Griffin is the nephew of American R&B singer and actress Ruth Brown. He grew up in Wyandanch, New York, and became involved in the New York hip hop scene at a young age. Eric B brought him to Marley Marlβs house to record "Eric B. is President." At the time Griffin was fresh out of high school and on his way to college, but he decided to forgo higher education and instead chose to record with Eric B. Leshaun
When Griffin turned 16, he joined The Nation of Gods and Earths (also known as the 5 Percent Nation) and changed his name to Rakim Allah.
In 1986, Rakim started to work with New York-based producer-DJ Eric B. The duo β known as Eric B & Rakim β is widely regarded as among the most influential and groundbreaking of hip-hop groups. The duoβs first single, "Eric B. Is President" (#48, 1986) b/w βMy Melody,β was a success and got the duo a contract with the fledgling Island Records sub-label 4th & B'way. The duoβs next single, the smash βI Know You Got Soul,β sparked early debate on the legality of unauthorized, uncredited sampling when James Brown sued to prevent the duo's use of a fragment of his music. Their first full length album, Paid in Full, was released in 1987, and has since been hailed as one of hip-hop's seminal albums. Their follow-up LP; Follow the Leader was released a year later, and was also well received by fans and critics. The duo recorded two more albums; Let the Rhythm Hit 'Em and Don't Sweat The Technique before they parted ways in late 1992. Due to legal wrangling over royalties and his contracts with both his record label, and with Eric B., Rakim would not release a solo album until five years later.
After splitting with Eric B., Rakim signed with his good friend at the time DeShamus "Q=BOB" Sallis of Q=BOB Records to commence his solo career, however, the label folded shortly afterward. He eventually returned in 1997 with The 18th Letter, which included collaborations with DJ Premier and Pete Rock; which was released in two versions, one of which included an Eric B. & Rakim greatest hits disc titled The Book of Life. The critical reception of the album was positive, and it was certified gold. In 1999, Rakim released The Master, which received very good reviews as well.
Rakim was signed to Dr. Dre's Aftermath Entertainment record label in 2000, for work on an album tentatively titled Oh, My God. The album underwent numerous changes in artistic direction and personnel and was delayed several times. While working on the album, Rakim made guest appearances on numerous Aftermath projects, including the hit single "Addictive" by Truth Hurts, the Dr. Dre-produced "The Watcher Part 2" by Jay-Z, and Eminem's 8 Mile soundtrack. However, Rakim left the label in 2003 and Oh, My God was indefinitely shelved, a result of creative differences with Dre. Rakim signed with DreamWorks Records shortly afterward, but the label closed its doors shortly after that.
Rakim also made cameos in the Juelz Santana video "Mic Check," the Timbaland & Magoo video "Cop that Disc," and the Busta Rhymes video "New York Shit." Eric B. and Rakim's classic album Paid In Full was named the greatest hip-hop album of all time by MTV. Rakim was engaged in a lawsuit with reggaeton performer R.K.M (formerly Rakim) over the use of the name "Rakim". Rakim won the rights to the name. Recently, Rakim was featured in an All-Pro Football 2K8 commercial.
The Seventh Seal, Rakim's long-anticipaited album, was released November 17 2009. The first single off the album, Holy Are You, was released through his MySpace page on July 14, 2009 and was made available on iTunes July 28. A second track "Walk These Streets" ft. Maino was released in October. Rakim has been active during its recording with several national tours and special events. Rakim recently closed the Knitting Factory in NYC as the last Hip-Hop performer to walk off the historic club's stage after 25 years of underground performances.
Rakim has influenced songs by Jay-Z, Nas, The Notirious BIG, Lil- Wayne and countless others. Other rappers use many of his lyrics in their songs, often without giving credit.
Tributes to Rakim include:
* Tupac Shakur pays homage to Rakim in the song "Old School" off the album "Me Against the World"
* Raekwon of Wu-Tang Clan dedicated a tribute to Rakim titled "Rakim Tribute," which was released on DaVinci Code: The Vatican Mixtape Vol. II in 2006.
* 50 Cent makes a reference to Rakim on his hugely successful collaborative effort "Hate It or Love It" with The Game. "Daddy ain't around, probably out committing felonies/my favorite rapper used to sing Ch-Check out my melody," referencing Eric B & Rakim's hit "My Melody".
* Shock-G paid homage to Rakim by playfully reciting lines from the Eric-B & Rakim song "I Know You Got Soul" in the Digital Underground song Doowutchyalike: "since ya came here ya gotta show & prove, and do that dance until it don't move.."
* Saul Williams mentions Rakim in the song "Twice The First Time", stating: "not until you've listened to Rakim on a rocky mountain top have you heard hip hop" and also in the song "Penny For A Thought" where he says "Someone like Rakim said β 'I could quote any MC, but why should I? how would it benefit me?'"
* Kurupt references Rakim on Snoop Dogg's debut album, Doggystyle. On "For All My Niggaz and Bitches," Kurupt says, "Who's jokin'? Rakim never joked, so why should I, loc? now that's my idol...."
* Ghostface Killah references Rakim in the end of "Paisely Darts," by saying that he is better than every artist except for Rakim, referring to him as "the older god". On his album More Fish, the first track, "Ghost is Back", makes use of the beat from "Juice (Know the Ledge)". He also raps some lines from "Move the Crowd" in "Ghost Deini."
* Eminem has also paid tribute to Rakim's style as an inspiration and references lines from "My Melody"" in his song βI'm Backβ. The hook in Eminem's song "The Way I Am" is a homage to the line "I'm the R, the A, to the KIM. If I wasn't then why would I say I am?" from Eric B and Rakim's "As the Rhyme Goes On". Nas made a similar reference in Got Ur Self A...: "I'm the N the A to the S-I-R / and If I wasn't I must've been Escobar". I-Kompleate has also does the same in his song "Rhymes" on the hook: "I'm not I-K-O to the N-I-C, cos if I was I wouldn't be I-Kompleate".Masta Ace uses this in the song by Bekay "Brooklyn Bridge": "I'm from the B-R double O-K L-Y-N, if I wasn't then why would I yell I am"
* I-Kompleate pays tribute and references Rakim in his songs Rhymes, Dominate (The Microphone), and I'm Ready. "Leaving a trace of R, When I chase the stars" "
* Jay-Z paid tribute to Rakim in his 2007 hit "Blue Magic," where he states: "Eighty-seven state of mind that I'm in/I'm in my prime so for that time I'm Rakim."
* Killah Priest references Rakim in many of his songs. He states: "I remind you of Rakim but I'm not him."
* British rapper Scroobius Pip mentions Rakim in his song "Fixed" from the album Angles, as an example of hip hop as art, in the lines "Take it back to the start/Like KRS and Rakim use passion and heart".
* Nas' Street's Disciple album has a track titled "U.B.R. (Unauthorized Biography of Rakim)" where he tells a short version of Rakim's musical career and life.
* The Game directly refers to Rakim in the first line of the third verse of "Da Shit" by saying, "I'm the West Coast Rakim, got niggaz blocked in." He also mentions Rakim in his song "Angel" on LAX: "So I start hip-hop and I understand why Common used to love her. She got me open so I even had to fuck her. But I used the rubber, cause she was married to Rakim".
* Apathy pays homage to Rakim in his song "Hip Hop is Dead" on Baptism by Fire. Apathy raps, "Remember that video 'I Ain't No Joke', Rakim had a chain that'll break your neck, I'm trying to get paid in full and get that check."
* Rapper R.A. The Rugged Man references Rakim in his song "On The Block" referring to the golden age, "that's when Rakim ran shit."
* Rage Against the Machine covered the song "Microphone Fiend" as the opening song on their final album, Renegades, in 2000.
* Canibus pays homage to Rakim on his 1000-bar song "Poet Laureate Infinity", most notably with the bars "I been toe to toe with the best, I βKnow the Ledgeβ" and "As odd as it may seem, the Microphone Fiend, Is God of the Hip Hop regime"
* Songs like Lloyd's "Girls Around the World" and Snoop Dogg's "Paper'd Up" sample the beat of Eric B. and Rakim's "Paid in Full" with both Lil Wayne and Snoop Dogg putting their own twist on the Rakim's verse.
* Brother Ali calls Rakim his hero in his song "As Real As Can Be". He also references the line "I came in the door/said it before" from "Eric B is President" in his song "Whatcha Got" where he raps "I came in the door/1984".
* Drunken Tiger (South Korean hip-hop artist) features Rakim on the track "Monster" off of his 2009 album, "Feel gHood Muzik: The 8th Wonder".
* Jay-Z references Rakim in his song "Run This Town" rapping, "Please follow the leader/So Eric B. we are/Microphone fiend/It's the return of the god/Peace god..."
* Jin references Rakim in his song "It's All Over" from "The Emcee's Properganda" album with the line "ya'll needa follow the leader like Rakim gave the orders"
* Nas paid tribute in his song The World Is Yours by saying "The fiend of hip-hop has got me stuck like a crack pipe"
* Scott Van Pelt recently said on his radio show that '...because I'm Paid in Full like Rakim'
* Saigon mentions Rakim in his song 'Hip-Hop' stating "We crown Rakim the king, cos he was calling the gods of earth that came with bling bling"
* Jedi Mind Tricks paid tribute to Rakim by sampling two of his lines from Heat It Up in their song Saviorself, "Elements burst and gave birth to the first/Get the pen from the nurse and hook the mic up first"
Widely considered the greatest rapper of all time, he continues his career with the recently released Seventh Seal.
How I Get Down )
Rakim Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Before the dough came, my whole aim, was blow like propane
Control the whole domain, and then show no shame
Make rappers go ? and they so lame, playing with no game
Put em on the lil plane til they can't claim no fame
I got, the range, better, stay in the slow lane
I make the flow change from hurricanes to a slow rain
Your thoughts are so plane, I rearrange your whole frame
Letter by letter, I put words together
Once merged, apart never, they be heard forever
And then I grab a pen and stab him in his abdomen
And smash him in, throw his mic like a javelin
Then I explain verses, that remain on the surface
At times it get deep, but I never defeat the purpose
Never go out, to go the dough route, forever hold out
I never sold out, for any amount, no doubt
[Chorus: x2]
That's how I get down, so tell me how you like that
I hit the town, hold it down on a tight track
I start a party now, everybody like rap
Haters are mad cause they gave the are the mic back
[Rakim]
I like to hang where everything seem to happen at (ya know?)
It's Ra's habitat, I'm like that czar Arafat
And yes I have a gat, snap like a Israeli
A terrorist I never miss blowing up kids daily
I step to writers, and let my virus hurt the closest
I'm sick as hepatitis and worse than tuberculosis
Pull out a pen, like a grenade, and drop it quick
I strike again and I'ma get paid, exotic shit
You know the God ra be, hot as the Mojave
Swing like King Usabi, my posse be kamikaze
On the corners like I'm homeless and I, don't know where home is
The bonus, is where the next open microphone is
Me and my team, vision like a radar screen
Intervene and yo, cut the mic off, cause Ra fiend
To show the whole world some of the things I seen
Then blow it up, like Edi Amin, ya know what I mean?
[Chorus]
[Rakim]
I do a thing thing, I write the songs they sing
Make sure that they swing, from New York to Beijing
Put your thoughts in the sling and your brain is gangrene
Pull in the ring, repeating and saying the same thing
Xerox, zero, no match, you ditto
Copy machine, couldn't reprint my ?
My new style, that I produce now's beyond two-thou'
I knew how, since a juvenile, to make a ka-pow
When the night's falling, I can hear the mic calling
I like balling, I cut back like Mic Jordan
This is for y'all while I'm spitting literature's
Lyrics'll ball like Allen Iverson dribble the ball
They hopeless, whoever approaches my high explosives
My vision sadicious, and freestyle's ferocious
I wrote this, words flew over my head like a locust
I turned the beat up, sat back, and stayed focused
[Chorus]
In "How I Get Down," Rakim rhymes about his desire to be the best in the rap game. The verses detail his skill as a lyricist, his ambition to control the industry, and his refusal to compromise for money. Throughout the song, he showcases his mastery of the medium by demonstrating his ability to manipulate language, create vivid imagery, and engage in wordplay. Rakimβs lyrics are dense and packed with meaning, and they require careful attention to understand fully.
The opening lines of the song seem to indicate that Rakim was focused on success before he achieved it. He had a clear vision of what he wanted and how he would get it, and he was unwilling to compromise along the way. He was determined to be the best and to leave his mark on the industry. His lyrics get progressively more aggressive as the song goes on, evoking the image of a rapper who is confident and unafraid to speak his mind.
Throughout the song, Rakim draws on his experience and brushes with fame to create a picture of an artist who has seen it all. He is aware of the dangers of the industry and the risks associated with stardom. However, he remains steadfast in his commitment to his craft and his vision for success. Overall, "How I Get Down" is a testament to the power of Rakimβs lyricism and his unwavering dedication to his craft.
Line by Line Meaning
Before the dough came, my whole aim, was blow like propane
Before I had money, my goal was to become successful and explode like propane
Control the whole domain, and then show no shame
Dominate the entire industry and have no regrets about it
Make rappers go ? and they so lame, playing with no game
Make other rappers speechless and embarrassed, because they have no skill
Put em on the lil plane til they can't claim no fame
Make them so insignificant that they can never claim to be famous
I got, the range, better, stay in the slow lane
I have the ability to do anything I want, but I choose to take it slow
I make the flow change from hurricanes to a slow rain
I can switch up my style from fast-paced and intense to slow and mellow
Your thoughts are so plane, I rearrange / your whole frame
Your ideas are boring and unoriginal, but I can come in and completely revamp them
Until my whole name grow out your brain like Rogaine
My name becomes permanently ingrained in your memory like hair growth from Rogaine
Letter by letter, I put words together / Once merged, apart never, they be heard forever
I take great care in crafting my lyrics, and once they are put together, they will never be forgotten
And then I grab a pen and stab him in his abdomen / And smash him in, throw his mic like a javelin
I lyrically destroy my opponents and physically attack them, using their own mic as a weapon
Then I explain verses, that remain on the surface / At times it get deep, but I never defeat the purpose
I break down my lyrics so that even surface-level listeners can understand, but I never compromise the meaning
Never go out, to go the dough route, forever hold out / I never sold out, for any amount, no doubt
I'll never sacrifice my artistic integrity for money, and I'll always hold out for what I believe is right
That's how I get down, so tell me how you like that / I hit the town, hold it down on a tight track / I start a party now, everybody like rap / Haters are mad cause they gave the are the mic back
My style and approach are unique and undeniable, and even those who don't like it can't deny its appeal
I like to hang where everything seem to happen at (ya know?) / It's Ra's habitat, I'm like that czar Arafat
I like to be where the action is, and it's my natural environment. I compare myself to a powerful leader like Yasser Arafat
And yes I have a gat, snap like a Israeli / A terrorist I never miss blowing up kids daily
I have a gun and am quick to use it. Like an Israeli soldier, I'll always hit my intended target
Me and my team, vision like a radar screen / Intervene and yo, cut the mic off, cause Ra fiend
My team and I are always on the lookout for opportunities, and we'll aggressively take them. If anyone tries to stop me, they'll regret it
I do a thing thing, I write the songs they sing / Make sure that they swing, from New York to Beijing
I am the one who writes the hit songs, and I ensure that they have a great rhythm that appeals to people all around the world
Put your thoughts in the sling and your brain is gangrene / Pull in the ring, repeating and saying the same thing
If I criticize your ideas, it will infect your mind like gangrene. But instead of repeating yourself, try to improve upon them
Xerox, zero, no match, you ditto / Copy machine, couldn't reprint my ?
You are nothing more than a copycat of me, and no machine could ever replicate my style
My new style, that I produce now's beyond two-thou' / I knew how, since a juvenile, to make a ka-pow
My current style is even better than it was in the past, and I've known how to make an impact since I was young
When the night's falling, I can hear the mic calling / I like balling, I cut back like Mic Jordan
I am always ready to perform, especially at night when I can hear the music calling me. I ball like Michael Jordan, but I also know when to slow down
This is for y'all while I'm spitting literature's / Lyrics'll ball like Allen Iverson dribble the ball
This song is dedicated to my fans while I am spitting literary genius. My lyrics are as impressive as Allen Iverson's dribbling skills
They hopeless, whoever approaches my high explosives / My vision sadicious, and freestyle's ferocious
Anyone who tries to challenge me will be defeated, and my mindset is sadistic. My ability to freestyle is powerful and unstoppable
I wrote this, words flew over my head like a locust / I turned the beat up, sat back, and stayed focused
I wrote this song effortlessly, as if the words were swarming around me like a plague of locusts. I turned up the beat, relaxed, and stayed locked in
Lyrics Β© Sony/ATV Music Publishing LLC
Written by: BRYON OLSEN, WILLIAM GRIFFIN
Lyrics Licensed & Provided by LyricFind
Suede 100s
Ra's lyrical arsenal is on full display here. Wordplay and metaphors are bananas. Any thumbs down to this is by cats that do not understand the art of emceein. Period
Christopher Jones
Still an empty spot in my soul from the Rakim&Dre album never happenin
Dwahn Denson
@Eric Allen Jett Nothing is beyond the R he just ain't wired like that he prefers dropping knowledge and spitting science/religious concepts in his rhymes not glorifying Thug Life if you notice there is not even profanity in his lyrics so I have no idea why he even considered doing that with Dre in the first place it would have destroyed his image and what he stands for glad he decided against that mess listen to "'Definition Of A Gangster" if he wants to he can go there!
Eric Allen Jett
It was for the best. Dre wanted hardcore violent lyrics and that's beyond the R....
Lewis Nadal
The goat of lyricism- Rakim
Vincent Pruitt
It sounds like he took a pad and a pen, sat at the table, and start writing these lyrics.
a ibrahim
@Dwahn Denson I second that Rakim has no competition
Dwahn Denson
Rakim can come off his dome better any MC that's has ever existed the man is a GOD and the best to ever do it never forget that! THE R BABY FOREVER AND ALWAYS
Holistic Lifestyle ( the original man)
45 king is mad underrated on production.
GEORGIOS LIONTIS
wow! RAKIM dropt bombs here