Pinar Toprak is a Turkish-American composer for film, television and video … Read Full Bio ↴Pinar Toprak is a Turkish-American composer for film, television and video games. She has won two International Film Music Critics Association Awards for The Lightkeepers (2009) and The Wind Gods (2013).

Toprak was born and raised in Istanbul, Turkey, where she began her classical musical education at the age of five. After studying composition and multiple instruments at the conservatory, she moved to Chicago to study jazz, then Boston. She joined the music production company Media Ventures International (now known as Remote Control), home of film composer Hans Zimmer.

Toprak most recently scored Captain Marvel (2019), the Superman prequel series Krypton and the Pixar animated short, Purl.

TRACKS

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Learning the Truth
Pinar Toprak Lyrics

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The lyrics are frequently found in the comments by searching or by filtering for lyric videos

Comments from YouTube:

Philip_24

5y↑25

"You don't know me. You have no idea who I am. I don't even know who I am!"

"You are Carol Danvers. You are the woman on that black box risking her life to do the right thing. My best friend... Who supported me as a mother and a pilot when no one else did. You are smart, and funny, and a huge pain in the ass...and you were the most powerful person i knew way before you could shoot fire from your fists. You hear me? Do you hear me?"

Europeans against fascism

5y↑18

I was listening to the whole soundtrack on automatic play and this came and I started tearing up out of nowhere. The power of that music. It carries so much emotion. Congratulations Ma'am Toprak, you're a musical genius.

Mitch Young

4y↑4

Thought the movie was fine but I came back to the soundtrack cause there’s something I find hard to explain. This kind of music make me nostalgic for something that maybe never happened. Reminds me of my early childhood and watching the kids channels obscure live action shows on my parents tiny box TV where the shows had 90’s aesthetics. Also makes me think of these for some reason: Big almost empty rooms with simple patterns and papers littering the floors and desks. Dark rooms only divided by glass walls dimly lit with orange hues and skylights. And huge storage rooms with toupe and tan filling cabinets and libraries as the fluorescent lights buzz. The scene where she finds the photo of herself reminds me of a memory of my childhood that I don’t even know if it’s real, so weird.

Cluff

5y↑15

Very Jerry Goldsmith “ALIEN”-esque with those flutes, I love it.

Frozen Monster

5y↑1

Yeah I love the score for this reason. Some little touch its alsoin others score too

George Zee

5y↑3

@Cluff Last night I checked most of the tracks and I found it was at the very beginning of "Trapped", but I think the one I recall from the movie was a variation (maybe on another track). It's basically a slowed-down nod to the middle section of The Twilight Zone theme (the pizzicato part).