The band formed in London in 1970 after May and Taylor's former band Smile split after having released an album and single. Freddie replaced lead vocalist Tim Staffell, after the latter's departure from the original trio.
There was much deliberation as to what the band's name would be. May and Taylor had settled upon the Grand Dance, derived from a C.S. Lewis Trilogy of books Out Of The Silent Planet.
Ultimately, the band went with Queen, a name that was entirely Freddie's. Originally Roger and, especially, Brian did not like the name, though Mercury would eventually persuade them both that it was "right" for the band.
"Years ago I thought up the name Queen... It's just a name, but it's very regal, and it sounds splendid. It's a strong name, very universal and immediate. It had a lot of visual potential and was open to all sorts of interpretations. I was certainly aware of the gay connotations, but that was just one facet of it. "
- Freddie Mercury.
Queen went through several bass players before a young electronics major by the name of John Deacon arrived on the scene in January of 1971.
"Until John, it had been exploding bass player syndrome. If they musically worked they'd look all wrong, and if they felt all right they couldn't play. - Brian May.
This quite shy guy turned up with his immaculate Rickenbacker bass and immaculate amplifier, plugged in, and as soon as he started playing we realized it was right." - Brian May.
Later that year, the band was secured recording time at the newly built De Lane Lea studio, and used the opportunity to record several songs that would later appear on their debut album - Liar, Keep Yourself Alive, Jesus, and The Night Comes Down. The demo reel was passed around from producer to producer with little success, until a staff member of Trident records by the name of Roy Thomas Baker was introduced to the band by fellow Trident producer John Anthony. Baker dropped in to watch the band at work and, clearly liking what he heard, recommended Queen to his superiors.
It was eventually agreed upon that the fledgling band could record at Trident studios, though after already-established artists had finished their work, such as the likes of Elton John and David Bowie. Relegated to the wee hours of the morning to record the remaining tracks of their first album, the band nonetheless stuck it out until they reached their ultimate goal of "perfection".
Queen's self-titled debut album was released in 1973 and received little attention from the general public. They quickly followed it a year later with a second album, "Queen II" which also failed to generate much interest from music fans in Britain, despite the success of the album's single, Seven Seas of Rhye, which would reach #10 on the charts after the band's mimed appearance on Top of the Pops.
The band's second album was recorded with a higher budget than the first, and the band threw everything they had into recording it. Queen II was somewhat of a "concept album", split into "White Side" vs. "Black Side".
As was in their nature, the band pressed onward after the mediocre success of their first two albums, immersing themselves in a world-wide tour to promote Queen II. Queen played in America for the first time, as a support act for Mott the Hoople.
Sheer Heart Attack would be released later that year, focusing more on being accessible to listeners, than the grand and complex ideas of the previous two albums. The recording of their third album was met with some hardships, as May fell victim to a series of illnesses brought on by an infected inoculation, required for the band's rigorous touring schedule.
Sheer Heart Attack brought even more success for the band, with May's Now I'm Here and the song that would be the band's "turning point", the Mercury-penned Killer Queen, the latter of which would reach #2 on the UK charts.
During this time, the band began developing a huge following in Japan and witnessed their popularity for themselves when they visited the country, mainly in 1975, to promote their fourth and most famous album "A Night At The Opera", featuring the epic "Bohemian Rhapsody".
Queen's popularity grew steadily through the latter half of the 70s as they released hit album after hit album, reaching its peak in the mid-80s after their "Live Aid" appearance, and continuing into the early 90s before Mercury's untimely death on 24th November 1991. The official cause of death was bronchial pneumonia resulting from AIDS.
Over the course of their 30 year career, the band did sound tracks for two films ("Flash Gordon" and "Highlander"), released a string of live and studio albums, and had many many fans across the world.
In 1995, 4 years after Mercury's death, the band released the album "Made In Heaven". This album saw the surviving band members in the studio completing or reworking unused vocals, unreleased variations of Freddie solo material (a Queen version of "I Was Born To Love You" for example), and tracks where Brian and Roger added lyrics to flesh out a song ("Mother Love").
Queen have been on indefinite hiatus since 1997, when John Deacon decided to retire.
Several "Queen + ..." projects have been developed in the following years, a few of them mere remixes with no artistic involvement from the band. In 1999, a "Greatest Hits III" album was released. This featured, among others, "Queen + Wyclef Jean" on a rap version of "Another One Bites the Dust", a live version of "Somebody to Love" performed by George Michael, and a live version of "The Show Must Go On" performed live in 1997 with Elton John.
Brian May and Roger Taylor have performed together as Queen on several occasions (award ceremonies, charity concerts, and the like), sharing vocals with various guest singers. They have also recorded several covers of Queen's hits with guest vocalists, including "We Will Rock You" (first with Five and later Britney Spears, Beyonce, John Farnham and P!nk) and "We Are the Champions" (with Robbie Williams).
On the 14th of May 2002 the Queen musical 'We Will Rock You' opened in the Dominion theatre in London's 'West End'. A Musical about young people in the distant future who aren't allowed to listen to music not generated by computers. Various Queen songs are used in the story, played by a live band. This live band was supported by Brian May and Roger Taylor on the premiere evening.
At the end of 2004, May and Taylor announced that they would reunite and return to touring in 2005, with Paul Rodgers (founder and former lead singer of Free and Bad Company). Brian May's website also stated that Rodgers would be 'featured with' Queen as 'Queen + Paul Rodgers', not replacing Mercury. The retired John Deacon would not be participating.
Between 2005 and 2006 Queen + Paul Rodgers embarked on a world tour, the first leg in Europe and the second, Japan and then the US in 2006. On 15 August 2006, Brian May confirmed through his website and fan club that Queen + Paul Rodgers would begin producing their first studio album beginning in October, to be recorded at a "secret location". The album, titled The Cosmos Rocks, was released in Europe on 12 September 2008 and in the United States on 28 October 2008. Following the album the band again embarked on a tour through Europe, opening on Kharkiv's Freedom Square in front of 350,000 Ukrainian fans. The show in Ukraine was later released on DVD.
Queen and Paul Rodgers officially split up without animosity on 12 May 2009. Rodgers did not rule out the possibility of working together again.
Since 2012, Queen has been touring with Adam Lambert as the frontman.
More information about Queen + Paul Rodgers can be found on their last.fm page.
Official website: www.queenonline.com
Discography:
1.- Queen (1973)
2.- Queen II (1974)
3.- Sheer Heart Attack (1974)
4.- A Night at the Opera (1975)
5.- A Day at the Races (1976)
6.- News of the World (1977)
7.- Jazz (1978)
8.- The Game (1980)
9.- Flash Gordon (1980)
10.- Hot Space (1982)
11.- The Works (1984)
12.- A Kind of Magic (1986)
13.- The Miracle (1989)
14.- Innuendo (1991)
15.- Made in Heaven (1995)
Bonus Track 1
Queen Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
The machine of a dream, such a clean machine
With the pistons a pumpin', and the hubcaps all gleam
When I'm holding your wheel
All I hear is your gear
With my hand on your grease gun
Mmm, it's like a disease, son
I'm in love with my car, gotta feel for my automobile
Such a thrill when your radials squeal
Told my girl I'll have to forget her
Rather buy me a new carburetor
So she made tracks saying this is the end, now
Cars don't talk back they're just four wheeled friends now
When I'm holding your wheel
All I hear is your gear
When I'm cruisin' in overdrive
Don't have to listen to no run of the mill talk jive
I'm in love with my car (love with my car), gotta feel for my automobile
I'm in love with my car (love with my car), string back gloves in my automolove
The lyrics to Queen's song "I'm In Love With My Car" portray the deep connection one can form with their beloved automobile. The song's protagonist describes their car as a "machine of a dream," admiring its clean exterior and well-functioning engine. They feel a sense of pride and joy when holding the car's wheel, feeling the power of the pistons and hearing the gears shift. The singer even likens their love for the car to a disease, emphasizing the intensity of their attachment.
The lyrics also touch upon the sacrifices one may make for the sake of their car. The singer tells a story of how they chose to buy a new carburetor instead of staying with their girlfriend. The lover left, and the singer rationalizes that they don't need a talkative girlfriend when they have a reliable four-wheeled friend. The car has become an essential part of the singer's life, and they find comfort in the car's presence and its ability to take them on thrilling drives.
Overall, "I'm In Love With My Car" is a love letter to the automobile and how it can become more than just a mode of transportation. It symbolizes freedom, passion, and independence, making it one of Queen's timeless classics.
Line by Line Meaning
The machine of a dream, such a clean machine
This car is the epitome of perfection in my mind.
With the pistons a pumpin', and the hubcaps all gleam
The car is in such great condition that even the small details stand out.
When I'm holding your wheel
All I hear is your gear
The car is so important to me that I feel like I'm connected to it.
With my hand on your grease gun
Mmm, it's like a disease, son
Working on this car is an addiction for me.
I'm in love with my car, gotta feel for my automobile
My feelings for this car are beyond just liking or owning it; it's a passion.
Get a grip on my boy racer roll bar
Such a thrill when your radials squeal
Driving this car at high speeds is exhilarating.
Told my girl I'll have to forget her
Rather buy me a new carburetor
I value this car more than my relationship, and I'm willing to spend money on it instead of on my partner.
So she made tracks saying this is the end, now
Cars don't talk back they're just four wheeled friends now
My partner was upset that I chose the car over her, but I value the car because it doesn't argue or require emotional investment.
When I'm cruisin' in overdrive
Don't have to listen to no run of the mill talk jive
Driving this car makes me feel like I'm above normal conversations or concerns.
I'm in love with my car (love with my car), gotta feel for my automobile
I'm in love with my car (love with my car), string back gloves in my automolove
My feelings for this car are so strong that it feels like a true love affair, down to the accessories I wear when driving it.
Lyrics © Sony/ATV Music Publishing LLC
Written by: ROGER MEDDOWS TAYLOR
Lyrics Licensed & Provided by LyricFind
peopleonstreets1
so beautiful and touching
Ricardo Avalos
really beauriful