Since then the side-project has recorded (using a variety of lineups) six full length albums, several singles, and two movie soundtracks. In 1994, McCaughan released his first Portastatic album I Hope Your Heart Is Not Brittle; followed in 1995 by a second album, Slow Note from a Sinking Ship, and the "Scrapbook" EP. The Nature of Sap appeared in 1997, and the moniker emerged again with 2000's EP "De Mel, De Melao", which paid homage to classic Brazilian artists like Caetano Veloso and Arnaldo Baptista. In 2001, McCaughan returned with Looking for Leonard, the score to a film written and directed by Superchunk fans Matt Bissonette and Steven Clark.
The full-length Summer of the Shark was released in 2003, followed closely by its partner EP "Autumn Was A Lark", which was also made full-length by including acoustic versions of older songs. 2005's Bright Ideas was Portastatic's first album that did not contain a single track recorded on a Portastudio. McCaughan's most recent commercial album under the Portastatic moniker was Be Still Please, released in 2006. However, in 2008 Merge Records released a limited edition collection entitled Some Small History that contained previously unreleased tracks, tracks only on EPs, B-sides, and rarities.
Running Water
Portastatic Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
I stitched the cloth into animals
I fed them water and bread
You turned against me like all of them
I left the water running all night
Left the windows open wide
I put them on and I walked a mile
I never quite fell in love
I can't imagine who bought you these
I left the water running all night
I left the windows open wide
I only let the phone ring four times
I didn't know if you'd be home
I left the water running all night
I left the doors all open wide
I didn't know if you'd be home
The lyrics to Portastatic's song Running Water are enigmatic and poetic, open to various interpretations but suggestive of betrayal, loss, and a sense of detachment. The first stanza seems to imply a creative and nurturing act, as the singer made something from wool, animals that were fed and cared for, but that turned against them. The second stanza begins with a confession of leaving the water running all night and the windows open, which could signify an act of recklessness or absent-mindedness. The third and final stanza involves taking some clothes from the drawer, wearing them, walking a mile, but not falling in love, while wondering who gave the clothes to the partner, and leaving the water running and the doors open, without knowing if the partner will come home.
One possible interpretation of the song could be that it depicts a failed relationship, where the singer feels used, unappreciated, and betrayed by a partner who became indifferent or hostile. The animals made from the wool could symbolize the singer's attempt to create something meaningful and lasting, a bond or a shared experience, which was ultimately rejected or turned against them. The act of leaving the water running and the windows open could indicate a passive-aggressive response to the partner's neglect or disrespect, a refusal to engage or communicate, and a willingness to let things fall apart. Taking the partner's clothes and walking a mile could represent a form of revenge or an attempt to assert some autonomy and identity, while the uncertainty about who gave the clothes and whether the partner will come home suggests a sense of confusion and loss of connection.
Line by Line Meaning
I cut some cloth from the wool
I created something from raw material
I stitched the cloth into animals
I formed the raw material into specific shapes
I fed them water and bread
I cared for and sustained what I created
You turned against me like all of them
Others have betrayed me before, and now you have as well
I left the water running all night
I left something wasteful and neglected
Left the windows open wide
I created an opportunity for nature and the outside world to enter
I took some clothes from your drawer
I used something that belonged to you without permission
I put them on and I walked a mile
I physically embodied the things that belong to you
I never quite fell in love
I never fully committed emotionally
I can't imagine who bought you these
I don't know who gave you such nice things, since you don't seem to appreciate or value them
I only let the phone ring four times
I didn't give you much of a chance to answer, suggesting I didn't really want to talk to you
I didn't know if you'd be home
I wasn't sure if you would be present, indicating uncertainty in the relationship
I left the doors all open wide
I left myself vulnerable and exposed
Contributed by Kaelyn C. Suggest a correction in the comments below.