The band formed in London in 1970 after May and Taylor's former band Smile split after having released an album and single. Freddie replaced lead vocalist Tim Staffell, after the latter's departure from the original trio.
There was much deliberation as to what the band's name would be. May and Taylor had settled upon the Grand Dance, derived from a C.S. Lewis Trilogy of books Out Of The Silent Planet.
Ultimately, the band went with Queen, a name that was entirely Freddie's. Originally Roger and, especially, Brian did not like the name, though Mercury would eventually persuade them both that it was "right" for the band.
"Years ago I thought up the name Queen... It's just a name, but it's very regal, and it sounds splendid. It's a strong name, very universal and immediate. It had a lot of visual potential and was open to all sorts of interpretations. I was certainly aware of the gay connotations, but that was just one facet of it. "
- Freddie Mercury.
Queen went through several bass players before a young electronics major by the name of John Deacon arrived on the scene in January of 1971.
"Until John, it had been exploding bass player syndrome. If they musically worked they'd look all wrong, and if they felt all right they couldn't play. - Brian May.
This quite shy guy turned up with his immaculate Rickenbacker bass and immaculate amplifier, plugged in, and as soon as he started playing we realized it was right." - Brian May.
Later that year, the band was secured recording time at the newly built De Lane Lea studio, and used the opportunity to record several songs that would later appear on their debut album - Liar, Keep Yourself Alive, Jesus, and The Night Comes Down. The demo reel was passed around from producer to producer with little success, until a staff member of Trident records by the name of Roy Thomas Baker was introduced to the band by fellow Trident producer John Anthony. Baker dropped in to watch the band at work and, clearly liking what he heard, recommended Queen to his superiors.
It was eventually agreed upon that the fledgling band could record at Trident studios, though after already-established artists had finished their work, such as the likes of Elton John and David Bowie. Relegated to the wee hours of the morning to record the remaining tracks of their first album, the band nonetheless stuck it out until they reached their ultimate goal of "perfection".
Queen's self-titled debut album was released in 1973 and received little attention from the general public. They quickly followed it a year later with a second album, "Queen II" which also failed to generate much interest from music fans in Britain, despite the success of the album's single, Seven Seas of Rhye, which would reach #10 on the charts after the band's mimed appearance on Top of the Pops.
The band's second album was recorded with a higher budget than the first, and the band threw everything they had into recording it. Queen II was somewhat of a "concept album", split into "White Side" vs. "Black Side".
As was in their nature, the band pressed onward after the mediocre success of their first two albums, immersing themselves in a world-wide tour to promote Queen II. Queen played in America for the first time, as a support act for Mott the Hoople.
Sheer Heart Attack would be released later that year, focusing more on being accessible to listeners, than the grand and complex ideas of the previous two albums. The recording of their third album was met with some hardships, as May fell victim to a series of illnesses brought on by an infected inoculation, required for the band's rigorous touring schedule.
Sheer Heart Attack brought even more success for the band, with May's Now I'm Here and the song that would be the band's "turning point", the Mercury-penned Killer Queen, the latter of which would reach #2 on the UK charts.
During this time, the band began developing a huge following in Japan and witnessed their popularity for themselves when they visited the country, mainly in 1975, to promote their fourth and most famous album "A Night At The Opera", featuring the epic "Bohemian Rhapsody".
Queen's popularity grew steadily through the latter half of the 70s as they released hit album after hit album, reaching its peak in the mid-80s after their "Live Aid" appearance, and continuing into the early 90s before Mercury's untimely death on 24th November 1991. The official cause of death was bronchial pneumonia resulting from AIDS.
Over the course of their 30 year career, the band did sound tracks for two films ("Flash Gordon" and "Highlander"), released a string of live and studio albums, and had many many fans across the world.
In 1995, 4 years after Mercury's death, the band released the album "Made In Heaven". This album saw the surviving band members in the studio completing or reworking unused vocals, unreleased variations of Freddie solo material (a Queen version of "I Was Born To Love You" for example), and tracks where Brian and Roger added lyrics to flesh out a song ("Mother Love").
Queen have been on indefinite hiatus since 1997, when John Deacon decided to retire.
Several "Queen + ..." projects have been developed in the following years, a few of them mere remixes with no artistic involvement from the band. In 1999, a "Greatest Hits III" album was released. This featured, among others, "Queen + Wyclef Jean" on a rap version of "Another One Bites the Dust", a live version of "Somebody to Love" performed by George Michael, and a live version of "The Show Must Go On" performed live in 1997 with Elton John.
Brian May and Roger Taylor have performed together as Queen on several occasions (award ceremonies, charity concerts, and the like), sharing vocals with various guest singers. They have also recorded several covers of Queen's hits with guest vocalists, including "We Will Rock You" (first with Five and later Britney Spears, Beyonce, John Farnham and P!nk) and "We Are the Champions" (with Robbie Williams).
On the 14th of May 2002 the Queen musical 'We Will Rock You' opened in the Dominion theatre in London's 'West End'. A Musical about young people in the distant future who aren't allowed to listen to music not generated by computers. Various Queen songs are used in the story, played by a live band. This live band was supported by Brian May and Roger Taylor on the premiere evening.
At the end of 2004, May and Taylor announced that they would reunite and return to touring in 2005, with Paul Rodgers (founder and former lead singer of Free and Bad Company). Brian May's website also stated that Rodgers would be 'featured with' Queen as 'Queen + Paul Rodgers', not replacing Mercury. The retired John Deacon would not be participating.
Between 2005 and 2006 Queen + Paul Rodgers embarked on a world tour, the first leg in Europe and the second, Japan and then the US in 2006. On 15 August 2006, Brian May confirmed through his website and fan club that Queen + Paul Rodgers would begin producing their first studio album beginning in October, to be recorded at a "secret location". The album, titled The Cosmos Rocks, was released in Europe on 12 September 2008 and in the United States on 28 October 2008. Following the album the band again embarked on a tour through Europe, opening on Kharkiv's Freedom Square in front of 350,000 Ukrainian fans. The show in Ukraine was later released on DVD.
Queen and Paul Rodgers officially split up without animosity on 12 May 2009. Rodgers did not rule out the possibility of working together again.
Since 2012, Queen has been touring with Adam Lambert as the frontman.
More information about Queen + Paul Rodgers can be found on their last.fm page.
Official website: www.queenonline.com
Discography:
1.- Queen (1973)
2.- Queen II (1974)
3.- Sheer Heart Attack (1974)
4.- A Night at the Opera (1975)
5.- A Day at the Races (1976)
6.- News of the World (1977)
7.- Jazz (1978)
8.- The Game (1980)
9.- Flash Gordon (1980)
10.- Hot Space (1982)
11.- The Works (1984)
12.- A Kind of Magic (1986)
13.- The Miracle (1989)
14.- Innuendo (1991)
15.- Made in Heaven (1995)
Sleeping On The Sidewalk
Queen Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
My trumpet was my only toy
I've been blowin' my horn
Since I knew I was born
But there ain't nobody wants to know
I've been sleepin' on the sidewalk
Rollin' down the road
But I sure don't want to go home
So round the corner comes a limousine
And the biggest grin I ever seen
Here sonny won't you sign
Right along the dotted line
What you sayin' are you playin'
Sure you don't mean me?
I've been sleepin' on the sidewalk
Rollin' down the road
I may get hungry
But I sure don't want to go home
(Now I tell you what happened...)
They took me to a room without a table
They said 'blow your trumpet into here'
I played around as well as I was able
And soon we had the record of the year
I was a legend all through the land
I was blowin' to a million fans
Nothin' was a missin'
All the people want to listen
You'd have thought I was a happy man
And I was sleepin' like a princess
Never touch the road
I don't get hungry
And I sure don't want to go home
(Have to have some fun...)
Now they tell me that I ain't so fashionable
An' I owe the man a million bucks a year
So I told 'em where to stick the fancy label
It's just me and the road from here
I'm back to playin' and layin'
I'm back on the game
I'm sleepin' on the sidewalk
Rollin' down the road
I sure get hungry and
I sure do want to go home
(Yeah)
The lyrics to Queen's song Sleeping On The Sidewalk tell the story of a struggling musician who is sleeping on the sidewalk and has nowhere to go. He has been playing his trumpet for as long as he can remember but no one seems to be interested in listening to his music. The singer's situation changes when a limousine arrives and offers him a record deal. Even though he hesitates at first, he eventually signs the dotted line and ends up playing his trumpet to millions of fans. However, the success does not last, and he finds himself back on the sidewalk, playing his music and living on the road.
The song is a reflection on the harsh realities of the music industry and the struggles faced by many aspiring musicians. It highlights the contrast between the highs and lows of fame and how it can be fleeting and unpredictable. The story also touches on the importance of staying true to oneself and not compromising one's art for commercial success.
Line by Line Meaning
I was nothin' but a city boy
I was a boy who grew up in the city
My trumpet was my only toy
I only had my trumpet to play with
I've been blowin' my horn
I have been playing my trumpet
Since I knew I was born
Since I can remember
But there ain't nobody wants to know
But nobody is interested in me or my music
I've been sleepin' on the sidewalk
I have been sleeping on the pavement
Rollin' down the road
Traveling around
I may get hungry
I might become hungry
But I sure don't want to go home
But I do not want to return home
So round the corner comes a limousine
A limousine appears around the corner
And the biggest grin I ever seen
And the person in the car has a big smile on their face
Here sonny won't you sign
Would you like to sign, young person?
Right along the dotted line
Sign on the dotted line of this contract
What you sayin' are you playin'
Are you serious or joking?
Sure you don't mean me?
Are you sure you want me to sign?
They took me to a room without a table
They took me to a room that had no table
They said 'blow your trumpet into here'
They instructed me to play my trumpet
I played around as well as I was able
I played the trumpet the best I could
And soon we had the record of the year
And soon we had the best-selling album of the year
I was a legend all through the land
I became very famous throughout the country
I was blowin' to a million fans
I played my trumpet in front of a million fans
Nothin' was a missin'
Everything was perfect
All the people want to listen
Everyone wanted to hear me play
You'd have thought I was a happy man
It would seem that I was a content person
And I was sleepin' like a princess
I was sleeping very well
Never touch the road
I was always traveling in luxury
I don't get hungry
I am never hungry
And I sure don't want to go home
And I do not want to return home
Now they tell me that I ain't so fashionable
Now they tell me that I am not popular anymore
An' I owe the man a million bucks a year
And I have to pay the man one million dollars every year
So I told 'em where to stick the fancy label
So I told them to keep their fancy label
It's just me and the road from here
It is just me and the road from now on
I'm back to playin' and layin'
I am back to playing music and traveling
I'm back on the game
I am back in the music industry
I sure get hungry and
I definitely become hungry
I sure do want to go home (Yeah)
I really want to return home
Lyrics © Sony/ATV Music Publishing LLC
Written by: BRIAN MAY
Lyrics Licensed & Provided by LyricFind