R. WEIS began his creative career in 1982 after moving from Pittsburgh, PA … Read Full Bio ↴R. WEIS began his creative career in 1982 after moving from Pittsburgh, PA to New York City. His earliest expressions took the form of poetry and monologues that were heard at venues such as The Poetry Project, La Mama Experimental Theatre, and on WBAI FM National Public Radio. At that time, Weis also began experiments with manipulation of pre-recorded sounds on cassette tape, and began assembling sound collages to be presented with his creative writing. Eventually, his focus shifted away from writing, and moved enthusiastically toward the idea of composing with manipulated sound. He began working on a sampler in 1990 and embraced the discipline of composing exclusively with samples of original sounds. A series of collaborations began, and resulted in sound scores for film, visual art, and dance. These collaborations were presented at many of New York City’s downtown venues, including Performance Space 122, Danspace Project, and the gallery Art et Industrie. His cd “Mystery of the Egg” was completed in 1994 and was heard on experimental radio programs in the U.S. and Europe. That same year, he collaborated with photographer Arthur Tress and composed the sound score for the museum installation “Requiem for a Paperweight”. “Requiem” was originally presented at University Art Museum, California State University Long Beach. It has since traveled to The Bridgewater/Lustberg Gallery in NYC, to German museums including The Ludwig Forum – Stadt Aachen, and in slide-show form at the 1994 CMJ Music Marathon in NYC. The sound score for “Requiem” was also heard as part of Arthur Tress’ retrospective “Fantastic Voyage, Photographs 1956-2000” at The Corcoran Gallery of Art in Washington, DC.

After 16 years in NYC’s East Village, Weis moved to the California desert. For three years, he worked on a composition called “noitatu MovE oveR” which is a meditation on the structures of the universe. The 29-minute composition is organized like the DNA double helix, and is made from only 6 original samples: 4 to represent the 4 base components of DNA; 1 to represent whole numbers; and 1 to represent prime numbers. After such a long immersion in this cosmic project, Weis was delighted to accept an invitation from The Savannah College of Art & Design to compose the light-hearted “Dog Choir” for the museum exhibit “Pour l’Amour des Chiens” at the Mona Bismarck Foundation, Paris, 2003.

He returned to Pittsburgh in 2006. In 2008 he completed “Victoriana,” a 1-hour composition based on sounds made by his 19th Century house. “Victoriana” premiered in the Gestures 12 exhibit at Pittsburgh’s Mattress Factory Art Museum, May and June 2009.

Part II
R. Weis Lyrics

Jump to: Overall Meaning ↴ Line by Line Meaning ↴

Baby, take off your clothes and come on
Turn off the lights 'cause girl it's on
Now that we are all alone
I want you to sex me

Oh yeah, it's time for that sex me remix to pop off
You know what I'm sayin'?
Check it out, this is going to take off your clothes tip

So fellas grab your ladies and make it real wet

Baby, take off your clothes and come on
Turn off the lights 'cause girl it's on
Now that we are all alone
I want you to sex me

Listen to the remix, baby
Come here, girl

Come over here and let me take off your clothes
'Cause things I wanna do to you, nobody has to know
Just lay your body right here, lady have no fear
'Cause ecstasy is near, oh yes it is

Any unexpected positions
Anything unexpected, bring it on
Any secret fantasies
You see I will fulfill as long as you sex me

Baby, take off your clothes and come on
Turn off the lights 'cause girl it's on
Now that we are all alone
I want you to sex me

Yeah, now be a good time
To put your hands on those dukes and get closer
Here we go

Now let me feel your body next to mine
I wanna see you sweat, girl, you're so very wet, yes
Now put me inside of you, do what you wanna do, yeah
'Cause this is my remix, baby, and I'm gonna need all of you, sing it

Any unexpected positions
Anything unexpected, bring it on, yeah
Any secret fantasies
Anything secret, I'll fulfill as long as you sex me

Baby, take off your clothes and come on
Turn off the lights 'cause girl it's on
Now that we are all alone
I want you to sex me

Baby, take off your clothes and come on
Turn off the lights 'cause girl it's on
Now that we are all alone
I want you to sex me

Let me kiss you in the right place
So I can see 'Sex me baby' written on your face
Slow baby, slow baby steady as we go
Up and down to a sixty-nine tempo

Yeah, now throw your body parts around
Now let me hear you make a ooh aah sound
'Cause I'm your lover man
So call your other man and say you found another man

Baby, take off your clothes and come on
Turn off the lights 'cause girl it's on
Now that we are all alone
I want you to sex me

Baby, take off your clothes and come on
Turn off the lights 'cause girl it's on
Now that we are all alone
I want you to sex me

Baby, take off your clothes and come on
Turn off the lights 'cause girl it's on
Now that we are all alone
I want you to sex me

Baby, take off your clothes and come on
Turn off the lights 'cause girl it's on
Now that we are all alone
I want you to sex me

Baby, take off your clothes and come on
Turn off the lights 'cause girl it's on
Now that we are all alone
I want you to sex me

Baby, take off your clothes and come on
Turn off the lights 'cause girl it's on
Now that we are all alone
I want you to sex me

Ooh na, na, na, na, na, na
Your body, na, na, na, na
Ooh na, na, na, na, na, na
Your body, na, na, na, na

Ooh na, na, na, na, na, na
Your body, na, na, na, na

Ooh na, na, na, na, na, na
Your body, na, na, na, na

Overall Meaning

The lyrics to R. Weis's song Part II are explicit in nature and revolve around the act of sex. The song starts with a request to the listener to take off their clothes and turn off the lights, setting the mood for what's to come. The remix to this song is promised to be a big hit, and the listeners are encouraged to indulge in unexpected positions and secret fantasies.

The lyrics are very straightforward, with the singer vocalizing his desire for sex and sexual pleasure. He promises to fulfill any sexual requests as long as the other person "sexes" him. The lyrics also mention "69 tempo," which is a sexual position that involves mutual oral sex, adding to the sexual connotation of the song.

Overall, the song appears to be purely about sexual desire and pleasure. While the language used is explicit and provocative, it expresses a strong attraction and desire for carnal pleasure between two consenting adults.

Line by Line Meaning

Baby, take off your clothes and come on
I would like you to disrobe and approach me

Turn off the lights 'cause girl it's on
It's time for us to engage in sexual activity and the darkness will enhance the experience

Now that we are all alone
We have privacy and can act freely without worry of being interrupted

I want you to sex me
I desire sexual intimacy with you

Let me kiss you in the right place
I would like to give you physical affection that will lead to sexual arousal

So I can see 'Sex me baby' written on your face
I want you to express through your facial expressions how enjoyable our sexual experience is

Slow baby, slow baby steady as we go
We should take our time and proceed with caution to ensure our sexual experience is pleasurable and safe

Up and down to a sixty-nine tempo
We should engage in a sexual position commonly referred to as '69'

Yeah, now throw your body parts around
Move your body in a sexual manner to enhance our experience

Now let me hear you make a ooh aah sound
I want to hear you express pleasure through vocalizations

'Cause I'm your lover man
I am your partner in sexual activity

So call your other man and say you found another man
I want you to communicate to any other sexual partners that you have chosen me instead

Yeah, now be a good time
This is the optimal moment to engage in sexual activity

To put your hands on those dukes and get closer
Place your hands on my body and move in closer to increase our physical intimacy

Now let me feel your body next to mine
I want to experience the physical sensations of our bodies being in close proximity

I wanna see you sweat, girl, you're so very wet, yes
I want to observe your body's natural physical reactions to our sexual activity

Now put me inside of you, do what you wanna do, yeah
I desire vaginal intercourse and want you to control the experience

'Cause this is my remix, baby, and I'm gonna need all of you, sing it
I am in control of our sexual experience and am calling the shots

Any unexpected positions
I am open to exploring and engaging in sexual positions that are unconventional

Anything unexpected, bring it on
I encourage you to introduce new sexual experiences or activities

Any secret fantasies
I am open to fulfilling any sexual fantasies that you may have not shared previously

Anything secret, I'll fulfill as long as you sex me
I am willing to engage in any sexual activity as long as it leads to sexual intimacy between us

Listen to the remix, baby
I want you to pay attention to the changes and updates I made to my sexual style

Come here, girl
Approach me to engage in sexual activity

Come over here and let me take off your clothes
I want to remove your clothing as part of our sexual experience

'Cause things I wanna do to you, nobody has to know
The activities we engage in will remain between us and be kept private

Just lay your body right here, lady have no fear
I invite you to lay down and reassure you that you are safe and respected in our sexual encounters

'Cause ecstasy is near, oh yes it is
The potential for intense sexual pleasure is close at hand

Your body, na, na, na, na
I find your body physically attractive and desirable

Lyrics © O/B/O APRA/AMCOS

Lyrics Licensed & Provided by LyricFind

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Comments from YouTube:

Thomas Bramel

Harald Weiss is a great composer, as this work proves.

just now