While in high school, Homme got together with locals Brant Bjork, Chris Cockrell (later replaced by Nick Oliveri) and John Garcia resulting in the formation of Kyuss (firstly known as "Sons of Kyuss"). Queens of the Stone Age formed in 1997, rising from the ashes of Kyuss and began playing together during the now legendary Desert Sessions. Homme has drawn all of the members from that diverse group of musicians for Queens of the Stone Age. The band originally formed under the name Gamma Ray, but almost faced a lawsuit from the European metal band of the same name.
Queens of the Stone Age have gone through many line-up changes since first breaking into the hard rock scene. Their most recent line-up includes: Josh Homme (guitar, vocals), Troy Van Leeuwen (guitar, lap steel, keyboards, backing vocals), Jon Theodore (drums, percussion), Michael Shuman (bass, backing vocals), and Dean Fertita (keyboards, guitar, backing vocals).
Former core members include Joey Castillo, Alain Johannes, Natasha Shneider, Mark Lanegan, and Nick Oliveri, among other members and contributors. In 2002, regarding the band line-up, Homme said: "It really is more of a musical experiment… It keeps moving and reinventing itself. That way we never get painted into a corner."
Dave Grohl recorded drums, percussion and backing vocals on Songs for the Deaf and toured in support of the album in 2002 before returning to the Foo Fighters. Grohl also made a live appearance in 2007, to play Make It wit Chu, and recorded tracks on …Like Clockwork, following Joey Castillo's departure.
Mark Lanegan has long been an on/off vocalist for the band, toured from 2001 to 2005 and made live appearances in 2007 and 2010. He has recorded with the band on all albums except for their self-titled debut album. Lanegan has also played keyboards in live performances during the tour preceding the release of Lullabies to Paralyze, before Natasha Shneider joined the band.
Josh Homme and Nick Oliveri were seen as the only two consistent Queens of the Stone Age members. Oliveri had previously played alongside Homme in the band Kyuss and joined Queens of the Stone Age as its permanent bass guitarist and co-lead vocalist, in 1998, upon the release of its debut album, Queens of the Stone Age. Being friends since childhood, the two meshed well together. Oliveri's punk background brought an element of danger and attitude to the Queens' live shows. As the band's two core members, the duo recorded the breakthrough albums, Rated R and Songs for the Deaf, together. Oliveri's unique "howling" singing style made him easily distinguishable on songs such as Six Shooter from the album Songs for the Deaf; he also displays a more melodic singing style in Rated R songs such as Auto Pilot.
However, Homme fired Oliveri in 2004 for excessive partying and an alleged incident of domestic abuse (an accusation which Oliveri strongly denies). The duo repaired their friendship shortly afterwards. Oliveri, however, did not return to the band. In 2013, upon hearing that former contributor Dave Grohl was recording drums for the band's sixth studio album, …Like Clockwork, Oliveri asked Homme if he too could return on bass guitar. Homme ultimately did not grant Oliveri's request. He does, however, appear on backing vocals on the album track, If I Had a Tail.
Diskographie:
1997 - Kyuss / Queens of the Stone Age
1998 - Queens of the Stone Age / Beaver Split
1998 - Queens of the Stone Age
2000 - Rated R
2002 - Songs for the Deaf
2002 - Sample This School Boy
2002 - 2002-10-29: Rock City, Nottingham, UK
2002 - 2002-11-06: Stockholm, Sweden
2003 - Songs For The Deaf Tour Edition
2004 - Stone Age Complication
2005 - Lullabies to Paralyze
2005 - Lullabies To Paralize Tour Edition
2005 - MTV Unplugged (Berlin 2005-06-10)
2005 - Over the Years and Through the Woods
2006 - 2005-12-20: Los Angeles, CA, USA
2006 - Over The Years And Through The Woods
2007 - The Definitive Collection Of B-sides & Rarities
2007 - Era Vulgaris
2008 - Era Vulgaris Tour Edition
2013 - ...Like Clockwork
2017 - Villains
2023 - In Times New Roman...
Gonna Leave You
Queens of the Stone Age Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Late all alone
He can't help you
But I know I could
Three years too long
You know this is wrong
Everything scars the skin
Push it in, break it off
I'm gonna leave
I'm gonna leave you (oh)
I'm gonna leave
I'm gonna leave you (oh)
I gave it starts
I stomped on your hearts
This is the end
No more pictures, we ain't friends
It's raining in my room
There's blood in my spoon
You're outta my highchair
I'm outta your womb
I'm gonna leave
I'm gonna leave you (oh)
I'm gonna leave
I'm gonna leave you (oh)
I'm gonna leave
I'm gonna leave you (oh)
I'm gonna leave
I'm gonna leave you (oh)
Three years too long
You know this is wrong
Everything scars the skin
Push it in, push it in, break it off
I'm gonna leave
I'm gonna leave you (oh)
I'm gonna leave
I'm gonna leave you (oh)
I'm gonna leave
I'm gonna leave you (oh)
I'm gonna leave, I don't need you (oh)
The lyrics to Queens of the Stone Age's song "Gonna Leave You" seem to be about a relationship that has gone sour, perhaps even toxic. The opening lines "Wait by the phone, late alone" seem to suggest the singer is watching someone else suffer and he knows that he could help them, but he chooses not to. He seems to be drawing a distinction between what is "free" and what is right. The singer is essentially saying that the other person is too free, too unrestrained, and that this is causing harm, that this is "wrong." The image of everything leaving scars on the skin and needing to be pushed in and broken off is a clear metaphor for the destructive nature of the relationship. The singer is fed up and has decided to leave.
The song progresses into a self-contained narrative of the end of the relationship. The lines "I stomped on your hearts, this is the end, no more pictures, we ain't friends" are a clear message that the relationship is over and that they won't be in each other's lives anymore. The singer is struggling with the aftermath of the break-up, saying "It's raining in my room, there's blood in my spoon." These are images of despair and loneliness, and suggest that the singer is perhaps struggling with addiction or mental health issues.
The final repetition of the chorus "I'm gonna leave, I don't need you" is a confident statement of self-reliance and self-preservation. The singer has decided that the relationship is not worth saving or fixing, and that they need to move on.
Line by Line Meaning
Wait by the phone
You sit and wait for something that may never come.
Late alone
You’re lonely, but it's late and there's no one to help you.
He can't help you
The person you’re waiting for can't help you right now.
But I know I could
I have the power to help you, but you'll need to let me in.
Free is too long
Being alone for too long is suffocating, but freedom is overwhelming.
You know this is wrong
You know that what you’re doing is not right.
Everything scars the skin
Everything that you go through leaves its mark on you, and it's hard to forget.
Push it in, break it off
You keep going even if it hurts because pain is the only way to feel something.
I'm gonna leave
I'm going to walk away and leave you behind.
I gave it starts
I tried to start something with you.
I stomped on your hearts
I hurt you and broke your heart.
This is the end
Our relationship is over.
No more pictures, we ain't friends
We’re not going to be friends anymore, and there'll be no more pictures of us together.
It's raining in my room
I'm feeling down and miserable.
There's blood in my spoon
I'm using drugs to cope with my pain.
You're out of my highchair
You can’t control me anymore.
I'm out of your womb
I'm not your responsibility anymore.
Gonna leave you
I am going to walk away and leave you behind.
I don't need you
I don't need you to be happy, and I'm not going to keep holding onto you.
Lyrics © Universal Music Publishing Group, Kobalt Music Publishing Ltd.
Written by: Josh Homme, Nick Oliveri
Lyrics Licensed & Provided by LyricFind