All of the band members adopted pseudonyms ending with the surname "Ramone", though none of them were related. They performed 2,263 concerts, touring virtually nonstop for 22 years. In 1996, after a tour with the Lollapalooza music festival, the band played a farewell concert and disbanded. By a little more than eight years after the breakup, the band's three founding members—lead singer Joey Ramone, guitarist Johnny Ramone, and bassist Dee Dee Ramone—had died. Drummer Tommy Ramone, the last surviving original member, died in 2014.
Their only record with enough U.S. sales to be certified gold was the compilation album Ramones Mania. However, recognition of the band's importance built over the years, and they are now cited in many assessments of all-time great rock music, such as the Rolling Stone list of the 50 Greatest Artists of All Time and VH1's 100 Greatest Artists of Hard Rock. In 2002, the Ramones were ranked the second-greatest band of all time by Spin magazine, trailing only The Beatles. On March 18, 2002, the Ramones—including the three founders and drummers Marky and Tommy Ramone—were inducted into the Rock and Roll Hall of Fame. In 2011, the group was awarded a Grammy Lifetime Achievement Award.
Formation: 1974–1975
Forest Hills High School, attended by the four original members of the Ramones
The original members of the band met in and around the middle-class neighborhood of Forest Hills in the New York City borough of Queens. John Cummings and Tamás Erdélyi had both been in a high-school garage band from 1966 to 1967 known as the Tangerine Puppets. They became friends with Douglas Colvin, who had recently moved to the area from Germany, and Jeffry Hyman, who was the initial lead singer of the glam rock band Sniper, founded in 1972.
The Ramones began taking shape in early 1974, when Cummings and Colvin invited Hyman to join them in a band. The initial lineup featured Colvin on lead vocals and rhythm guitar, Cummings on lead guitar, and Hyman on drums. Colvin, who soon switched from rhythm guitar to bass, was the first to adopt the name "Ramone", calling himself Dee Dee Ramone. He was inspired by Paul McCartney's use of the pseudonym Paul Ramon during his Silver Beatles days. Dee Dee convinced the other members to take on the name and came up with the idea of calling the band the Ramones. Hyman and Cummings became Joey Ramone and Johnny Ramone, respectively.
A friend of the band, Monte A. Melnick (later their tour manager), helped to arrange rehearsal time for them at Manhattan's Performance Studios, where he worked. Johnny's former bandmate Erdélyi was set to become their manager. Soon after the band was formed, Dee Dee realized that he could not sing and play his bass guitar simultaneously; with Erdélyi's encouragement, Joey became the band's new lead singer.
Dee Dee would continue, however, to count off each song's tempo with his signature rapid-fire shout of "1-2-3-4!" Joey soon similarly realized that he could not sing and play drums simultaneously and left the position of drummer. While auditioning prospective replacements, Erdélyi would often take to the drums and demonstrate how to play the songs. It became apparent that he was able to perform the group's music better than anyone else, and he joined the band as Tommy Ramone.
The Ramones played before an audience for the first time on March 30, 1974, at Performance Studios. The songs they played were very fast and very short; most clocked in at under two minutes. Around this time, a new music scene was emerging in New York centered around two clubs in downtown Manhattan—Max's Kansas City and, more famously, CBGB (usually referred to as CBGB's). The Ramones made their CBGB debut on August 16. Legs McNeil, who cofounded Punk magazine the following year, later described the impact of that performance: "They were all wearing these black leather jackets. And they counted off this song...and it was just this wall of noise.... They looked so striking. These guys were not hippies. This was something completely new."
The band swiftly became regulars at the club, playing there seventy-four times by the end of the year. After garnering considerable attention for their performances—which averaged about seventeen minutes from beginning to end—the group was signed to a recording contract in late 1975 by Seymour Stein of Sire Records. Stein's wife, Linda Stein, had seen the band play at CBGB; she would later co-manage them along with Danny Fields. By this time, the Ramones were recognized as leaders of the new scene that was increasingly being referred to as "punk". The group's unusual frontman had a lot to do with their impact. As Dee Dee explained, "All the other singers [in New York] were copying David Johansen [of The New York Dolls], who was copying Mick Jagger.... But Joey was unique, totally unique."
Heidi Is A Headcase
Ramones Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
She's a cool kind of crazy
Wild and she's willing
Into early Dylan
She drives me crazy,
Oh yeah, ooh ooh yea
I'm so glad to know she's mine
My little headcase, yeah Ooh, ooh,
Yeah, my little headcase, yeah
Ooh, ooh, yeah
Heidi is a headcase, a rebel and a rouser
Cranks up her Rickenbacker
Blasts away for hours
What's she doin' now on the escalator
Snorting up some speed on the picture of or Stiv Bators
What 'cha doin'?
When I look into her big brown eyes
I'm so glad to know she's mine
My little headcase, yeah
Ooh, ooh, yeah, my little headcase, yeah
Ooh, ooh, yeah
Ooh, baby baby, whatever you do now
Don't ever go away
Ooh, baby baby, whatever you do now
Don't you ever go astray
Don't you ever go away - ooh, ooh, yea
Don't you ever go away - ooh, ooh, yea
Heidi is a headcase
Heidi is a headcase
Heidi is a headcase
Heidi is a headcase
The Ramones's song "Heidi Is A Headcase" is about a girl who is eccentric and unpredictable, making her exciting and interesting to the singer. Heidi is described as a rebel who loves to play her Rickenbacker guitar for hours on end. It is suggested that she has dabbled in drugs, as she is seen snorting up some speed on a picture of Stiv Bators while riding an escalator. Despite her wild behavior, the singer is enamored with her and states that he never wants her to leave.
The lyrics convey the singer's admiration for Heidi's free-spirited and unconventional nature. The line "Into early Dylan" suggests that she is interested in unconventional artists, while the line "She's a cool kind of crazy" indicates that her craziness is not a negative trait but rather makes her unique and intriguing. The chorus expresses the singer's affection for Heidi and his fear of losing her.
The song's lyrics are written from a male perspective but the themes of non-conformity and individuality are universal. It is likely that the song was influenced by the 1960s counterculture movement, which had a significant impact on music and fashion in the decades following.
Line by Line Meaning
Headcase baby
Heidi is unpredictable and rebellious
She's a cool kind of crazy
Heidi’s craziness is not dangerous and is actually enjoyable
Wild and she's willing
Heidi is spontaneous and up for anything
Into early Dylan
Heidi is a fan of early Bob Dylan music
She drives me crazy,
Heidi’s behavior makes the singer go crazy
Oh yeah, ooh ooh yea
The singer is excited by Heidi’s unpredictable behavior
When I look into her big brown eyes
The singer is attracted to Heidi
I'm so glad to know she's mine
The singer is happy to be in a relationship with Heidi
My little headcase, yeah Ooh, ooh,
Heidi is the singer’s partner who is unpredictable and uncontrollable
Yeah, my little headcase, yeah
Heidi is the singer’s girlfriend who is cool and crazy
Heidi is a headcase, a rebel and a rouser
Heidi is rebellious and a troublemaker
Cranks up her Rickenbacker
Heidi plays her guitar, a Rickenbacker brand, passionately and energetically
Blasts away for hours
Heidi plays music for long hours
What's she doin' now on the escalator
The singer wonders where Heidi is and what she is doing
Snorting up some speed on the picture of or Stiv Bators
Heidi is doing drugs while looking at a picture of a musician, Stiv Bators
What 'cha doin'?
The singer asks Heidi what she is doing
Ooh, baby baby, whatever you do now
The singer wants Heidi to stay with him no matter what she does
Don't ever go away
The singer does not want Heidi to leave him
Ooh, baby baby, whatever you do now
The singer repeats his desire for Heidi to stay with him
Don't you ever go astray
The singer does not want Heidi to stray away from him
Don't you ever go away - ooh, ooh, yea
The singer does not want Heidi to ever leave him
Heidi is a headcase
Heidi is unpredictable and uncontrollable
Heidi is a headcase
Heidi is unpredictable and uncontrollable
Heidi is a headcase
Heidi is unpredictable and uncontrollable
Heidi is a headcase
Heidi is unpredictable and uncontrollable
Lyrics © Warner Chappell Music, Inc.
Written by: DANIEL REY, JOEY RAMONE
Lyrics Licensed & Provided by LyricFind
Racheal Plymale
on I Wanna Be Sedated (Live)
My Alltime favorite band!!!!!!!!! Joey Ramone was yummmy!!!!!