The band formed in London in 1970 after May and Taylor's former band Smile split after having released an album and single. Freddie replaced lead vocalist Tim Staffell, after the latter's departure from the original trio.
There was much deliberation as to what the band's name would be. May and Taylor had settled upon the Grand Dance, derived from a C.S. Lewis Trilogy of books Out Of The Silent Planet.
Ultimately, the band went with Queen, a name that was entirely Freddie's. Originally Roger and, especially, Brian did not like the name, though Mercury would eventually persuade them both that it was "right" for the band.
"Years ago I thought up the name Queen... It's just a name, but it's very regal, and it sounds splendid. It's a strong name, very universal and immediate. It had a lot of visual potential and was open to all sorts of interpretations. I was certainly aware of the gay connotations, but that was just one facet of it. "
- Freddie Mercury.
Queen went through several bass players before a young electronics major by the name of John Deacon arrived on the scene in January of 1971.
"Until John, it had been exploding bass player syndrome. If they musically worked they'd look all wrong, and if they felt all right they couldn't play. - Brian May.
This quite shy guy turned up with his immaculate Rickenbacker bass and immaculate amplifier, plugged in, and as soon as he started playing we realized it was right." - Brian May.
Later that year, the band was secured recording time at the newly built De Lane Lea studio, and used the opportunity to record several songs that would later appear on their debut album - Liar, Keep Yourself Alive, Jesus, and The Night Comes Down. The demo reel was passed around from producer to producer with little success, until a staff member of Trident records by the name of Roy Thomas Baker was introduced to the band by fellow Trident producer John Anthony. Baker dropped in to watch the band at work and, clearly liking what he heard, recommended Queen to his superiors.
It was eventually agreed upon that the fledgling band could record at Trident studios, though after already-established artists had finished their work, such as the likes of Elton John and David Bowie. Relegated to the wee hours of the morning to record the remaining tracks of their first album, the band nonetheless stuck it out until they reached their ultimate goal of "perfection".
Queen's self-titled debut album was released in 1973 and received little attention from the general public. They quickly followed it a year later with a second album, "Queen II" which also failed to generate much interest from music fans in Britain, despite the success of the album's single, Seven Seas of Rhye, which would reach #10 on the charts after the band's mimed appearance on Top of the Pops.
The band's second album was recorded with a higher budget than the first, and the band threw everything they had into recording it. Queen II was somewhat of a "concept album", split into "White Side" vs. "Black Side".
As was in their nature, the band pressed onward after the mediocre success of their first two albums, immersing themselves in a world-wide tour to promote Queen II. Queen played in America for the first time, as a support act for Mott the Hoople.
Sheer Heart Attack would be released later that year, focusing more on being accessible to listeners, than the grand and complex ideas of the previous two albums. The recording of their third album was met with some hardships, as May fell victim to a series of illnesses brought on by an infected inoculation, required for the band's rigorous touring schedule.
Sheer Heart Attack brought even more success for the band, with May's Now I'm Here and the song that would be the band's "turning point", the Mercury-penned Killer Queen, the latter of which would reach #2 on the UK charts.
During this time, the band began developing a huge following in Japan and witnessed their popularity for themselves when they visited the country, mainly in 1975, to promote their fourth and most famous album "A Night At The Opera", featuring the epic "Bohemian Rhapsody".
Queen's popularity grew steadily through the latter half of the 70s as they released hit album after hit album, reaching its peak in the mid-80s after their "Live Aid" appearance, and continuing into the early 90s before Mercury's untimely death on 24th November 1991. The official cause of death was bronchial pneumonia resulting from AIDS.
Over the course of their 30 year career, the band did sound tracks for two films ("Flash Gordon" and "Highlander"), released a string of live and studio albums, and had many many fans across the world.
In 1995, 4 years after Mercury's death, the band released the album "Made In Heaven". This album saw the surviving band members in the studio completing or reworking unused vocals, unreleased variations of Freddie solo material (a Queen version of "I Was Born To Love You" for example), and tracks where Brian and Roger added lyrics to flesh out a song ("Mother Love").
Queen have been on indefinite hiatus since 1997, when John Deacon decided to retire.
Several "Queen + ..." projects have been developed in the following years, a few of them mere remixes with no artistic involvement from the band. In 1999, a "Greatest Hits III" album was released. This featured, among others, "Queen + Wyclef Jean" on a rap version of "Another One Bites the Dust", a live version of "Somebody to Love" performed by George Michael, and a live version of "The Show Must Go On" performed live in 1997 with Elton John.
Brian May and Roger Taylor have performed together as Queen on several occasions (award ceremonies, charity concerts, and the like), sharing vocals with various guest singers. They have also recorded several covers of Queen's hits with guest vocalists, including "We Will Rock You" (first with Five and later Britney Spears, Beyonce, John Farnham and P!nk) and "We Are the Champions" (with Robbie Williams).
On the 14th of May 2002 the Queen musical 'We Will Rock You' opened in the Dominion theatre in London's 'West End'. A Musical about young people in the distant future who aren't allowed to listen to music not generated by computers. Various Queen songs are used in the story, played by a live band. This live band was supported by Brian May and Roger Taylor on the premiere evening.
At the end of 2004, May and Taylor announced that they would reunite and return to touring in 2005, with Paul Rodgers (founder and former lead singer of Free and Bad Company). Brian May's website also stated that Rodgers would be 'featured with' Queen as 'Queen + Paul Rodgers', not replacing Mercury. The retired John Deacon would not be participating.
Between 2005 and 2006 Queen + Paul Rodgers embarked on a world tour, the first leg in Europe and the second, Japan and then the US in 2006. On 15 August 2006, Brian May confirmed through his website and fan club that Queen + Paul Rodgers would begin producing their first studio album beginning in October, to be recorded at a "secret location". The album, titled The Cosmos Rocks, was released in Europe on 12 September 2008 and in the United States on 28 October 2008. Following the album the band again embarked on a tour through Europe, opening on Kharkiv's Freedom Square in front of 350,000 Ukrainian fans. The show in Ukraine was later released on DVD.
Queen and Paul Rodgers officially split up without animosity on 12 May 2009. Rodgers did not rule out the possibility of working together again.
Since 2012, Queen has been touring with Adam Lambert as the frontman.
More information about Queen + Paul Rodgers can be found on their last.fm page.
Official website: www.queenonline.com
Discography:
1.- Queen (1973)
2.- Queen II (1974)
3.- Sheer Heart Attack (1974)
4.- A Night at the Opera (1975)
5.- A Day at the Races (1976)
6.- News of the World (1977)
7.- Jazz (1978)
8.- The Game (1980)
9.- Flash Gordon (1980)
10.- Hot Space (1982)
11.- The Works (1984)
12.- A Kind of Magic (1986)
13.- The Miracle (1989)
14.- Innuendo (1991)
15.- Made in Heaven (1995)
Jealousy
Queen Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Oh to fall in love
Was my very first mistake
How was I to know
I was far too much in love to see?
Oh jealousy look at me now
Jealousy you got me somehow
You gave me no warning
Jealousy you led me on
You couldn't lose you couldn't fail
You had suspicion on my trail
How how how all my jealousy
I wasn't man enough to let you hurt my pride
Now I'm only left with my own jealousy
Oh how strong can you be
With matters of the heart?
Life is much too short
To while away with tears
If only you could see
Just what you do to me
Oh jealousy you tripped me up
Jealousy you brought me down
You bring me sorrow you cause me pain
Jealousy when will you let go?
Gotta hold of my possessive mind
Turned me into a jealous guy
How how how all my jealousy
I wasn't man enough to let you hurt my pride
Now I'm only left with my own jealousy
But now it matters not
If I should live or die
'Cause I'm only left with my own jealousy
The lyrics to Queen's song Jealousy are about the pain and confusion that arise when someone falls deeply in love and is betrayed by their lover's jealousy. The first stanza expresses regret and self-blame, as the singer admits that falling in love was a mistake and that their own blindness and excessive devotion were to blame for their suffering. The second stanza is more introspective, as the singer realizes that life is too short to be consumed by jealousy and that they have the power to control their own emotions. The chorus is a cry to jealousy itself, personified as a malevolent force that has brought the singer nothing but pain and heartache.
Line by Line Meaning
Oh how wrong can you be?
Expressing deep regret and confusion about how mistaken one can be about matters of the heart.
Oh to fall in love
The act of falling in love, which can bring great joy or great pain.
Was my very first mistake
The singer realizes that the act of falling in love was a mistake because it has caused them so much pain.
How was I to know
Questioning how they could have known what the outcome of this love would be.
I was far too much in love to see?
Being blinded by love and unable to see how it would impact their life.
Oh jealousy look at me now
The singer is addressing jealousy and acknowledging how it has affected their life.
Jealousy you got me somehow
Blaming jealousy for having gotten a hold of them and caused them so much pain.
You gave me no warning
Jealousy came without any warning, leaving the artist unprepared for the feelings of insecurity and pain it would cause.
Took me by surprise
Jealousy came suddenly and unexpectedly, causing the artist to be unprepared for how much it would impact their life.
Jealousy you led me on
Feeling as if jealousy was constantly tempting and leading them down a path of pain and insecurity.
You couldn't lose you couldn't fail
Jealousy was powerful and caused the singer to believe that they were going to lose their loved one to someone else.
You had suspicion on my trail
Jealousy made the artist feel as if their every move was being watched and questioned.
How how how all my jealousy
Expressing deep pain and confusion about how jealousy has impacted their life.
I wasn't man enough to let you hurt my pride
Admitting that they were not strong enough to let go of their jealousy and pride, which only caused them more pain in the end.
Now I'm only left with my own jealousy
Being forced to confront the reality that the only thing left is their own jealousy, which is causing them great pain.
Oh how strong can you be
Acknowledging the strength and power that being in love or feeling jealous can bring, and questioning if one can be strong enough to handle it.
With matters of the heart?
Recognizing that personal relationships and matters of the heart can be especially challenging to navigate.
Life is much too short
Realizing that life is fleeting and every moment is precious, making it important to address issues of jealousy and pain in order to live a full life.
To while away with tears
Wasting time and energy crying over spilled milk.
If only you could see
Expressing longing for the person they are addressing to see how much pain their jealousy has caused the artist.
Just what you do to me
Describing how the other person's actions or lack thereof have caused the artist such pain.
Oh jealousy you tripped me up
Feeling as if jealousy has caused them to fall down and be unable to get back up.
Jealousy you brought me down
Feeling as if jealousy has caused them to sink lower and lower into a pit of pain and insecurity.
You bring me sorrow you cause me pain
Expressing the great amount of sorrow and pain that this feeling of jealousy has caused the artist.
Jealousy when will you let go?
Expressing a desire for the feeling of jealousy to dissipate and allow the singer to move on from this pain.
Gotta hold of my possessive mind
Feeling as if jealousy has taken control of their mind and caused them to become possessive over their loved one.
Turned me into a jealous guy
Acknowledging how jealousy has transformed them into someone they never wanted to be.
But now it matters not
Acknowledging that at this point in time, nothing else really matters.
If I should live or die
Feeling as if life itself is inconsequential in the face of such overwhelming pain and insecurity.
'Cause I'm only left with my own jealousy
Feeling as if the only thing left in their life is the feeling of jealousy, which has caused them so much pain and sorrow.
Lyrics © Sony/ATV Music Publishing LLC
Written by: Freddie Mercury
Lyrics Licensed & Provided by LyricFind