Fader Mix
Prizes Lyrics


We have lyrics for these tracks by Prizes:


Babe Babe I wanna hold you again I'm sick of pretending babe I'm…
Dancing on the Limit Come closer And tell me the truth Make me cry Is it over? Or…
Let It Snow Lord God you are the fountain of living water Jesus you…
Prizes Juga dengan selusin Jibun keluh malam minus kondusif Mual da…





The lyrics are frequently found in the comments by searching or by filtering for lyric videos
Genre not found
Artist not found
Album not found
Song not found
Most interesting comment from YouTube:

G

Hey Mike, in what DAW?
I’ve had the original Console 1 since the beginning and love it (especially with UAD).

The integration into Studio One and Reaper is amazing.
Just getting it to finally play nice in Harrison Mixbus 32C, now that they have VST3 (but it’s still not totally there yet).
Pro Tools is a lost cause, at least for full integration. (They want us to buy their hardware)

I’ve also had a number of DAW Control Surfaces over the years, but I just picked up an X-Touch and 1 Extender, setting up as a poor man’s SSL Nucleus or Matrix.

I’m finally building out my dedicated Home Studio, room-in-a-room soundproofed and acoustically treated and tuned, and I’m thinking of getting 2 more Extenders for 32 Faders, V-Pots, and Scribble Strips. Wanna see how it feels to have a whole mix on the board, like an analog console. As well as Plug-in mapping to the Knobs & Screens with fader flip across 32 parameters.

How are you using your setup, workflow wise?



All comments from YouTube:

MustacheVerra

Nice! Like that old school approach with the scotch tape etc. And the side of this thing is just perfect. I hope they add midi support if they haven't already? Cause that's where the faderport 16 beats it for me. My needs are little different. Very useful video. Thanks Matty.

Mike Smith

Interesting use of the Console Fader. I see a lot of GearSpace members, looking to utilise a fader control in this way (just for buses), so I could see it catching on. Also the saturation feature is really nice, it can definitely help shape a mix. But I'm using the original Console 1 (channel strip controller), and then use a Behringer X Touch for my fader controls (I prefer being able to control my whole mix with faders).

Blue Matrix

Gearspace!! What a woke change… was Gearslutz and was nothing wrong with that name

G

@Mike Smith Thanks Mike. Yeah, even with the full integration of C1 in a few DAWs, aside from proper Naming and Numbering of tracks which is key to use the 20 top buttons and fly through a session, the main other difference is the Output and Pan knobs plus the Solo and Mute buttons. That and you can hold shift and control your first 3 Sends. Well I suspect that with the X-Touch(s) playing DAW Controller, I may wanna change the settings in C1 to operate as they do in Logic. Controlling the Outputs of the plugin as a gain stage.

So question: where in your signal chains do you place the C1 Plugins? At the front, allowing it to shape your tracks at the start, and adding additional plugs behind? At the end, shaping tracks before they get to "the desk", and allowing the Output level to be used to trim the levels of a static mix leaving the faders at Unity for Automation? Or somewhere in the middle with processing before and after the console emulations?

I can make arguments for all three, but I'm wondering workflow wise how the X-Touch(s) are gonna influence things.

Mike Smith

@G HI I’m using the XTouch and Console 1 with Logic, which of course doesn’t have the deep Console 1 integration but for me it’s still better than just using the mouse. I have an XTouch and an Extender, I’ve taken off the grey panels on the inside of both, so they sit flush next to each other. Looks pretty good (a bit like the Nucleus ). The XTouch is a reliable bit of gear actually, Behringer did a good job especially for the price.

G

Hey Mike, in what DAW?
I’ve had the original Console 1 since the beginning and love it (especially with UAD).

The integration into Studio One and Reaper is amazing.
Just getting it to finally play nice in Harrison Mixbus 32C, now that they have VST3 (but it’s still not totally there yet).
Pro Tools is a lost cause, at least for full integration. (They want us to buy their hardware)

I’ve also had a number of DAW Control Surfaces over the years, but I just picked up an X-Touch and 1 Extender, setting up as a poor man’s SSL Nucleus or Matrix.

I’m finally building out my dedicated Home Studio, room-in-a-room soundproofed and acoustically treated and tuned, and I’m thinking of getting 2 more Extenders for 32 Faders, V-Pots, and Scribble Strips. Wanna see how it feels to have a whole mix on the board, like an analog console. As well as Plug-in mapping to the Knobs & Screens with fader flip across 32 parameters.

How are you using your setup, workflow wise?

Zweiklang

Hi Matty, after watching your video I bought the console 1 fader. Good decision! Could you do a more detailed video about the insert fx (SSL4000E, British Class A, XL9000 etc.), comparison and recommendation? Thanks.

Michael Carvell

I appreciate this video. Because I’ve been looking for a way to use my fader 1 and console 1 without letting go of my normal work flow. I have been thinking about just getting rid of it. Thanks a lot

Producer Mind

This is exactly what I want to do. Great idea.
I was thinking the Avid S1 as well but then I would be stuck with Protools( I actually don’t mind PT)
You saved me some $$$ as well. :)

Producer Mind

@Matty Harris hahaha
That’s funny.
I’ve got 2 S1s at work so I might take one home and see if I like it. Thanks for the update!

More Comments

More Versions