Street Spirit
Radiohead Lyrics
Rows of houses all bearing down on me
I can feel their blue hands touching me
All these things into position
All these things we'll one day swallow whole
And fade out again and fade out
This machine will, will not communicate
These thoughts and the strain I am under
Be a world child, form a circle
Before we all go under
And fade out again
Cracked eggs, dead birds
Scream as they fight for life
I can feel death, can see its beady eyes
All these things into position
All these things we'll one day swallow whole
And fade out again
And fade out again
Immerse your soul in love
Immerse your soul in love
Lyrics © BMG Rights Management, Warner Chappell Music, Inc.
Written by: Colin Charles Greenwood, Edward John O'Brien, Jonathan Richard Guy Greenwood, Philip James Selway, Thomas Edward Yorke
Lyrics Licensed & Provided by LyricFind
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One of Radiohead's most successful singles, and a fan favourite. "Street Spirit" was released as the band's ninth single and reached number five on the UK Singles Chart, the highest chart position until Paranoid Android from OK Computer, which reached number three in 1997.
Thom Yorke has described completing the song as a cathartic moment, stating that he and the band were "bashing their heads against the wall for days and not getting anywhere" until they were finally able to capture it. Read Full BioOne of Radiohead's most successful singles, and a fan favourite. "Street Spirit" was released as the band's ninth single and reached number five on the UK Singles Chart, the highest chart position until Paranoid Android from OK Computer, which reached number three in 1997.
Thom Yorke has described completing the song as a cathartic moment, stating that he and the band were "bashing their heads against the wall for days and not getting anywhere" until they were finally able to capture it. However, his widely-cited quote about the song being "the dark tunnel without the light at the end" and how "it wrote itself" has never had a proper source and has been speculated by some to have been completely fabricated.
The music video for "Street Spirit" premiered in February 1996 and was directed by Jonathan Glazer, who said, "That was definitely a turning point in my own work. I knew when I finished that, because they found their own voices as an artist, at that point, I felt like I got close to whatever mine was, and I felt confident that I could do things that emoted, that had some kind of poetic as well as prosaic value. That for me was a key moment." Glazer would later direct the video for "Karma Police".
The video, entirely shot in black and white, is not narrative. It presents different unconnected scenes that range from the whimsical to the complex, including some that are uplifting. Several scenes in the video are shot using different frame frequencies, thus making different subjects in the same scene move at different speeds. A special ultra-high speed camera, normally used to photograph high speed projectiles for scientific purposes, was used to create the extreme slow motion effects. The general editing and lighting of the video provide a somber ambience and accentuate the lyrics of the song.
The setting of the video is a trailer park during nighttime, with a distant thunderstorm visible at times. The band members are seen sitting on chairs outside of a trailer. Some definitive scenes include:
The opening scene is of lead singer Thom Yorke standing on top of a trailer and letting himself fall backwards to the ground. The scene slows down and cuts before Thom reaches the ground.
A boy walks up to a chained Dobermann and then walks away, just before the dog is about to reach him.
The same boy sits on a chair in the left side of the frame and Thom Yorke stands in front of the camera, Thom then runs away and his running goes into slow-motion, as he runs past the boy, the boy picks up the chair, runs (in normal speed) behind Thom and out of the right side of the frame.
A group of three women dressed in long black shrouds perform a dance of sorts, shot in slow motion.
Thom smashing several sheets of glass with a hammer.
Guitarist Jonny Greenwood jumps into a trailer in slow motion.
Drummer Phil Selway with his eyes closed shot in slow motion while white feathers float around him.
Guitarist Ed O'Brien falling backwards in his chair (also shot in slow motion).
Thom standing in front of a duplicate of himself with a stick. The first Thom crouches and moves the stick sideways while the second Thom jumps to avoid it.
A dark horse is shown in the middle of the trailer park
A old man is shown with blood, or a tar-like substance covering his face
In the final scene Thom is seen jumping up into the air and opening up his arms. The scene slows down and he is left floating in the air as the song hits the last note.
The Darkness would cover this song live numerous times. Their version is delivered in a faster tempo, with significantly heavier guitar, and with lead singer Justin Hawkins' signature falsetto. There is a notable bootleg of this version circulating around the internet.
Stream of Passion has recorded this song on their 2009 album The Flame Within. It is sung by Marcela Bovio and adds a burst of heavy guitar playing.
Joe Budden had this song sampled on the track "Never Again" off of the 2009 album Escape Route.
Peter Gabriel's album Scratch My Back features a cover of the song.
Thom Yorke has described completing the song as a cathartic moment, stating that he and the band were "bashing their heads against the wall for days and not getting anywhere" until they were finally able to capture it. Read Full BioOne of Radiohead's most successful singles, and a fan favourite. "Street Spirit" was released as the band's ninth single and reached number five on the UK Singles Chart, the highest chart position until Paranoid Android from OK Computer, which reached number three in 1997.
Thom Yorke has described completing the song as a cathartic moment, stating that he and the band were "bashing their heads against the wall for days and not getting anywhere" until they were finally able to capture it. However, his widely-cited quote about the song being "the dark tunnel without the light at the end" and how "it wrote itself" has never had a proper source and has been speculated by some to have been completely fabricated.
The music video for "Street Spirit" premiered in February 1996 and was directed by Jonathan Glazer, who said, "That was definitely a turning point in my own work. I knew when I finished that, because they found their own voices as an artist, at that point, I felt like I got close to whatever mine was, and I felt confident that I could do things that emoted, that had some kind of poetic as well as prosaic value. That for me was a key moment." Glazer would later direct the video for "Karma Police".
The video, entirely shot in black and white, is not narrative. It presents different unconnected scenes that range from the whimsical to the complex, including some that are uplifting. Several scenes in the video are shot using different frame frequencies, thus making different subjects in the same scene move at different speeds. A special ultra-high speed camera, normally used to photograph high speed projectiles for scientific purposes, was used to create the extreme slow motion effects. The general editing and lighting of the video provide a somber ambience and accentuate the lyrics of the song.
The setting of the video is a trailer park during nighttime, with a distant thunderstorm visible at times. The band members are seen sitting on chairs outside of a trailer. Some definitive scenes include:
The opening scene is of lead singer Thom Yorke standing on top of a trailer and letting himself fall backwards to the ground. The scene slows down and cuts before Thom reaches the ground.
A boy walks up to a chained Dobermann and then walks away, just before the dog is about to reach him.
The same boy sits on a chair in the left side of the frame and Thom Yorke stands in front of the camera, Thom then runs away and his running goes into slow-motion, as he runs past the boy, the boy picks up the chair, runs (in normal speed) behind Thom and out of the right side of the frame.
A group of three women dressed in long black shrouds perform a dance of sorts, shot in slow motion.
Thom smashing several sheets of glass with a hammer.
Guitarist Jonny Greenwood jumps into a trailer in slow motion.
Drummer Phil Selway with his eyes closed shot in slow motion while white feathers float around him.
Guitarist Ed O'Brien falling backwards in his chair (also shot in slow motion).
Thom standing in front of a duplicate of himself with a stick. The first Thom crouches and moves the stick sideways while the second Thom jumps to avoid it.
A dark horse is shown in the middle of the trailer park
A old man is shown with blood, or a tar-like substance covering his face
In the final scene Thom is seen jumping up into the air and opening up his arms. The scene slows down and he is left floating in the air as the song hits the last note.
The Darkness would cover this song live numerous times. Their version is delivered in a faster tempo, with significantly heavier guitar, and with lead singer Justin Hawkins' signature falsetto. There is a notable bootleg of this version circulating around the internet.
Stream of Passion has recorded this song on their 2009 album The Flame Within. It is sung by Marcela Bovio and adds a burst of heavy guitar playing.
Joe Budden had this song sampled on the track "Never Again" off of the 2009 album Escape Route.
Peter Gabriel's album Scratch My Back features a cover of the song.
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Eric L
Rows of houses, all bearing down on me
I can feel their blue hands touching me
All these things into position
All these things we'll one day swallow whole
And fade out again and fade out
This machine will, will not communicate
These thoughts and the strain I am under
Be a world child, form a circle
Before we all go under
And fade out again and fade out again
Cracked eggs, dead birds
Scream as they fight for life
I can feel death, can see its beady eyes
All these things into position
All these things we'll one day swallow whole
Fade out again
Fade out again
Immerse your soul in love
Immerse your soul in love
Haroupi
LYRICS:
Rows of houses all bearing down on me
I can feel their blue hands touching me
All these things into position
All these things we'll one day swallow whole
And fade out again and fade out
This machine will, will not communicate
These thoughts and the strain I am under
Be a world child, form a circle
Before we all go under
And fade out again
And fade out again
Cracked eggs, dead birds
Scream as they fight for life
I can feel death, can see its beady eyes
All these things into position
All these things we'll one day swallow whole
And fade out again
And fade out again
Immerse your soul in love
Immerse your soul in love
Marsella Putri
Rows of houses, all bearing down on me
I can feel their blue hands touching me
All these things into position
All these things we'll one day swallow whole
And fade out again and fade out
This machine will, will not communicate
These thoughts and the strain I am under
Be a world child, form a circle
Before we all go under
And fade out again and fade out again
Cracked eggs, dead birds
Scream as they fight for life
I can feel death, can see its beady eyes
All these things into position
All these things we'll one day swallow whole
Fade out again
Fade out again
Immerse your soul in love
Immerse your soul in love
Miguel Neto
Radiohead is not depressive. Is not the perfect music to be depressed. It is the perfect music to come to terms with anything that caused grieve, that makes us feel small and powerless. It's the perfect music to remind us that is ok to not be ok. It's part of the human experience.
BackInPreZENt
well said Miguel
spacewitch666
Lets gatekeep what a band and their music means to people. 👀
kentish kid
Couldn't of sed it better myself
Lioudmila Eleftheriadou
It's all a matter of perspective, if you are depressed no matter what you're listening to you'll find something depressing about it and if you're not depressed.. well, even the sad songs can be rather enjoyable
zoe pike
This doesn't depress me but makes me feel something really deep
Masterpiece
Samuel Grenier
Same baby 😏
Shay
makes us feel alive <3
An lace
@ivelostmyhead Nah bro, I listen To Dark Throne or Emperor for depth, not this commercial mainstream crap.
ivelostmyhead
@An lace You simply lack depth