Rakim (pronounced rah-KIM) (Born William Michael Griffin Jr. on January 28,… Read Full Bio ↴Rakim (pronounced rah-KIM) (Born William Michael Griffin Jr. on January 28, 1968 in Long Island, New York, USA) is an American rapper and pioneer of the musical genre of hip hop. He is consistently cited as one of the most skilled (and top amongst the most influential) MCs of all time due to his exceptional flow and complex lyrical craftsmanship, he revolutionized hip-hop lyricism with his complex flow, elaborate metaphors and rapid delivery. Together with Eric B, he released a number of classic albums between 1987 and 1992. To date his most successful album is 'The 18th Letter,' released in 1997 as his solo debut album.
Griffin is the nephew of American R&B singer and actress Ruth Brown. He grew up in Wyandanch, New York, and became involved in the New York hip hop scene at a young age. Eric B brought him to Marley Marl’s house to record "Eric B. is President." At the time Griffin was fresh out of high school and on his way to college, but he decided to forgo higher education and instead chose to record with Eric B. Leshaun
When Griffin turned 16, he joined The Nation of Gods and Earths (also known as the 5 Percent Nation) and changed his name to Rakim Allah.
In 1986, Rakim started to work with New York-based producer-DJ Eric B. The duo — known as Eric B & Rakim — is widely regarded as among the most influential and groundbreaking of hip-hop groups. The duo’s first single, "Eric B. Is President" (#48, 1986) b/w “My Melody,” was a success and got the duo a contract with the fledgling Island Records sub-label 4th & B'way. The duo’s next single, the smash “I Know You Got Soul,” sparked early debate on the legality of unauthorized, uncredited sampling when James Brown sued to prevent the duo's use of a fragment of his music. Their first full length album, Paid in Full, was released in 1987, and has since been hailed as one of hip-hop's seminal albums. Their follow-up LP; Follow the Leader was released a year later, and was also well received by fans and critics. The duo recorded two more albums; Let the Rhythm Hit 'Em and Don't Sweat The Technique before they parted ways in late 1992. Due to legal wrangling over royalties and his contracts with both his record label, and with Eric B., Rakim would not release a solo album until five years later.
After splitting with Eric B., Rakim signed with his good friend at the time DeShamus "Q=BOB" Sallis of Q=BOB Records to commence his solo career, however, the label folded shortly afterward. He eventually returned in 1997 with The 18th Letter, which included collaborations with DJ Premier and Pete Rock; which was released in two versions, one of which included an Eric B. & Rakim greatest hits disc titled The Book of Life. The critical reception of the album was positive, and it was certified gold. In 1999, Rakim released The Master, which received very good reviews as well.
Rakim was signed to Dr. Dre's Aftermath Entertainment record label in 2000, for work on an album tentatively titled Oh, My God. The album underwent numerous changes in artistic direction and personnel and was delayed several times. While working on the album, Rakim made guest appearances on numerous Aftermath projects, including the hit single "Addictive" by Truth Hurts, the Dr. Dre-produced "The Watcher Part 2" by Jay-Z, and Eminem's 8 Mile soundtrack. However, Rakim left the label in 2003 and Oh, My God was indefinitely shelved, a result of creative differences with Dre. Rakim signed with DreamWorks Records shortly afterward, but the label closed its doors shortly after that.
Rakim also made cameos in the Juelz Santana video "Mic Check," the Timbaland & Magoo video "Cop that Disc," and the Busta Rhymes video "New York Shit." Eric B. and Rakim's classic album Paid In Full was named the greatest hip-hop album of all time by MTV. Rakim was engaged in a lawsuit with reggaeton performer R.K.M (formerly Rakim) over the use of the name "Rakim". Rakim won the rights to the name. Recently, Rakim was featured in an All-Pro Football 2K8 commercial.
The Seventh Seal, Rakim's long-anticipaited album, was released November 17 2009. The first single off the album, Holy Are You, was released through his MySpace page on July 14, 2009 and was made available on iTunes July 28. A second track "Walk These Streets" ft. Maino was released in October. Rakim has been active during its recording with several national tours and special events. Rakim recently closed the Knitting Factory in NYC as the last Hip-Hop performer to walk off the historic club's stage after 25 years of underground performances.
Rakim has influenced songs by Jay-Z, Nas, The Notirious BIG, Lil- Wayne and countless others. Other rappers use many of his lyrics in their songs, often without giving credit.
Tributes to Rakim include:
* Tupac Shakur pays homage to Rakim in the song "Old School" off the album "Me Against the World"
* Raekwon of Wu-Tang Clan dedicated a tribute to Rakim titled "Rakim Tribute," which was released on DaVinci Code: The Vatican Mixtape Vol. II in 2006.
* 50 Cent makes a reference to Rakim on his hugely successful collaborative effort "Hate It or Love It" with The Game. "Daddy ain't around, probably out committing felonies/my favorite rapper used to sing Ch-Check out my melody," referencing Eric B & Rakim's hit "My Melody".
* Shock-G paid homage to Rakim by playfully reciting lines from the Eric-B & Rakim song "I Know You Got Soul" in the Digital Underground song Doowutchyalike: "since ya came here ya gotta show & prove, and do that dance until it don't move.."
* Saul Williams mentions Rakim in the song "Twice The First Time", stating: "not until you've listened to Rakim on a rocky mountain top have you heard hip hop" and also in the song "Penny For A Thought" where he says "Someone like Rakim said – 'I could quote any MC, but why should I? how would it benefit me?'"
* Kurupt references Rakim on Snoop Dogg's debut album, Doggystyle. On "For All My Niggaz and Bitches," Kurupt says, "Who's jokin'? Rakim never joked, so why should I, loc? now that's my idol...."
* Ghostface Killah references Rakim in the end of "Paisely Darts," by saying that he is better than every artist except for Rakim, referring to him as "the older god". On his album More Fish, the first track, "Ghost is Back", makes use of the beat from "Juice (Know the Ledge)". He also raps some lines from "Move the Crowd" in "Ghost Deini."
* Eminem has also paid tribute to Rakim's style as an inspiration and references lines from "My Melody"" in his song “I'm Back”. The hook in Eminem's song "The Way I Am" is a homage to the line "I'm the R, the A, to the KIM. If I wasn't then why would I say I am?" from Eric B and Rakim's "As the Rhyme Goes On". Nas made a similar reference in Got Ur Self A...: "I'm the N the A to the S-I-R / and If I wasn't I must've been Escobar". I-Kompleate has also does the same in his song "Rhymes" on the hook: "I'm not I-K-O to the N-I-C, cos if I was I wouldn't be I-Kompleate".Masta Ace uses this in the song by Bekay "Brooklyn Bridge": "I'm from the B-R double O-K L-Y-N, if I wasn't then why would I yell I am"
* I-Kompleate pays tribute and references Rakim in his songs Rhymes, Dominate (The Microphone), and I'm Ready. "Leaving a trace of R, When I chase the stars" "
* Jay-Z paid tribute to Rakim in his 2007 hit "Blue Magic," where he states: "Eighty-seven state of mind that I'm in/I'm in my prime so for that time I'm Rakim."
* Killah Priest references Rakim in many of his songs. He states: "I remind you of Rakim but I'm not him."
* British rapper Scroobius Pip mentions Rakim in his song "Fixed" from the album Angles, as an example of hip hop as art, in the lines "Take it back to the start/Like KRS and Rakim use passion and heart".
* Nas' Street's Disciple album has a track titled "U.B.R. (Unauthorized Biography of Rakim)" where he tells a short version of Rakim's musical career and life.
* The Game directly refers to Rakim in the first line of the third verse of "Da Shit" by saying, "I'm the West Coast Rakim, got niggaz blocked in." He also mentions Rakim in his song "Angel" on LAX: "So I start hip-hop and I understand why Common used to love her. She got me open so I even had to fuck her. But I used the rubber, cause she was married to Rakim".
* Apathy pays homage to Rakim in his song "Hip Hop is Dead" on Baptism by Fire. Apathy raps, "Remember that video 'I Ain't No Joke', Rakim had a chain that'll break your neck, I'm trying to get paid in full and get that check."
* Rapper R.A. The Rugged Man references Rakim in his song "On The Block" referring to the golden age, "that's when Rakim ran shit."
* Rage Against the Machine covered the song "Microphone Fiend" as the opening song on their final album, Renegades, in 2000.
* Canibus pays homage to Rakim on his 1000-bar song "Poet Laureate Infinity", most notably with the bars "I been toe to toe with the best, I ‘Know the Ledge’" and "As odd as it may seem, the Microphone Fiend, Is God of the Hip Hop regime"
* Songs like Lloyd's "Girls Around the World" and Snoop Dogg's "Paper'd Up" sample the beat of Eric B. and Rakim's "Paid in Full" with both Lil Wayne and Snoop Dogg putting their own twist on the Rakim's verse.
* Brother Ali calls Rakim his hero in his song "As Real As Can Be". He also references the line "I came in the door/said it before" from "Eric B is President" in his song "Whatcha Got" where he raps "I came in the door/1984".
* Drunken Tiger (South Korean hip-hop artist) features Rakim on the track "Monster" off of his 2009 album, "Feel gHood Muzik: The 8th Wonder".
* Jay-Z references Rakim in his song "Run This Town" rapping, "Please follow the leader/So Eric B. we are/Microphone fiend/It's the return of the god/Peace god..."
* Jin references Rakim in his song "It's All Over" from "The Emcee's Properganda" album with the line "ya'll needa follow the leader like Rakim gave the orders"
* Nas paid tribute in his song The World Is Yours by saying "The fiend of hip-hop has got me stuck like a crack pipe"
* Scott Van Pelt recently said on his radio show that '...because I'm Paid in Full like Rakim'
* Saigon mentions Rakim in his song 'Hip-Hop' stating "We crown Rakim the king, cos he was calling the gods of earth that came with bling bling"
* Jedi Mind Tricks paid tribute to Rakim by sampling two of his lines from Heat It Up in their song Saviorself, "Elements burst and gave birth to the first/Get the pen from the nurse and hook the mic up first"
Widely considered the greatest rapper of all time, he continues his career with the recently released Seventh Seal.
Griffin is the nephew of American R&B singer and actress Ruth Brown. He grew up in Wyandanch, New York, and became involved in the New York hip hop scene at a young age. Eric B brought him to Marley Marl’s house to record "Eric B. is President." At the time Griffin was fresh out of high school and on his way to college, but he decided to forgo higher education and instead chose to record with Eric B. Leshaun
When Griffin turned 16, he joined The Nation of Gods and Earths (also known as the 5 Percent Nation) and changed his name to Rakim Allah.
In 1986, Rakim started to work with New York-based producer-DJ Eric B. The duo — known as Eric B & Rakim — is widely regarded as among the most influential and groundbreaking of hip-hop groups. The duo’s first single, "Eric B. Is President" (#48, 1986) b/w “My Melody,” was a success and got the duo a contract with the fledgling Island Records sub-label 4th & B'way. The duo’s next single, the smash “I Know You Got Soul,” sparked early debate on the legality of unauthorized, uncredited sampling when James Brown sued to prevent the duo's use of a fragment of his music. Their first full length album, Paid in Full, was released in 1987, and has since been hailed as one of hip-hop's seminal albums. Their follow-up LP; Follow the Leader was released a year later, and was also well received by fans and critics. The duo recorded two more albums; Let the Rhythm Hit 'Em and Don't Sweat The Technique before they parted ways in late 1992. Due to legal wrangling over royalties and his contracts with both his record label, and with Eric B., Rakim would not release a solo album until five years later.
After splitting with Eric B., Rakim signed with his good friend at the time DeShamus "Q=BOB" Sallis of Q=BOB Records to commence his solo career, however, the label folded shortly afterward. He eventually returned in 1997 with The 18th Letter, which included collaborations with DJ Premier and Pete Rock; which was released in two versions, one of which included an Eric B. & Rakim greatest hits disc titled The Book of Life. The critical reception of the album was positive, and it was certified gold. In 1999, Rakim released The Master, which received very good reviews as well.
Rakim was signed to Dr. Dre's Aftermath Entertainment record label in 2000, for work on an album tentatively titled Oh, My God. The album underwent numerous changes in artistic direction and personnel and was delayed several times. While working on the album, Rakim made guest appearances on numerous Aftermath projects, including the hit single "Addictive" by Truth Hurts, the Dr. Dre-produced "The Watcher Part 2" by Jay-Z, and Eminem's 8 Mile soundtrack. However, Rakim left the label in 2003 and Oh, My God was indefinitely shelved, a result of creative differences with Dre. Rakim signed with DreamWorks Records shortly afterward, but the label closed its doors shortly after that.
Rakim also made cameos in the Juelz Santana video "Mic Check," the Timbaland & Magoo video "Cop that Disc," and the Busta Rhymes video "New York Shit." Eric B. and Rakim's classic album Paid In Full was named the greatest hip-hop album of all time by MTV. Rakim was engaged in a lawsuit with reggaeton performer R.K.M (formerly Rakim) over the use of the name "Rakim". Rakim won the rights to the name. Recently, Rakim was featured in an All-Pro Football 2K8 commercial.
The Seventh Seal, Rakim's long-anticipaited album, was released November 17 2009. The first single off the album, Holy Are You, was released through his MySpace page on July 14, 2009 and was made available on iTunes July 28. A second track "Walk These Streets" ft. Maino was released in October. Rakim has been active during its recording with several national tours and special events. Rakim recently closed the Knitting Factory in NYC as the last Hip-Hop performer to walk off the historic club's stage after 25 years of underground performances.
Rakim has influenced songs by Jay-Z, Nas, The Notirious BIG, Lil- Wayne and countless others. Other rappers use many of his lyrics in their songs, often without giving credit.
Tributes to Rakim include:
* Tupac Shakur pays homage to Rakim in the song "Old School" off the album "Me Against the World"
* Raekwon of Wu-Tang Clan dedicated a tribute to Rakim titled "Rakim Tribute," which was released on DaVinci Code: The Vatican Mixtape Vol. II in 2006.
* 50 Cent makes a reference to Rakim on his hugely successful collaborative effort "Hate It or Love It" with The Game. "Daddy ain't around, probably out committing felonies/my favorite rapper used to sing Ch-Check out my melody," referencing Eric B & Rakim's hit "My Melody".
* Shock-G paid homage to Rakim by playfully reciting lines from the Eric-B & Rakim song "I Know You Got Soul" in the Digital Underground song Doowutchyalike: "since ya came here ya gotta show & prove, and do that dance until it don't move.."
* Saul Williams mentions Rakim in the song "Twice The First Time", stating: "not until you've listened to Rakim on a rocky mountain top have you heard hip hop" and also in the song "Penny For A Thought" where he says "Someone like Rakim said – 'I could quote any MC, but why should I? how would it benefit me?'"
* Kurupt references Rakim on Snoop Dogg's debut album, Doggystyle. On "For All My Niggaz and Bitches," Kurupt says, "Who's jokin'? Rakim never joked, so why should I, loc? now that's my idol...."
* Ghostface Killah references Rakim in the end of "Paisely Darts," by saying that he is better than every artist except for Rakim, referring to him as "the older god". On his album More Fish, the first track, "Ghost is Back", makes use of the beat from "Juice (Know the Ledge)". He also raps some lines from "Move the Crowd" in "Ghost Deini."
* Eminem has also paid tribute to Rakim's style as an inspiration and references lines from "My Melody"" in his song “I'm Back”. The hook in Eminem's song "The Way I Am" is a homage to the line "I'm the R, the A, to the KIM. If I wasn't then why would I say I am?" from Eric B and Rakim's "As the Rhyme Goes On". Nas made a similar reference in Got Ur Self A...: "I'm the N the A to the S-I-R / and If I wasn't I must've been Escobar". I-Kompleate has also does the same in his song "Rhymes" on the hook: "I'm not I-K-O to the N-I-C, cos if I was I wouldn't be I-Kompleate".Masta Ace uses this in the song by Bekay "Brooklyn Bridge": "I'm from the B-R double O-K L-Y-N, if I wasn't then why would I yell I am"
* I-Kompleate pays tribute and references Rakim in his songs Rhymes, Dominate (The Microphone), and I'm Ready. "Leaving a trace of R, When I chase the stars" "
* Jay-Z paid tribute to Rakim in his 2007 hit "Blue Magic," where he states: "Eighty-seven state of mind that I'm in/I'm in my prime so for that time I'm Rakim."
* Killah Priest references Rakim in many of his songs. He states: "I remind you of Rakim but I'm not him."
* British rapper Scroobius Pip mentions Rakim in his song "Fixed" from the album Angles, as an example of hip hop as art, in the lines "Take it back to the start/Like KRS and Rakim use passion and heart".
* Nas' Street's Disciple album has a track titled "U.B.R. (Unauthorized Biography of Rakim)" where he tells a short version of Rakim's musical career and life.
* The Game directly refers to Rakim in the first line of the third verse of "Da Shit" by saying, "I'm the West Coast Rakim, got niggaz blocked in." He also mentions Rakim in his song "Angel" on LAX: "So I start hip-hop and I understand why Common used to love her. She got me open so I even had to fuck her. But I used the rubber, cause she was married to Rakim".
* Apathy pays homage to Rakim in his song "Hip Hop is Dead" on Baptism by Fire. Apathy raps, "Remember that video 'I Ain't No Joke', Rakim had a chain that'll break your neck, I'm trying to get paid in full and get that check."
* Rapper R.A. The Rugged Man references Rakim in his song "On The Block" referring to the golden age, "that's when Rakim ran shit."
* Rage Against the Machine covered the song "Microphone Fiend" as the opening song on their final album, Renegades, in 2000.
* Canibus pays homage to Rakim on his 1000-bar song "Poet Laureate Infinity", most notably with the bars "I been toe to toe with the best, I ‘Know the Ledge’" and "As odd as it may seem, the Microphone Fiend, Is God of the Hip Hop regime"
* Songs like Lloyd's "Girls Around the World" and Snoop Dogg's "Paper'd Up" sample the beat of Eric B. and Rakim's "Paid in Full" with both Lil Wayne and Snoop Dogg putting their own twist on the Rakim's verse.
* Brother Ali calls Rakim his hero in his song "As Real As Can Be". He also references the line "I came in the door/said it before" from "Eric B is President" in his song "Whatcha Got" where he raps "I came in the door/1984".
* Drunken Tiger (South Korean hip-hop artist) features Rakim on the track "Monster" off of his 2009 album, "Feel gHood Muzik: The 8th Wonder".
* Jay-Z references Rakim in his song "Run This Town" rapping, "Please follow the leader/So Eric B. we are/Microphone fiend/It's the return of the god/Peace god..."
* Jin references Rakim in his song "It's All Over" from "The Emcee's Properganda" album with the line "ya'll needa follow the leader like Rakim gave the orders"
* Nas paid tribute in his song The World Is Yours by saying "The fiend of hip-hop has got me stuck like a crack pipe"
* Scott Van Pelt recently said on his radio show that '...because I'm Paid in Full like Rakim'
* Saigon mentions Rakim in his song 'Hip-Hop' stating "We crown Rakim the king, cos he was calling the gods of earth that came with bling bling"
* Jedi Mind Tricks paid tribute to Rakim by sampling two of his lines from Heat It Up in their song Saviorself, "Elements burst and gave birth to the first/Get the pen from the nurse and hook the mic up first"
Widely considered the greatest rapper of all time, he continues his career with the recently released Seventh Seal.
Real Shit
Rakim Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Yeah
It's the paragraph ambassador
The wild style fashioner
It's the god Rakim, the master
Feel this
This is that lost ass track off-the-rack kind of a track
You forced to rap, remember that? It's that
You know where I'm at, there go the gat
Pass me a bat, the kill-or-be-killed kind of attack
Steamin', speedin', navigatin' the map
Negotiating with a chick, she got her head on your lap, ya hand on your gat
Premeditated plan of attack, with two of your most deadliest men's in the back
Comb the block, stop in the zone that's hot
Get out like you own the spot, home or not
It's that no mood to play, move out the my way
Yo, I been whistlin' this tune from throughout the day
Hey, yo, this is that ol' y'all niggas don't want to battle
Turn it up loud make the whole block rattle
Boom boom, this one is gettin' blazin' hot
Boom boom, make you bust another shot from the glock
[Chorus]
From the streets below to everything above
To the heart that pumps Ra-kim Allah's blood
I swear I kick a hole in your speaker and pull the plug
You emcee's is playing tug-a-war with your tongues
From the streets beneath my feet to the sun
I'm number one and competition is still none
And I'm gonna keep kicking holes in your speakers and pullin' plugs
You emcee's is playing tug-a-war with your tongues
Here we come now
Turntable spin like a merry-go-round
Never slow down, depending on how good your stereo sounds
Set it, up in the hood where we go surround
Tearin' through towns, turn 'em into burial grounds
This is the track that made Theodore want to scratch
The track that caused the first kid to spin on his back
And then we saw, kids spray-painting the wall
While some of y'all was waitin' for war breakin' the law
It's no antidote it's what you can't provoke
So just relax with your girls or your mans and smoke
And take a real hit, soon as it bang you feel quick
It's real thick, this is that ol' real shit
This is the description of designs for you to listen to
Reminiscin' the times and nothin' in particular
Keep you goin' just like a whole pot of coffee
Have you and your shorty doin' 80 in a 40
[Chorus]
You know what this is
Yeah kid, give up your riches
Vicious, visions is not for motion pictures
Unstoppable, rollin' witcha sickest clique of niggas
Or witcha missus, gettin tropical kisses
Makin' faces, anticipatin' places her tongue hits
Suck her neck or just peck, better to funk it
The EP is in effect from dusk to sunset
She want a rim shot all over her drum set
Jump the bed rubbin' your head- it's rough sex
50 ways to keep a love wet
Down and up the steps with crazy positions left till she upset
"Damn, baby, you ain't come yet?"
Hell, no doomstick big as a elbow
Gel soft, well blow, give him a minute, he'll grow
And all you gotta do is play the track again
I'm ready and revived, baby, back again
[Chorus]
[Canibus]
Yo!
Check it, Yo!
I'm faster than leopards running across the vast desert
In twenty-two yards per second to catch me to daily delicatessen
It takes me thirty minutes to eat 'em, forty minutes to digest 'em
And fifty minutes for it to pass through my intestines
So ask yourself a question (What question)
Can the Canibus rhyme
Is a fuckin porcupine half swine
No time to make up your mind, you want to run or die
Clip you while you're running by, trip you up from behind
My rhymes, confuse niggas
Like somebody try to gang-bang
Wearin' a blue shirt and red pants, throwin' up signs with their left hand
Standin' out on the corner of wetlands with a confederate flag for a headband
God dam eggplants, niggas getting' me vexed man
Cause I'm surrounded by garbage like Fred Sav
And I can't seem to get away from it
I dreamed that I stabbed leviathan through the stomach, and ate from it
In my past life I slayed hundreds, and in the life before that
I played trumpets, to warn you that I was comin'
There's one billion ways to die, and I already tried
Nine-hundred million nine hundred and ninety nine
When I aim and fire my rhymes, like a hundred cannon balls flying
Striking you one at a time, in a parallel line
While the art of emceeing is steady dying
Canibus and Rakim Allah is still in their prime
[Chorus]
It's the paragraph ambassador
The wild style fashioner
It's the god Rakim, the master
Feel this
This is that lost ass track off-the-rack kind of a track
You forced to rap, remember that? It's that
Pass me a bat, the kill-or-be-killed kind of attack
Steamin', speedin', navigatin' the map
Negotiating with a chick, she got her head on your lap, ya hand on your gat
Premeditated plan of attack, with two of your most deadliest men's in the back
Comb the block, stop in the zone that's hot
Get out like you own the spot, home or not
It's that no mood to play, move out the my way
Yo, I been whistlin' this tune from throughout the day
Hey, yo, this is that ol' y'all niggas don't want to battle
Turn it up loud make the whole block rattle
Boom boom, this one is gettin' blazin' hot
Boom boom, make you bust another shot from the glock
[Chorus]
From the streets below to everything above
To the heart that pumps Ra-kim Allah's blood
I swear I kick a hole in your speaker and pull the plug
You emcee's is playing tug-a-war with your tongues
From the streets beneath my feet to the sun
I'm number one and competition is still none
And I'm gonna keep kicking holes in your speakers and pullin' plugs
You emcee's is playing tug-a-war with your tongues
Here we come now
Turntable spin like a merry-go-round
Never slow down, depending on how good your stereo sounds
Set it, up in the hood where we go surround
Tearin' through towns, turn 'em into burial grounds
This is the track that made Theodore want to scratch
The track that caused the first kid to spin on his back
And then we saw, kids spray-painting the wall
While some of y'all was waitin' for war breakin' the law
It's no antidote it's what you can't provoke
So just relax with your girls or your mans and smoke
And take a real hit, soon as it bang you feel quick
It's real thick, this is that ol' real shit
This is the description of designs for you to listen to
Reminiscin' the times and nothin' in particular
Keep you goin' just like a whole pot of coffee
Have you and your shorty doin' 80 in a 40
[Chorus]
You know what this is
Yeah kid, give up your riches
Vicious, visions is not for motion pictures
Unstoppable, rollin' witcha sickest clique of niggas
Or witcha missus, gettin tropical kisses
Makin' faces, anticipatin' places her tongue hits
Suck her neck or just peck, better to funk it
The EP is in effect from dusk to sunset
She want a rim shot all over her drum set
Jump the bed rubbin' your head- it's rough sex
50 ways to keep a love wet
Down and up the steps with crazy positions left till she upset
"Damn, baby, you ain't come yet?"
Hell, no doomstick big as a elbow
Gel soft, well blow, give him a minute, he'll grow
And all you gotta do is play the track again
I'm ready and revived, baby, back again
[Chorus]
[Canibus]
Yo!
Check it, Yo!
I'm faster than leopards running across the vast desert
In twenty-two yards per second to catch me to daily delicatessen
It takes me thirty minutes to eat 'em, forty minutes to digest 'em
And fifty minutes for it to pass through my intestines
So ask yourself a question (What question)
Can the Canibus rhyme
Is a fuckin porcupine half swine
No time to make up your mind, you want to run or die
Clip you while you're running by, trip you up from behind
My rhymes, confuse niggas
Like somebody try to gang-bang
Wearin' a blue shirt and red pants, throwin' up signs with their left hand
Standin' out on the corner of wetlands with a confederate flag for a headband
God dam eggplants, niggas getting' me vexed man
Cause I'm surrounded by garbage like Fred Sav
And I can't seem to get away from it
I dreamed that I stabbed leviathan through the stomach, and ate from it
In my past life I slayed hundreds, and in the life before that
I played trumpets, to warn you that I was comin'
There's one billion ways to die, and I already tried
Nine-hundred million nine hundred and ninety nine
When I aim and fire my rhymes, like a hundred cannon balls flying
Striking you one at a time, in a parallel line
While the art of emceeing is steady dying
Canibus and Rakim Allah is still in their prime
[Chorus]
The lyrics of Rakim's song "Real Shit" portray a bold, confident and assertive attitude. Rakim starts by introducing himself as the Paragraph Ambassador, the Wild Style Fashioner and The God Rakim, and describes the song as a ‘lost ass track’ that is tougher and more challenging than other tracks. The verses showcase the rapper’s vivid storytelling ability, where he paints vivid images of organized crime activities like driving fast, negotiating dangerous deals, and holding a gun. The chorus of the song boasts of Rakim’s expertise, which is described as ‘kicking holes in your speakers and pulling plugs’. Furthermore, the bridge features Canibus making a guest appearance, whose rap adds even more excitement and intensity, with lines that talk about his incredible speed and the potency of his rhymes.
Overall, the song conveys a powerful, ‘in your face’ attitude that serves to establish Rakim's place in the world of hip hop. He is not afraid to flex his lyrical muscles and use his passion for storytelling and wordplay to create a hard-hitting track that keeps the listener engaged and entertained. The song is an expert example of '90s hip hop at its finest, with Rakim's dynamic delivery and Canibus' skillful rhyming adding to its appeal.
Line by Line Meaning
This is that lost ass track off-the-rack kind of a track
This song is not a polished, studio produced one; it is rather rough and ready
You forced to rap, remember that? It's that
Just like before, Rakim made his listeners rap along with him
Negotiating with a chick, she got her head on your lap, ya hand on your gat
While driving around, the girl is sitting on the passenger seat, and Rakim has his gun in the driver's seat and negotiating a deal
Here we come now, Turntable spin like a merry-go-round
Rakim is proclaiming his arrival with the sound of turntables spinning like a carnival ride.
This is that ol' y'all niggas don't want to battle
Rakim is referring to the old-school days where MCs would battle each other with words. And nobody wants to rap battle him.
This is the track that made Theodore want to scratch
Theodore is Theodore Livingston, an early hip-hop icon from the 70s. This track made him want to scratch records on it.
Unstoppable, rollin' witcha sickest clique of niggas
Rakim is unstoppable and is rolling with a group of sickest men
Down and up the steps with crazy positions left till she upset
Rakim is talking about wild sexual acts and the girl is not going to stop until she's completely satisfied
Can the Canibus rhyme Is a fuckin porcupine half swine
Canibus is asking if he can rhyme. It's like asking if a porcupine is a half-swine.
My rhymes, confuse niggas Like somebody try to gang-bang Wearin' a blue shirt and red pants, throwin' up signs with their left hand
Canibus's rhymes are so complex that it's like a gang member trying to throw up gang signs while wearing the wrong colors - it's confusing.
Canibus and Rakim Allah is still in their prime
Both Canibus and Rakim are still at the peak of their skills
Lyrics © Universal Music Publishing Group, Royalty Network
Written by: WILLIAM GRIFFIN, RONALD ANTHONY LAWRENCE, VICTOR PADILLA, RONALD LAWRENCE
Lyrics Licensed & Provided by LyricFind
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Brian
on R.A.K.I.M.
Ra, Ra, Ra, Ra, Ra, Ra
R, rugged and rough, that's how I do it
A, Allah, who I praise to the fullest
K, keep it movin'
I stand alone
M, it's my crown, my world, my throne
R, rugged and rough, that's how I do it
A, Allah, who I praise to the fullest
K, keep it movin'
I stand alone
M, it's my crown, my world, my throne
Ayo, when Rakim Allah attack, it's a wrap, y'all, relax
The almanac, just show me where the party's at
Seminars and tracks, cause, comas, and cardiacs
Broads and cats screaming, "oh, my God, he's back"
Just imagine, I hit the lab and get it crackin'
A thousand styles in one verse, rhythms will switch patterns
Chicks get stabbed in the back, 'til they get spasms
Known to spit a magnum, or split an atom
Who woulda known that Jesus would come back to the ghetto
On that level, and that thorough, like a black hero
And pack metal, so rap rebels, will back pedal
The pharaoh of five boroughs, and take over the rap world
Gettin' bizarre, hardcore, this is for y'all
The crib or the park, play it when you get in the car
Chill at the bar, sip somethin' or split a cigar
Get with your dogs, don't be alarmed, this kid is the bomb
It's the R, rugged and rough, that's how I do it
A, Allah, who I praise to the fullest
K, keep it movin'
I stand alone
M, it's my crown, my world, my throne
R, rugged and rough, that's how I do it
A, Allah, who I praise to the fullest
K, keep it movin'
I stand alone
M, it's my crown, my world, my throne
Uh, yeah, yo, I used to paint this flow, on ancient scrolls
And learn to make this dough where gangstas roll
Think like the late great Capone when the bank is closed
It's cats that claim they bold, but they ain't this cold
I'm from New York City even pretty chicks act up
Niggas get clapped up, you stack up, they stick that up
Quick to strap up, you'd think my name was "kid, back up"
Big niggas, pick that up or lift that up
Raised by gangstas and gamblers, hustlers, con artists
And convicts, killers and dons
Drug dealers, players and pimps, smooth talkers
Stick-up kids, thugs, real niggas and gods
Haunted by every soul that lay dead in the turf
Cursed by every spirit that never made it to birth
Since the Moon separated from Earth
That's why they say I'm the greatest that ever orchestrated a verse
It's the R, rugged and rough, that's how I do it
A, Allah, who I praise to the fullest
K, keep it movin'
I stand alone
M, it's my crown, my world, my throne
R, rugged and rough, that's how I do it
A, Allah, who I praise to the fullest
K, keep it movin'
I stand alone
M, it's my crown, my world, my throne
Ayo, toast to that, it's the cat that broke backs
To a soul clap, I smoke a track, how dope is that
Pope of rap, wrote backs that most slack
That note back before they turned coke to crack
To my dogs hearin' sirens on the firearms
Outcome die in wars or behind iron bars
The boulevard, retire frauds when I evolve
Try and rob my dialogue, I am God
Chicks moan just to get next to my throne
And sniff my cologne and get Ra alone
Sex pots at home, I'm testosterone
Caress spots, dress drops, bed rocks the bone
Hit the floor, it's hot for 2003
Hits galore, who rock a style as wild as me?
Rest assured, when I rock def crowds and scream
Bismillah ir-Rahman ir-Rahim
It's the R, rugged and rough, that's how I do it
A, Allah, who I praise to the fullest
K, keep it movin'
I stand alone
M, it's my crown, my world, my throne
R, rugged and rough, that's how I do it
A, Allah, who I praise to the fullest
K, keep it movin'
I stand alone
M, it's my crown, my world, my throne
R, rugged and rough, that's how I do it
A, Allah, who I praise to the fullest
K, keep it movin'
I stand alone
M, it's my crown, my world, my throne
R, rugged and rough, that's how I do it
A, Allah, who I praise to the fullest
K, keep it movin'
I stand alone
M, it's my crown, my world, my throne