Griffin is the nephew of American R&B singer and actress Ruth Brown. He grew up in Wyandanch, New York, and became involved in the New York hip hop scene at a young age. Eric B brought him to Marley Marl’s house to record "Eric B. is President." At the time Griffin was fresh out of high school and on his way to college, but he decided to forgo higher education and instead chose to record with Eric B. Leshaun
When Griffin turned 16, he joined The Nation of Gods and Earths (also known as the 5 Percent Nation) and changed his name to Rakim Allah.
In 1986, Rakim started to work with New York-based producer-DJ Eric B. The duo — known as Eric B & Rakim — is widely regarded as among the most influential and groundbreaking of hip-hop groups. The duo’s first single, "Eric B. Is President" (#48, 1986) b/w “My Melody,” was a success and got the duo a contract with the fledgling Island Records sub-label 4th & B'way. The duo’s next single, the smash “I Know You Got Soul,” sparked early debate on the legality of unauthorized, uncredited sampling when James Brown sued to prevent the duo's use of a fragment of his music. Their first full length album, Paid in Full, was released in 1987, and has since been hailed as one of hip-hop's seminal albums. Their follow-up LP; Follow the Leader was released a year later, and was also well received by fans and critics. The duo recorded two more albums; Let the Rhythm Hit 'Em and Don't Sweat The Technique before they parted ways in late 1992. Due to legal wrangling over royalties and his contracts with both his record label, and with Eric B., Rakim would not release a solo album until five years later.
After splitting with Eric B., Rakim signed with his good friend at the time DeShamus "Q=BOB" Sallis of Q=BOB Records to commence his solo career, however, the label folded shortly afterward. He eventually returned in 1997 with The 18th Letter, which included collaborations with DJ Premier and Pete Rock; which was released in two versions, one of which included an Eric B. & Rakim greatest hits disc titled The Book of Life. The critical reception of the album was positive, and it was certified gold. In 1999, Rakim released The Master, which received very good reviews as well.
Rakim was signed to Dr. Dre's Aftermath Entertainment record label in 2000, for work on an album tentatively titled Oh, My God. The album underwent numerous changes in artistic direction and personnel and was delayed several times. While working on the album, Rakim made guest appearances on numerous Aftermath projects, including the hit single "Addictive" by Truth Hurts, the Dr. Dre-produced "The Watcher Part 2" by Jay-Z, and Eminem's 8 Mile soundtrack. However, Rakim left the label in 2003 and Oh, My God was indefinitely shelved, a result of creative differences with Dre. Rakim signed with DreamWorks Records shortly afterward, but the label closed its doors shortly after that.
Rakim also made cameos in the Juelz Santana video "Mic Check," the Timbaland & Magoo video "Cop that Disc," and the Busta Rhymes video "New York Shit." Eric B. and Rakim's classic album Paid In Full was named the greatest hip-hop album of all time by MTV. Rakim was engaged in a lawsuit with reggaeton performer R.K.M (formerly Rakim) over the use of the name "Rakim". Rakim won the rights to the name. Recently, Rakim was featured in an All-Pro Football 2K8 commercial.
The Seventh Seal, Rakim's long-anticipaited album, was released November 17 2009. The first single off the album, Holy Are You, was released through his MySpace page on July 14, 2009 and was made available on iTunes July 28. A second track "Walk These Streets" ft. Maino was released in October. Rakim has been active during its recording with several national tours and special events. Rakim recently closed the Knitting Factory in NYC as the last Hip-Hop performer to walk off the historic club's stage after 25 years of underground performances.
Rakim has influenced songs by Jay-Z, Nas, The Notirious BIG, Lil- Wayne and countless others. Other rappers use many of his lyrics in their songs, often without giving credit.
Tributes to Rakim include:
* Tupac Shakur pays homage to Rakim in the song "Old School" off the album "Me Against the World"
* Raekwon of Wu-Tang Clan dedicated a tribute to Rakim titled "Rakim Tribute," which was released on DaVinci Code: The Vatican Mixtape Vol. II in 2006.
* 50 Cent makes a reference to Rakim on his hugely successful collaborative effort "Hate It or Love It" with The Game. "Daddy ain't around, probably out committing felonies/my favorite rapper used to sing Ch-Check out my melody," referencing Eric B & Rakim's hit "My Melody".
* Shock-G paid homage to Rakim by playfully reciting lines from the Eric-B & Rakim song "I Know You Got Soul" in the Digital Underground song Doowutchyalike: "since ya came here ya gotta show & prove, and do that dance until it don't move.."
* Saul Williams mentions Rakim in the song "Twice The First Time", stating: "not until you've listened to Rakim on a rocky mountain top have you heard hip hop" and also in the song "Penny For A Thought" where he says "Someone like Rakim said – 'I could quote any MC, but why should I? how would it benefit me?'"
* Kurupt references Rakim on Snoop Dogg's debut album, Doggystyle. On "For All My Niggaz and Bitches," Kurupt says, "Who's jokin'? Rakim never joked, so why should I, loc? now that's my idol...."
* Ghostface Killah references Rakim in the end of "Paisely Darts," by saying that he is better than every artist except for Rakim, referring to him as "the older god". On his album More Fish, the first track, "Ghost is Back", makes use of the beat from "Juice (Know the Ledge)". He also raps some lines from "Move the Crowd" in "Ghost Deini."
* Eminem has also paid tribute to Rakim's style as an inspiration and references lines from "My Melody"" in his song “I'm Back”. The hook in Eminem's song "The Way I Am" is a homage to the line "I'm the R, the A, to the KIM. If I wasn't then why would I say I am?" from Eric B and Rakim's "As the Rhyme Goes On". Nas made a similar reference in Got Ur Self A...: "I'm the N the A to the S-I-R / and If I wasn't I must've been Escobar". I-Kompleate has also does the same in his song "Rhymes" on the hook: "I'm not I-K-O to the N-I-C, cos if I was I wouldn't be I-Kompleate".Masta Ace uses this in the song by Bekay "Brooklyn Bridge": "I'm from the B-R double O-K L-Y-N, if I wasn't then why would I yell I am"
* I-Kompleate pays tribute and references Rakim in his songs Rhymes, Dominate (The Microphone), and I'm Ready. "Leaving a trace of R, When I chase the stars" "
* Jay-Z paid tribute to Rakim in his 2007 hit "Blue Magic," where he states: "Eighty-seven state of mind that I'm in/I'm in my prime so for that time I'm Rakim."
* Killah Priest references Rakim in many of his songs. He states: "I remind you of Rakim but I'm not him."
* British rapper Scroobius Pip mentions Rakim in his song "Fixed" from the album Angles, as an example of hip hop as art, in the lines "Take it back to the start/Like KRS and Rakim use passion and heart".
* Nas' Street's Disciple album has a track titled "U.B.R. (Unauthorized Biography of Rakim)" where he tells a short version of Rakim's musical career and life.
* The Game directly refers to Rakim in the first line of the third verse of "Da Shit" by saying, "I'm the West Coast Rakim, got niggaz blocked in." He also mentions Rakim in his song "Angel" on LAX: "So I start hip-hop and I understand why Common used to love her. She got me open so I even had to fuck her. But I used the rubber, cause she was married to Rakim".
* Apathy pays homage to Rakim in his song "Hip Hop is Dead" on Baptism by Fire. Apathy raps, "Remember that video 'I Ain't No Joke', Rakim had a chain that'll break your neck, I'm trying to get paid in full and get that check."
* Rapper R.A. The Rugged Man references Rakim in his song "On The Block" referring to the golden age, "that's when Rakim ran shit."
* Rage Against the Machine covered the song "Microphone Fiend" as the opening song on their final album, Renegades, in 2000.
* Canibus pays homage to Rakim on his 1000-bar song "Poet Laureate Infinity", most notably with the bars "I been toe to toe with the best, I ‘Know the Ledge’" and "As odd as it may seem, the Microphone Fiend, Is God of the Hip Hop regime"
* Songs like Lloyd's "Girls Around the World" and Snoop Dogg's "Paper'd Up" sample the beat of Eric B. and Rakim's "Paid in Full" with both Lil Wayne and Snoop Dogg putting their own twist on the Rakim's verse.
* Brother Ali calls Rakim his hero in his song "As Real As Can Be". He also references the line "I came in the door/said it before" from "Eric B is President" in his song "Whatcha Got" where he raps "I came in the door/1984".
* Drunken Tiger (South Korean hip-hop artist) features Rakim on the track "Monster" off of his 2009 album, "Feel gHood Muzik: The 8th Wonder".
* Jay-Z references Rakim in his song "Run This Town" rapping, "Please follow the leader/So Eric B. we are/Microphone fiend/It's the return of the god/Peace god..."
* Jin references Rakim in his song "It's All Over" from "The Emcee's Properganda" album with the line "ya'll needa follow the leader like Rakim gave the orders"
* Nas paid tribute in his song The World Is Yours by saying "The fiend of hip-hop has got me stuck like a crack pipe"
* Scott Van Pelt recently said on his radio show that '...because I'm Paid in Full like Rakim'
* Saigon mentions Rakim in his song 'Hip-Hop' stating "We crown Rakim the king, cos he was calling the gods of earth that came with bling bling"
* Jedi Mind Tricks paid tribute to Rakim by sampling two of his lines from Heat It Up in their song Saviorself, "Elements burst and gave birth to the first/Get the pen from the nurse and hook the mic up first"
Widely considered the greatest rapper of all time, he continues his career with the recently released Seventh Seal.
The Punisher
Rakim Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Try to identufy the man in front of ya
But it ain't the role the gear or the money the
Swift intellectionist with pleny ya
Bite if it's dark I'll spark every one of ya
I throw a mic in the crowd it's a question
I got the answer..it includes directions:
A glass of a master that has to make musical massacre..."
Attack your wack 'till it's handicapped,
You'll never hold the mic again, try to hand it back,
'Cause every rapper that comes, I cut off his thumbs,
Put a record to his neck, if he swallows it hums!
Slice from ear to ear-so 'till can hear better,
Before he bleed to death, here, hear every letter!
And you can see quick and thick the blood can get
If you try to change the style or the subject;
As I get deep in the rhyme I'm becomin' a
Emcee murderer, before I'm done, I'm a
Prepare the chamber, the torture's comin' up,
Trip through the mind, at the end you'll find it's
The punisher
Kill 'em again!
I hold the mic as hostage, emcees are ransome,
Rhymes'll punish 'em 'cause they don't undertsand 'em,
I heat up his brain, then explain then I hand him
A redhot microphone...that's how I planned 'em,
Rhymes call information(?), unite midnught(?),
Like a platoon putting bullet wounds in the mic,
If ya curse me, it ain't no mercy,
Give him a autopsy, killed by a verse of me,
I took a kid and cut off his eyelid,
Kill him slow so he could see what I did,
And if he don't understand what I said,
I'm pushing his eyeballs way to the back of his head
So he can see what he's getting into,
A part of the mind that he never been through,
A journey is coming 'cause ya getting sent to
A place harder to find but it's all in the mental,
I ran a brainscan to locate his game plan,
When I'm through with his brain he ain't the same, man!
Did he lose his mind or lost in his mind,
But this ain't the lost and found because ya can't find
Your foundation; coasting, your mind is
Drifting, in slow motion..frozen,
Looks like another murder at the Mardi Gras, be !
Too late to send out a search party,
Once ya out of ya head then ya can't get back,
I give 'em a map, but he still get trapped, so
Prepare the chamber, the torture's coming up,
Trip through the mind, at the end you'll find it's The Punisher
Kill 'em again!
Dangerous rhymes (are) performed like surgery,
Cuts so deep you'll be bleeding burgundy,
My intellect wrecks and disconnects your cerebral cortex,
Your cerebellum is next!
Your conscience becomes sub-conscious,
Soon your response is nonsense
The last words are blurred, mumbled then slurred,
Then your verbs are no longer heard,
You get your lung fried so good you're tongue-tied,
The couldn't swing or hang so he hung 'till he died,
Reincarnate him, and kill him again, again and again, again and again
I leave him in the mausoleum so you can see him,
I got a dead-MC'ing museum,
When I create 'em, I cremate 'em and complicate 'em,
You can't save 'em...there's no ultamatum,
Mic's lay around full of ashes, with the victim's name in slashes,
Got a long list and I'm a get every one of ya
Beware of The Punisher!
Then I'm a kill 'em again!
Wake 'em up, kill 'em again!
Rakim’s song The Punisher is a skillful demonstration of his unique and complex lyrical style. In the song, Rakim challenges other rappers to try and identify the man in front of them, emphasizing that his identity isn't defined by his material possessions or stature, but by his swift and intelligent lyrics. He boasts about his lyrical superiority, claiming that he’ll slaughter any rapper that stands in his way. Rakim uses violent imagery to illustrate the consequences of his lyrical prowess, slicing off thumbs, cutting eyelids, and even pushing eyeballs to the back of a rapper's head so that he can see what he's getting into.
Line by Line Meaning
Kill him again!
Rakim is calling out to his fans to kill the person he is rapping about once again.
Try to identify the man in front of ya
Rakim is urging his listeners to try and identify the target of his lyrics.
But it ain't the role, the gear or the money, the, swift intellectionist with plenty, ya
The person being targeted is not defined by their role, the gear they wear or the money they have, but instead by their intelligence.
Bite, if it's dark I'll spark every one of ya
Rakim will attack anyone who tries to bite his rhymes, even if it's in the dark.
I throw a mic in the crowd, it's a question
When Rakim throws his mic into the crowd, it becomes a challenge to the audience to rise to his level of skill and lyricism.
I got the answer..it includes directions: 'Go manufacture a mask, show me after, a glass of a master that has to make musical massacre...'
Rakim is revealing that he has the answer to the challenge he presented in the previous line - it involves manufacturing a mask and showing it to him while also possessing the skills of a master to create a musical massacre.
Attack your wack 'till it's handicapped, You'll never hold the mic again, try to hand it back,
Rakim will continue to attack the target until they can no longer rap and will never again hold the mic once he takes it from them.
'Cause every rapper that comes, I cut off his thumbs, Put a record to his neck, if he swallows it hums!
Rakim will cut off the thumbs of any rapper who tries to challenge him. If they try to swallow his record, it creates a humming sound that symbolizes the power of Rakim's lyrics.
Slice from ear to ear-so 'till can hear better, before he bleed to death, here, hear every letter!
Rakim is so skilled with his rhymes that he can slice a person's ears so they can hear better and listen to every letter of his lyrics before they bleed to death.
And you can see quick and thick the blood can get
Rakim's rhymes are so deadly that they can cause a person to bleed out quickly and heavily.
If you try to change the style or the subject;
Any attempt to change the direction of Rakim's lyrics will be met with dire consequences for the target of his rhymes.
As I get deep in the rhyme I'm becomin' a, Emcee murderer, before I'm done, I'm a
Rakim's skills as a rapper are so lethal that he becomes an emcee murderer with his rhymes.
Prepare the chamber, the torture's comin' up, Trip through the mind, at the end you'll find it's The punisher
Rakim is warning his target to prepare themselves for the torture that is about to come. In the end, they will realize that he is The Punisher.
I hold the mic as hostage, emcees are ransom, Rhymes'll punish 'em 'cause they don't understand 'em,
Rakim holds his mic as a hostage and will only release it once his target pays a ransom. His rhymes will punish them for not understanding the depth of his lyrics.
I heat up his brain, then explain then I hand him a red-hot microphone...that's how I planned 'em,
Rakim uses his lyrics to heat up his target's brain and then explains the message to them. He then hands them a red-hot microphone as part of his plan to demonstrate his superior skill.
Rhymes call information(?), unite midnight(?), Like a platoon putting bullet wounds in the mic,
Rakim's rhymes are like a call to arms that unite his listeners at midnight. They are like a platoon with their weapons at the ready, putting bullet wounds in the mic with their skill.
If ya curse me, it ain't no mercy, Give him an autopsy, killed by a verse of me,
Rakim shows no mercy to anyone who tries to curse him and will leave them dead with just one of his verses.
I took a kid and cut off his eyelid, Kill him slow so he could see what I did,
Rakim takes pleasure in torturing his target and even cuts off their eyelids so they can witness the brutal effects of his lyrics.
And if he don't understand what I said, I'm pushing his eyeballs way to the back of his head So he can see what he's getting into,
If his target fails to comprehend the full meaning of his lyrics, Rakim will push their eyeballs to the back of their head so they can see the seriousness of the situation.
A part of the mind that he never been through, A journey is coming 'cause ya getting sent to A place harder to find but it's all in the mental,
Rakim's rhymes take his target on a journey through a part of their mind they have never been to before. It is a place that is hard to find, but it exists within their mental state.
I ran a brainscan to locate his game plan, When I'm through with his brain he ain't the same, man!
Rakim uses his lyrics to conduct a brainscan and figure out his target's game plan. Once he is done with his target, they will no longer be the same person they were before.
Did he lose his mind or lost in his mind, But this ain't the lost and found because ya can't find Your foundation; coasting, your mind is Drifting, in slow motion..frozen,
Rakim's target has lost their mind or is lost in their own thoughts. He compares their situation to being lost in a place where it's impossible to find their foundation and they are unable to move or think quickly.
Looks like another murder at the Mardi Gras, be! Too late to send out a search party,
Rakim compares the destruction his rhymes bring to a murder at the Mardi Gras. His target is beyond saving and there is no point in trying to send out a search party.
Once ya out of ya head then ya can't get back, I give 'em a map, but he still get trapped, so Prepare the chamber, the torture's coming up, Trip through the mind, at the end you'll find it's The Punisher
Once Rakim's rhymes have taken his target out of their own mind, there is no going back. Even with a map, they will still get trapped within their own thoughts. The Punisher is waiting with torture and a trip through the mind to end it all.
Dangerous rhymes (are) performed like surgery, Cuts so deep you'll be bleeding burgundy,
Rakim's rhymes are like surgery, precise and deadly. They make cuts deep enough to cause his target to bleed burgundy out of their wounds.
My intellect wrecks and disconnects your cerebral cortex, Your cerebellum is next!
Rakim's intellect completely destroys his target's cerebral cortex and their cerebellum is next to face his wrath.
Your conscience becomes sub-conscious, Soon your response is nonsense
Rakim's rhymes cause his target's conscience to become sub-conscious and their responses become nonsense as a result.
The last words are blurred, mumbled then slurred, Then your verbs are no longer heard,
The target's last words become blurred, mumbled and slurred as they succumb to the power of Rakim's rhymes. Their verbs are silenced and no longer heard.
You get your lung fried so good you're tongue-tied, The couldn't swing or hang so he hung 'till he died,
The power of Rakim's rhymes is so strong that it fries his target's lungs and makes them tongue-tied. They are unable to swing or hang with his skill and are left hanging until they die.
Reincarnate him, and kill him again, again and again, again and again I leave him in the mausoleum so you can see him, I got a dead-MC'ing museum,
Rakim wants his target to be reincarnated so he can kill them again and again. He leaves them in his museum as a testament to the power of his rhymes.
When I create 'em, I cremate 'em and complicate 'em, You can't save 'em...there's no ultimatum,
When Rakim creates his rhymes, he also cremates his targets and makes their situation even more complicated. There is no saving them and no ultimatum to be offered.
Mic's lay around full of ashes, with the victim's name in slashes, Got a long list and I'm a get every one of ya Beware of The Punisher!
The mics are left full of ashes with the victims' names inscribed on them in slashes. Rakim has a long list of targets and plans to get every single one of them. His target should beware of him, The Punisher.
Then I'm a kill 'em again! Wake 'em up, kill 'em again!
Rakim plans to kill his target again and again, and will even wake them up just to do it all over again.
Lyrics © Sony/ATV Music Publishing LLC
Written by: ERIC BARRIER, WILLIAM GRIFFIN
Lyrics Licensed & Provided by LyricFind
Brian
on R.A.K.I.M.
Ra, Ra, Ra, Ra, Ra, Ra
R, rugged and rough, that's how I do it
A, Allah, who I praise to the fullest
K, keep it movin'
I stand alone
M, it's my crown, my world, my throne
R, rugged and rough, that's how I do it
A, Allah, who I praise to the fullest
K, keep it movin'
I stand alone
M, it's my crown, my world, my throne
Ayo, when Rakim Allah attack, it's a wrap, y'all, relax
The almanac, just show me where the party's at
Seminars and tracks, cause, comas, and cardiacs
Broads and cats screaming, "oh, my God, he's back"
Just imagine, I hit the lab and get it crackin'
A thousand styles in one verse, rhythms will switch patterns
Chicks get stabbed in the back, 'til they get spasms
Known to spit a magnum, or split an atom
Who woulda known that Jesus would come back to the ghetto
On that level, and that thorough, like a black hero
And pack metal, so rap rebels, will back pedal
The pharaoh of five boroughs, and take over the rap world
Gettin' bizarre, hardcore, this is for y'all
The crib or the park, play it when you get in the car
Chill at the bar, sip somethin' or split a cigar
Get with your dogs, don't be alarmed, this kid is the bomb
It's the R, rugged and rough, that's how I do it
A, Allah, who I praise to the fullest
K, keep it movin'
I stand alone
M, it's my crown, my world, my throne
R, rugged and rough, that's how I do it
A, Allah, who I praise to the fullest
K, keep it movin'
I stand alone
M, it's my crown, my world, my throne
Uh, yeah, yo, I used to paint this flow, on ancient scrolls
And learn to make this dough where gangstas roll
Think like the late great Capone when the bank is closed
It's cats that claim they bold, but they ain't this cold
I'm from New York City even pretty chicks act up
Niggas get clapped up, you stack up, they stick that up
Quick to strap up, you'd think my name was "kid, back up"
Big niggas, pick that up or lift that up
Raised by gangstas and gamblers, hustlers, con artists
And convicts, killers and dons
Drug dealers, players and pimps, smooth talkers
Stick-up kids, thugs, real niggas and gods
Haunted by every soul that lay dead in the turf
Cursed by every spirit that never made it to birth
Since the Moon separated from Earth
That's why they say I'm the greatest that ever orchestrated a verse
It's the R, rugged and rough, that's how I do it
A, Allah, who I praise to the fullest
K, keep it movin'
I stand alone
M, it's my crown, my world, my throne
R, rugged and rough, that's how I do it
A, Allah, who I praise to the fullest
K, keep it movin'
I stand alone
M, it's my crown, my world, my throne
Ayo, toast to that, it's the cat that broke backs
To a soul clap, I smoke a track, how dope is that
Pope of rap, wrote backs that most slack
That note back before they turned coke to crack
To my dogs hearin' sirens on the firearms
Outcome die in wars or behind iron bars
The boulevard, retire frauds when I evolve
Try and rob my dialogue, I am God
Chicks moan just to get next to my throne
And sniff my cologne and get Ra alone
Sex pots at home, I'm testosterone
Caress spots, dress drops, bed rocks the bone
Hit the floor, it's hot for 2003
Hits galore, who rock a style as wild as me?
Rest assured, when I rock def crowds and scream
Bismillah ir-Rahman ir-Rahim
It's the R, rugged and rough, that's how I do it
A, Allah, who I praise to the fullest
K, keep it movin'
I stand alone
M, it's my crown, my world, my throne
R, rugged and rough, that's how I do it
A, Allah, who I praise to the fullest
K, keep it movin'
I stand alone
M, it's my crown, my world, my throne
R, rugged and rough, that's how I do it
A, Allah, who I praise to the fullest
K, keep it movin'
I stand alone
M, it's my crown, my world, my throne
R, rugged and rough, that's how I do it
A, Allah, who I praise to the fullest
K, keep it movin'
I stand alone
M, it's my crown, my world, my throne