As a rock and roll, rhythm & blues, soul, blues, jazz, country and pop musician he helped to shape the sound of rhythm & blues.
He brought a soulful sound to everything from country music ("I Can't Stop Loving You") to rock and roll ("Mess Around"), to pop standards to a now-iconic rendition of "America the Beautiful." Frank Sinatra called him "the only genius in the business."
Ray Charles was born in Albany, Georgia on September 23, 1930. He was the son of Aretha Williams, a share cropper, and Bailey Robinson, a railroad repair man, mechanic and handyman. The two were never married. The family moved to Greenville, Florida, when Ray was an infant. Bailey had three more families, leaving Aretha to raise the family on her own.
Ray Charles was not born blind. He started to lose his sight somewhere at the age of five. He was rendered totally blind by the age of seven. Charles never knew exactly why he lost his sight, though there are sources that suggest his blindness was due to glaucoma, and some other sources suggest that Ray began to lose his sight from an infection caused by soapy water to his eyes which was left untreated. He attended school at the Florida School for the Deaf and the Blind in St. Augustine, Florida from 1937-1945 where he developed his musical gift that he is known and remembered for today. His father died when he was ten, followed by his mother five years later.
In school, he was taught only classical music, but he wanted to play what he heard on the radio, jazz and blues. After his mother died, Charles did not return to school. He lived in Jacksonville with a couple who were friends of his mother. For over a year, he played the piano for bands at the Ritz Theatre in LaVilla, earning $4 a night. Charles moved to Orlando, then Tampa, where he played "with a hillbilly band called The Florida Playboys." This is where Charles began his reputation of always wearing sunglasses that were made by designer Billy Stickles.
Charles had always played for other people, but he wanted a band that was his own. He decided to leave Florida for a large city, but Chicago and New York City were too big. He moved to Seattle in 1947 and soon started recording, first for the label Swing Time Records, achieving his first hit with the 1949 "Confession Blues". The song soared to #2 on the R&B charts. He followed his first recording with his only other hit with Swingtime, "Baby, Let Me Hold Your Hand" in 1951. It hit #5 on the R&B charts. He then signed with Ahmet Ertegün at Atlantic Records a year later. When he entered show business, his name was shortened to Ray Charles to avoid confusion with boxer Sugar Ray Robinson.
Breakthrough period with Atlantic Records
Almost immediately after signing with Atlantic, Charles scored his first hit singles with the label with "It Should Have Been Me" and the Ertegün-composed "Mess Around", both making the charts in 1953. But it was Charles' "I Got A Woman" (composed with band mate Renald Richard) that brought the musician to national prominence.
The song reached the top of Billboard's R&B singles chart in 1955 and from there until 1959, Charles would have a series of R&B chart-toppers including "This Little Girl of Mine", "Lonely Avenue", "Mary Ann", "Drown in My Own Tears" and "The Night Time (Is the Right Time)", which were compiled on his Atlantic releases Hallelujah, I Love Her So, Yes Indeed!, and The Genius Sings the Blues. Charles was often cited for using his voice like a saxophone, most notably by the prominent critic Victor Bollo. During this time of transition, he recruited a young girl group from Philadelphia named The Cookies as his background singing group, recording with them in New York and changing their name to the Raelettes in the process.
Crossover success
In 1959, Charles crossed over to top 40 radio with the release of his impromptu blues number, "What'd I Say", which was initially conceived while Charles was in concert. The song would reach number 1 on the R&B list and would become Charles' first top ten single on the pop charts, peaking at number 6. Charles would also record The Genius of Ray Charles, before leaving Atlantic for a more lucrative deal with ABC Records in 1959.
Hit songs such as "Georgia On My Mind" (US #1), "Hit the Road Jack" (US #1) and "Unchain My Heart" (US #9) helped him transition to pop success and his landmark 1962 album, Modern Sounds in Country and Western Music and its sequel Modern Sounds in Country and Western Music, Vol. 2, helped to bring country into the mainstream of music. He also had major pop hits in 1963 with "Busted" (US #4) and "Take These Chains From My Heart" (US #8), and also scoring a Top 20 hit four years later, in 1967, with "Here We Go Again" (US #15) (which would later be duetted with Norah Jones in 2004).
Later years
In 1965, Charles was arrested for possession of heroin, a drug to which he had been addicted for nearly 20 years. It was his third arrest for the offence, but he avoided jail time after kicking the habit in a clinic in Los Angeles. He spent a year on parole in 1966, when his single "Crying Time" reached #6 on the charts.
During the late 1960s and into the 1970s, Charles' releases were hit-or-miss, with some big hits and critically acclaimed work. His version of "Georgia On My Mind" was proclaimed the state song of Georgia on April 24, 1979, with Charles performing it on the floor of the state legislature. He also had success with his unique version of "America the Beautiful."
In November 1977 Charles appeared as the host of NBC's Saturday Night Live. In the 1980s a number of other events increased Charles' recognition among young audiences. He made a cameo appearance in the popular 1980 film The Blues Brothers. In 1985, "The Right Time" was featured in the episode "Happy Anniversary" of The Cosby Show on NBC. The next year in 1986, he sang America The Beautiful at Wrestlemania 2. In a Pepsi Cola commercial of the early 1990s, Charles popularized the catchphrase "You Got the Right One, Baby!" plus he helped in the song "We Are the World" a touching song for USA for Africa.
Despite his support of Martin Luther King, Jr. in the 1960s and his support for the American Civil Rights Movement, Charles courted controversy when he toured South Africa in 1981, during an international boycott of the country because of its apartheid policy.
Charles recorded a cover version of the Japanese band Southern All Stars' song "Itoshi no Ellie" as "Ellie My Love" for a Suntory TV advertisement, reaching #3 on Japan's Oricon chart. Eventually, it sold more than 400,000 copies, and became that year's best-selling single performed by a Western artist for the Japanese music market.
Besides winning 17 Grammy Awards in his career (include five posthumous ones), Charles was also honored in many other ways. In 1979, he was one of the first honorees of the Georgia State Music Hall of Fame being recognized for being a musician born in the state. Ray's version of "Georgia On My Mind" was made into the official state song for Georgia. In 1981, he was given a star on the Hollywood Walk of Fame and was one of the first inductees to the Rock & Roll Hall of Fame at its inaugural ceremony in 1986. He received the Kennedy Center Honors in 1986. In 1987, he was awarded the Grammy Lifetime Achievement Award. In 1991, he was inducted to the Rhythm & Blues Foundation. In 1998 he was awarded the Polar Music Prize together with Ravi Shankar in Stockholm, Sweden. In 2004 he was inducted to the Jazz Hall of Fame, and inducted to the National Black Sports & Entertainment Hall of Fame. Also in 2004, Rolling Stone Magazine ranked him #10 on their list of the 100 Greatest Artists of All Time.
The Grammy Awards of 2005 were dedicated to Charles.
On December 7, 2007, Ray Charles Plaza was opened in Albany, Georgia, with a revolving, lighted bronze sculpture of Charles seated at a piano.
On December 26, 2007, Ray Charles was inducted into the Hit Parade Hall of Fame.
Ray Charles Post Office Building
In 2005, the U.S. postal facility located at 4960 W. Washington Blvd., in Los Angeles, California, was designated the Ray Charles Post Office Building.
On August 24, 2005, the United States Congress honored Charles by dedicating and renaming the former West Adams Station post office in Los Angeles the "Ray Charles Station".
Charles has also appeared at two Presidential inaugurations in his lifetime. In 1985, he performed for Ronald Reagan's second inauguration, and in 1993 performed for Bill Clinton's first inauguration.
In the late '80s and early '90s, Charles made appearances on The Super Dave Osbourne Show, where he performed and appeared in a few vignettes where he was somehow driving a car, often as Super Dave's chauffeur. At the height of his newfound fame in the early nineties, Charles did guest vocals for quite a few projects. He also appeared (with Chaka Khan) on long time friend Quincy Jones' hit "I'll Be Good to You" in 1990, from Jones' album Back on the Block.
Following Jim Henson's death in 1990, Ray Charles appeared in the one-hour CBS tribute, The Muppets Celebrate Jim Henson. He gave a short speech about the deceased, stating that Henson "took a simple song and a piece of felt and turned it into a moment of great power". Charles was referring to the song "It's Not Easy Being Green", which Charles later performed with the rest of the Muppet cast in a tribute to Henson's legacy.
During the sixth season of Designing Women, Ray Charles vocally performed "Georgia On My Mind", rather than the song being rendered by other musicians without lyrics as in the previous five seasons
During his life he received eight honorary doctorates, the last from Dillard University in New Orleans in 2003. Later that same year, he performed his 10,000th career concert at the Greek Theater in Los Angeles.
Charles finalized "Genius Loves Company" a duets album in 2004, which posthumously became the best selling album of his career. Norah Jones, B.B. King, Willie Nelson, Michael McDonald, Bonnie Raitt, Gladys Knight, Johnny Mathis and James Taylor are just a few of the notable artists involved with the project.
Charles was awarded the prestigious "President's Merit Award" from the Grammy(r) organization and was named a City of Los Angeles "Cultural Treasure" by LA Mayor James Hahn during "African American Heritage Month" in a ceremony that he attended. He also received the NAACP Image Awards' "Hall of Fame Award."
Charles died in July 2004 in California. Three months later, his biopic "Ray" opened in theaters. The performance of Jamie Foxx as Ray gave him an Oscar for best lead performance in a feature film.
Recently, a series of slot machines were designed in Charles' name for the visually handicapped and the legendary performer was also named a "living legend" by the Library of Congress.
Charles once told an interviewer from USA Today, "Music to me is just like breathing. I have to have it. It's part of me."
I Love You so Much It Hurts
Ray Charles Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Darlin' that's why I'm so blue
I'm so afraid to go to bed at night
I'm afraid of losing you
You know, I love so much it hurts me
And there's nothing I can do
I want to hold you, my dear, forever and ever
I love you so much it hurts me
And that's why I'm so blue
I'm so afraid to go to bed at night
I'm afraid of losing you
I love so much it hurts me
And there's nothing I can do
I want to hold you, my dear, forever and ever
I love you so much oh it hurts me
It hurts me so
Hurts me so
The lyrics of Ray Charles's 'I Love You So Much It Hurts' convey a deep sense of fear and vulnerability in a lover's heart. The opening lines of the song say, 'Oh I love you so much it hurts me, Darlin' that's why I'm so blue. I'm so afraid to go to bed at night, I'm afraid of losing you.' Here, the singer is expressing his fear of losing his loved one, which is causing him immense emotional pain, resulting in a feeling of constant anxiety. The use of the phrase 'so blue' is often used to connote feelings of sadness and melancholy, which is what the singer is experiencing as well.
The chorus of the song, 'You know, I love you so much it hurts me, And there's nothing I can do. I want to hold you, my dear, forever and ever, I love you so much it hurts me so,' further highlights the intensity of the singer's emotions. He loves his partner so much, but his fear of losing them is causing him so much pain that it is almost physical. The desire to hold on to his love forever is something that he expresses, which suggests that the threat of separation is causing an almost unbearable pain.
Overall, the lyrics of 'I Love You So Much It Hurts' beautifully capture the sentiment of love and fear that often mix in a relationship. The song is a testament to the power of love and its ability to bring both happiness and sorrow into a person's life.
Line by Line Meaning
Oh I love you so much it hurts me
My love for you is so intense that it causes me emotional pain
Darlin' that's why I'm so blue
Because of the deep love I have for you and the fear of losing you, I am constantly sad and down
I'm so afraid to go to bed at night
My fear of losing you is so strong that I am afraid to sleep, as it feels like there's a possibility of losing you in my absence
I'm afraid of losing you
I am scared of losing you, because of how much I love you and how painful it would be to endure that loss
You know, I love so much it hurts me
You are aware of how deep and painful my love for you is
And there's nothing I can do
I feel completely powerless to the emotions I have for you, as they overwhelm me entirely
I want to hold you, my dear, forever and ever
All I want is to be close to you, to hold you and never let go, because of how much I love you
I love you so much it hurts me so
My feelings for you are so strong that they cause me pain that feels physical
It hurts me so
The love I have for you causes me such extreme emotional pain that it feels unbearable
Lyrics © Peermusic Publishing
Written by: FLOYD TILLMAN
Lyrics Licensed & Provided by LyricFind
@Dovahkiin069Nighfury
Hi matz, i wrote this comment in hopes of having to read this someday... though it may not today, tomorrow, next week, next month or next year... but i hope that someday... you'll read this comment and know that i really love you so much that it hurts me.
i only knew you on the internet but we've talked everyday, shared our love everyday, made me smile when i am sad and made me feel that i was really loved and i've never been so happy and so inspired in such a very long time... and everyday i keep on falling in love with you. little by little... piece by piece, you've rebuilt my broken heart... and healed it. only to break it again into a million more pieces.
my love, you've hurt me when you told be you didn't have anyone besides me only to find out that you've been with him for 8 months... who am i kidding? i really thought you were the one... i loved you very much that i'll do everything for you. cook you dinner everyday, take care of you every single moment for the rest of my life... and spend an eternity of eternities with you... but i guess you haven't loved me enough. as much as i love you... and if destiny permits it that you will be able to come across this comment, i would like you to know... that a permanent part of my heart has already been taken by you that even if i love again...
i won't be able to love her fully because a part of it remains for you. i may be young by my heart is not. we may be 9 years apart... you being 26 and i being 18... but i have a heart that would go millions and millions of miles just to go the distance for you. you were my heart, my love, and my life...
but i guess my love weren't enough for you... matz, i love you so very much that it hurts... and it does, it is and it will always be... i know this comment might be forgotten in time. but please, bear with me. and my madness... and i thank you guys for respecting my humble words and feelings... :)
@batcird
I love this record so much, not only the beautiful songs but also the cultural place that it holds, a bridge between soul, r&b, gospel, folk, blues, and country & western. I was fortunate to find a well-priced copy of both volumes of this album on vinyl at Atlantic Sounds in Daytona Beach a couple years ago, such a treasure to have for my turntable.
@MrMusicguyma
One of the first LP albums I owned, incredible work by the Genius of Soul (and R&B and jazz and whatever he wanted). He was advised against making this album by virtually everyone. But Brother Ray followed his own mind, and we are the lucky beneficiaries of his work. It is little known that Ray played piano in a (white) country band in Florida in the 1940s, until segregationists made it too difficult for them to perform together. A pity, but Ray finally prevailed to all our collective benefit. RIP.
@ursamagickmt672
Mine too.
@mirabellegreen
The classic old song I've been hearing in old movies!!! This is the perfect one!!
@TermiteUSA
I honestly love this music, I have the album and cherish it and the summer on the Bay when you had more than one song from the same LP competing for the Top10 played HOURLY.
IF ONLY Ray had been allowed to cut the album with background voices of HIS choosing instead of stupid record execs.
@greenhornet299
Greatest Album I ever owned...a Genius.
@standamann100
Ray Charles was often called the "Genius of Soul". James Brown was the Godfather of Soul, and Aretha Franklin was the Queen of Soul.
@robinwilson1433
Try Vol 2!!
@mickthomas7509
such a beautiful song x
@user-yn1ex5ko1e
One of my favorite ♥️♥️