All of the band members adopted pseudonyms ending with the surname "Ramone", though none of them were related. They performed 2,263 concerts, touring virtually nonstop for 22 years. In 1996, after a tour with the Lollapalooza music festival, the band played a farewell concert and disbanded. By a little more than eight years after the breakup, the band's three founding members—lead singer Joey Ramone, guitarist Johnny Ramone, and bassist Dee Dee Ramone—had died. Drummer Tommy Ramone, the last surviving original member, died in 2014.
Their only record with enough U.S. sales to be certified gold was the compilation album Ramones Mania. However, recognition of the band's importance built over the years, and they are now cited in many assessments of all-time great rock music, such as the Rolling Stone list of the 50 Greatest Artists of All Time and VH1's 100 Greatest Artists of Hard Rock. In 2002, the Ramones were ranked the second-greatest band of all time by Spin magazine, trailing only The Beatles. On March 18, 2002, the Ramones—including the three founders and drummers Marky and Tommy Ramone—were inducted into the Rock and Roll Hall of Fame. In 2011, the group was awarded a Grammy Lifetime Achievement Award.
Formation: 1974–1975
Forest Hills High School, attended by the four original members of the Ramones
The original members of the band met in and around the middle-class neighborhood of Forest Hills in the New York City borough of Queens. John Cummings and Tamás Erdélyi had both been in a high-school garage band from 1966 to 1967 known as the Tangerine Puppets. They became friends with Douglas Colvin, who had recently moved to the area from Germany, and Jeffry Hyman, who was the initial lead singer of the glam rock band Sniper, founded in 1972.
The Ramones began taking shape in early 1974, when Cummings and Colvin invited Hyman to join them in a band. The initial lineup featured Colvin on lead vocals and rhythm guitar, Cummings on lead guitar, and Hyman on drums. Colvin, who soon switched from rhythm guitar to bass, was the first to adopt the name "Ramone", calling himself Dee Dee Ramone. He was inspired by Paul McCartney's use of the pseudonym Paul Ramon during his Silver Beatles days. Dee Dee convinced the other members to take on the name and came up with the idea of calling the band the Ramones. Hyman and Cummings became Joey Ramone and Johnny Ramone, respectively.
A friend of the band, Monte A. Melnick (later their tour manager), helped to arrange rehearsal time for them at Manhattan's Performance Studios, where he worked. Johnny's former bandmate Erdélyi was set to become their manager. Soon after the band was formed, Dee Dee realized that he could not sing and play his bass guitar simultaneously; with Erdélyi's encouragement, Joey became the band's new lead singer.
Dee Dee would continue, however, to count off each song's tempo with his signature rapid-fire shout of "1-2-3-4!" Joey soon similarly realized that he could not sing and play drums simultaneously and left the position of drummer. While auditioning prospective replacements, Erdélyi would often take to the drums and demonstrate how to play the songs. It became apparent that he was able to perform the group's music better than anyone else, and he joined the band as Tommy Ramone.
The Ramones played before an audience for the first time on March 30, 1974, at Performance Studios. The songs they played were very fast and very short; most clocked in at under two minutes. Around this time, a new music scene was emerging in New York centered around two clubs in downtown Manhattan—Max's Kansas City and, more famously, CBGB (usually referred to as CBGB's). The Ramones made their CBGB debut on August 16. Legs McNeil, who cofounded Punk magazine the following year, later described the impact of that performance: "They were all wearing these black leather jackets. And they counted off this song...and it was just this wall of noise.... They looked so striking. These guys were not hippies. This was something completely new."
The band swiftly became regulars at the club, playing there seventy-four times by the end of the year. After garnering considerable attention for their performances—which averaged about seventeen minutes from beginning to end—the group was signed to a recording contract in late 1975 by Seymour Stein of Sire Records. Stein's wife, Linda Stein, had seen the band play at CBGB; she would later co-manage them along with Danny Fields. By this time, the Ramones were recognized as leaders of the new scene that was increasingly being referred to as "punk". The group's unusual frontman had a lot to do with their impact. As Dee Dee explained, "All the other singers [in New York] were copying David Johansen [of The New York Dolls], who was copying Mick Jagger.... But Joey was unique, totally unique."
53rd & 3rd
Ramones Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
I was a Green Beret in Vietnam
No more of your fairy stories
'Cause I got my other worries
Fifty-third and third standing on the street
Fifty-third and third I'm tryin' to turn a trick
Fifty-third and third you're the one they never pick
If you think you can, well come on man
I was a Green Beret in Vietnam
No more of your fairy stories
'Cause I got my other worries
Fifty-third and third standing on the street
Fifty-third and third I'm tryin' to turn a trick
Fifty-third and third you're the one they never pick
Fifty-third and third don't it make you feel sick?
Then I took out my razor blade
Then I did what God forbade
Now the cops are after me
But I proved that I'm no sissy
Fifty-third and third standing on the street
Fifty-third and third I'm tryin' to turn a trick
Fifty-third and third you're the one they never pick
Fifty-third and third don't it make you feel sick?
Fifty-third and third
Fifty-third and third
Fifty-third and third
Fifty-third and third
Fifty-third and third
Fifty-third and third
Fifty-third and third
Fifty-third and third
The Ramones song "53rd & 3rd" tells the story of a male prostitute standing on the street corner of the titular intersection in New York City. In the first two lines, the prostitute challenges potential customers to approach him, using his previous career as a Green Beret in Vietnam as a way to assert dominance and intimidate. He dismisses any pretense of fairy tales or escapism, as he is preoccupied with more tangible worries.
The chorus emphasizes the feeling of desperation and defeat the character experiences as he tries to make a living on this street corner. The repetition of the phrase "Fifty-third and third" serves to create a refrain, while the final line of each chorus, "Fifty-third and third don't it make you feel sick?" underscores the bleak and hopeless nature of the singer's situation.
The final verse, which describes the singer's violent confrontation with a customer, further emphasizes the danger of the singer's lifestyle and his willingness to resort to extreme measures to protect himself. The lines "But I proved that I'm no sissy" can be seen as a form of self-justification and a way to maintain a sense of pride in an otherwise degrading situation.
Overall, "53rd & 3rd" is a bleak and unflinching look into the world of male prostitution in mid-1970s New York City. The Ramones' typically raw and aggressive sound suits the subject matter, creating a sense of urgency and unease.
Line by Line Meaning
If you think you can, well come on man
Challenging someone to take action
I was a Green Beret in Vietnam
Boasting about military experience
No more of your fairy stories
Dismissing unrealistic tales
'Cause I got my other worries
I have bigger problems to deal with
Fifty-third and third standing on the street
Location of where the artist is located
Fifty-third and third I'm tryin' to turn a trick
Attempting to engage in prostitution
Fifty-third and third you're the one they never pick
Feeling rejected by potential clients
Fifty-third and third don't it make you feel sick?
Reflecting on the negative aspects of prostitution
Then I took out my razor blade
Taking out a weapon
Then I did what God forbade
Committing a violent act
Now the cops are after me
Being pursued by law enforcement
But I proved that I'm no sissy
Asserting one's toughness or courage
Fifty-third and third
Continuously reminding of the location
Fifty-third and third
Repeating the location for emphasis
Fifty-third and third
Continuously bringing attention to the location
Fifty-third and third
Continuously bringing attention to the location
Fifty-third and third
Continuously bringing attention to the location
Fifty-third and third
Continuously bringing attention to the location
Fifty-third and third
Continuously bringing attention to the location
Fifty-third and third
Continuously bringing attention to the location
Lyrics © Warner Chappell Music, Inc.
Written by: Douglas Colvin, Jeff Hyman, John Cummings, Thomas Erdelyi
Lyrics Licensed & Provided by LyricFind
Racheal Plymale
on I Wanna Be Sedated (Live)
My Alltime favorite band!!!!!!!!! Joey Ramone was yummmy!!!!!