1. A British rock band.<… Read Full Bio ↴Rainbow is the name of at least four bands:
1. A British rock band.
2. A K-Pop group (레인보우).
3. A U.S. psychedelic rock band.
4. Mid-80's Hi-NRG project.
1. Rainbow was a British rock band formed by Deep Purple founder and former guitarist Ritchie Blackmore in 1975. In addition to Blackmore, the band originally consisted of former Elf lead singer Ronnie James Dio, bassist Craig Gruber, drummer Gary Driscoll, and keyboardist Micky Lee Soule. Over the years, Rainbow went through many lineup changes. including bringing in other vocalists Graham Bonnet and Joe Lynn Turner, before it folded in 1999.
The name of the band was inspired by the Rainbow Bar and Grill, a Los Angeles, California eatery which catered to rock stars, groupies, and rock enthusiasts. It was here that Ritchie spent some of his off time from Deep Purple and met Dio, whose band Elf had toured regularly as an opening act for Deep Purple. Blackmore originally got together with Dio to record "Black Sheep of the Family" as a single, and it turned out so well they needed a B side; when the B side was recorded, however, it turned out to be even better. This led to them recording an album, and that effort caused the formation of the entire band. Rainbow's debut album, 'Ritchie Blackmore's Rainbow', was released in 1975; it featured the minor hit "Man on the Silver Mountain".
Blackmore fired everybody except Dio shortly after the album was recorded. He recruited drummer Cozy Powell (formerly of the Jeff Beck Group), bassist Jimmy Bain, and keyboard player Tony Carey. This lineup went on to record the album 'Rising', which was released in May 1976 and was a big success in the U.S. (hitting #48 on the Billboard 200 chart).
For the next album, 1978's 'Long Live Rock 'n' Roll', Blackmore kept Powell and Dio and replaced the rest of the band. Blackmore had difficulty finding a bass player for this record, so he played bass himself on all but three songs ("Gates of Babylon", "Kill the King", and "Sensitive to Light"). After the release and supporting tour, Dio left Rainbow.
Blackmore continued with Rainbow, replacing Dio with ex-Marbles vocalist Graham Bonnet. Powell stayed and was joined by former Deep Purple bassist Roger Glover and keyboardist Don Airey. The first album from the new lineup, 1979's 'Down to Earth', featured the band's first single successes: "All Night Long" and "Since You Been Gone". Bonnet possessed a powerful voice on stage, yet he struggled with the band's quieter numbers and lacked Dio's range. In 1980, the band headlined the inaugural Monsters of Rock festival at Castle Donington in England. This was Powell's final performance with Rainbow.
The next album saw yet another line-up change as Bonnet and Powell were replaced by Joe Lynn Turner and Bobby Rondinelli, respectively. The title track from their 1981 album, 'Difficult to Cure', notably was a version of Beethoven's Ninth Symphony. The album also contained the guitar-driven piece "Maybe Next Time". Although facing mixed success commercially, the Difficult to Cure tour was the first tour in which Rainbow headlined in the U.S.
Rainbow's next studio album was 'Straight between the Eyes'. The band added a new keyboardist, David Rosenthal. The album was more cohesive than 'Difficult to Cure' and had more success in the U.S. The band, however, was alienating some of its earlier fans with its more slick, arena rock based sound. The single "Stone Cold", a popular power ballad, had some chart success and has since been included in several multi-artist collaboration albums. The successful supporting tour skipped the U.K. completely and focused on the U.S. market.
1983's 'Bent Out of Shape' saw drummer Rondinelli fired in favour of Chuck Burgi. The album featured the single "Street of Dreams". The song's video was banned by MTV for its supposedly controversial hypnotic video clip. The resulting tour saw Rainbow return to the U.K. and also to Japan, where the band performed with a full orchestra. Though fans greatly enjoyed the band's lively touring, the band's material was getting mixed critical reviews, and its members had a sense of needing to find direction.
By the early to mid-80s, Blackmore and Glover had reformed the Deep Purple "Mark II" lineup, and Rainbow was disbanded in 1984. A final Rainbow album, 'Finyl Vinyl', was patched together from live tracks and B-sides of singles. This album contained the instrumental "Weiss Heim", made widely available for the first time.
After Ritchie Blackmore left Deep Purple for the final time in 1993, he put together a new version of Rainbow in 1994, this time named Ritchie Blackmore's Rainbow. This incarnation of the band included Doogie White (vocals), Paul Morris (keyboards), Greg Smith (bass), and John O'Reilly (drums).
The new band released Stranger in Us All in 1995 and embarked on an extensive world tour to promote it from late 1995 to late 1997. For the tour John O'Reilly was replaced by Chuck Burgi and then by John Micelli for the U.S. leg of the tour (as well as their final show in Esbjerg, Denmark).
The tour proved very successful, and a show in Germany was professionally filmed by Rockpalast. It has never officially been released, but has been heavily bootleged. The live shows featured frequent changes in set lists and musical improvisations that proved popular with bootleggers, and many shows are still traded over a decade later.
However, fed up with stadium rock, Blackmore turned his attention to rennaisance and mediaeval music, a lifelong interest of his. Rainbow was put on hold once again and played its final concert in Denmark in 1999. Blackmore, together with his partner Candice Night as vocalist, then formed the renaissance-influenced Blackmore's Night.
2. Rainbow, the tag for all releases by the K-Pop group 레인보우, responsible for tracks: "A", "Gossip Girl", "Mach", and about a dozen more.
3. One of any number of Los Angeles, U.S.A.groups of their time (1968), Rainbow's best-known LP was After the Storm The album's one cover is a take with saxophone of Willie Dixon's "I Just Want to Make Love to You". The lineup was: Darrell Devlin (drums), Bob Gay (bass),
W. David Mohr (keyboards), and Harry Vavela (guitars).
4. Rainbow was a short-lived Hi-NRG project by Allan Coelho (of Tapps and more) that released only one single, Humpty Dumpty, in 1986.
The Shed
Rainbow Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Feelin' no pain
I never turn back one track
Better step aside
Like a shotgun
I'm really someone
You'll feel my heatwave
I'm steel
So come and try to bend me if you can, hah
I don't feel
Before you know it it's over
Get out of my way
I'm street walking, street walking
Night stalking, I'm street walking
No reputation
You better quick run
Cause I got no time I'll climb
All over you
You need a strong hand
To be a mean man
You've got to think fast
I'll last longer than you could know
I'm steel
So won't you come and try to bend me if you can
I don't feel
Before you know it it's over
Out of my way
I'm street walking
Hey, I'm a wild cat
Don't need to prove that
I'm always howlin' prowlin'
Stalkin' my prey
It could be your night
To feel the dog bite
And hear the slashing, crashin'
Tearin' inside of you
I'm steel
So come and try to break me if you can, no way
Like a wheel
About to roll you over
Get out of my way
I'm street walkin', street walkin'
No talkin', street walking
Night stalking, street walking
No talkin', I'm street walkin', yeah
Street walkin', street walkin'
Night stalking, street walking
The Shed by Rainbow is a rock song that portrays the attitude of a confident and self-assured individual. The song's narrator compares himself to a freight train and a shotgun, indicating how he is unstoppable and will not hesitate to take down anyone in his path. He claims to be made of steel, and challenges anyone to try and break him if they can. The song has a grunge feel to it, with heavy guitar riffs and a pounding drumbeat to emphasize the singer's confident attitude.
The singer also describes himself as a street walker, implying that he takes life head-on and without fear. He goes on to talk about how he is always prowling and stalking his prey, and that it could be your night to feel the dog bite. This verse could be interpreted in two ways, either as a romantic encounter or a physical altercation. It can be inferred that the singer is alluding to his prowling nature and how he always gets what he wants.
Line by Line Meaning
I'm like a freight train
I am powerful and unstoppable
Feelin' no pain
I do not feel any pain or fear
I never turn back one track
I never retreat from any challenge or obstacle
Better step aside
You better get out of my way if you know what's good for you
Like a shotgun
I am a force to be reckoned with
I'm really someone
I am somebody important
You'll feel my heatwave
You will feel the intensity of my presence
Won't save anyone near to me
My power will not spare anyone who is near me
I'm steel
I am strong and unyielding
So come and try to bend me if you can, hah
You may attempt to break me, but you will fail
I don't feel
I am unaffected by your attempts to weaken me
Before you know it it's over
You will fail quickly and easily against me
Get out of my way
You should move away from me to avoid harm
I'm street walking, street walking
I am a powerful and dominant presence on the streets
Night stalking, I'm street walking
I am aggressive and dangerous at night
No reputation
I do not need any reputation to assert my power
You better quick run
You should run away from me as fast as possible
Cause I got no time I'll climb
I will quickly and easily overcome any obstacle in my way
All over you
I will assert my power over you and make you submit
You need a strong hand
You need to be strong to stand up to me
To be a mean man
To assert dominance and instill fear in others
You've got to think fast
You must be quick and resourceful to compete with me
I'll last longer than you could know
I will endure longer than anyone who challenges me
Hey, I'm a wild cat
I am wild and untamed
Don't need to prove that
I do not need to prove my power or dominance
I'm always howlin' prowlin'
I am always on the prowl, looking for a challenge
Stalkin' my prey
I am hunting for someone to dominate
It could be your night
You could be the one in my sights tonight
To feel the dog bite
To feel the full force of my power
And hear the slashing, crashin'
And hear the sound of your defeat
Tearin' inside of you
I will tear apart your confidence and strength
Like a wheel
I am unstoppable, like a rolling wheel
About to roll you over
I am about to defeat and dominate you
No talkin', street walking
I am a man of action, not words
Night stalking, street walking
I am dangerous and aggressive at night
Street walkin', street walkin'
I am the one who dominates the streets
Lyrics © Universal Music Publishing Group
Written by: RITCHIE BLACKMORE, RONNIE JAMES DIO, COLIN TREVOR POWELL
Lyrics Licensed & Provided by LyricFind
Dominon92
I'm like a freight train
Feelin' no pain
I never turn back, one track
Better step aside
Like a shotgun
I'm really someone
You'll feel my heatwave, won't save
Anyone near to me
I'm steel
So come on and try to bend me if you can
I don't feel
Before you know it it's over
Get out of my way
I'm street walking, street walking
Night stalkin', I'm street walking
No reputation
You better quick run
Cause I got no time, I'll climb
All over you
You need a strong hand
To be a mean man
You gotta think fast, I'll last
Longer than you could know
I'm steel
So won't you come and try to bend me if you can
I don't feel
Before you know it it's over
Get out of my way
I'm street walking
Hey I'm a wild cat
Don't need to prove that
I'm always howlin', prowlin'
Stalkin' my prey
It could be your night
To feel the dogbite
And hear the slashin', crashin'
Tearin' inside of you
I'm steel
So come on and try to break me if you can
Like a wheel
About to roll you over
Get out of my way
I'm street walking, street walking
No talkin', street walking
Night stalkin', street walking
No talkin', I'm street walking
Street walking, night stalkin'
Street walking, street walking
Blaze
I'm like a freight train
Feelin' no pain
I never turn back one track
Better step aside
Like a shotgun
I'm really someone
You'll feel my heatwave
Won't save anyone near to me
I'm steel
So come and try to bend me if you can, hah
I don't feel
Before you know it it's over
Get out of my way
I'm street walking, street walking
Night stalking, I'm street walking
No reputation
You better quick run
Cause I got no time I'll climb
All over you
You need a strong hand
To be a mean man
You've got to think fast
I'll last longer than you could know
I'm steel
So won't you come and try to bend me if you can
I don't feel
Before you know it it's over
Out of my way
I'm street walking
Hey, I'm a wild cat
Don't need to prove that
I'm always howlin' prowlin'
Stalkin' my prey
It could be your night
To feel the dog bite
And hear the slashing, crashin'
Tearin' inside of you
I'm steel
So come and try to break me if you can, no way
Like a wheel
About to roll you over
Get out of my way
I'm street walkin', street walkin'
No talkin', street walking
Night stalking, street walking
No talkin', I'm street walkin', yeah
Street walkin', street walkin'
Night stalking, street walking
Rock Dinosaur
So many brilliant and overlooked songs on this album. Even lightweights like LA Connection and Lady of The Lake are great songs.
Dominon92
I'm like a freight train
Feelin' no pain
I never turn back, one track
Better step aside
Like a shotgun
I'm really someone
You'll feel my heatwave, won't save
Anyone near to me
I'm steel
So come on and try to bend me if you can
I don't feel
Before you know it it's over
Get out of my way
I'm street walking, street walking
Night stalkin', I'm street walking
No reputation
You better quick run
Cause I got no time, I'll climb
All over you
You need a strong hand
To be a mean man
You gotta think fast, I'll last
Longer than you could know
I'm steel
So won't you come and try to bend me if you can
I don't feel
Before you know it it's over
Get out of my way
I'm street walking
Hey I'm a wild cat
Don't need to prove that
I'm always howlin', prowlin'
Stalkin' my prey
It could be your night
To feel the dogbite
And hear the slashin', crashin'
Tearin' inside of you
I'm steel
So come on and try to break me if you can
Like a wheel
About to roll you over
Get out of my way
I'm street walking, street walking
No talkin', street walking
Night stalkin', street walking
No talkin', I'm street walking
Street walking, night stalkin'
Street walking, street walking
Felipe Araujo
What really amazes me about Deep Purple and rainbow is that you listen to an entire album and there isn't a single boring song. It's impressive.
Void Droid
Man, it's really easy to forget that Dio was an American. He played with 2 of the most incredible British bands of all time. I can't imagine the respect Dio must have had with the British hard rock bands. He's the only American musician that comes to mind who was successful in joining a British band. I mean, Hughes was okay with DP, but all of Dio's work with Rainbow and Sabbath cast a huge shadow over any other scenario like that.
simgorm
@diosnake Thin Lizzy were Irish
paul dodson
Hughes wasn't American
diosnake
Scott Gorham with Thin Lizzy comes to mind.
JailhouseBlues
I love all Rainbow songs, but this is by far my favourite. I love the riff.
Ole Arne Kvålshaugen
A lead to heavy rock embrace for me. This album stands like a mountain in this genre!
Clfford Addeley
Very True.