Not Now John
Pink Floyd Lyrics


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Fuck all that, we've got to get on with these
(Fuck all that, fuck all that)
Got to compete with the wily Japanese
There's too many home fires burning and not enough trees
(Fuck all that)
So fuck all that, we've gotta get on with these
(Gotta get on with these)
Can't stop, lose job
Mind gone, silicon
Stroll on what bomb?
Get away, payday
Make hay, break down
Need fix, big six
Click, click
Hold on, oh no
Bingo (bingo)

Make 'em laugh, make 'em cry
Make 'em dance in the aisles
Make 'em pay, make 'em stay
Make them feel okay

Not now John, we've got to get on with the film show
(Gotta get on, gotta get on)
Hollywood waits at the end of the rainbow
(End of the rainbow)
Who cares what it's about as long as the kids go
(As long as the kids go)
So, not now John, we've gotta get on with the show
(Gotta get on, gotta get on)

(Gotta get on, gotta get on, gotta get on)

Hang on John I've gotta get on with this
(Gotta get on, gotta get on)
Don't know what it is, but it fits on here like, sss
Come at the end of the shift, we'll go and get pissed
But not now John, I've gotta get on with this
(Gotta get on with this, gotta get on)

Hold on John, I think there's something good on
I used to read books but
Could be the news or some other abuse
Could be reusable shows

Fuck all that, we've gotta get on with these
Gota compete with the wily Japanese
(Gotta get on, gotta get on)
No need to worry about the Vietnapeace
Gota bring Russian Bear to his knees
(Gotta get on)
Well, maybe not the Russian Bear, maybe the Swedes
We showed Argentina, now let's go and show these
(Gotta get on, gotta get on)
Make us feel tough and wouldn't Maggie be pleased?

Na, na, na, na, na, na, na
(Na, na, na, na, na, na, na)
(One, two, Free Four)
(One, two, Free Four)

S'cusi, dov'è il bar? (What?) (gotta get on)
Se parakalo, pou einai to bar?
S'il vous plaît, où est le bar? (Say it in English, fairy)
Oi, where's the fucking bar John? (Oh, now you're talking)
(Rule Britannia, Britannia rules the day) (gotta get on, gotta get on)
Down (gotta get on)
Go, Maggie




(Gotta get on, gotta get on)
Hammer, Hammer, Hammer, Hammer, now

Overall Meaning

The opening lines of the song "Fuck all that we’ve got to get on with these, Got to compete with the wily Japanese, There’s too many home fires burning, And not enough trees, So fuck all that, We’ve go to get on with these" in Pink Floyd's song "Not Now John" seems to be a commentary or a satirical take on the 1980s economic state of the West, especially in comparison with Japan. Japan was outperforming the West in trade, manufacturing and technology, and the lyrics suggest that instead of worrying about environmental issues or home fires burning, the West needed to get on with competing against the Japanese. The lyrics, "Can't stop, lose job, mind gone, Silicon, what bomb, Get away, pay day, Make hay, break down, need fix, Big six, Clickity click, Hold on, Oh no, Bring bingo!" seem to reflect the changing work culture of the times and the fear of being left behind.


The song's title, "Not Now John," is likely a reference to the arguments and bickering going on in the world at the time, echoing Pink Floyd's ongoing theme of conflict and division. The song also seems to criticize the entertainment industry for caring only about making money and not about the content or meaning of their productions. The line "Who cares what it's about, As long as the kids go?" reflects this.


Line by Line Meaning

Fuck all that we've got to get on with these
We can't waste our time on things that don't matter


Gotta compete with the wily Japanese
We need to step up our game and match their success


There's too many home fires burning
People are focused on petty issues instead of important ones


And not enough trees
We're destroying the environment and not doing anything about it


Can't stop!
We need to keep moving forward


Lose job!
We can't afford to waste time or money


Mind gone!
We're losing our sanity from stress and pressure


Silicon!
Technology is taking over our lives


What bomb?
We're ignoring important issues that require immediate attention


Get away!
We need to escape the pressures of life


Pay day!
We need money to survive and take care of our families


Make hay!
We need to work hard and seize opportunities


Break down!
We're losing control and can't keep it together


Need fix.
We're addicted to something and can't function without it


Big six.
We're up against powerful people or entities


Clickity click.
We're being monitored and controlled by technology


Hold on!
We need to stay strong and not give up


Oh no,
We're encountering unexpected problems or setbacks


Bring bingo!
We need to change the subject and find something positive to focus on


Make 'em laugh
We need to entertain people and distract them from their problems


Make 'em cry
We need to evoke emotion and connect with people


Make 'em dance in the aisles
We need to create a fun, lively atmosphere


Make 'em pay
We need to make money off of people


Make 'em stay
We need to keep people coming back


Make 'em feel okay
We need to help people feel better about themselves and their lives


Not nah John
We're ignoring distractions and focusing on what's important


We've got to get on with the film show
We need to keep the entertainment going


Hollywood waits at the end of the rainbow
There's fame and fortune to be had if we keep going


Who cares what it's about
We don't need to worry about the quality of our work, as long as it's popular


As long as the kids go?
We don't care about the content of the entertainment as long as people pay for it


Hang on John
We're focusing on something important


I've got to get on with this
We're prioritizing our work and responsibilities


I don't know what it is
We're not sure what we're doing, but we have to do it anyway


But it fits on here like
We're making things work even if they don't make sense


Come at the end of the shift
We'll take a break when we're done working


We'll go and get pissed
We'll blow off steam and relax


Hold on John
We're having an important realization


I think there's something good on
There's potential for something great


I used to read books but
We're not making time for things we used to enjoy


It could be the news
We're getting our fix of current events


Or some other amusement
We're finding distractions wherever we can


It could be reusable shows
We're watching reruns because we don't have anything better to do


No need to worry about the Vietnamese
We're moving on to new enemies


Got to bring the Russian Bear to his knees
We need to defeat Russia and show our dominance


Well, maybe not the Russian Bear
We're not sure who our enemy is


Maybe the Swedes
We're looking for any excuse to go to war


We showed Argentina
We already defeated one enemy


Now let's go and show these
We need more enemies to defeat


Make us feel tough
We want to feel strong and powerful


And wouldn't Maggie be pleased?
We want to impress our leader


S'cusi dove il bar
Excuse me, where is the bar?


(What?)


Se para collo pou eine toe bar


s'il vous plait ou est le bar
Excuse me, where is the bar?


(Say it in English!)


Oi, where's the fucking bar John?
Hey, where's the bar?


(Oh, now you're talking!)


Oh! Rule Britannia! Britannia rules the day
We're expressing a sense of national pride and confidence




Lyrics © BMG Rights Management
Written by: George Roger Waters

Lyrics Licensed & Provided by LyricFind
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Most interesting comment from YouTube:

@flacidhouse350

Smooth is not a quality denoting strength. Watch the recording of Darkside of the Moon. Waters runs him through several mediocre solos to get to the good ones. Gilmour is bitching and saying "Isn't that good enough?"

The truth about those solos is that they are made by what happens around them. It's the chords and arrangements that make them sound so good. That's why Gilmour's solos never sound as good without Waters.

Solos wandering around the blues scale are not exploratory. Wright is a slouch. It's his defining characteristic. Listen to live versions of those songs Water did without Wright. Their better.

Nobodies Home is a better keyboard performance than anything Wright ever recorded. If people prefer Wright so Much why is the album he was fired on widely considered their best?

You don't know what a virtuoso is. Wright has shoddy technique.

Not Now John is Better than anything off animals and just abut every one on Darkside.

Waters is by far the most accomplished Musician in Pink Floyd.

I scoff at your scoff.



All comments from YouTube:

@bluorangefyre

This song gets way too overlooked when people talk about the best Pink Floyd songs ever. This is up there.

@williamkayaian7268

I love it

@iamthemiracle81

A hidden gem

@davidpowell3239

Liz Truss thinks so 🤣🤣

@rafaelgallego1483

Así es yo creo que es una de las mejores canciones del grupo

@emcee7670

Living in Burlington, VT the summer it came out, I could hear it unadulterated on a Canadian radio station CHOM, 97.7 in Montreal. Startling, right, making you wonder why we retain the quaint and antiquated rules for public airwaves that we've had for, I would suggest, too long.

39 More Replies...

@penalopeanne9079

40 years old and counting... Still a masterpiece

@luizsa8300

That old guy at the beginning was in The Wall movie .He played the schoolteacher with the “psychopathic wife” from The Happiest Days of our Lives.

@maxeh9879

Or more descriptively, the school teacher who was well known in the town for getting home at night and having a fat and psychopathic thrash him within inches of his life.




Ooooooooooh

@matchstick7642

I think it’s supposed to be the same character

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