Latifah was born and raised in the public housing projects of Newark, New Jersey, the daughter of Rita, a schoolteacher who worked at Irvington High School, and Lancelot Owens, a policeman. Her parents divorced when Latifah was ten. Latifah performed the number "Home" from the musical The Wiz in a high school play. Her stage name, Latifah (لطيفة), meaning "kind" in Arabic, was given to her when she was eight by her cousin. Latifah was raised in the Baptist church, and, while in high school, was a power forward on her basketball team.
She started her career beatboxing for the rap group Ladies Fresh. Latifah was one of the members of the original version of the Flavor Unit MC's, which, at that time, was a crew of MC's grouped around producer DJ Mark The 45 King. In 1988, DJ Mark the 45 King heard a demo version of Latifah's single Princess of the Posse and gave the demo to Fab 5 Freddy, who was the host of Yo! MTV Raps. The recording captured the attention of Tommy Boy Music employee Dante Ross, who immediately signed Latifah, and in 1988 issued her first single, Wrath of My Madness. The track met with a positive response and afforded her the opportunity to launch a European tour, and to perform at the Harlem's famed Apollo Theater. The next year Latifah released her first album, All Hail the Queen, which went on to sell more than 1 million copies.
As she began to earn money, Latifah displayed an interest in investment, putting money into a delicatessen and a video store on the ground floor of the apartment in which she was living. She came to realize that she had a knack for business, and realized that there was an opening for her in record production. In 1991, Latifah organized and became chief executive officer of the Flavor Unit Records and Management Company, headquartered in Jersey City, New Jersey. In the same year she was released her sophomore album, called Nature of a Sista'. It was the final album on Tommy Boy Records. By late 1993, the company had signed 17 rap groups, including the very successful Naughty by Nature. In 1993, Latifah recorded a jazz- and reggae-influenced album titled Black Reign. While the album sold more than 500,000 copies, the single U.N.I.T.Y. earned Latifah her first Grammy Award in 1995. In 1998, Co Produced by Ro Smith now CEO of Def Ro Inc. she released her fourth hip hop album Order in the Court. After Order in the Court, Latifah shifted primarily to sung lyrics in soul music and jazz standards, which she had used sparingly in her previous hip hop-oriented records.
In 2004, she released the soul/jazz standards The Dana Owens Album. On July 11, 2007, Latifah sang at the famed Hollywood Bowl in Los Angeles as the headlining act in a live jazz concert. Before a crowd of more than 12,400, she was backed by a 10-piece live orchestra and three backup vocalists, The Queen Latifah Orchestra. Latifah performed new arrangements of standards including California Dreaming, first made popular by '60s icons The Mamas & the Papas. In 2007, Latifah released an album entitled Trav'lin' Light. Jill Scott, Erykah Badu, Joe Sample, George Duke, Christian McBride, and Stevie Wonder made guest appearances. It was nominated for a Grammy in the "Best Traditional Pop Vocal Album" category. On September 12, 2008, Rolling Stone reported that Queen Latifah is working on a new album that is due in sometime in 2009; this album will be, at least partially, produced by Dr. Dre. She will also work with Missy Elliott.
Acting Success
In the 1990s, Latifah branched out into acting. She made her big screen debut in Spike Lee's interracial romance drama Jungle Fever (1991). The following year, Latifah appeared in the crime thriller Juice with Omar Epps and Tupac Shakur. She soon landed a leading role on the small screen, appearing in the sitcom Living Single from 1993 to '98. The comedy, which also starred Kim Coles, Kim Fields and Erika Alexander, proved to be a ground-breaking show. It remains one of the few sitcoms to focus on a group of African-American women.
A talented performer, Latifah continued to tackle both comedic and dramatic parts. She co-starred in 1996's Set It Off with Jada Pinkett Smith, Kimberly Elise and Vivica A. Fox, playing as a lesbian bank robber. Two years later, Latifah teamed up with Holly Hunter and Danny DeVito for the comedy Living Out Loud (1998). She also appeared with Denzel Washington and Angelina Jolie[[i]i] in The Bone Collector (1999).
Perhaps Latifah's most acclaimed film role to date came in the 2002 hit musical Chicago, starring Richard Gere, Catherine Zeta-Jones and Renee Zellweger. Her portrayal of prison matron Mama Morton gave her a chance to show off both her singing talents and acting skills. For her work in the film, Latifah earned an Academy Award nomination for best supporting actress. She lost to Chicago co-star Catherine Zeta-Jones.
Latifah went on to receive strong reviews for 2003's romantic comedy Bringing Down the House co-starring with Steve Martin. The following year, she experienced some disappointment with Taxi, which co-starred Jimmy Fallon. The comedy proved to be a critical and commercial dud. She fared better with Beauty Shop (2005) and her voice-over work in the hit animated film Ice Age: The Meltdown (2006).
In 2007, Queen Latifah again delighted movie-goers with her musical talents. She appeared as Motormouth Maybelle in Hairspray with John Travolta. Her crime caper Mad Money (2008) with Diane Keaton and Katie Holmes received much colder reception. Returning to drama, Latifah gave a strong performance in The Secret Life of Bees (2008).
On the small screen, Latifah has made a number of guest television appearances over the years, including on the shows 30 Rock and Single Ladies. She also co-starred in the 2012 TV remake of Steel Magnolias with Alfre Woodard, Phylicia Rashad and Jill Scott. Latifah branched out in a new direction the following year. She will enter the daytime television market with a new talk show. The Queen Latifah Show will debut in the fall of 2013. The program promises to be a mix of interviews and comedic and musical performances, according to BET.com.
In addition to acting, Queen Latifah serves as a spokesperson for CoverGirl cosmetics. She even has her own line with the company: The Queen Collection.
Out Of My Head
Queen Latifah Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Yes I think I'm going out of my head over you, over you
I want you to want me I need you so badly
I cant think of anything but you yeah
And I think I'm going out of my head
'Cause I cant explain these tears that I shed
Baby over you over you
I see you each morning
You don't even notice I exist
Going out of my head over you baby
Out of my head over you darlin' been out of my head oh baby
I must think of a way into your heart
There's no reason why
My being shy should keep us apart
Yeah oh, shoobop shoobop baby
Shoobop Shoobop my love
I see you each morning
But you just walk past me
You don't even notice that I exist
Going out of my head over you darlin'
Out of my head over you
Out of my head
I'm going going going going going
Girl Girl Yeah
I'm Going going going going going
Comon
Give me give me your loving
Comon
Give me give me your lovin' comon
Give me give me a little lovin'
The lyrics to Queen Latifah's "Out of My Head" express the feelings of someone who is deeply infatuated with another person. The singer is consumed by their obsessive thoughts and emotions towards this person, constantly daydreaming about them and feeling as though they are losing their mind because of the intensity of their feelings. They long for the other person to reciprocate their affections and cannot seem to focus on anything but their desire for them.
The song highlights the pain and frustration of unrequited love, particularly when the object of one's affection seems completely indifferent. The lyrics suggest that the singer sees the other person every day and yet feels invisible to them, which only intensifies their longing and sense of desperation. The repetition of the phrase "out of my head" emphasizes the overwhelming nature of these emotions and the sense of being unable to control or contain them.
Overall, the song captures the bittersweet and all-consuming nature of infatuation, particularly in the context of unrequited love. The singer's intense feelings of longing and desire, combined with their sense of powerlessness and frustration, create a sense of emotional urgency that is palpable throughout the song.
Line by Line Meaning
Well I think I'm going out of my head
I feel like I'm losing my mind
Yes I think I'm going out of my head over you, over you
I'm obsessed with you, can't stop thinking about you
I want you to want me I need you so badly
I need you to return my affections, I'm desperate for you
I cant think of anything but you yeah
You are consuming my thoughts
And I think I'm going out of my head
I'm losing my mind over you
'Cause I cant explain these tears that I shed
I don't understand why I'm so emotional over you
Baby over you over you
My feelings are directed towards you
I see you each morning
I encounter you daily
But you just walk past me
You ignore me
You don't even notice I exist
You don't acknowledge my presence
I must think of a way into your heart
I need to find a way to win your affections
There's no reason why
There's no legitimate explanation
My being shy should keep us apart
My shyness shouldn't be a barrier between us
Going out of my head over you baby
I'm crazy about you
Out of my head over you darlin' been out of my head oh baby
You are driving me crazy with desire
Yeah oh, shoobop shoobop baby
Nonsensical refrain, expressing excitement and emotion
Shoobop Shoobop my love
Nonsensical statement, expressing excitement and emotion
I'm going going going going going
I'm very eager
Girl Girl Yeah
Nonsensical refrain, expressing excitement and emotion
Comon
Common, exclamation of encouragement
Give me give me your loving
I want your affection
Comon
Common, exclamation of encouragement
Give me give me your lovin' comon
Repetition of desire for affection
Give me give me a little lovin'
I want your affection in any amount
Lyrics © Sony/ATV Music Publishing LLC
Written by: Teddy Randazzo, Bobby Weinstein
Lyrics Licensed & Provided by LyricFind