(((POWERHOUSE SOUND))) formed in the Summer of 2005, originally with Ken Va… Read Full Bio ↴(((POWERHOUSE SOUND))) formed in the Summer of 2005, originally with Ken Vandermark on tenor sax, Ingebrigt Haker Flaten & Nate McBride on basses, Lasse Marhaug on electronics and on drums.
Ken Vandermark composed tracks with the idea of building the music from the perspective of the bass instead of the more conventional approach of composition construction, "from the top down", as he puts it. "The three major influences I considered when putting the music together were the rhythmic ideas of James Brown, the dub ideas of Lee Perry and the collage ideas of Public Enemy."
Their new Chicago-based touring line up, featuring Vandermark, McBride, Jeff Parker & John Herndon (Tortoise, Isotope 217,Exploding Star Orchestra) will continue to work from these original concepts developed at the band's inception. However, with the obvious shifts in personnel and differences in instrumentation, (((POWERHOUSE SOUND))) is undoubtedly here to test any and all genre "qualifiers" used within the independent music industry today: witness (((PHS)))'s double-cd debut, OSLO/CHICAGO: BREAKS!
Ken Vandermark composed tracks with the idea of building the music from the perspective of the bass instead of the more conventional approach of composition construction, "from the top down", as he puts it. "The three major influences I considered when putting the music together were the rhythmic ideas of James Brown, the dub ideas of Lee Perry and the collage ideas of Public Enemy."
Their new Chicago-based touring line up, featuring Vandermark, McBride, Jeff Parker & John Herndon (Tortoise, Isotope 217,Exploding Star Orchestra) will continue to work from these original concepts developed at the band's inception. However, with the obvious shifts in personnel and differences in instrumentation, (((POWERHOUSE SOUND))) is undoubtedly here to test any and all genre "qualifiers" used within the independent music industry today: witness (((PHS)))'s double-cd debut, OSLO/CHICAGO: BREAKS!
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Powerhouse Sound Lyrics
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Xoulrath MtG
@Jake Johnson MTG maybe, but FaB is already pulling stuff like this. Crucible of War, a set just released in Unlimited form in July, has already been removed from print. It became a FOMO as soon as the announcement was made, and prices spiked.
According to some in the FaB community, there aren't a ton of cards in the set that are widely needed. According to others, it was a bad move to cut the set because it has tournament staples. I don't know because I'm still learning about the game.
What I do know is that I'm currently on the fence about jumping into FaB, because even games like the WoW TCG, which had a fantastic foundation and the popularity of the biggest game around at the time, ultimately failed.
Legend Story Studios making a short print set, in Unlimited no less, of just three waves and then calling it, reeks of market manipulation. The game is 2 years old and hasn't even gained a foothold yet in my LGS. They are actively pushing it and can't get anyone to play currently. I imagine it's wallet fatigue as opposed to the game itself.
Regardless, I've been looking into FaB as well (obviously), precisely because of Magic's current business practices. But I don't want to trade the devil I know for one that I don't, and stunts like short printing a set that was just released in Unlimited, of a game that is 2 years old and still trying to gain market share, is maybe just getting a different devil.
Helena Real
After watching your well thought-out exposition of wonderful quality-of-life improvements to something so simple—and yet so essential—as the de facto booster packs for MTG, I felt something akin to nostalgia.
Once upon a time I would've thought that WotC would look at this and implement it right away. It's so obvious, isn't it? Give the players more so they're incentivized to buy packs.
Nowadays, after years of product after product, most of them closer to scams than any value, I can only shake my head and accept that there will never be changes like this.
WotC doesn't care about us players: they need to double and quadruple their earnings. No time to innovate or treat the player base OK (treating us well is a pipe dream, at this point), no: selling us less for more is the one tenet, the one belief that holds the company together.
So sad.
Sorry, Prof: great video as always. Keep them coming! Your love for MTG is contagious 😊🖤
Justin Kutch
I get the arguments you're making here, and I think that a closer to masterpiece implementation would be great! However, the List has always seemed to me like a compromised solution. Here's why:
Designing a set of reprint cards per set is a lot of work. The set designers not only needs to design the set, but they also need to know what cards need reprints (not to tough, but still something), which cards could fit the theme, coordinate with the next few set designers to not overlap reprints too much, AND get new art treatments. If it's done right, the cards are a solid injection into the secondary market. Done poorly, and the reprints overshadow the set causing the boosters to skyrocket in price as collectors chase the reprints.
However, the list is a separate pool that can be centrality managed, updated based on need, it requires no set specific theming, symbols, or anything like that. Now that is an optimization that is worth it to a company. In this system, set designers don't have to coordinate, art can be reused, and the market gets more copies, helping to control price inflation in the secondary market.
The size of the list and it's opacity makes sense too. These aspects help keep players from knowing which list cards to chase in a set. It keeps the focus on the set and ensures that players that want to collect the set can do so without prices being inflated by the chase list cards. And again, the secondary market still gets those reprints.
What I don't fully understand yet is the user of the list to reprint the mechanically unique UB cards as MtG versions. This seems counter intuitive to the other points I made. However, I could see how that might be done - announcing the card, it's addition to the list, and which sets it will be present in can still be done. And if it's going to be made available for a longer period of time, the chase impact might be lessened.
In fact, the list is elegant in that way - it doesn't stop WotC from pushing chases into a set of they want to get people excited, while being a low cost mechanism for continuous injections into the secondary market.
Now it's just a matter of tweaking the mix. How often do they include them? Which products get them? Longer list? Or cut it down to emphasis it? All can be tweaked over time.
Tolarian Community College
Go to https://BuyRaycon.com/tolariancommunity for 15% off your order! Brought to you by Raycon.
dagnje
raycons are fucking trash, why did you sellout for raycons?
evileyeball
I do not like sticking earbuds into my ears
Justin Patrick
Lemme find out your magnus in final fantasy 14 just met this guy talks and acts just like you
Athena, Shield of the Divine
Hey Prof, I have a question. Is this a limited time offer?
olivian george
I'll buy raycon for you Professor
Steve Peter
“Set boosters were designed to remove draft chaff but they filled the List with draft chaff”. That is an excellent summary/critique, prof. (A retro-frame OG art delver would be fire).
Tyler Chauvet
Agree 100%, The list ended up being like iconic masters, but with more relevant reprints.
KrepsyK
@Ben Nelson It still seems you have no idea what I'm talking about. To put it simply, if you like drafting, buy sealed boxes and hold them when they're cheap so you don't pay inflated prices later when you want to draft them (and historically sealed product always increases in value/price).
Ben Nelson
@KrepsyK You don't collect with booster packs. If you're drafting you don't have the right to complain that you don't get good cards.
Edit: OH and you're also wrong. Ever hear of a cube draft? IT seems up your alley.