After serving in the U.S. Army in World War II (where he worked under Walter Schumann), he was hired by Mitch Miller, then head of A & R at Columbia Records as their home arranger, and he worked with several artists, including Rosemary Clooney, Marty Robbins, Frankie Laine, Johnny Mathis, Guy Mitchell and Johnnie Ray. He wrote a top 10 arrangement for Don Cherry's "Band of Gold" in 1955, a single that sold more than a million copies.
Amongst the hit singles he backed with his orchestra (and eventually with a male chorus) were "Yes Tonight Josephine" and "Just Walkin' in the Rain" by Johnnie Ray; "Chances Are" and "It's Not for Me to Say" by Johnny Mathis; "A White Sport Coat" and "The Hanging Tree" by Marty Robbins; "Up Above My Head," a duet by Frankie Laine and Johnnie Ray, and "Pet Me, Poppa" by Rosemary Clooney. He also backed up the albums "Tony" by Tony Bennett, "Blue Swing" by Eileen Rodgers, "Swingin' for Two" by Don Cherry. and half the tracks of "The Big Beat" by Johnnie Ray.
In these early years he also produced some similar sounding records for Columbia's Epic label under the name of Jay Raye (which stands for "Joseph Raymond") amongst them a backing album and singles with Somethin' Smith & The Redheads, an American male vocal group.
Because of the success of his backings Mitch Miller allowed him to make his own record, and this became the successful "'S Wonderful", a collection of standards that were recorded with an orchestra and a wordless singing chorus (four men, four women). He released many more albums in the same vein, including "Dance The Bop" (1957), "'S Marvelous" (1957, gold album), "'S Awful Nice" (1958), "Concert in Rhythm" (1958, gold album), "Hollywood in Rhythm" (1958), "Broadway in Rhythm" (1959), and "Concert in Rhythm, Volume II" (1959, gold album).
In 1959 he started the Ray Conniff Singers (12 women and 13 men) and released the album "It's the Talk of the Town. This group of word— not just syllable — singing singers brought him the biggest hit he ever had in his career: "Somewhere My Love" (1966). The title track of the album was written to the music of Lara's Theme from the film Doctor Zhivago (1965), and was a top 10 single in the US. The album also reached the US top 20 and went platinum, and Conniff won a Grammy. The single and album reached high positions in the international charts (a.o. Australia, Germany, Great Britain, Japan) as well. Also extraordinarily successful was the first of four Christmas albums by the Singers, "Christmas with Conniff" (1959). Nearly fifty years after its release, in 2004, Conniff posthumously was awarded with a platinum album/CD.
Musically different highlights in Conniff's career are two albums he produced in cooperation with Billy Butterfield, an old buddy from earlier swing days. "Conniff Meets Butterfield" (1960) featured Butterfield's solo trumpet and a small rhythm group; "Just Kiddin' Around" (after a Conniff original composition from the 1940's), released 1963, featured additional trombone solos by Ray himself. Both albums are pure light jazz and did not feature any vocals.
Later in the 1960's he produced an average of two instrumental and one vocal album a year. Among these are (Original albums only):
* "'s Wonderful" (1956)
* "Dance the Bop!" (1957)
* "'s Marvelous" (1957)
* "'s Awful Nice" (1958)
* "Concert in Rhythm, Vol.1" (1958)
* "Broadway in Rhythm" (1958)
* "Hollywood in Rhythm" (1958)
* "It's The Talk of the Town" (1959)
* "Conniff Meets Butterfield" (1959)
* "Christmas with Conniff" (1959)
* "Concert in Rhythm, Vol.2" (1959)
* "Young at Heart" (1960)
* "Say It with Music (A Touch of Latin)" (1960)
* "Memories Are Made of This" (1960, gold album)
* "Somebody Loves Me" (1961)
* "'S Continental" (1961)
* "So Much in Love" (1962, gold album)
* "Rhapsody in Rhythm" (1962)
* "We Wish You a Merry Christmas" (1962, gold album)
* "The Happy Beat" (1962)
* "You Make Me Feel So Young" (1963)
* "Speak to Me of Love" (1963)
* "Friendly Persuasion" (1964)
* "Invisible Tears" (1964)
* "Love Affair" (1965)
* "Music From 'Mary Poppins', 'The Sound of Music', 'My Fair Lady' & Other Great Movie Themes" (1965)
* "Here We Come A-Caroling" (1965)
* "Happiness Is" (1965)
* "Ray Conniff's World of Hits" (1966)
* "En Español (The Ray Conniff Singers Sing It in Spanish)" (1966)
* "This Is My Song" (1967)
* "Ray Conniff's Hawaiian Album" (1967)
* "It Must Be Him" (1967, gold album)
* "Honey" (1968, gold album)
* "Turn Around Look at Me" (1968)
* "I Love How You Love Me" (1968)
* "Live Europa Tournee 1969/Concert in Stereo" (1969)
* "Jean" (1969)
* "Concert In Stereo: Live At 'The Sahara Tahoe'" (1969)
* "Bridge Over Troubled Water" (1970)
* "We've Only Just Begun" (1970)
* "Love Story" (1970)
* "Great Contemporary Instrumental Hits" (1971)
* "I'd Like to Teach the World to Sing" (1971)
* "Love Theme from "The Godfather" (1972)
* "Alone Again (Naturally)" (1972)
* "I Can See Clearly Now" (1972)
* "Ray Conniff in Britain" (1973)
* "You Are the Sunshine of My Life" (1973)
* "Harmony" (1973)
* "The Way We Were" (1973)
* "The Happy Sound of Ray Conniff" (1974)
* "Ray Conniff In Moscow" (1974)
* "Laughter in the Rain" (1975)
* "Another Somebody Done Somebody Wrong Song" (1975)
* "Love Will Keep Us Together" (1975)
* "I Write the Songs" (1975)
* "Live in Japan" (1975)
* "Send in the Clowns" (1976)
* "Theme from 'SWAT' and Other TV Themes" (1976)
* "After the Lovin'" (1976)
* "Exitos Latinos" (1977)
* "Ray Conniff Plays the Bee Gees and Other Great Hits" (1978)
* "I Will Survive" (1979)
* "The Perfect '10' Classics" (1980)
* "Exclusivamente Latino" (1980)
* "Siempre Latino" (1981)
* "The Nashville Connection" (1982)
* "Musik für Millionen" (partly produced for a German TV show in 1982)
* "Amor Amor" (1982)
* "Fantastico" (1983)
* "Supersonico" (1984)
* "Campeones" (1985)
* "Say You Say Me" (1986)
* "30th Anniversary Edition" (1986)
* "Always in My Heart" (1987)
* "Interpreta 16 Exitos De Manuel Alejandro" (1988)
* "Ray Conniff Plays Broadway" (1990)
* "'S Always Conniff" (1991)
* "Latinisimo" (1993)
* "40th Anniversary" (1995)
* "Live in Rio (aka Mi Historia)" (1997)
* "I Love Movies" (1997)
* "My Way" (1998)
* "'S Country" (1999)
* "'S Christmas" (1999)
* "Do Ray Para O Rei" (2000).
Between 1957 and 1968, he had 28 albums in the American Top 40, the most famous one being "Somewhere My Love" (1966). He topped the album list in Britain in 1969 with "His Orchestra, His Chorus, His Singers, His Sound". He also was the first American popular artist to record in Russia—in 1974 he recorded "Ray Conniff in Moscow" with the help of a local choir. His later albums like "Exclusivamente Latino", "Amor Amor" and "Latinisimo" made him very popular in Latin-American countries, even more so after performing in the Viña del Mar International Song Festival. In Brazil and Chile he was treated like a young pop superstar in the 1980s and 1990s when he was in his 70s and 80s. He even played live with his orchestra and eight-person chorus in large football stadiums as well as in Viña del Mar.
Ray Conniff was a quiet, modest sympathetic artist. He always worked in the background so that in the fifties there were rumours that this man didn't even exist and his name was just a name fake as then his orchestral sound was so sensational. Nevertheless he sold about 70 million albums world-wide and continued recording and performing until his death in 2002.
He died in Escondido, California, and is interred in the Westwood Village Memorial Park Cemetery in Los Angeles, California.
In 2004, a memorial two-CD compilation set, "The Essential Ray Conniff", was released, featuring many rare and previously unreleased tracks. "The Singles Collection, Vol.1" was released on the Collectables label in 2005. This also features many rare tracks.
For All We Know
Ray Conniff Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Strangers in many ways
We've got a lifetime to share
So much to say
And as we go
From day to day
I'll feel you close to me
But time alone will tell
"I knew you well"
For only time will tell us so
And love may grow
For all we know
Love, look at the two of us
Strangers in many ways
Let's take a lifetime to say
"I knew you well"
For only time will tell us so
And love may grow
For all we know.
The song "For All We Know" by Ray Conniff is a beautiful tribute to love and the uncertainty that comes with it. The first verse talks about two people who may seem like strangers to each other in many ways, but who have a lifetime to share and so much to say. The second verse urges the two to take a lifetime to get to know each other well, for only time will tell if their love will grow. The chorus emphasizes the uncertainty of love, and suggests that anything is possible - love may grow, but it may also fade away.
The lyrics are carefully crafted to convey a sense of optimism, tempered with the knowledge that love is always a risk. The lines "Love, look at the two of us / Strangers in many ways" are particularly poignant, highlighting the fact that no matter how close two people may be, there will always be a certain amount of mystery and unpredictability in their relationship. The song acknowledges this fact, but also encourages the listener to take a leap of faith and trust in the power of love.
Overall, "For All We Know" is a beautiful and heartfelt song that captures the essence of love and the uncertainty that comes with it.
Line by Line Meaning
Love, look at the two of us
Love, let's take a moment to observe the two of us
Strangers in many ways
We are new to each other in many aspects
We've got a lifetime to share
We have a whole lifetime ahead of us to spend together
So much to say
There are a lot of things we need to express to each other
And as we go
As time passes
From day to day
Every day
I'll feel you close to me
I'll feel your presence around me
But time alone will tell
Only time will reveal the true nature of our relationship
Let's take a lifetime to say,
We need an entire life to say
"I knew you well"
"I have a deep understanding of who you truly are"
For only time will tell us so
This can only be revealed as time goes by
And love may grow
In the process, our love might flourish
For all we know
We can never be certain of what lies ahead
Writer(s): Robert Wilson Royer, J. Fred Coots, Sam Lewis, sam M. Lewis, James Arthur Griffin, Fred Karlin, J. Coots Copyright: Emi Feist Catalog Inc., Redwood Music Ltd., Songs Of Universal Inc., MCA Music Publishing A.D.O. Universal S, Universal Music Corp., Sis 'N Bro Music Company, Al Gallico Music Corp., Toy Town Tunes Inc.
Contributed by Jonathan D. Suggest a correction in the comments below.
Colin Williams
Ray Moore: the finest radio presenter EVER. Still missed after all these years. Meanwhile, the search continues for somebody half as good
Alf Ching
@John Akerman what don’t you Listen to Zoe Ball🙈🙉🙊
John Akerman
I think of Ray Moore every time I hear this. He always played it as the last track on his morning show before taking a break. A hugely underrated presenter.
Mike Durston
I couldn't agree more.
Richard Sharpe
How true
skintatt
What a great song sung perfectly by Ray Conniff singers, and dedicated to one of my all time favourite broadcasters Ray Moore - sadly missed
andy ollerenshaw
RIP. The Great Ray Moore. I've searched for years to find this. I remember Ray playing out his very last show with this. Not a word about his illness, just this wonderful song and fade into the News. A true professional God Bless.
Dick Buelow
One of the best songs by only the best arranger, group and band ever!
myasmate
Same here,how many times do I hear this song and think of my favourite presenter .Ray Moore was a legend.
Scott Barrett
my mum would play this album on a sunday morning in the early 80s"turn it down mum im having a lay in"that was 30 years ago now i cant turn it up loud enough..funny how your tastes change over the years,the quality of this record is outstanding and years have done nothing to change it.