Maurizio Pollini (born January 5, 1942) is an Italian classical pianist. Read Full Bio ↴Maurizio Pollini (born January 5, 1942) is an Italian classical pianist.
He was born in Milan, the son of the Italian rationalist architect Gino Pollini. Maurizio studied piano first with Carlo Lonati, until the age of 13, then with Carlo Vidusso, until he was 18. He received a diploma from the Milan Conservatory and won the International Frederick Chopin Piano Competition in Warsaw in 1960, after which he studied under Arturo Benedetti Michelangeli.
Since the mid-1960s, he has given recitals and appeared with major orchestras in Europe, the United States, and the Far East. He made his American debut in 1968 and his first tour of Japan in 1974.
Regarded as one of the greatest pianists of our age, he is especially noted for his performances of Beethoven, Schubert, Chopin, Schumann, Brahms, Schoenberg, Webern and for championing modern composers such as Pierre Boulez, Luigi Nono and Karlheinz Stockhausen. Important modern works were composed for Pollini, notably Nono’s …sofferte onde serene…, Giacomo Manzoni’s Masse: omaggio a Edgard Varèse and Salvatore Sciarrino's fifth sonata. He displays an absolute technical sovereignty over the piano, but is sometimes criticized for his emotional conservatism. He has conducted both opera and orchestral music, sometimes leading the orchestra from the keyboard in concertos. His first recordings for Deutsche Grammophon in 1971 included Stravinsky’s Three Movements from “Petrushka” and Prokofiev’s Seventh Sonata and is still considered a landmark of twentieth century piano discography. Since then he has been one of Deutsche Grammophon's leading pianists. In 1985, on occasion of Bach's centennial, he performed the complete first book of The Well-Tempered Clavier. In 1987 he played the complete Beethoven Piano Concertos in New York with the Vienna Philharmonic under Claudio Abbado and received on this occasion the orchestra’s Honorary Ring. In 1993/1994 he played his first complete Beethoven Piano Sonata cycles in Berlin and Munich and later also in New York, Milan, Paris, London and Vienna. At the Salzburg Festival in 1995 he inaugurated the “Progetto Pollini”, a series of concerts in which old and new works are juxtaposed. An analogous experience will be done at Carnegie Hall in 2000/2001 with “Perspectives: Maurizio Pollini”. In 1996 he received the prestigious Ernst von Siemens Music Prize. In 2001 his recording of Beethoven’s Diabelli Variations won Diapason d’or. In 2002 Deutsche Grammophon released a 13 CD commemorative edition to celebrate the pianist's 60th birthday.
http://en.wikipedia.org/wiki/Maurizio_Pollini
He was born in Milan, the son of the Italian rationalist architect Gino Pollini. Maurizio studied piano first with Carlo Lonati, until the age of 13, then with Carlo Vidusso, until he was 18. He received a diploma from the Milan Conservatory and won the International Frederick Chopin Piano Competition in Warsaw in 1960, after which he studied under Arturo Benedetti Michelangeli.
Since the mid-1960s, he has given recitals and appeared with major orchestras in Europe, the United States, and the Far East. He made his American debut in 1968 and his first tour of Japan in 1974.
Regarded as one of the greatest pianists of our age, he is especially noted for his performances of Beethoven, Schubert, Chopin, Schumann, Brahms, Schoenberg, Webern and for championing modern composers such as Pierre Boulez, Luigi Nono and Karlheinz Stockhausen. Important modern works were composed for Pollini, notably Nono’s …sofferte onde serene…, Giacomo Manzoni’s Masse: omaggio a Edgard Varèse and Salvatore Sciarrino's fifth sonata. He displays an absolute technical sovereignty over the piano, but is sometimes criticized for his emotional conservatism. He has conducted both opera and orchestral music, sometimes leading the orchestra from the keyboard in concertos. His first recordings for Deutsche Grammophon in 1971 included Stravinsky’s Three Movements from “Petrushka” and Prokofiev’s Seventh Sonata and is still considered a landmark of twentieth century piano discography. Since then he has been one of Deutsche Grammophon's leading pianists. In 1985, on occasion of Bach's centennial, he performed the complete first book of The Well-Tempered Clavier. In 1987 he played the complete Beethoven Piano Concertos in New York with the Vienna Philharmonic under Claudio Abbado and received on this occasion the orchestra’s Honorary Ring. In 1993/1994 he played his first complete Beethoven Piano Sonata cycles in Berlin and Munich and later also in New York, Milan, Paris, London and Vienna. At the Salzburg Festival in 1995 he inaugurated the “Progetto Pollini”, a series of concerts in which old and new works are juxtaposed. An analogous experience will be done at Carnegie Hall in 2000/2001 with “Perspectives: Maurizio Pollini”. In 1996 he received the prestigious Ernst von Siemens Music Prize. In 2001 his recording of Beethoven’s Diabelli Variations won Diapason d’or. In 2002 Deutsche Grammophon released a 13 CD commemorative edition to celebrate the pianist's 60th birthday.
http://en.wikipedia.org/wiki/Maurizio_Pollini
More Genres
No Artists Found
More Artists
Load All
No Albums Found
More Albums
Load All
No Tracks Found
Genre not found
Artist not found
Album not found
Search results not found
Song not found
Beethoven: Piano Sonata No.21 in C Op.53 -"Waldstein"
Pollini Lyrics
No lyrics text found for this track.
The lyrics are frequently found in the comments by searching or by filtering for lyric videos
The lyrics are frequently found in the comments by searching or by filtering for lyric videos
Endeavour88
fantastico! La suona, la spiega, non c'è una nota trascurata, tutto è chiaro e limpido, grande Pollini!!!
ric55
It takes a genius like Pollini to guide us through one of the most profound musical utterances ever.
Fabio Sormani
Fermo restando che ci troviamo davanti ad un prodigio di intelligenza musicale, di dominio mostruoso dello strumento, di una eccezionale lucidità Interpretativa, di un magnifico suono, questa caratteristica di pollini di dare una certa sensazione di anticipare il tempo (soprattutto dal vivo e quando suona da solo) mi lascia sempre un po perplesso. Comunque mostruoso
Matteo Scalone 🎹🎶
Anche a me a volte... sarà una sua libera interpretazione del rubato.
William Evans
The greatest of pianists performing the greatest of piano sonatas.
Antonia Vignera
Superba interpretazione grande artista.
K A Nesiah
Beethoven more than compensated for his lack of polyphonic talent with pure musical genius.
hamjii
Many many thanks for sharing this rare, precious footage. A peculiar, but very interesting angle ! And the sound is surprisingly good.
giovanni della libera
Bisogna averci provato a portare in pubblico ‘sta fuga per comprendere il prodigio di questa esecuzione
Carmelo Di Gennaro
@Davide Silvestrini non potrei essere più d'accordo. Chiunque l'abbia anche solo studiata privatamente, non può non comprendere l'assoluta concentrazione, l'incredibile magistero tecnico ed emotivo che Pollini dimostra di una delle pagine più profonde della letteratura musicale di tutti i tempi...dominata como solo un autentico genio del pianoforte può fare...