Radiohead signed to EMI in 1991 and released their debut album, Pablo Honey, in 1993; their debut single, "Creep", became a worldwide hit. Radiohead's popularity and critical standing rose with the release of The Bends in 1995. Radiohead's third album, OK Computer (1997), brought them international fame; noted for its complex production and themes of modern alienation, it is acclaimed as a landmark record and one of the best albums in popular music.
Radiohead's fourth album, Kid A (2000), marked a dramatic change in style, incorporating influences from electronic music, jazz, classical music and krautrock. Though Kid A divided listeners, it later attracted wide acclaim. It was followed by Amnesiac (2001), recorded in the same sessions. Hail to the Thief (2003), with lyrics addressing the War on Terror, was Radiohead's final album for EMI.
Radiohead self-released their seventh album, In Rainbows (2007), as a download for which customers could set their own price, to critical and chart success. Their eighth album, The King of Limbs (2011), an exploration of rhythm, was developed using extensive looping and sampling. A Moon Shaped Pool (2016) prominently featured Jonny Greenwood's orchestral arrangements. Yorke, Jonny Greenwood, Selway, and O'Brien have released solo albums; in 2021, Yorke and Jonny Greenwood debuted a new band, the Smile.
By 2011, Radiohead had sold more than 30 million albums worldwide. Their awards include six Grammy Awards and four Ivor Novello Awards, and they hold five Mercury Prize nominations, the most of any act. Seven Radiohead singles have reached the top 10 on the UK Singles Chart: "Creep" (1992), "Street Spirit (Fade Out)" (1996), "Paranoid Android" (1997), "Karma Police" (1997), "No Surprises" (1998), "Pyramid Song" (2001), and "There There" (2003). "Creep" and "Nude" (2008) reached the top 40 on the US Billboard Hot 100. Rolling Stone named Radiohead one of the 100 greatest artists of all time, and Rolling Stone readers voted them the second-best artist of the 2000s. Five Radiohead albums have been included in Rolling Stone's 500 Greatest Albums of All Time lists. Radiohead were inducted into the Rock and Roll Hall of Fame in 2019.
Full Wikipedia article: https://en.wikipedia.org/wiki/Radiohead
Studio albums
Pablo Honey (1993)
The Bends (1995)
OK Computer (1997)
Kid A (2000)
Amnesiac (2001)
Hail to the Thief (2003)
In Rainbows (2007)
The King of Limbs (2011)
A Moon Shaped Pool (2016)
Fade Out
Radiohead Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
I can feel their blue hands touching me
All these things into position
All these things we'll one day swallow whole
And fade out again and fade out
This machine will, will not communicate
These thoughts and the strain I am under
Before we all go under
And fade out again
And fade out again
Cracked eggs, dead birds
Scream as they fight for life
I can feel death, can see its beady eyes
All these things into position
All these things we'll one day swallow whole
And fade out again
And fade out again
Immerse your soul in love
Immerse your soul in love
The lyrics to Radiohead's song "Fade Out" paint a picture of overwhelming pressure and existential dread. The reference to "rows of houses" likely signifies the conformity and monotony of modern society, with the houses "bearing down" suggesting a certain suffocating effect. The hands being "blue" might suggest a feeling of sickness or disease, as if the very air is poisonous. When Thom Yorke sings "All these things into position," he could be referring to the meaningless tasks and routines that we all perform in our daily lives. These things are "swallowed whole" as we fade out, suggesting a nihilistic worldview.
The chorus shifts to Yorke's inner turmoil, his struggles with communication and mental strain. He implores listeners to "form a circle" and "immerse your soul in love" before the impending collapse of society. The line "cracked eggs, dead birds" further symbolizes death and decay, and the "screaming" of the birds suggests the futility of life. Throughout the song, there is a sense of fatalism and acceptance, as if Yorke is resigned to the idea that everything will eventually fade away.
Line by Line Meaning
Rows of houses, all bearing down on me
I feel oppressed by the rows of houses standing above me.
I can feel their blue hands touching me
I sense the inanimate structures around me reaching out and affecting me in some way.
All these things into position
Everything appears to be perfectly aligned and in its correct spot.
All these things we'll one day swallow whole
There things around us will eventually consume us entirely.
And fade out again and fade out
Things will come to an end and then begin again.
This machine will, will not communicate
Despite my efforts, I cannot communicate with this machine.
These thoughts and the strain I am under
I'm struggling under the pressure of my own thoughts and circumstances.
Be a world child, form a circle
Come together as one people and create a united front.
Before we all go under
We must come together before our world collapses.
Cracked eggs, dead birds
Death is all around us - even in the most ordinary of things.
Scream as they fight for life
Even in the midst of death, life still fights to survive.
I can feel death, can see its beady eyes
I can sense death's imminent arrival, and see its presence in everything around me.
Fade out again
Everything will come to an end.
Immerse your soul in love
Find solace and comfort in love.
Lyrics © BMG Rights Management, Warner Chappell Music, Inc.
Written by: Colin Charles Greenwood, Edward John O'Brien, Jonathan Richard Guy Greenwood, Philip James Selway, Thomas Edward Yorke
Lyrics Licensed & Provided by LyricFind
@Haroupi
LYRICS:
Rows of houses all bearing down on me
I can feel their blue hands touching me
All these things into position
All these things we'll one day swallow whole
And fade out again and fade out
This machine will, will not communicate
These thoughts and the strain I am under
Be a world child, form a circle
Before we all go under
And fade out again
And fade out again
Cracked eggs, dead birds
Scream as they fight for life
I can feel death, can see its beady eyes
All these things into position
All these things we'll one day swallow whole
And fade out again
And fade out again
Immerse your soul in love
Immerse your soul in love
@marsellaputri5293
Rows of houses, all bearing down on me
I can feel their blue hands touching me
All these things into position
All these things we'll one day swallow whole
And fade out again and fade out
This machine will, will not communicate
These thoughts and the strain I am under
Be a world child, form a circle
Before we all go under
And fade out again and fade out again
Cracked eggs, dead birds
Scream as they fight for life
I can feel death, can see its beady eyes
All these things into position
All these things we'll one day swallow whole
Fade out again
Fade out again
Immerse your soul in love
Immerse your soul in love
@dokcreations
LYRICS
Rows of houses all bearing down on me
I can feel their blue hands touching me
All these things into position
All these things we'll one day swallow whole
And fade out again and fade out
This machine will, will not communicate
These thoughts and the strain I am under
Be a world child, form a circle
Before we all go under
And fade out again
And fade out again
Cracked eggs, dead birds
Scream as they fight for life
I can feel death, can see its beady eyes
All these things into position
All these things we'll one day swallow whole
And fade out again
And fade out again
Immerse your soul in love
Immerse your soul in love
@sagisagi9684
Том: «Самая чистая из всех наших песен, но я её не писал, она написалась сама. Мы только посредники. Биологические катализаторы. Её суть, основа – полнейшая тайна для меня. И знаете... я бы никогда не пробовал написать нечто настолько безнадежное... Все, даже самые печальные из наших песен, несут в себе хоть проблеск решения, а здесь такого нет... Это темный тоннель без света в конце. Она передает трагические эмоции, столь болезненные, что единственное проявление этого – звучание мелодии. У каждого из нас свой способ уживаться с этой песней... Он называется отстранённость. Отчужденность. Особенно у меня. Я отстраняю свой эмоциональный радар от этой песни, иначе я не смогу её играть, рассыплюсь на кусочки. Вырублюсь на сцене...
Поэтому стихотворная основа песни – просто набор мини-историй или визуальных образов, - как противопоставление единому, связному объяснению её смысла... Я использовал образы, положенные на музыку, которые, как надеялся, передадут эмоциональную цельность, единство стихов и музыки... Именно это означают «всё разобщенное, что поглощено целым» ('all these things are one to swallow whole'). Я имел в виду эмоциональную цельность, потому что во мне этого не было, я не мог четко сформулировать эту эмоцию... (пауза) Иначе я бы просто разломился, развалился на части. Наши фэны наверное смелее меня, они позволяют песне проникнуть внутрь, а может, просто не понимают того, что они слышат... Они не понимают, что 'street spirit' это пристальный взгляд в глаза самому дьяволу... и еще о понимании: что бы там ты ни делал, дьявол смеётся последним... и это действительно так... это правда.
Дьявол на самом деле посмеется последним, всегда, без исключения, и если я позволю себе слишком долго над этим раздумывать – я развалюсь. Не верю, что у нас есть фаны, способные эмоционально воспринимать эту песню... Поэтому я убежден, что они просто не знают, о чем здесь речь. И поэтому мы всегда играем её в конце выступлений. Она меня истощает, сотрясает, ранит как черт, каждый раз, когда исполняю её, глядя на тысячи людей, смеющихся и вопящих, не обращающих внимания на трагический смысл, словно когда собираются бросить собаку, а она при этом виляет хвостом. Так выглядят наши слушатели, и это разбивает мне сердце.
Я бы хотел, чтобы эта песня избрала своими катализаторами не нас. Я не заявляю своих прав на неё. Она требует невозможного. (очень долгое молчание). Я не писал этой песни».
Джонатан Глейзер осаждал группу, подкарауливая известие что песня будет синглом и потребуется видео; так оно и вышло, и результат претендует на звание лучшего из всех хэдовских видео вообще. Клип снимался в предрассветной тьме в пустыне возле Лос-Анджелеса... и очень близко передает настроение песни и музыки группы в целом.
Теперь мне все стало более менее понятно : безысходность !
@-BestRockSongs
Leaving this comment so that whenever someone likes it I'll comeback and listen to this masterpiece
@alitaghipourattari2268
Like now?
@stephenclark9594
what about now ❤😂
@shekinahmagbago3177
And now?
@pzakp311
Smart. Cheers from Germany.
@jonbee3596
Cunning plan. Enjoy. 👍
@miguelneto4608
Radiohead is not depressive. Is not the perfect music to be depressed. It is the perfect music to come to terms with anything that caused grieve, that makes us feel small and powerless. It's the perfect music to remind us that is ok to not be ok. It's part of the human experience.
@redskies4530
Hi I recommend a song called 'Looking Into The Mirror' By Robert Nix
@lindahill2868
Miquel, this is the best comment!! I totally agree with you. And yes, it is ok not to be ok all the time.
@br1ght5ide
yes, they are depressive mate. but this is why we like them ;)