let's drink together

My thirsty, greedy new found friend, Drink with me until I die
Let's keep drinking until the end of my life

Get down, shut up, get out of my way
Step aside and remain silent as I take charge

Don't do what I do, do what I say
Follow my instructions rather than my actions