Originally called "Arabicus Pulp" (although they shortened it to Pulp within a year), the band achieved sudden success some thirteen years after their formation and became known during the Britpop era as much for their music as for frontman Cocker's antics (notably conducting a stage invasion during Michael Jackson's performance of Earth Song at the 1996 BRIT Awards).
Achieving little success off the back of a Peel session in 1981, Pulp were finally able to release their debut album, It, in 1983. This album and its 1986 follow-up, Freaks, showcased a Pulp keen on Nick Drake (notably on the It single, My Lighthouse), with strong folk roots and little sign of the tendencies for storytelling and acid house music which would eventually bring forth success.
After the release and commercial flop of "Freaks", the band disbanded for a year, but reformed a year later to record a third album, Separations. Delayed for three years after its recording, Separations showed Cocker's increasing exposure to acid house, featuring multiple synths, and a hit single, My Legendary Girlfriend, which helped Pulp's career start to rocket.
Their next single, Babies, which would eventually feature on their 1994's commercial breakthrough His 'n' Hers, and it was the first example of the Pulp-sound most listeners associate with the band--cheap synths, rolling guitars, and Cocker's deadpan vocals telling a story. "His 'n' Hers" in sound, was lumped in with the Britpop movement of the time, receiving commercial and critical acclaim. However, it was the 1995 single Common People, which finally saw them become known, eventually charting at number 2 in the UK charts. Awash with Britpop guitars, catchy keyboard lines and that trademark Cocker vocal performance it has remained a favorite. A successful appearance at Glastonbury that summer cemented their fame, and their success was subsequently confirmed by the release of Different Class, which arrived at the peak of the Britpop movement and featured this song and other UK hits as Disco 2000 and Sorted for E's & Wizz.
Their last two albums, 1998's darker This Is Hardcore, -an album that marked the end of the Britpop era- and 2001's more downbeat We Love Life were commercial successes, but Pulp were no longer as famous or trendy as they had been in the height of Britpop. Following their curation of a music festival, Auto, in 2002, the band announced that they would be embarking on an "indefinite hiatus".
In 2003, Jarvis Cocker released an album as Relaxed Muscle and then two solo efforts, 2006's Jarvis and 2009's Further Complications.
On 8th November 2010, it was announced that the band with its most relevant lineup will reform to play a series of gigs in summer 2011.
Discography:
It 1983
Freaks 1986
Separations 1992
His 'n' Hers 1994
Different Class 1995
This Is Hardcore 1998
We Love Life 2001
Official website:
http://www.pulppeople.com
Babies
Pulp Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
When you lived on Stanhope Road
We listened to your sister
When she came home from school
'Cause she was two years older
And she had boys in her room
We listened outside and heard her
Alright
Well that was alright for a while
But soon I wanted more
I want to see, as well as hear
And so I, I hid inside her wardrobe
And she came home 'round four
And she was with some kid called David
From the garage up the road
I listened outside, I heard her
Alright
Oh, I want to take you home
I want to give you children
You might be my girlfriend, yeah, yeah-yeah, yeah-yeah-yeah
When I saw you next day
I really couldn't tell
'Cause you might go and tell your mother
And so you went with Neve
Oh yeah, and Neve was coming on
And I thought I heard you laughing
When his Mum and Dad were gone
I listened outside, I heard you
Alright
Oh, I want to take you home
I want to give you children
You might be my girlfriend, yeah, yeah-yeah, yeah-yeah-yeah
Oh yeah
Well, I guess it couldn't last too long
I came home one day
And all her things were gone
I fell asleep inside
I never heard her come
And when I opened up the wardrobe
And I had to get it on, yeah
Oh, listen
Oh, we were on the bed when you came home
I heard you stop outside the door
I know you won't believe it's true
I only went with her 'cause she looks like you, my god!
Oh, I want to take you home
I want to give you children
You might be my girlfriend, yeah, yeah-yeah, yeah-yeah
Oh
Yeah-yeah-yeah-yeah-yeah-yeah
Yeah-yeah-yeah-yeah-yeah-yeah
Yeah-yeah-yeah-yeah-yeah-yeah
Yeah-yeah-yeah-yeah-yeah-yeah
Yeah
Yeah-yeah-yeah-yeah-yeah-yeah
Yeah
Yeah-yeah-yeah-yeah-yeah-yeah
Oh yeah
The song "Babies" by Pulp is about a young boy who develops a crush on an older girl who he listens to through her sister's bedroom wall. The boy wishes to progress his relationship with the girl, which drives him to hide in her wardrobe, hoping to catch a glimpse of her with her male companions. Eventually, the boy and the girl sleep together, however, their affair is cut short when he finds out she has moved away. The song describes his nostalgia for the girl and his attempts to replicate their encounter through other women.
The lyrics of the song are quite direct and explicit in their descriptions, yet their significance is somewhat hidden. The song is less about sexual desire and more about the longing for intense feelings and experiences. The singer is seeking ways to connect with someone, to feel something more than his mundane existence, and to escape the dullness of his life.
The song also speaks to the nostalgia for the past and how our memories can be bittersweet. Time has passed, and the boy has grown up, but he still yearns for the feelings he had in his youth. The song captures the way the past can be romanticized, and it reveals a certain sadness in the realization that those times are gone forever.
Overall, "Babies" is a song about the desire for connection, nostalgia for the past, and the bittersweet realization that some memories cannot be relived.
Line by Line Meaning
Well, it happened years ago
This event occurred in the past
When you lived on Stanhope Road
The event happened at a specific place
We listened to your sister
The singer and others were eavesdropping on the sister
When she came home from school
The sister was coming home from school
'Cause she was two years older
The sister is older than the artist
And she had boys in her room
The sister had male visitors in her room
We listened outside and heard her
The eavesdroppers heard the sister and her visitors
Alright
The sister's actions were acceptable to the artist and others
Well, that was alright for a while
The eavesdropping was enjoyable for a time
But soon I wanted more
The artist desired something beyond listening
I want to see, as well as hear
The singer wanted to actually witness what was happening
And so I, I hid inside her wardrobe
The artist found a hiding spot to see the sister's visitors
And she came home 'round four
The sister returned home around 4PM
And she was with some kid called David
The sister's visitor was a boy named David
From the garage up the road
David lived nearby
I listened outside, I heard her
The artist listened to the sister and David
Alright
The artist and others still found the sister's actions acceptable
Oh, I want to take you home
The singer desires the sister romantically
I want to give you children
The singer wants to have a family with the sister
You might be my girlfriend, yeah, yeah-yeah, yeah-yeah-yeah
The artist wants to be in a romantic relationship with the sister
When I saw you next day
The artist encounters the sister after the previous event
I really couldn't tell
The artist is unsure of the sister's reaction
'Cause you might go and tell your mother
The sister might tell on the singer for eavesdropping
And so you went with Neve
The sister chose to be with someone else
Oh yeah, and Neve was coming on
Neve was attempting to be romantic with the sister
And I thought I heard you laughing
The singer believes the sister was laughing with Neve
When his Mum and Dad were gone
Neve's parents were absent
I listened outside, I heard you
The artist listened in to Neve and the sister
Alright
The artist and others still found the sister's actions acceptable
Well, I guess it couldn't last too long
The previous situation was temporary
I came home one day
The singer is back at their own residence
And all her things were gone
The sister is no longer living at the residence on Stanhope Road
I fell asleep inside
The artist fell asleep while hiding in the wardrobe
I never heard her come
The artist didn't hear the sister return
And when I opened up the wardrobe
The singer looked out from the hiding spot
And I had to get it on, yeah
The artist had sexual activity with the sister's clothes
Oh, listen
The singer is alerting the listener to pay attention
Oh, we were on the bed when you came home
The sister and speaker were engaged in sexual activity when interrupted
I heard you stop outside the door
The singer was aware of the sister returning
I know you won't believe it's true
The artist acknowledges the unlikelihood of their story
I only went with her 'cause she looks like you, my god!
The artist was attracted to the sister and their activities were a distorted attempt at being with her
Yeah-yeah-yeah-yeah-yeah-yeah
Repetition for emphasis
Lyrics © BMG Rights Management, Universal Music Publishing Group, Kobalt Music Publishing Ltd.
Written by: Candida Doyle, Jarvis Branson Cocker, Nick Banks, Russell Senior, Stephen Patrick Mackey
Lyrics Licensed & Provided by LyricFind