As a rock and roll, rhythm & blues, soul, blues, jazz, country and pop musician he helped to shape the sound of rhythm & blues.
He brought a soulful sound to everything from country music ("I Can't Stop Loving You") to rock and roll ("Mess Around"), to pop standards to a now-iconic rendition of "America the Beautiful." Frank Sinatra called him "the only genius in the business."
Ray Charles was born in Albany, Georgia on September 23, 1930. He was the son of Aretha Williams, a share cropper, and Bailey Robinson, a railroad repair man, mechanic and handyman. The two were never married. The family moved to Greenville, Florida, when Ray was an infant. Bailey had three more families, leaving Aretha to raise the family on her own.
Ray Charles was not born blind. He started to lose his sight somewhere at the age of five. He was rendered totally blind by the age of seven. Charles never knew exactly why he lost his sight, though there are sources that suggest his blindness was due to glaucoma, and some other sources suggest that Ray began to lose his sight from an infection caused by soapy water to his eyes which was left untreated. He attended school at the Florida School for the Deaf and the Blind in St. Augustine, Florida from 1937-1945 where he developed his musical gift that he is known and remembered for today. His father died when he was ten, followed by his mother five years later.
In school, he was taught only classical music, but he wanted to play what he heard on the radio, jazz and blues. After his mother died, Charles did not return to school. He lived in Jacksonville with a couple who were friends of his mother. For over a year, he played the piano for bands at the Ritz Theatre in LaVilla, earning $4 a night. Charles moved to Orlando, then Tampa, where he played "with a hillbilly band called The Florida Playboys." This is where Charles began his reputation of always wearing sunglasses that were made by designer Billy Stickles.
Charles had always played for other people, but he wanted a band that was his own. He decided to leave Florida for a large city, but Chicago and New York City were too big. He moved to Seattle in 1947 and soon started recording, first for the label Swing Time Records, achieving his first hit with the 1949 "Confession Blues". The song soared to #2 on the R&B charts. He followed his first recording with his only other hit with Swingtime, "Baby, Let Me Hold Your Hand" in 1951. It hit #5 on the R&B charts. He then signed with Ahmet Ertegün at Atlantic Records a year later. When he entered show business, his name was shortened to Ray Charles to avoid confusion with boxer Sugar Ray Robinson.
Breakthrough period with Atlantic Records
Almost immediately after signing with Atlantic, Charles scored his first hit singles with the label with "It Should Have Been Me" and the Ertegün-composed "Mess Around", both making the charts in 1953. But it was Charles' "I Got A Woman" (composed with band mate Renald Richard) that brought the musician to national prominence.
The song reached the top of Billboard's R&B singles chart in 1955 and from there until 1959, Charles would have a series of R&B chart-toppers including "This Little Girl of Mine", "Lonely Avenue", "Mary Ann", "Drown in My Own Tears" and "The Night Time (Is the Right Time)", which were compiled on his Atlantic releases Hallelujah, I Love Her So, Yes Indeed!, and The Genius Sings the Blues. Charles was often cited for using his voice like a saxophone, most notably by the prominent critic Victor Bollo. During this time of transition, he recruited a young girl group from Philadelphia named The Cookies as his background singing group, recording with them in New York and changing their name to the Raelettes in the process.
Crossover success
In 1959, Charles crossed over to top 40 radio with the release of his impromptu blues number, "What'd I Say", which was initially conceived while Charles was in concert. The song would reach number 1 on the R&B list and would become Charles' first top ten single on the pop charts, peaking at number 6. Charles would also record The Genius of Ray Charles, before leaving Atlantic for a more lucrative deal with ABC Records in 1959.
Hit songs such as "Georgia On My Mind" (US #1), "Hit the Road Jack" (US #1) and "Unchain My Heart" (US #9) helped him transition to pop success and his landmark 1962 album, Modern Sounds in Country and Western Music and its sequel Modern Sounds in Country and Western Music, Vol. 2, helped to bring country into the mainstream of music. He also had major pop hits in 1963 with "Busted" (US #4) and "Take These Chains From My Heart" (US #8), and also scoring a Top 20 hit four years later, in 1967, with "Here We Go Again" (US #15) (which would later be duetted with Norah Jones in 2004).
Later years
In 1965, Charles was arrested for possession of heroin, a drug to which he had been addicted for nearly 20 years. It was his third arrest for the offence, but he avoided jail time after kicking the habit in a clinic in Los Angeles. He spent a year on parole in 1966, when his single "Crying Time" reached #6 on the charts.
During the late 1960s and into the 1970s, Charles' releases were hit-or-miss, with some big hits and critically acclaimed work. His version of "Georgia On My Mind" was proclaimed the state song of Georgia on April 24, 1979, with Charles performing it on the floor of the state legislature. He also had success with his unique version of "America the Beautiful."
In November 1977 Charles appeared as the host of NBC's Saturday Night Live. In the 1980s a number of other events increased Charles' recognition among young audiences. He made a cameo appearance in the popular 1980 film The Blues Brothers. In 1985, "The Right Time" was featured in the episode "Happy Anniversary" of The Cosby Show on NBC. The next year in 1986, he sang America The Beautiful at Wrestlemania 2. In a Pepsi Cola commercial of the early 1990s, Charles popularized the catchphrase "You Got the Right One, Baby!" plus he helped in the song "We Are the World" a touching song for USA for Africa.
Despite his support of Martin Luther King, Jr. in the 1960s and his support for the American Civil Rights Movement, Charles courted controversy when he toured South Africa in 1981, during an international boycott of the country because of its apartheid policy.
Charles recorded a cover version of the Japanese band Southern All Stars' song "Itoshi no Ellie" as "Ellie My Love" for a Suntory TV advertisement, reaching #3 on Japan's Oricon chart. Eventually, it sold more than 400,000 copies, and became that year's best-selling single performed by a Western artist for the Japanese music market.
Besides winning 17 Grammy Awards in his career (include five posthumous ones), Charles was also honored in many other ways. In 1979, he was one of the first honorees of the Georgia State Music Hall of Fame being recognized for being a musician born in the state. Ray's version of "Georgia On My Mind" was made into the official state song for Georgia. In 1981, he was given a star on the Hollywood Walk of Fame and was one of the first inductees to the Rock & Roll Hall of Fame at its inaugural ceremony in 1986. He received the Kennedy Center Honors in 1986. In 1987, he was awarded the Grammy Lifetime Achievement Award. In 1991, he was inducted to the Rhythm & Blues Foundation. In 1998 he was awarded the Polar Music Prize together with Ravi Shankar in Stockholm, Sweden. In 2004 he was inducted to the Jazz Hall of Fame, and inducted to the National Black Sports & Entertainment Hall of Fame. Also in 2004, Rolling Stone Magazine ranked him #10 on their list of the 100 Greatest Artists of All Time.
The Grammy Awards of 2005 were dedicated to Charles.
On December 7, 2007, Ray Charles Plaza was opened in Albany, Georgia, with a revolving, lighted bronze sculpture of Charles seated at a piano.
On December 26, 2007, Ray Charles was inducted into the Hit Parade Hall of Fame.
Ray Charles Post Office Building
In 2005, the U.S. postal facility located at 4960 W. Washington Blvd., in Los Angeles, California, was designated the Ray Charles Post Office Building.
On August 24, 2005, the United States Congress honored Charles by dedicating and renaming the former West Adams Station post office in Los Angeles the "Ray Charles Station".
Charles has also appeared at two Presidential inaugurations in his lifetime. In 1985, he performed for Ronald Reagan's second inauguration, and in 1993 performed for Bill Clinton's first inauguration.
In the late '80s and early '90s, Charles made appearances on The Super Dave Osbourne Show, where he performed and appeared in a few vignettes where he was somehow driving a car, often as Super Dave's chauffeur. At the height of his newfound fame in the early nineties, Charles did guest vocals for quite a few projects. He also appeared (with Chaka Khan) on long time friend Quincy Jones' hit "I'll Be Good to You" in 1990, from Jones' album Back on the Block.
Following Jim Henson's death in 1990, Ray Charles appeared in the one-hour CBS tribute, The Muppets Celebrate Jim Henson. He gave a short speech about the deceased, stating that Henson "took a simple song and a piece of felt and turned it into a moment of great power". Charles was referring to the song "It's Not Easy Being Green", which Charles later performed with the rest of the Muppet cast in a tribute to Henson's legacy.
During the sixth season of Designing Women, Ray Charles vocally performed "Georgia On My Mind", rather than the song being rendered by other musicians without lyrics as in the previous five seasons
During his life he received eight honorary doctorates, the last from Dillard University in New Orleans in 2003. Later that same year, he performed his 10,000th career concert at the Greek Theater in Los Angeles.
Charles finalized "Genius Loves Company" a duets album in 2004, which posthumously became the best selling album of his career. Norah Jones, B.B. King, Willie Nelson, Michael McDonald, Bonnie Raitt, Gladys Knight, Johnny Mathis and James Taylor are just a few of the notable artists involved with the project.
Charles was awarded the prestigious "President's Merit Award" from the Grammy(r) organization and was named a City of Los Angeles "Cultural Treasure" by LA Mayor James Hahn during "African American Heritage Month" in a ceremony that he attended. He also received the NAACP Image Awards' "Hall of Fame Award."
Charles died in July 2004 in California. Three months later, his biopic "Ray" opened in theaters. The performance of Jamie Foxx as Ray gave him an Oscar for best lead performance in a feature film.
Recently, a series of slot machines were designed in Charles' name for the visually handicapped and the legendary performer was also named a "living legend" by the Library of Congress.
Charles once told an interviewer from USA Today, "Music to me is just like breathing. I have to have it. It's part of me."
Two Old Cats Like Us
Ray Charles Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Ray, I get a little rowdy myself
See if you can sing the high part brother
Hank I can if you give me some help
'Cause we're the kind if we set our minds
We're going to do it or bust
Hey we ain't half bad for two old cats like us
There ain't nothin' like honky tonk music (now)
When you get an itching to play
And singing those songs like Hey Good Lookin'
And baby tell me what I say (that'll work)
We can take it to the limit
Or take it back to the bus
Ain't no problem for two old cats like us
We've been down a whole lot of alleys
Shook a whole lot of cans
Ain't too much about prowlin' or howlin'
That we don't understand
Had a few doors slammed on our tails
We've been kissed and cussed
But everything's cool for two old cats like us
Play a little
Now this younger generation Ray
Is keeping us on our toes
Playing everything from western swing
To that good ol' rock and roll
And here we are smacked down in the middle
But I think we can adjust
Hell there ain't nothing new for two old cats like us
(tell the truth now)
We've been down a whole lot of alleys
Shook a whole lot of cans
There ain't too much about prowlin' or howlin'
That we don't understand
Had a few doors slammed on our tails
We've been kicked and cussed
But everything's cool for two old cats like us
But everything's cool for two old cats like us
Let's go
Alright
The song Two Old Cats Like Us by Ray Charles is a collaboration with country music singer Hank Williams Jr. The song is an upbeat tribute to their longevity in the music industry, and the fact that they are still able to perform and entertain despite their age. The lyrics talk about their shared love for honky tonk music and their ability to adapt to the changing musical landscape.
The opening exchange between Ray and Hank sets the tone for the rest of the song, with them playfully challenging each other to sing certain parts. They both express their confidence in their musical abilities and their willingness to take risks to make great music. They acknowledge that they have been through a lot in their careers, but they have persevered and come out on top.
The song's chorus is catchy and easy to sing along to, with a message that is relatable to anyone who has been working at something for a long time. The song is a celebration of the ups and downs of life, and the fact that no matter what happens, they are still able to keep going and do what they love.
Line by Line Meaning
Hey I like to do a little rockin'
I enjoy playing music with a lively beat
Ray, I get a little rowdy myself
I can also get energetic while performing
See if you can sing the high part brother
Can you try to sing the higher notes in harmony?
Hank I can if you give me some help
Sure, I can give it a shot with your guidance
'Cause we're the kind if we set our minds
We are determined individuals
We're going to do it or bust
We will either succeed or fail completely
Hey we ain't half bad for two old cats like us
We are quite good for our age and experience
There ain't nothin' like honky tonk music (now)
There's nothing quite like the lively, country-style music we enjoy
When you get an itching to play
When you feel the urge to perform music
And singing those songs like Hey Good Lookin'
We love to sing catchy, popular songs like 'Hey Good Lookin'
And baby tell me what I say (that'll work)
And try to follow along when I ask you to repeat some lyrics
We can take it to the limit
We can really push ourselves to the edge
Or take it back to the bus
Or we can take it easy and relax after a show
Ain't no problem for two old cats like us
We are capable of handling any level of musical performance
We've been down a whole lot of alleys
We have experienced a lot in our lives and careers
Shook a whole lot of cans
We have tried a lot of different things and been through many challenges
Ain't too much about prowlin' or howlin'
There's not much about music or performance that we don't understand
That we don't understand
We know a lot about what we do
Had a few doors slammed on our tails
We have faced rejection and disappointment before
We've been kissed and cussed
We have experienced praise and criticism
But everything's cool for two old cats like us
Despite any setbacks, we are content with where we are in life and in our musical careers
Now this younger generation Ray
The younger musicians today
Is keeping us on our toes
They are pushing us to stay sharp and continue to improve
Playing everything from western swing
They are playing a diverse range of musical genres
To that good ol' rock and roll
Including the classic rock and roll we are known for
And here we are smacked down in the middle
But we are still right in the middle of the music scene despite our age
But I think we can adjust
We are adaptable and can continue to thrive in this evolving industry
Hell there ain't nothing new for two old cats like us
We have seen it all and can handle any new developments or trends
Let's go
Let's continue to rock and showcase our talents
Alright
Agreed
Contributed by Ellie G. Suggest a correction in the comments below.