“Music is truly about an experience and it is extremely important how it is delivered and received. I want to convey what most have grown to love from me and introduce those who may not have experienced the true essence of R&B to the days when it was all about the song and its delivery.”
Q, established his own production company, NeWFAM Entertainment, which specializes in the development and exposure of new talent. In 2007, he decided to team up with music industry heavy-weight and president of Drift City Records, Ian Burke to release his solo debut under the imprint NeWFAM Entertainment/Drift City Records. Burke states, “Q and I have known each other for years and we both have been looking for an opportunity to collaborate. When the companies began working together, there was an instant synergy, I’m very excited to be apart of his solo project, its going to be a grand event.”
Q’s recent performance at Atlanta hot-spot, Sugarhill, is proof that he has transformed from a track artist to a live artist. Q brings a remarkable blend of harmony and a lyrical brilliance that is unparalleled. Leaked versions of “Never Let You Go” and “Holla Atcha” featuring rapper Plies have already created a strong internet buzz due to the increased anticipation of Q’s solo debut.
Q, an accomplished award winning writer has worked on the projects of firstrate musicians like Faith Evans, New Edition, Pink, Kelly Price, Kevin Little, Keyshia Cole and of course the Grammy award winning 112! He has received six ASCAP awards for his writing contributions on 112’s “Peaches & Cream”, “Cupid” and “It’s Over Now.”
Q, some argue the most popular member from 112, won increased fan fare from his appearance on MTV’s Cribs where he proudly beamed over his new family and fetish for high end automobiles. Jezebel Magazine named him one of the 50 Most Beautiful Atlantans. From the studio to the stage and everything in between, Q is the definition of what it means to create, interpret and translate a song. He believes, “there is no comparison to a great song, but above that, there is definitely no comparison to a great song being put forth by an artist with the perfect understanding of what that song needs. At the end of the day, this is what makes it ‘real’.”
Q Parker is all about staying true to the music and his craft. Not only is this fact very apparent, it is also “Real Talk.”
Holding On
Q. Parker Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
(capo at 2) intro:
D a d dsus4 d bm gsus4
D a d dsus4 d bm gsus4
Verse 1
D a d
Someone called me from across the ocean
To find a weak link in my devotion
D a d
They can shoot hot knives a' down the line
A g
I just slam it down every time
Chorus 1
F#m g d
I got the telephone jammed in my ear
A g
They're still talking but I don't hear
F#m g d
Oh don't defend when my heart starts to attack
Bm7 g a d
We can face the danger baby no holding back
D a d / d d a g d
There's no holding back
D a d / d d a d
Verse 2
D a d
I cam't swear we'll never get caught
A g
I got scars all over my pass-port
D a d
But we can't give in to every whim and fancy
A g
Coming to crunches is always chancey
Chorus 2
F#m g d
I get it all being rammed down my ear
A g
I'm still talking but I don't hear
F#m g d
Oh don't defend when my heart starts to attack
Bm7 g a d
We can face the danger baby no holding back
D a d / d d a g d
And there's no holding back
D a d / d d a d
Bridge
Bm
When I tell the truth it's like pulling a tooth
F#m
I don't know what I've let myself in for
Bm
My insides are black from years of being slack
D g a d
But we can face the danger and we won't hold back
D a d dsus4 d bm gsus4
D a d dsus4 d bm gm
Chorus 3
F#m g d
I get it all being rammed down my ear
A g
I'm still shaking but not with fear
F#m g d
Oh don't defend when my heart starts to attack
Bm7 g a
We can face the danger
Bm7 g a
We can face the danger
D
And we won't hold back
D a d / d d a g d
Baby there's no holding back
D a d / d d a g d
Baby there's no holding back
Repeat and ad lib on chords to fade /pre>
The lyrics of Q. Parker's song Holding On seem to be about a passionate, risky relationship that's being tested by outside forces. The singer is receiving criticism and warnings from others, possibly even those close to them, but they're determined to stay committed to their partner. The song's title, Holding On, suggests the theme of perseverance and determination in the face of difficulties.
In the first verse, the singer receives a call from someone overseas who is trying to undermine their relationship. Despite the doubt and accusations thrown against them, the singer is committed to staying true to their partner. The chorus reinforces this determination, with lyrics like "We can face the danger baby no holding back." In the second verse, the singer acknowledges the challenges they face, including a history of making mistakes and potentially getting caught, but they still refuse to give up on the relationship.
The bridge provides an introspective moment, with the singer reflecting on their own flaws and the difficulty of being honest. However, they resolve to face the danger of the relationship head-on and not hold back.
In summary, Holding On is a song about the perseverance and determination required to stay committed to a risky relationship despite outside pressures and personal flaws.
Line by Line Meaning
Someone called me from across the ocean
I received a call from someone across the ocean
To find a weak link in my devotion
They were trying to find a flaw in my loyalty
They can shoot hot knives a' down the line
They can say hurtful things to me
I just slam it down every time
But I refuse to let it affect me
I got the telephone jammed in my ear
I am constantly on the phone
They're still talking but I don't hear
But I am not really listening
Oh don't defend when my heart starts to attack
When I feel emotional, I don't push people away
We can face the danger baby no holding back
We can go through tough situations without fear
I can't swear we'll never get caught
I can't guarantee we won't get in trouble
I got scars all over my pass-port
I have scars from my past experiences
But we can't give in to every whim and fancy
But we can't always indulge ourselves
Coming to crunches is always chancey
Taking risks is always uncertain
I'm still talking but I don't hear
I'm still talking, but I'm not really listening
I'm still shaking but not with fear
I am feeling emotional, but not scared
When I tell the truth it's like pulling a tooth
Speaking honestly is uncomfortable for me
I don't know what I've let myself in for
I'm not sure what I've gotten myself into
My insides are black from years of being slack
I have neglected myself for too long
But we can face the danger and we won't hold back
But we can handle challenges and not back down
Baby there's no holding back
We won't hold back in any situation
Repeat and ad lib on chords to fade
Replay and improvise until the song ends
Lyrics © BMG Rights Management
Written by: Graham Parker
Lyrics Licensed & Provided by LyricFind
E-Man
Love the song. I can't wait for the album. Q has that right type of melody that R&B needs.
lgut3
Love it!
redjam40
Whenever this was released it is a brilliant tune and just so well sung as well. Was Tim and Bob behind the Music?
joebuchan
dang Q this is a nice piece keep goingand ill keep listening
cmsu7
Love it!!!!!!!! :-)
Dorian Bohy
im feelin this ya dig
Ka Vi
This shit is hot!! Why have I never heard this???? Fuck the radio!!!!!!
James Wendell Gladden
FIRE
Hamaad Jennings
b4 there was 112 it was 1 + 1 is 2 = CLASSIC