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Hey You
by Pink Floyd
Hey you, out there in the cold
Getting lonely, getting old
Can you feel me?
Hey you, standing in the aisles
With itchy feet and fading smiles
Can you feel me?
Hey you, don't help them to bury the light
Don't give in without a fight
Hey you out there on your own
Sitting naked by the phone
Would you touch me?
Hey you with you ear against the wall
Waiting for someone to call out
Would you touch me?
Hey you, would you help me to carry the stone?
Open your heart, I'm coming home
But it was only fantasy
The wall was too high
As you can see
No matter how he tried
He could not break free
And the worms ate into his brain
Hey you, out there on the road
Always doing what you're told
Can you help me?
Hey you, out there beyond the wall
Breaking bottles in the hall
Can you help me?
Hey you, don't tell me there's no hope at all
Together we stand, divided we fall
Lyrics © Warner/Chappell Music, Inc.
Written by: ROGER WATERS
Lyrics Licensed & Provided by LyricFind
by Pink Floyd
Hey you, out there in the cold
Getting lonely, getting old
Can you feel me?
Hey you, standing in the aisles
With itchy feet and fading smiles
Can you feel me?
Hey you, don't help them to bury the light
Don't give in without a fight
Hey you out there on your own
Sitting naked by the phone
Would you touch me?
Hey you with you ear against the wall
Waiting for someone to call out
Would you touch me?
Hey you, would you help me to carry the stone?
Open your heart, I'm coming home
But it was only fantasy
The wall was too high
As you can see
No matter how he tried
He could not break free
And the worms ate into his brain
Hey you, out there on the road
Always doing what you're told
Can you help me?
Hey you, out there beyond the wall
Breaking bottles in the hall
Can you help me?
Hey you, don't tell me there's no hope at all
Together we stand, divided we fall
Lyrics © Warner/Chappell Music, Inc.
Written by: ROGER WATERS
Lyrics Licensed & Provided by LyricFind
Watch artist interviews here.
This is Roger Waters' ode to alienation.
The opening to the second half of "The Wall" sees the narrator trying to connect with the audience, trying to make some kind of contact with any human being. But the isolation he feels from his audience is too great, and the worms (the metaphorical representations of his evil thoughts) begin to eat into his mind.
This song is notable for its David Gilmour fretless bass solos which occur before the first and third verses.
The opening to the second half of "The Wall" sees the narrator trying to connect with the audience, trying to make some kind of contact with any human being. But the isolation he feels from his audience is too great, and the worms (the metaphorical representations of his evil thoughts) begin to eat into his mind.
This song is notable for its David Gilmour fretless bass solos which occur before the first and third verses.
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