Radiohead signed to EMI in 1991 and released their debut album, Pablo Honey, in 1993; their debut single, "Creep", became a worldwide hit. Radiohead's popularity and critical standing rose with the release of The Bends in 1995. Radiohead's third album, OK Computer (1997), brought them international fame; noted for its complex production and themes of modern alienation, it is acclaimed as a landmark record and one of the best albums in popular music.
Radiohead's fourth album, Kid A (2000), marked a dramatic change in style, incorporating influences from electronic music, jazz, classical music and krautrock. Though Kid A divided listeners, it later attracted wide acclaim. It was followed by Amnesiac (2001), recorded in the same sessions. Hail to the Thief (2003), with lyrics addressing the War on Terror, was Radiohead's final album for EMI.
Radiohead self-released their seventh album, In Rainbows (2007), as a download for which customers could set their own price, to critical and chart success. Their eighth album, The King of Limbs (2011), an exploration of rhythm, was developed using extensive looping and sampling. A Moon Shaped Pool (2016) prominently featured Jonny Greenwood's orchestral arrangements. Yorke, Jonny Greenwood, Selway, and O'Brien have released solo albums; in 2021, Yorke and Jonny Greenwood debuted a new band, the Smile.
By 2011, Radiohead had sold more than 30 million albums worldwide. Their awards include six Grammy Awards and four Ivor Novello Awards, and they hold five Mercury Prize nominations, the most of any act. Seven Radiohead singles have reached the top 10 on the UK Singles Chart: "Creep" (1992), "Street Spirit (Fade Out)" (1996), "Paranoid Android" (1997), "Karma Police" (1997), "No Surprises" (1998), "Pyramid Song" (2001), and "There There" (2003). "Creep" and "Nude" (2008) reached the top 40 on the US Billboard Hot 100. Rolling Stone named Radiohead one of the 100 greatest artists of all time, and Rolling Stone readers voted them the second-best artist of the 2000s. Five Radiohead albums have been included in Rolling Stone's 500 Greatest Albums of All Time lists. Radiohead were inducted into the Rock and Roll Hall of Fame in 2019.
Full Wikipedia article: https://en.wikipedia.org/wiki/Radiohead
Studio albums
Pablo Honey (1993)
The Bends (1995)
OK Computer (1997)
Kid A (2000)
Amnesiac (2001)
Hail to the Thief (2003)
In Rainbows (2007)
The King of Limbs (2011)
A Moon Shaped Pool (2016)
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Radiohead Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
My God, my God, my God, I've lost my feeling
My God, my God, my God, Iโve lost, I've lost
I've lost my feeling
They should be waiting for wealth and goods
Patiently watching the hearse
Oh no, oh no, oh noIโve lost all feeling in my hands
Oh no, oh no, oh no
I've lost all feeling in my hands
Guess I was wrong when I
Thought you'd go back
Strong as an ox like the wolves won't attack
Oh no, oh no, I've got to worry
I know it's true oh no
I've lost all feeling in my
Hands and in my heart
The lyrics to this Radiohead song convey a sense of loss and disconnect. The repetition of "My God, my God, my God" reflects a deep emotional turmoil and a feeling of abandonment or helplessness. The singer feels like they have lost their ability to feel, both physically and emotionally. This loss is expressed through the repetition of "I've lost my feeling," emphasizing the empty and numb state they find themselves in.
The lines "They should be one of the side of the room" and "They should be waiting for wealth and goods" introduce a sense of confusion and displacement. The singer seems to be projecting expectations onto an unknown "they," who are supposed to be in a particular place or mindset but are not. This further reinforces the theme of disconnection and disorientation that runs through the lyrics.
The imagery of watching a hearse and the reference to wolves not attacking suggest a sense of impending danger or loss. The singer expresses disbelief that things have turned out differently from what they had anticipated. The line "Guess I was wrong when I thought you'd go back" indicates a realization of a mistake in judgment or understanding, which has led to a feeling of vulnerability and worry.
The song culminates in a poignant acknowledgment of the loss of feeling in both the hands and the heart. This physical and emotional numbness serves as a powerful metaphor for a deeper existential crisis or emotional desolation. The repetition of "Oh no, oh no" underscores the urgency and despair felt by the singer, as they come to terms with the profound sense of disconnection and loss that permeates the lyrics.
Line by Line Meaning
They should be one of the side of the room
Their presence is expected to be distinctly identified within the space.
My God, my God, my God, I've lost my feeling
A desperate cry reflecting a profound emotional void has overtaken me.
My God, my God, my God, Iโve lost, I've lost
Repeated lament emphasizing the gravity of the emotional state, underscoring a sense of disorientation.
I've lost my feeling
The repeated acknowledgement of a complete detachment from emotions and sensations.
They should be waiting for wealth and goods
Expectation exists that they will be passive participants in the pursuit of material wealth.
Patiently watching the hearse
They observe inevitable loss with resignation, as if awaiting an end that signals deeper truths.
Oh no, oh no, oh no
A sorrowful recognition of troubling circumstances that elicits concern and fear.
Iโve lost all feeling in my hands
An intense sense of numbness has taken over, symbolizing loss of agency and connection.
Oh no, oh no, oh no
Reiterated dread reflecting the seriousness of the situation, emphasizing emotional turmoil.
I've lost all feeling in my hands
A haunting declaration of helplessness and the severing of tactile and emotional experiences.
Guess I was wrong when I
A moment of introspection revealing recognition of a misjudgment or failure in expectation.
Thought you'd go back
Assumed you would return to a prior state or behavior, reflecting hope evaporating into doubt.
Strong as an ox like the wolves won't attack
Imagined strength and steadfastness contrasts sharply with the looming dangers of reality.
Oh no, oh no, I've got to worry
An urgent realization of the situationโs gravity begins to sink in, triggering anxiety.
I know it's true oh no
Acceptance of an unsettling truth, resonating with fear and resignation.
I've lost all feeling in my
A profound recognition of numbness extending beyond physical sensations to deeper emotional realms.
Hands and in my heart
The absence of sensation encompasses both physical manifestation and emotional capability, yielding a state of despair.
Lyrics ยฉ O/B/O APRA AMCOS
Lyrics Licensed & Provided by LyricFind
@iSafartus
Lyrics: (Thom Yorke)
Take off the foo-foo
Take off the clout chase
Take off the Wi-Fi
Take off the money phone
Take off the car loan
Take off the flex and the white lies
Take off the weird-ass jewelry
I'ma take ten steps
Then I'm takin' off top five
Take off them fabricated streams
And them microwave memes
It's a real world outside (take that shit off) (Everything)
Take off your idols
Take off the runway
I take off to Cairo (take that shit off) (Everything)
Take off to Saint-Tropez
Five day stay, take a quarter mil'
Hell, if I know (take that shit off) (Everything)
Take off the false flag
Take off perception
Take off the cop with the eye patch (take that shit off) (Everything)
Take off the unloyal
Take off the unsure
Take off decisions I lack (take it off) (In its right place)
Take off the fake deep
Take off the fake woke
Take off the I'm broke, I care (take it off) (In its right)
Take off the gossip
Take off the new logic, that if I'm rich, I'm rare (take it off) (In its right)
Take off the Chanel
Take off the Dolce
Take off the Birkin bag (take it off) (In its right)
Take all that designer bullshit off
And what do you have? (Bitch)
Huh, huh, uh, you ugly as fuck
(You out of pocket)
Huh, two ATMs (hah, hah, hah, hah)
You steppin' or what? (You out of pocket, huh)
Who you think they talk 'bout?
Talk about us (you out of pocket, shoot, shoot, shoot)
Who you think they copy off? (Brrt, brrt, brrt, brrt)
Copy off us (get back in pocket)
The world in a panic
The women is stranded
The men on a run
The prophets abandoned
The Lord take advantage
The market is crashin'
The industry wants
Niggas and bitches to sleep in a box
While they makin' a mockery followin' us
This ain't Monopoly
Watchin' for love
This ain't monogamy
Y'all gettin' fucked
Jumpin' on what the hell is that?
I gotta relax when I feel (huh, facts)
All of my descendants
They come in my sleep and say I am too real (huh, facts)
I'm done with the sensitive takin' it personal
Done with the black and the white
The wrong and the right
You hopin' for change and clericals
I know the feelings that came with burial's cries (bitch)
Huh, huh, uh, you ugly as fuck
(You out of pocket)
Huh, two ATMs (hah, hah, hah, hah)
You steppin' or what? (You out of pocket, huh)
Who you think they talk 'bout?
Talk about us (you out of pocket, shoot, shoot, shoot)
Who you think they copy off?
Copy off us (brrt, brrt, brrt, brrt)
Servin' up a look, dancin' in the drought
Hello to the big stepper, never losin' count
Ventin' in the safe house, ventin' in the sa-, ahh
Can I vent all my truth? (Everything)
I got nothin' to lose
I got problems and pools
I can swim in my faith (Everything)
Camera's movin' whenever I'm movin'
The family suin' whatever I make (Everything)
Murder is stackin', the president actin'
The government taxin' my funds in the bank (Everything)
Homies attractin' the feds
When I'm brackin', look at my reaction
My pupils on skates (hold up, hold up)
Let's think about this for a second (let's go)
Tell me what you would do for aesthetic (let's go)
Would you sell your soul on credit? (Let's go)
Would you sell your bro for leverage? (Let's go)
Where the hypocrites at?
What community feel
They the only ones relevant? (Let's go)
Where the hypocrites at?
What community feel
They the only ones relevant? (Let's go)
You outta pocket, yeah, you outta pocket (this shit hard)
You entertain the mediocre, need to stop it (this shit hard)
You entertainin' old friends when they toxic (this shit hard)
What's your life like? Bullshit and gossip (this shit hard)
What the fuck is cancel culture, dawg?
Say what I want about you niggas
I'm like Oprah, dawg
I treat you crackers like I'm Jigga, watch
I own it all
Oh, you worried 'bout a critic?
That ain't protocol (bitch)
@indiebish7045
The fact that youโd even think to combine two very different songs together is demonstrates the ability of a true artist
@coogarathanase4219
what is the other song bro pls ?
@arnav3133
โ@@coogarathanase4219
The two songs are
Radiohead - Everything in its right place
Kendrick Lamar - N95
@kae2678
dude wrote it's originally from tiktok though.
@RedBomble
Underrated comment! that combination is just meant to be!!
@lachatte307
it was requested by a commenter but he is very talented for combining them so well
@JennaEmbers
Not having this on Spotify is a crime, itโs too good I need to be able to play it on repeat in my playlists.
@charlesrickards9705
It is on Spotify. Just has worse audio quality
@cpunkreset
โ@@charlesrickards9705i cant find link?
@katieallen9502
they removed it this week, which makes me so sad@@charlesrickards9705