Pizzicato Five (often nicknamed "P5") is a legendary Japanese group that fo… Read Full Bio ↴Pizzicato Five (often nicknamed "P5") is a legendary Japanese group that formed in 1984. Arguably the first group to popularize shibuya-kei from underground circles, they also later on began experimenting with the style, with what some called an innovative genre all their own, blending traditional Japanese pop, alternative, soul, funk, jazz, ye-ye, acoustic folk, and early electronic music, among others. They are also perhaps best known to audiences in the west in their later incarnation as a duo of Nomiya Maki (野宮真貴) and Konishi Yasuharu (小西康陽).
They are widely credited to have spearheaded the "Shibuya-kei" movement of Tokyo in the 90s, along with Flipper's Guitar.
They are known for their eclectic and energetic compositions, which often sound like "new" releases from the late 1960s hipster scene. Their catchphrase--"A New Stereophonic Sound Spectacular"--captured the group's ironic stance but eager attitude. The group broke up in March 2001.
A hugely prolific group, Pizzicato Five would release at least an album-per-year along with various EPs and remix albums during their 16 year-career.
Both Nomiya Maki (野宮真貴) and Konishi Yasuharu(小西康陽) currently enjoy solo careers - with Konishi Yasuharu(小西康陽) producing other artists ranging from Puffy and SMAP to Cornelius and kahimi karie(カヒミ・カリィ) - alongside collaborative remix compilations - from Ella Fitzgerald and The Supremes to classic Disney and Thunderbirds (as in Super-Marionated) music on his Shibuya-based Readymade Records label.
On Thursday March 31st, 2011, exactly 10 years after Pizzicato Five disbanded, Konishi Yasuharu announced a new solo project called Pizzicato One. The first release, titled One and Ten Very Sad Songs, consists of covers of English songs, each featuring vocals by various internationally-known artists from around the world.
They are widely credited to have spearheaded the "Shibuya-kei" movement of Tokyo in the 90s, along with Flipper's Guitar.
They are known for their eclectic and energetic compositions, which often sound like "new" releases from the late 1960s hipster scene. Their catchphrase--"A New Stereophonic Sound Spectacular"--captured the group's ironic stance but eager attitude. The group broke up in March 2001.
A hugely prolific group, Pizzicato Five would release at least an album-per-year along with various EPs and remix albums during their 16 year-career.
Both Nomiya Maki (野宮真貴) and Konishi Yasuharu(小西康陽) currently enjoy solo careers - with Konishi Yasuharu(小西康陽) producing other artists ranging from Puffy and SMAP to Cornelius and kahimi karie(カヒミ・カリィ) - alongside collaborative remix compilations - from Ella Fitzgerald and The Supremes to classic Disney and Thunderbirds (as in Super-Marionated) music on his Shibuya-based Readymade Records label.
On Thursday March 31st, 2011, exactly 10 years after Pizzicato Five disbanded, Konishi Yasuharu announced a new solo project called Pizzicato One. The first release, titled One and Ten Very Sad Songs, consists of covers of English songs, each featuring vocals by various internationally-known artists from around the world.
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Pizzicato Five Lyrics
あなたは私のことが
好きなんでしょう
今夜も私に電話を
かけたいんでしょう
震える声で名前を
呼びたいんでしょう
毎晩神様にお祈りしてるんでしょう
スウィートなチョコレート
スウィートなソウル･ミュージック
スウィートなキスはいつでも
とってもキャッチー
真夜中のドライヴ
迎えに来てよね
新しいクルマは
とってもキャッチー
新しい洋服と
新しい恋人
新しい私の部屋は
東京タワーが見える
とってもキャッチー
キャッチー...
真夜中のTVに
私が出ている
有名になるのは
とってもキャッチー
新しいカメラで
私を写して
新しいヘアスタイル
新しいマスカラ
とってもキャッチー
キャッチー...
新しいダンスと
新しいゴシップ
新しいレコードは
ベースの音が低くて
とってもキャッチー
キャッチー...
好きなんでしょう
今夜も私に電話を
かけたいんでしょう
震える声で名前を
呼びたいんでしょう
毎晩神様にお祈りしてるんでしょう
スウィートなチョコレート
スウィートなソウル･ミュージック
スウィートなキスはいつでも
真夜中のドライヴ
迎えに来てよね
新しいクルマは
とってもキャッチー
新しい洋服と
新しい恋人
新しい私の部屋は
東京タワーが見える
とってもキャッチー
キャッチー...
真夜中のTVに
私が出ている
有名になるのは
とってもキャッチー
新しいカメラで
私を写して
新しいヘアスタイル
新しいマスカラ
とってもキャッチー
キャッチー...
新しいダンスと
新しいゴシップ
新しいレコードは
ベースの音が低くて
とってもキャッチー
キャッチー...
Lyrics © O/B/O APRA AMCOS
Written by: 康陽 小西
Lyrics Licensed & Provided by LyricFind
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Johannes Pong
on ポプリ
Holy $#it what a masterpiece. It might even be my favourite P5 album (so hard to choose)! Wow sounds even better than 1996. Konishi sensei is a genius. Timeless. No. It sounds like the future as well as disarmingly nostalgic. All Feelz.
03461827594
on xxxxxxxxxman
Jutt