While in high school, Homme got together with locals Brant Bjork, Chris Cockrell (later replaced by Nick Oliveri) and John Garcia resulting in the formation of Kyuss (firstly known as "Sons of Kyuss"). Queens of the Stone Age formed in 1997, rising from the ashes of Kyuss and began playing together during the now legendary Desert Sessions. Homme has drawn all of the members from that diverse group of musicians for Queens of the Stone Age. The band originally formed under the name Gamma Ray, but almost faced a lawsuit from the European metal band of the same name.
Queens of the Stone Age have gone through many line-up changes since first breaking into the hard rock scene. Their most recent line-up includes: Josh Homme (guitar, vocals), Troy Van Leeuwen (guitar, lap steel, keyboards, backing vocals), Jon Theodore (drums, percussion), Michael Shuman (bass, backing vocals), and Dean Fertita (keyboards, guitar, backing vocals).
Former core members include Joey Castillo, Alain Johannes, Natasha Shneider, Mark Lanegan, and Nick Oliveri, among other members and contributors. In 2002, regarding the band line-up, Homme said: "It really is more of a musical experiment… It keeps moving and reinventing itself. That way we never get painted into a corner."
Dave Grohl recorded drums, percussion and backing vocals on Songs for the Deaf and toured in support of the album in 2002 before returning to the Foo Fighters. Grohl also made a live appearance in 2007, to play Make It wit Chu, and recorded tracks on …Like Clockwork, following Joey Castillo's departure.
Mark Lanegan has long been an on/off vocalist for the band, toured from 2001 to 2005 and made live appearances in 2007 and 2010. He has recorded with the band on all albums except for their self-titled debut album. Lanegan has also played keyboards in live performances during the tour preceding the release of Lullabies to Paralyze, before Natasha Shneider joined the band.
Josh Homme and Nick Oliveri were seen as the only two consistent Queens of the Stone Age members. Oliveri had previously played alongside Homme in the band Kyuss and joined Queens of the Stone Age as its permanent bass guitarist and co-lead vocalist, in 1998, upon the release of its debut album, Queens of the Stone Age. Being friends since childhood, the two meshed well together. Oliveri's punk background brought an element of danger and attitude to the Queens' live shows. As the band's two core members, the duo recorded the breakthrough albums, Rated R and Songs for the Deaf, together. Oliveri's unique "howling" singing style made him easily distinguishable on songs such as Six Shooter from the album Songs for the Deaf; he also displays a more melodic singing style in Rated R songs such as Auto Pilot.
However, Homme fired Oliveri in 2004 for excessive partying and an alleged incident of domestic abuse (an accusation which Oliveri strongly denies). The duo repaired their friendship shortly afterwards. Oliveri, however, did not return to the band. In 2013, upon hearing that former contributor Dave Grohl was recording drums for the band's sixth studio album, …Like Clockwork, Oliveri asked Homme if he too could return on bass guitar. Homme ultimately did not grant Oliveri's request. He does, however, appear on backing vocals on the album track, If I Had a Tail.
Diskographie:
1997 - Kyuss / Queens of the Stone Age
1998 - Queens of the Stone Age / Beaver Split
1998 - Queens of the Stone Age
2000 - Rated R
2002 - Songs for the Deaf
2002 - Sample This School Boy
2002 - 2002-10-29: Rock City, Nottingham, UK
2002 - 2002-11-06: Stockholm, Sweden
2003 - Songs For The Deaf Tour Edition
2004 - Stone Age Complication
2005 - Lullabies to Paralyze
2005 - Lullabies To Paralize Tour Edition
2005 - MTV Unplugged (Berlin 2005-06-10)
2005 - Over the Years and Through the Woods
2006 - 2005-12-20: Los Angeles, CA, USA
2006 - Over The Years And Through The Woods
2007 - The Definitive Collection Of B-sides & Rarities
2007 - Era Vulgaris
2008 - Era Vulgaris Tour Edition
2013 - ...Like Clockwork
2017 - Villains
2023 - In Times New Roman...
Outlaw Blues
Queens of the Stone Age Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
And land in some funny lagoon?
Ain't it hard to stumble
And land in some muddy lagoon?
Especially when it's nine below zero
And three o'clock in the afternoon.
Ain't gonna hang no picture,
Ain't gonna hang no picture,
Ain't gonna hang no picture frame.
Well, I might look like Robert Ford
But I feel just like a Jesse James.
Well, I wish I was on some
Australian mountain range.
Oh, I wish I was on some
Australian mountain range.
I got no reason to be there, but I
Imagine it would be some kind of change.
I got my dark sunglasses,
I got for good luck my black tooth.
I got my dark sunglasses,
I'm carryin' for good luck my black tooth.
Don't ask me nothin' about nothin',
I just might tell you the truth.
I got a woman in Jackson,
I ain't gonna say her name.
I got a woman in Jackson,
I ain't gonna say her name.
She's a brown-skin woman,
But I
Love her just the same.
In "Outlaw Blues," Queens of the Stone Age presents lyrics that convey a sense of struggle and hardship. The opening lines depict the difficulty of stumbling and landing in a funny or muddy lagoon, metaphorically representing the challenges in life. The lines "Especially when it's nine below zero, and three o'clock in the afternoon" emphasize the harshness of these circumstances, where not only is one dealing with adversity, but they are also in a bleak and unforgiving environment.
The mention of not hanging any picture or picture frame may allude to a feeling of detachment or lack of stability. The comparison to Robert Ford and Jesse James, notorious figures from American outlaw history, suggests a sense of identity conflict. This conflict could arise from feeling like an outsider or trying to reconcile one's true self with societal expectations.
The desire to be on an Australian mountain range, despite having no reason to be there, represents a longing for change or escape from the current circumstances. It signifies a yearning for something different, even if it may seem unattainable or unnecessary.
The lyrics also include references to personal items and experiences. The dark sunglasses and black tooth symbolize a certain level of mystery or protection. They could be seen as metaphorical defenses against exposing oneself fully to others. The line "Don't ask me nothin' about nothin', I just might tell you the truth" suggests a guarded honesty, where one might reveal more than intended if probed.
Lastly, the mention of a woman in Jackson, whose name is withheld, implies a secretive and possibly complicated relationship. While the woman is described as a brown-skin woman, the singer's love for her remains unchanged, highlighting the universality of love that transcends external differences.
Overall, "Outlaw Blues" delves into themes of struggle, identity, longing, and personal connections, all wrapped within a gritty and introspective narrative.
Line by Line Meaning
Ain't it hard to stumble
Isn't it difficult to fall down clumsily
And land in some funny lagoon?
And end up in a strange and amusing situation?
Ain't it hard to stumble
Isn't it difficult to fall down clumsily
And land in some muddy lagoon?
And end up in a messy and unpleasant situation?
Especially when it's nine below zero
Particularly when it's extremely cold, nine degrees below freezing
And three o'clock in the afternoon.
And it's mid-afternoon, precisely three o'clock.
Ain't gonna hang no picture,
I won't hang any picture on the wall,
Ain't gonna hang no picture frame.
I won't hang any picture in a frame.
Well, I might look like Robert Ford
Well, I may appear similar to Robert Ford,
But I feel just like a Jesse James.
But deep down, I feel like Jesse James, a famous outlaw.
Well, I wish I was on some
Well, I desire to be in a
Australian mountain range.
mountain range in Australia.
Oh, I wish I was on some
Oh, I long to be in a
Australian mountain range.
mountain range in Australia.
I got no reason to be there, but I
I have no specific motive to be there, but
Imagine it would be some kind of change.
I imagine it would bring about a certain type of transformation or difference.
I got my dark sunglasses,
I possess my sunglasses that shield from bright light,
I got for good luck my black tooth.
I have, for the purpose of good fortune, my black tooth.
I got my dark sunglasses,
I possess my sunglasses that shield from bright light,
I'm carryin' for good luck my black tooth.
I bring along my black tooth for the purpose of good fortune.
Don't ask me nothin' about nothin',
Please refrain from inquiring about anything,
I just might tell you the truth.
As I might just reveal the honest truth.
I got a woman in Jackson,
I have a lady in Jackson,
I ain't gonna say her name.
I won't disclose her identity.
I got a woman in Jackson,
I have a lady in Jackson,
I ain't gonna say her name.
I won't disclose her identity.
She's a brown-skin woman,
She is a woman with brown skin,
But I love her just the same.
But I love her equally and without distinction.
Lyrics © BOB DYLAN MUSIC CO
Written by: BOB DYLAN
Lyrics Licensed & Provided by LyricFind