Ralph Edmond Stanley was born, grew up, and lived in rural Southwest Virginia—"in a little town called McClure at a place called Big Spraddle, just up the holler" from where he moved in 1936 and lived ever since in Dickenson County. The son of Lee and Lucy Stanley, Ralph did not grow up around a lot of music in his home. As he says, his "daddy didn't play an instrument, but sometimes he would sing church music. And I'd hear him sing songs like 'Man of Constant Sorrow,' 'Pretty Polly' and 'Omie Wise.'"
I got my first banjo when I was a teenager. I guess I was 15, 16 years old. My aunt had this old banjo, and Mother bought it for me ... paid $5 for it, which back then was probably like $5,000. My parents had a little store, and I remember my aunt took it out in groceries.
He learned to play the banjo, clawhammer style, from his mother:
She had 11 brothers and sisters, and all of them could play the five-string banjo. She played gatherings around the neighborhood, like bean stringin's. She tuned it up for me and played this tune, "Shout Little Luly," and I tried to play it like she did. But I think I developed my own style of the banjo.
He graduated from high school on May 2, 1945 and was inducted into the Army on May 16, serving "little more than a year." He immediately began performing when he got home:
... my daddy and Carter picked me up from the (station), and Carter was playing with another group, Roy Sykes and the Blue Ridge Mountain Boys, and they had a personal appearance that night. So I sung a song with Carter on the radio before I even got home.
After considering a course in "veterinary", he decided instead to throw in with his older guitar-playing brother Carter Stanley (1925–1966) to form the Clinch Mountain Boys in 1946. Drawing heavily on the musical traditions of the area, which included the unique minor-key singing style of the Primitive Baptist Universalist church and the sweet down-home family harmonies of the Carter Family, the two Stanley brothers began playing on local radio stations. They first performed at Norton, Virginia's WNVA, but did not stay long there, moving on instead to Bristol, Virginia, and WCYB to start the show Farm and Fun Time, where they stayed "off and on for 12 years".
At first they covered "a lot of Bill Monroe music" (one of the first groups to pick up the new "bluegrass" format). They soon "found out that didn't pay off—we needed something of our own. So we started writing songs in 1947, 1948. I guess I wrote 20 or so banjo tunes, but Carter was a better writer than me." When Columbia Records signed them as the Stanley Brothers, Bill Monroe left in protest and joined Decca. Later, Carter went back to sing for the "Father of Bluegrass", Bill Monroe.
Ralph Stanley gave his opinion on Bill Monroe's apparent change of heart: "He ,Bill Monroe, knew Carter would make him a good singer. . . Bill Monroe loved our music and loved our singing."
The Stanley Brothers joined King Records in the late '50s, a record company so eclectic that it included James Brown at the time. In fact, James Brown and his band were in the studio when the Stanley Brothers recorded "Finger Poppin' Time". "James and his band were poppin' their fingers on that" according to Ralph. At King Records, they "went to a more 'Stanley style', the sound that people most know today."
Ralph and Carter performed as The Stanley Brothers with their band, the Clinch Mountain Boys, from 1946 to 1966. Ralph kept the band name when he continued as a solo after Carter's death, from 1967 to the present.
After Carter died of complications of cirrhosis in 1966, after ailing for "a year or so", Ralph faced a hard decision on whether to continue performing on his own. "I was worried, I didn't know if I could do it by myself. But boy, I got letters, 3,000 of 'em, and phone calls . . . I went to Syd Nathan at King and asked him if he wanted me to go on, and he said, 'Hell yes! You might be better than both of them.'"
He decided to go it alone, eventually reviving the Clinch Mountain Boys. Larry Sparks, Roy Lee Centers, and Charlie Sizemore were among those with whom he played in the revived band. He encountered Ricky Skaggs and Keith Whitley arriving late to his own show: "They were about 16 or 17, and they were holding the crowd 'til we got there. . . They sounded just exactly like (the Stanley Brothers)." Seeing their potential, he hired them "to give 'em a chance", though that meant a seven-member band. Eventually, his son, Ralph Stanley II, took over as lead singer and rhythm guitarist for the Clinch Mountain Boys.
Clinch Mountain Boys members:
1967 to 2016:
Ralph Stanley (Lead vocalist, banjo)
Jack Cooke (bass)
Curly Ray Cline (fiddle)
George Shuffler (guitar, bass)
Melvin Goins (bass, guitar)
Larry Sparks (Lead vocalist, guitar)
Roy Lee Centers (Lead vocalist, guitar)
Ricky Skaggs (mandolin, fiddle)
Keith Whitley (Lead vocalist, guitar)
Charlie Sizemore (Lead vocalist, guitar)
Ricky Lee (guitar)
Junior Blankenship (guitar)
Kenneth Davis (guitar)
Renfro Proffit (guitar)
Ron Thomason (mandolin)
Steve Sparkman (banjo)
James Alan Shelton (guitar)
Sammy Adkins (Lead vocalist, guitar)
Todd Meade (fiddle)
Ralph 'Hank' Smith (Lead guitar)
Ernie Thacker (Lead vocalist, guitar, mandolin)
John Rigsby (mandolin)
Dewey Brown (fiddle)
Audey Ratliff (bass)
Ralph Stanley II (Lead vocalist, guitar)
Nathan Stanley (mandolin, Lead vocalist, guitar)
James Price (fiddle)
Randall Joe Hibbitts (bass)
Mitchell Van Dyke (banjo)
Jarrod Church (banjo)
Alex Hibbitts (Mandolin)
Jimmy Vaughn (Rhythm Guitar, Vocals)
Political career
Around 1970, he ran for Clerk of Court and Commissioner of Revenue in Dickenson County only to state this:
What happened is, somebody traded me off—they used my popularity and money to elect somebody else. I was done dirty. And I'm so proud that I was done dirty, because if I had been elected ... I woulda had a job to do ... maybe woulda finally quit. So that's one time I was done dirty and I want to thank them for it now.
Stanley's work was featured in the 2000 film O Brother, Where Art Thou?, in which he sings the Appalachian dirge "O Death." The soundtrack's producer was T-Bone Burnett. Stanley said the following about working with Burnett:
T-Bone Burnett had several auditions for that song. He wanted it in the Dock Boggs style. So I got my banjo and learned it the way he did it. You see, I had recorded "O Death" three times, done it with Carter. So I went down with my banjo to Nashville and I said, "T-Bone, let me sing it the way I want to sing it," and I laid my banjo down and sung it a cappella. After two or three verses, he stopped me and said, "That's it."
With that song, Stanley won a 2002 Grammy Award in the category of Best Male Country Vocal Performance. "That put the icing on the cake for me," he said. "It put me in a different category."
Known in the world of bluegrass music by the popular title, "Dr. Ralph Stanley" (after being awarded an honorary Doctorate of Music from Lincoln Memorial University in Harrogate, Tennessee in 1976), Stanley was inducted into the International Bluegrass Music Hall of Honor in 1992 and in 2000, and became the first person to be inducted into the Grand Ole Opry in the third millennium.
He joined producers Randall Franks and Alan Autry for the In the Heat of the Night cast CD Christmas Time’s A Comin’, performing "Christmas Time's A Comin'" with the cast on the CD released on Sonlite and MGM/UA; it was one of the most popular Christmas releases of 1991 and 1992 with Southern retailers.
He was featured in the Josh Turner hit song "Me and God" released in 2006.
In 2006, he was awarded the National Medal of Arts. On November 10, 2007, Stanley and the Clinch Mountain Boys performed at a rally for presidential candidate John Edwards in Des Moines, Iowa, just before the Democratic Party's annual Jefferson-Jackson Day Dinner. Between renditions of "Man of Constant Sorrow" and "Orange Blossom Special", Stanley told the crowd that he had cast his first vote for Harry S. Truman in 1948 and would cast his next for John Edwards in 2008.
Country singer Dwight Yoakam has stated that Ralph Stanley is one of his "musical heroes."
Stanley's autobiography, Man of Constant Sorrow, coauthored with the music journalist Eddie Dean, was released by Gotham Books on October 15, 2009. In 2012, Stanley was featured on several tracks of the soundtrack for Nick Cave's film Lawless, with music by Cave and Warren Ellis. His solo track "White Light/White Heat" is prominent in several scenes of the movie.
Stanley maintained an active touring schedule; appearances in recent years have included the 2012 Muddy Roots Music Festival in Cookeville, TN, and the 2013 FreshGrass Festival in North Adams, MA. In June 2013, he announced a farewell tour, scheduled to begin in Rocky Mount, NC, on October 18 and extending to December 2014. However, upon notification of being elected as a fellow of the American Academy of Arts and Sciences (awarded October 11, 2014) a statement on his own website appeared, saying that he would not be retiring.
On June 23, 2016, Stanley died after battling skin cancer.
Ralph Stanley created a unique style of banjo playing, sometimes called "Stanley style". It evolved from Wade Mainer style two-finger technique, later influenced by Scruggs style, which is a three-finger technique. "Stanley style" is distinguished by incredibly fast "forward rolls", led by the index finger (instead of the thumb, as in Scruggs style), sometimes in the higher registers using a capo. In "Stanley style", the rolls of the banjo are continuous, while being picked fairly close to the bridge on the banjo, giving the tone of the instrument a very crisp, articulate snap to the strings as the player would strike them.
He's known in the world of bluegrass music by the popular title, "Dr. Ralph Stanley" after being awarded an honorary Doctorate of Music from Lincoln Memorial University in Harrogate, Tennessee, in 1976.
He was inducted into the International Bluegrass Music Hall of Honor in 1992 and in 2000.
He became the first person to be inducted into the Grand Ole Opry in the third millennium.
His work was featured in the 2000 film O Brother, Where Art Thou?, in which he sings the Appalachian dirge "O Death."
That song won him a 2002 Grammy Award in the category of Best Male Country Vocal Performance.
The Virginia Press Association made him their Distinguished Virginian of the Year in 2004.
The Ralph Stanley Museum and Traditional Mountain Music Center opened in Clintwood, Virginia in 2004.
He was awarded the National Medal of Arts in 2006, the nation's highest honor for artistic excellence.
The Virginia legislature designated him the Outstanding Virginian of 2008.
He was awarded the Key to the City of Garner, North Carolina on November 15, 2008
He was named a Library of Congress Living Legend in April 2000
He received a second honorary Doctorate of Music degree from Yale University on May 19, 2014.
He became an elected fellow of the American Academy of Arts and Sciences on October 11, 2014.
From the January 2, 2015 death of Little Jimmy Dickens until his own death, Stanley was the oldest living member of the Grand Ole Opry.
Little Birdie
Ralph Stanley Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Won't you sing to me your song
Got a short time to stay here
And a long time to be gone
I'd rather be in some dark holler
Where the sun don't never shine
Than for you to be another man's darling
Little birdie, little birdie
What makes you fly so high
When you know that my true lover
Is waiting in the sky
Little birdie, little birdie
Won't you sing to me your song
You've caused me lots of trouble
What you've caused me too, too long
The lyrics of "Little Birdie" by Ralph Stanley is a poignant lamentation of the heartache and longing experienced by a man watching his lover move away from him to be with another man. The stanzas in the song convey his sadness and desperation at losing his love, compounded by the knowledge that he may never have her back, and he's futilely hoping the birdie will sing his sorrows away. In the first stanza, he addresses the little birdie, urging it to sing its song to him, with a poignant plea, "Got a short time to stay here, and a long time to be gone." This line may refer to the inevitability of death, suggesting that since he's short on time, he's hoping to drown out his sadness with the birdie's song.
In the second stanza, the singer reveals his thoughts about the situation, he'd rather be in the depths of despair, where the sun doesn't shine than to watch another man romance his lover. He's hurt that the woman he loves will never be his and wants to be somewhere dark where he can grieve his pain. The third stanza has a tone of despair as the singer questions the birdie's motivation to fly so high when he knows his lover is already dead, waiting in the sky. The last stanza has a tone of frustration as the singer laments the pain and trouble the birdie is causing him, urging it with an appeal to end it.
Line by Line Meaning
Little birdie, little birdie
Ralph is addressing a bird that he is fond of.
Won't you sing to me your song
He is asking the bird to sing its song because he enjoys hearing it.
Got a short time to stay here
Ralph is aware that his time on earth is limited.
And a long time to be gone
However, he also knows that he will be gone for a long time after his death.
I'd rather be in some dark holler
Rather than being in a good place after he dies...
Where the sun don't never shine
...he would prefer to be in a dark place where the sun never shines.
Than for you to be another man's darling
Ralph would rather not be alive to see the bird be someone else's favorite.
And to know you'll never be mine
He knows that he can never have the bird to himself.
What makes you fly so high
Ralph is asking the bird what motivates it to fly so high in the sky.
When you know that my true lover
He points out the irony of the bird flying high, even though his true love (the bird) is already gone.
Is waiting in the sky
He believes that his beloved bird is now in heaven, waiting for him.
You've caused me lots of trouble
Ralph blames the bird for the emotional turmoil he is going through.
What you've caused me too, too long
He acknowledges that he has been dealing with this emotional crisis for a long time.
Lyrics © BMG Rights Management, Sony/ATV Music Publishing LLC, ZAP PUBLISHING CO., Warner Chappell Music, Inc.
Written by: . TRADITIONAL, DON PARTRIDGE, PATRICK KEENE
Lyrics Licensed & Provided by LyricFind
LonePigsyAndCub
OMG I'm crying my eyes out. RIP Dr. Ralph Stanley and THANK YOU for making this world a better place all these years. Your music will NEVER DIE.
Anthony Koontz
that's true
Fly Beep
Wait let me check,.....nope, he still dead as a dodo.
ImAdapt73
I've been listening to the wrong music my whole life. I can't get enough of this bluegrass now. Dr. Ralph Stanley and all like him.
Tripp Miller
Me too
sandra morey
RIP Dr. Stanley. Wonderful traditional piece of the great heritage of folk song and story. I've been singing this and teaching it for 60 years. I love the way
Ralph stanley sings it.
roninreturns
For those just arriving to the heritage of this music, welcome! This is as good as it comes, you won't be disappointed.
ron currier
Little birdie a short time to be here an such a long time to be gone.....truer words have never been put to song. May your music be cherished for many many years Dr. Stanley you are missed. Never ceases to amaze me how down to earth and friendly you were two times i met and spoke with you. ( even if you gave me the once over first time with all my leather riding gear on LMAO)
Linda Fields
This music has more life, death and all things in between than any other kind there is. It puts a fire in the blood nothing else can.
Efailwen
What a legend! RIP