PFM introduced new sounds, such as the synthesizer, to the Italian musical world. They were also among the first to combine symphonic classical and traditional Italian musical influences in a rock music context. Such innovations and their longevity have made them among the most important bands in the international Progressive rock genre.
The original core members of PFM (Franco Mussida, Franz Di Cioccio, Flavio Premoli, and Giorgio Piazza) came together in the mid 1960's while playing together as backup musicians for many different Italian pop, rock and folk singers such as Lucio Battisti, Mina, Adriano Celentano and Fabrizio De André. They appeared on many recordings for other artists during this period and quickly established themselves as top players on the Italian rock and pop scene. Mussida, Premoli, Piazza and Di Cioccio then formed the group "I quelli" (English translation "Them", or "Those Guys") in 1968. I quelli released one album and some successful Italian singles.
Premiata Forneria Marconi was officially formed in Milan, Italy in 1970 when the members of I quelli met Mauro Pagani from the group Dalton. Pagani helped the group expand their sound to include violin and flute. By this time they were already highly experienced musicians and easily able to play the kind of complex progressive heavy rock played by the leading English and American groups. Their early live performances included covers by groups such as King Crimson and Jethro Tull. Other early influences included Chicago, Ekseption, and The Flock.
They had a long name, as Italian progressive bands tended to have back then, and so were usually referred to as "La Premiata", and later "PFM". After rejecting Isotta-Fraschini (an Italian car maker) the group finally settled on Pagani's suggestion, "Forneria Marconi" (meaning "Marconi Bakery"), borrowed from the sign of a shop in the small town of Chiari, near Brescia. However, record producer and friend Alessandro Colombini suggested the name was not strong enough, so the title "Premiata" (award-winning) was added. Some objected that "Premiata Forneria Marconi" was too long a name, but the group's philosophy stated that the more difficult to remember a band's name, the more difficult to forget it.
The most recent line-up of PFM follows:
- Franco Mussida: acoustic guitar, electric guitar, 12 string guitar, mandolin, vocals (1970–present)
- Franz Di Cioccio: drums, percussion, lead and backing vocals (1970–present)
- Patrick Djivas: bass, programming (1974–present)
- Lucio Fabbri: violin, keyboards (1979–1987, 2000–present )
- Gianluca Tagliavini: piano, Hammond, Minimoog, other keyboards (2005–present)
- Piero Monterisi: additional drums (2006–present)
Former members of PFM follows:
- Flavio Premoli: piano, keyboards, Mellotron, Moog synthesizer, lead vocals (1970–1980, 1997–2005)
- Giorgio Piazza: bass (1970–1974)
- Mauro Pagani: flute, piccolo, violin, vocals (1970–1976)
- Bernardo Lanzetti: lead vocals, rhythm guitar (1975–1977)
- Gregory Bloch: violin (1976–1977)
- Walter Calloni: additional drums (1982–1987)
- Roberto Gualdi: additional drums (1997–2005)
Promenade The Puzzle
Premiata Forneria Marconi Lyrics
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Pirouetting in the sunset
Let me be your next cigarette.
Church bells, played by a penguin
Bearded priest who walks like chaplin,
I must fly like a swallow tonight.
Chinese rice paper poet
Dips his paintbrush in the silence
Milkmaids waltz around the haystack
When the maestro blows his trumpet.
Bandsmen hammer at the cafe
For the gypsy's drawbridge bottle.
Choir boys pull on the zig-zag
Of the monkey's dream piano.
Fish eat stolen keys in rivers
Where the wooden legs go sailing.
Clocks join hands to dance the polka.
Sweep the carpet under the carpet
Promenade the Puzzle.
The lyrics of Premiata Forneria Marconi’s song “Promenade The Puzzle” are a vivid blend of surrealistic and nonsensical imagery that come together in a cohesive and intriguing way. The opening lines of “Lady dancing on a Tulip Pirouetting in the sunset, Let me be your next cigarette” conjure up an exquisite scene of delicate beauty and desire, as if the poet is witnessing the beauty of a perfect moment and wants to join in.
The song continues with an eclectic mix of random and unexpected images, such as “Church bells, played by a penguin Bearded priest who walks like Chaplin,” which mixes elements of solemn religious ritual with a touch of comedy. The poet then goes on to describe a Chinese rice paper poet painting the sky reflected in a lake, while milkmaids waltz and bandsmen play in the background.
Line by Line Meaning
Lady dancing on a Tulip
A surreal and fantastical image of a woman dancing on a flower, perhaps representing the beautiful and delicate nature of life
Pirouetting in the sunset
The woman is spinning gracefully amidst the beautiful colors of sunset, emphasizing the fleeting, ephemeral quality of such moments
Let me be your next cigarette.
A seductive line implying a desire to be addictive and intimately close to the woman, although also perhaps suggesting the risk and danger of such a relationship
Church bells, played by a penguin
Another surreal image creating an unexpected and humorous contrast between the solemnity of church bells with the comical image of a penguin playing them, perhaps commenting on the absurdity of societal expectations or institutions
Bearded priest who walks like chaplin,
Another humorous and absurd image, combining the seriousness of religious authority with the comedic style of Charlie Chaplin
I must fly like a swallow tonight.
A poetic and wistful expression of a desire to escape or transcend the limitations of one's life
Chinese rice paper poet
An image of a delicate and artistic figure, evoking the beauty of Chinese art and culture
Dips his paintbrush in the silence
Another poetic image, showing the blending of art and contemplation, and perhaps expressing the idea that some things can only be expressed through silence or absence
Of the lake which mirrors the sky.
The poet is drawing inspiration from the reflections of the natural world, emphasizing the interconnectedness of all things and the beauty of nature
Milkmaids waltz around the haystack
An idyllic and pastoral image, evoking traditional and romanticized notions of rural life and simplicity
When the maestro blows his trumpet.
The milkmaids are spurred into motion by the call of music, highlighting the powerful emotional pull of art and the ability of music to inspire and uplift
Bandsmen hammer at the cafe
A more urban and chaotic image, evoking the frenetic nature of modern life and the constant noise and activity of city living
For the gypsy's drawbridge bottle.
The purpose of the bandsmen's playing is unclear, but the image of a gypsy's drawbridge bottle suggests something mystical and exotic, perhaps implying a yearning for escape and adventure
Choir boys pull on the zig-zag
Another abstract and surreal image, emphasizing the strange and unexpected twists and turns of life
Of the monkey's dream piano.
This image combines both humor and metaphor, showing a monkey playing an imaginary piano in its dreams, and perhaps commenting on the illusory nature of our own desires and dreams
Fish eat stolen keys in rivers
Another surreal and obscure image, suggesting a world where fish can consume keys and perhaps emphasizing the unknowable and unexplainable mysteries of life
Where the wooden legs go sailing.
This line further emphasizes the surreal and dreamlike nature of the imagery, showing wooden legs - of whom or what, it is not clear - sailing through the water like a boat
Clocks join hands to dance the polka.
Another humorous and absurd image, showing the inanimate objects of clocks coming to life and joining together in a dance, perhaps hinting at the idea of time and order breaking down and becoming unpredictable
Sweep the carpet under the carpet
An enigmatic and cryptic phrase, suggesting that there is always more hidden beneath the surface, and perhaps implying a need to look deeper or question the status quo
Promenade the Puzzle.
The final line ties together all the surreal and poetic imagery of the song, suggesting that life itself is a puzzle to be explored and solved, and that there is beauty and wonder to be found in the unexpected and unusual
Lyrics © Universal Music Publishing Group
Written by: FLAVIO FRANCO PREMOLI, FRANCO MUSSIDA, MAURO PAGANI, PETER JOHN SINFIELD
Lyrics Licensed & Provided by LyricFind