Originally called "Arabicus Pulp" (although they shortened it to Pulp within a year), the band achieved sudden success some thirteen years after their formation and became known during the Britpop era as much for their music as for frontman Cocker's antics (notably conducting a stage invasion during Michael Jackson's performance of Earth Song at the 1996 BRIT Awards).
Achieving little success off the back of a Peel session in 1981, Pulp were finally able to release their debut album, It, in 1983. This album and its 1986 follow-up, Freaks, showcased a Pulp keen on Nick Drake (notably on the It single, My Lighthouse), with strong folk roots and little sign of the tendencies for storytelling and acid house music which would eventually bring forth success.
After the release and commercial flop of "Freaks", the band disbanded for a year, but reformed a year later to record a third album, Separations. Delayed for three years after its recording, Separations showed Cocker's increasing exposure to acid house, featuring multiple synths, and a hit single, My Legendary Girlfriend, which helped Pulp's career start to rocket.
Their next single, Babies, which would eventually feature on their 1994's commercial breakthrough His 'n' Hers, and it was the first example of the Pulp-sound most listeners associate with the band--cheap synths, rolling guitars, and Cocker's deadpan vocals telling a story. "His 'n' Hers" in sound, was lumped in with the Britpop movement of the time, receiving commercial and critical acclaim. However, it was the 1995 single Common People, which finally saw them become known, eventually charting at number 2 in the UK charts. Awash with Britpop guitars, catchy keyboard lines and that trademark Cocker vocal performance it has remained a favorite. A successful appearance at Glastonbury that summer cemented their fame, and their success was subsequently confirmed by the release of Different Class, which arrived at the peak of the Britpop movement and featured this song and other UK hits as Disco 2000 and Sorted for E's & Wizz.
Their last two albums, 1998's darker This Is Hardcore, -an album that marked the end of the Britpop era- and 2001's more downbeat We Love Life were commercial successes, but Pulp were no longer as famous or trendy as they had been in the height of Britpop. Following their curation of a music festival, Auto, in 2002, the band announced that they would be embarking on an "indefinite hiatus".
In 2003, Jarvis Cocker released an album as Relaxed Muscle and then two solo efforts, 2006's Jarvis and 2009's Further Complications.
On 8th November 2010, it was announced that the band with its most relevant lineup will reform to play a series of gigs in summer 2011.
Discography:
It 1983
Freaks 1986
Separations 1992
His 'n' Hers 1994
Different Class 1995
This Is Hardcore 1998
We Love Life 2001
Official website:
http://www.pulppeople.com
I'm a Man
Pulp Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
With your advertising sliding past my eyes
Like cartoons from other people's lives
I start to wonder
What it takes to be a Man
Well, I learned to drink
And I learned to smoke
A dirty joke
Oh, if that's all there is then there's no point for me, oh
So please can I ask just why we're alive
'Cause all that you do seems such a waste of time?
And if you hang around too long you'll be a ma-a-a-a-a-a-a-an
Tell me about it
Your car can get up to a hundred and ten
You've nowhere to go but you'll go there again
And nothing ever makes no difference to a ma-a-a-a-a-a-a-an
So you stumble into town with your stomach in
Show 'em what you've got (though they've seen everything)
Yeah, you're a beauty, but they've seen your type before, oh
You've got no need
But still you want
To go and book
That restaurant
The wine will flow
And then you'll just fly away, yeah
So please can I ask just why we're alive?
'Cause all that you do seems such a waste of time
And if you hang around too long you'll be a ma-a-a-a-a-a-a-an
Tell me about it
Your car can go up to a hundred and ten
You've nowhere to go but you'll go there again
And nothing ever makes no difference to a ma-a-a-a-a-a-a-an
Oh, tell me 'bout it
Please can I ask just why we're alive?
'Cause all that you do seems such a waste of time
And if you hang around too long you'll be a ma-a-a-a-a-a-a-an
Oh tell, c'mon, tell me about it
Your car can get up to a hundred and ten
You've nowhere to go but you'll go there again
And nothing ever makes no difference to a ma-a-a-a-a-a-a-an
To a ma-a-a-a-a-a-a-an
To a ma-a-a-a-a-a-a-an
Ooh-ooh-ooh-ooh-ooh-ooh-ooh-ooh
Ooh-ooh-ooh-ooh-ooh-ooh-ooh-ooh
To a man, that's what I am
In "I'm A Man" by Pulp, the singer is lying down, watching television, and feeling disillusioned with life. He's watching advertisements slide by like "cartoons from other people's lives," wondering what it takes to be a "man." He goes on to describe how he's learned to drink, smoke, and tell dirty jokes, but he finds that those things aren't enough to make him feel fulfilled. He questions the purpose of life and why people waste so much time on meaningless activities. The chorus repeats the phrase "you'll be a man," which seems to suggest that there's some idealized version of what a "man" is supposed to be like, but the singer feels like he falls short of that ideal. He goes on to describe driving at high speeds with nowhere to go and trying to impress people in town, but feeling like it's all pointless.
The lyrics of "I'm A Man" are a commentary on toxic masculinity and the pressure men often feel to conform to societal expectations of what it means to be a "man." The singer feels like he's failing at being a man because he doesn't find joy in stereotypically masculine activities like drinking, smoking, and telling dirty jokes. He's also critical of the way that society values these activities and the way that men are rewarded for engaging in them. The song is a critique of a culture that encourages men to be aggressive, competitive, and emotionally distant.
Line by Line Meaning
Laid here
The singer is lying down and reflecting on their life.
With your advertising sliding past my eyes
The singer is being bombarded by messages from society about what it means to be a man.
Like cartoons from other people's lives
These messages seem fake and fictional, like the lives depicted in cartoons.
I start to wonder
The artist is questioning the societal expectations placed on them as a man.
What it takes to be a Man
The artist is questioning the definition of what it means to be a man.
Well, I learned to drink
The singer has learned to consume alcohol.
And I learned to smoke
The singer has learned to smoke cigarettes.
And I learned to tell
The artist has learned to tell dirty jokes, a signifier of masculinity.
A dirty joke
The artist is using the telling of dirty jokes as a way to be more manly.
Oh, if that's all there is then there's no point for me, oh
If being a man means only drinking, smoking, and telling dirty jokes, then life is not worth living for the artist.
So please can I ask just why we're alive
The singer is questioning the purpose of life and why humans exist.
'Cause all that you do seems such a waste of time?
The artist thinks that the activities of their life are meaningless and pointless.
And if you hang around too long you'll be a ma-a-a-a-a-a-a-an
If the singer continues to participate in these societal expectations, they will become a stereotypical man with no originality.
Tell me about it
The singer is prompting the listener to join in on this questioning of societal expectations.
Your car can get up to a hundred and ten
The superficial signifiers of masculinity, like having a fast car, are pointless.
You've nowhere to go but you'll go there again
The artist is telling the listener that continuing on this path will lead to a meaningless cycle.
And nothing ever makes no difference to a ma-a-a-a-a-a-a-an
No matter what a man does, it will never truly make a lasting difference because they are conforming to expectations.
So you stumble into town with your stomach in
Even though he may feel weak and unsure, the man will still go out and try to assert his masculinity.
Show 'em what you've got (though they've seen everything)
Even though everyone has seen it before, the man will still try to show off his masculinity.
Yeah, you're a beauty, but they've seen your type before, oh
Even though he may be attractive, his attempts at masculinity are still unoriginal and unimpressive.
You've got no need
The artist is acknowledging that, as a man, there is actually no need for him to participate in these societal expectations.
But still you want
Even though he doesn't need to, the artist still wants to fit into societal expectations of masculinity.
To go and book
Booking a restaurant is also seen as a signifier of masculinity, even though it's unnecessary.
That restaurant
The restaurant booking is a metaphor for the other unnecessary activities required for a man to be considered masculine.
The wine will flow
Drinking wine is another stereotypical signifier of masculinity that is unimportant.
And then you'll just fly away, yeah
Once these boxes are ticked, the man can feel like he's achieved something even if it's ultimately meaningless.
Your car can go up to a hundred and ten
Even though he might have the fastest car, it still doesn't make him any more of a man.
To a man, that's what I am
The artist is admitting that they have conformed to these expectations of masculinity, even if they don't feel fulfilled.
Lyrics © BMG Rights Management, Universal Music Publishing Group, Kobalt Music Publishing Ltd.
Written by: Candida Doyle, Jarvis Branson Cocker, Mark Andrew Webber, Nick Banks, Stephen Patrick Mackey
Lyrics Licensed & Provided by LyricFind
@martaspencer769
Promo sm