All of the band members adopted pseudonyms ending with the surname "Ramone", though none of them were related. They performed 2,263 concerts, touring virtually nonstop for 22 years. In 1996, after a tour with the Lollapalooza music festival, the band played a farewell concert and disbanded. By a little more than eight years after the breakup, the band's three founding members—lead singer Joey Ramone, guitarist Johnny Ramone, and bassist Dee Dee Ramone—had died. Drummer Tommy Ramone, the last surviving original member, died in 2014.
Their only record with enough U.S. sales to be certified gold was the compilation album Ramones Mania. However, recognition of the band's importance built over the years, and they are now cited in many assessments of all-time great rock music, such as the Rolling Stone list of the 50 Greatest Artists of All Time and VH1's 100 Greatest Artists of Hard Rock. In 2002, the Ramones were ranked the second-greatest band of all time by Spin magazine, trailing only The Beatles. On March 18, 2002, the Ramones—including the three founders and drummers Marky and Tommy Ramone—were inducted into the Rock and Roll Hall of Fame. In 2011, the group was awarded a Grammy Lifetime Achievement Award.
Formation: 1974–1975
Forest Hills High School, attended by the four original members of the Ramones
The original members of the band met in and around the middle-class neighborhood of Forest Hills in the New York City borough of Queens. John Cummings and Tamás Erdélyi had both been in a high-school garage band from 1966 to 1967 known as the Tangerine Puppets. They became friends with Douglas Colvin, who had recently moved to the area from Germany, and Jeffry Hyman, who was the initial lead singer of the glam rock band Sniper, founded in 1972.
The Ramones began taking shape in early 1974, when Cummings and Colvin invited Hyman to join them in a band. The initial lineup featured Colvin on lead vocals and rhythm guitar, Cummings on lead guitar, and Hyman on drums. Colvin, who soon switched from rhythm guitar to bass, was the first to adopt the name "Ramone", calling himself Dee Dee Ramone. He was inspired by Paul McCartney's use of the pseudonym Paul Ramon during his Silver Beatles days. Dee Dee convinced the other members to take on the name and came up with the idea of calling the band the Ramones. Hyman and Cummings became Joey Ramone and Johnny Ramone, respectively.
A friend of the band, Monte A. Melnick (later their tour manager), helped to arrange rehearsal time for them at Manhattan's Performance Studios, where he worked. Johnny's former bandmate Erdélyi was set to become their manager. Soon after the band was formed, Dee Dee realized that he could not sing and play his bass guitar simultaneously; with Erdélyi's encouragement, Joey became the band's new lead singer.
Dee Dee would continue, however, to count off each song's tempo with his signature rapid-fire shout of "1-2-3-4!" Joey soon similarly realized that he could not sing and play drums simultaneously and left the position of drummer. While auditioning prospective replacements, Erdélyi would often take to the drums and demonstrate how to play the songs. It became apparent that he was able to perform the group's music better than anyone else, and he joined the band as Tommy Ramone.
The Ramones played before an audience for the first time on March 30, 1974, at Performance Studios. The songs they played were very fast and very short; most clocked in at under two minutes. Around this time, a new music scene was emerging in New York centered around two clubs in downtown Manhattan—Max's Kansas City and, more famously, CBGB (usually referred to as CBGB's). The Ramones made their CBGB debut on August 16. Legs McNeil, who cofounded Punk magazine the following year, later described the impact of that performance: "They were all wearing these black leather jackets. And they counted off this song...and it was just this wall of noise.... They looked so striking. These guys were not hippies. This was something completely new."
The band swiftly became regulars at the club, playing there seventy-four times by the end of the year. After garnering considerable attention for their performances—which averaged about seventeen minutes from beginning to end—the group was signed to a recording contract in late 1975 by Seymour Stein of Sire Records. Stein's wife, Linda Stein, had seen the band play at CBGB; she would later co-manage them along with Danny Fields. By this time, the Ramones were recognized as leaders of the new scene that was increasingly being referred to as "punk". The group's unusual frontman had a lot to do with their impact. As Dee Dee explained, "All the other singers [in New York] were copying David Johansen [of The New York Dolls], who was copying Mick Jagger.... But Joey was unique, totally unique."
Cabbies On Crack
Ramones Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Took off like a blast
Almost lost my mind - oh, oh, oh
Cabbies on crack
It first felt like at thrill ride
Excited for a while
Swerving at a hundred miles an hour - oh, oh, oh
Cabbies on crack
I want to get out,
out of this yellow shell
I want to get out,
crack cabbies straight from hell
And I don't wanna die before I live
Cabbies on Cabbies on crack
Cabbies on crack
Want my money back
Disco blasting out,
Stomach in my mouth - oh, oh, oh
Cabbies on crack
Times Square was approaching
He braked for the light
At 90 miles an hour,
flashed by, I saw my life - oh, oh, oh
Cabbies on crack
I want to get out,
out of this yellow shell
I want to get out,
crack cabbies straight from hell
And I don't wanna die before I live
Cabbies on Cabbies on crack
And I don't wanna die before I live
Cabbies on Cabbies on crack
Cabbies on crack
"Cabbies On Crack" is a song by American punk rock band the Ramones, released in 1989 on their album "Brain Drain." The song begins with the singer getting into a cab and taking off at high speed, feeling like a thrill ride at first. However, the excitement quickly turns into fear as the driver swerves at 100 miles an hour, making the singer want to get out of the "yellow shell." The driver is described as being on crack, which is likely causing his reckless driving.
The chorus repeats the phrase "Cabbies on crack," expressing the singer's frustration with the situation. The bridge of the song acknowledges the danger of the situation, with the singer wanting to live before he dies. The song ends with the driver stopping at a red light in Times Square, narrowly avoiding a fatal accident.
The song can be seen as a criticism of the dangers of drug use and the reckless behavior it can cause. It also highlights the risks of traveling in a city and being at the mercy of a driver who may not be fit to operate a vehicle.
Line by Line Meaning
Got into a cab, Broadway, Fifty Ninth
I entered into a taxi on the corner of Broadway and Fifty Ninth.
Took off like a blast
The cab driver started driving fast and abruptly, like an explosion.
Almost lost my mind - oh, oh, oh
Cabbies on crack
The experience of the cab ride was terrifying to the point where I felt like I was going insane, and I attribute that to the idea that the cab driver could have been on crack.
I want to get out, out of this yellow shell
I want to get out, crack cabbies straight from hell
I desire to escape from this cab as it is like a yellow escape-proof prison that feels like it is being driven by the devil himself.
And I don't wanna die before I live
Cabbies on Cabbies on crack
I do not want to die before I have had the chance to fully experience life as it is, especially due to the recklessness and drug use of these cab drivers.
Want my money back
Disco blasting out, Stomach in my mouth - oh, oh, oh
Cabbies on crack
I want a refund for this ride as I have my stomach in knots from the driving and the loud disco music, and I again blame it on the notion that these cabbies could be using drugs.
Times Square was approaching He braked for the light
At 90 miles an hour, flashed by, I saw my life - oh, oh, oh
Cabbies on crack
As Times Square approached, the cab driver braked suddenly, but it was still at a breakneck speed of 90 miles an hour. This made me fear for my life, and I accepted my potential demise just as quickly as the cab flew by, yet again blaming it on the possible drug use of the cabbie.
And I don't wanna die before I live
Cabbies on Cabbies on crack
Again, I express my desire to not die before I have lived out my full life and experiences. This time, again, directly associated with the idea that cabbies driving under the influence are threatening it.
Cabbies on crack
Overall, the song points out the potential danger one could face while riding in a taxi that may be operated by someone under the influence. This phrase reoccurs often to emphasize this danger and bring attention to a serious concern.
Lyrics © Warner Chappell Music, Inc.
Written by: JOEY RAMONE
Lyrics Licensed & Provided by LyricFind
CELLO RAMONE
ta aceleradaaaaaaa q lindo uhuhuhhuhuhu
Violent Raven
My Favorite song by The Ramones for SURE!!!!!
leandro fonseca
ja tive esse vinil
WylxYx
Que discazo mondo bizarro
ADRIAN LEONARDO ADEFF
super capos
Paranoia Perception
This riff is even more mean than Johnny.
Marino Mirante
That's because it's Vernon Reid!
Thomas Guitar player Richmond
Thanks Don :)