Raw Shit
Public Enemy feat. Paris & MC Ren Lyrics

Raw shit, hardcore hip-hop hits
This song is filled with intense and raw lyrics that capture the essence of hardcore hip-hop.

Yes, live, real rap's back again
The artist is proclaiming that authentic rap music is making a comeback.

You in tune to the real, Hard Truth Soldier radio
The listeners are connected to a radio station that aims to promote truth and challenge societal norms.

The 'Sonic Jihad' continues
The music being created is seen as a form of resistance and an ongoing battle against injustice and oppression.

Where you either with us, or you against us
The artist is calling for a united front against the system, questioning people's allegiances to either support the cause or be complicit in maintaining the status quo.

Dogs of the world unite
This line is a call to action for individuals from all walks of life to come together in solidarity against injustice.

It's Public Enemy
The artist proudly declares their affiliation with the legendary rap group Public Enemy, known for their revolutionary and socially conscious music.

Goddamn I state with my fist uplifted
The artist expresses their frustration and anger by raising their clenched fist in protest.

In a state where our freedom is severely twisted and abused
The artist highlights the oppressive nature of society and how freedom is manipulated and denied to certain groups of people.

I'm used to rhythm of rebel
The artist has become accustomed to the rebellious nature of their music, using it as a tool for resistance.

I've been fightin' this shit with the volume level up to ten
The artist has been using their music, blasting it at maximum volume, as a form of protest and resistance against the injustices they see.

And spendin' my time on the rhyme battlefield
The artist has dedicated their time and energy to lyrically combatting social issues and engaging in the struggle for justice.

Watchin' as my brothers are killed with no justice or peace
The artist witnesses the unjust murders of their fellow black men, highlighting the lack of accountability and peace in society.

In the middle of hell, and I was out on the Isle when the two Towers fell
The artist reflects on their presence in a prison while the 9/11 terrorist attacks occurred, emphasizing the chaotic and oppressive environment they experienced.

So now you're gonna tell that the war is won
The artist questions the narrative that the war on terror has been successful, suggesting that the fight against injustice is far from over.

And what's done is done, an all-good 'Son of a Bush'
The artist criticizes George W. Bush, the former president, portraying him as someone responsible for the injustices and wars that have occurred.

I've been there before, 'got a letter from government' slid underneath my front door
The artist has previously experienced government surveillance or censorship, receiving a letter or message warning or monitoring their activities.

The poor get fucked while the rich is still amused
The artist points out the stark wealth inequality, where the impoverished suffer while the wealthy, who may contribute to the problem, remain unaffected and entertained.

And what's left of the Bill of Rights is pimped and abused
The artist highlights the erosion and exploitation of the fundamental rights and freedoms outlined in the Bill of Rights.

While the patriots actin' like kings
The artist criticizes those in power who claim to be patriots but abuse their authority, acting more like monarchs than democratic leaders.

But the black is back, I'm all in with the noise I bring!
The artist asserts their return and presence as a black individual in the hip-hop scene, using their music to make a powerful statement and cause a stir.

Yeah that's right, we're Public Enemy number one in New York
The artist proudly proclaims that they hold the status of being seen as a threat or opposition to the establishment in New York City.

Ask yourself why we just get by
The artist challenges the listener to reflect on the systemic oppression and inequality that often leaves marginalized communities barely surviving.

While we struggle to maintain, bring sight to the blind
The artist emphasizes the ongoing struggle faced by disenfranchised groups to not only survive but also create awareness and enlightenment among those who are ignorant or blind to their reality.

Up against the machine the 'Bush Killer' remain
The artist positions themselves as a figure who opposes the oppressive machinery of the system, specifically referencing George W. Bush and his policies.

In between the government and the public that's trained
The artist exists as a voice and force of resistance, situated between the government, which seeks to control and manipulate, and the public, which has been conditioned to accept and conform.

Where white companies profit off black death
The artist critiques the exploitative nature of corporations that profit from the suffering and death of black individuals, perpetuating a cycle of oppression.

And house nigga rap thugs sell murder to kids
The artist denounces certain commercial rappers who, with their violent lyrics, contribute to a culture that glorifies murder and negatively influences impressionable young minds.

Where the media maintains all thought control
The artist points out how the media plays a role in manipulating and controlling public opinions and thoughts, perpetuating a biased narrative.

And fake news propaganda serve to rot the soul
The artist criticizes the dissemination of false information and propaganda by the media, suggesting that it has a detrimental effect on individuals' well-being and morality.

We all unified to fight, keep the message and awake black
Despite the challenges, the artist emphasizes the importance of unity in the fight against the system, urging the black community to stay engaged and aware.

Open up your eyes, see the enemy and shake that
The artist urges listeners to awaken to the reality and understand who their true adversaries are, shaking off any complacency or ignorance.

Bullshit lyin', free your mind, we combine
The artist advocates for rejecting deception and freeing oneself from mental enslavement, emphasizing the power that comes from collective action and solidarity.

To combat the perpetrator of the crime design
The artist encourages resistance to those who are responsible for the oppressive systems and structures that perpetuate injustice.

With fake patri-ots and religion the same
The artist criticizes those who falsely claim patriotism or religious beliefs while engaging in actions that harm and oppress others.

Both blind and repressed, both practicin' hate
The artist points out how both the oppressors and those oppressed by the system are affected negatively, with both exhibiting and perpetuating hate and division.

Both followin' the lead of people never concerned
The artist highlights the ignorance and apathy of those in power who, despite their influence, show no genuine concern for the well-being of the people they are supposed to represent.

With justice when the motive is the profit return
The artist exposes the corruption and perversion of justice when financial gain becomes the primary motivation, overshadowing the pursuit of true justice.

We servin'
The artist implies that they are here to serve and support the oppressed, dedicating their art to uplifting the voiceless and fighting for justice.

Yeah, all day everyday we bring believe
The artist asserts their commitment and dedication to inspiring others and instilling a sense of belief and empowerment through their music.

All day everyday the most extreme
The artist emphasizes the intense and radical nature of their music, which pushes boundaries and challenges societal norms.

Yeah, all day everyday we bring believe
The artist reiterates their mission to inspire and empower listeners, consistently delivering an uplifting and powerful message.

Yeah, all day everyday we break the scheme
The artist aims to dismantle the oppressive systems and structures that perpetuate inequality and injustice, while encouraging others to join in the effort.

Worldwide vendetta, these reparations above cheddar
The artist views their fight for justice and reparations as a global mission, prioritizing the restoration of rights and dignity over material wealth.

We got to fuckin' get it together
The artist emphasizes the importance of unity and collective action, recognizing that only by coming together can they achieve their goals.

So each one, teach one, fo' the straggle
The artist advocates for the sharing of knowledge and wisdom among marginalized communities to uplift and support each other in their struggle for justice.

Bein' black in America's some shit to juggle
The artist acknowledges the difficulties and challenges faced by black individuals in America, emphasizing the constant juggling act required to navigate a system built against them.

They won't give motherfuckers a job
The artist highlights the systemic barriers and discrimination faced by marginalized communities when it comes to employment opportunities.

They wanna throw you in the pen when you forced to rob
The artist criticizes the criminal justice system and how it perpetuates a cycle of poverty and crime, as individuals are left with limited options and resort to illegal means for survival.

But the Villain is back, with the Black Panther of rap
The artist presents themselves as a heroic figure, ready to challenge the system and fight for justice, drawing parallels to the revolutionary spirit of the Black Panther Party.

Paris my nigga, you other fools never got bigger
The artist acknowledges the influence and impact of rapper Paris, expressing their respect and admiration for his contributions to the hip-hop movement.

I make this whole system quiver
The artist asserts their power to disrupt and challenge the established system, causing it to tremble and question its oppressive practices.

With the street shit I'ma deliver, from my villa
The artist will use their raw and authentic street-inspired music, creating powerful messages from their own personal experiences and struggles.

Here I go again scarin' people to death
The artist suggests that their strong and unapologetic messages may shock and frighten those who are comfortable in their ignorance or are complicit in perpetuating injustice.

America hold yo' breath, we the last left
The artist asserts their place as one of the few remaining voices and forces of resistance against the oppressive system, encouraging America to brace itself for their impact.

And still got my black ass on the bottom
The artist acknowledges their marginalized position in society, facing ongoing struggles and oppression as a black individual.

You motherfuckers in the jury that's why I shot 'em
The artist expresses their resentment towards a biased and corrupt jury system that fails to deliver justice, suggesting that it is due to such injustices that acts of violence occur.

I shot down one, to get away from two
The artist reflects on an act of violence they committed as a means to escape and survive, illustrating the desperate measures someone might resort to in order to protect themselves.

Now tell me what the fuck am I supposed to do
The artist poses a rhetorical question, asking listeners to empathize with the difficult choices they face in a society that offers little hope or alternatives.

But let tell you a little somethin' man
The artist shifts their tone to address the listeners directly, indicating that they are about to share a personal insight or message.

I'm tired of all these flatheads and all these coneheads
The artist expresses their frustration with ignorant and close-minded individuals, referring to them as 'flatheads' and 'coneheads' to signify their lack of depth or critical thinking.

There's nothin' but spies out there
The artist warns of constant surveillance and infiltration by those who seek to monitor and suppress dissent or resistance.

Somebody is always out there with the binoculars
The artist metaphorically portrays the constant watchful eyes of those who seek to control or undermine their movements, suggesting a state of constant suspicion and surveillance.

You don't see everybody that see you
The artist cautions the listeners that they may be observed or targeted by individuals they are not aware of, emphasizing the need for vigilance and caution.

To all you spies, creatin' nothin' but lies
The artist addresses those who engage in spying or spreading false information, drawing attention to their deceptive actions and manipulative intentions.

In your face you need nothin' but pies, pies, pies
The artist confronts those spies directly, stating that the only thing they deserve is to be hit in the face with pies, as a form of mockery or ridicule.

Cold pies, you know what I'm sayin'?
The artist clarifies that the pies mentioned earlier are meant to be thrown at those individuals with force and without sympathy, highlighting their contempt for those who engage in deceitful acts.

You know how that go G
The artist concludes with a casual remark, indicating that such confrontations or acts of mockery are commonplace or expected in their world.

Public Enemy number one
The artist reiterates their role as a prominent figure challenging the system and its injustices, positioning themselves as a symbol of resistance and opposition.

Bust it, we're Public Enemy number one in D.C.
The artist asserts their status as Public Enemy number one in Washington D.C., implying that they are seen as a threat to the establishment in that specific location.

Public Enemy #1 in New Jersey
The artist highlights that they are recognized as Public Enemy number one in New Jersey, signifying their reputation as a revolutionary figure in that area.

Public Enemy #1 in Cleveland, Ohio
The artist highlights their designation as Public Enemy number one in Cleveland, Ohio, emphasizing their role in challenging the status quo and fighting for justice there.

Public Enemy #1 in Alabama y'all
The artist proudly proclaims their recognition as Public Enemy number one in Alabama, suggesting that they challenge the oppressive power structures prevalent in the state.

Public Enemy #1 in Tennessee
The artist asserts their reputation as Public Enemy number one in Tennessee, stating their position as a threat to the oppressive systems and authorities in that region.

Public Enemy #1 in Mississippi
The artist declares themselves as Public Enemy number one in Mississippi, indicating their significance in the fight against injustice and systemic oppression in that state.

Public Enemy #1 in Philly, in Atlanta
The artist establishes themselves as Public Enemy number one in Philadelphia and Atlanta, affirming their status as a revolutionary figure and leader of opposition in those cities.

Also we're Public Enemy number one in St. Louis
The artist highlights their position as Public Enemy number one in St. Louis, indicating their role in challenging the power structures and advocating for justice in that specific location.