After serving in the U.S. Army in World War II (where he worked under Walter Schumann), he was hired by Mitch Miller, then head of A & R at Columbia Records as their home arranger, and he worked with several artists, including Rosemary Clooney, Marty Robbins, Frankie Laine, Johnny Mathis, Guy Mitchell and Johnnie Ray. He wrote a top 10 arrangement for Don Cherry's "Band of Gold" in 1955, a single that sold more than a million copies.
Amongst the hit singles he backed with his orchestra (and eventually with a male chorus) were "Yes Tonight Josephine" and "Just Walkin' in the Rain" by Johnnie Ray; "Chances Are" and "It's Not for Me to Say" by Johnny Mathis; "A White Sport Coat" and "The Hanging Tree" by Marty Robbins; "Up Above My Head," a duet by Frankie Laine and Johnnie Ray, and "Pet Me, Poppa" by Rosemary Clooney. He also backed up the albums "Tony" by Tony Bennett, "Blue Swing" by Eileen Rodgers, "Swingin' for Two" by Don Cherry. and half the tracks of "The Big Beat" by Johnnie Ray.
In these early years he also produced some similar sounding records for Columbia's Epic label under the name of Jay Raye (which stands for "Joseph Raymond") amongst them a backing album and singles with Somethin' Smith & The Redheads, an American male vocal group.
Because of the success of his backings Mitch Miller allowed him to make his own record, and this became the successful "'S Wonderful", a collection of standards that were recorded with an orchestra and a wordless singing chorus (four men, four women). He released many more albums in the same vein, including "Dance The Bop" (1957), "'S Marvelous" (1957, gold album), "'S Awful Nice" (1958), "Concert in Rhythm" (1958, gold album), "Hollywood in Rhythm" (1958), "Broadway in Rhythm" (1959), and "Concert in Rhythm, Volume II" (1959, gold album).
In 1959 he started the Ray Conniff Singers (12 women and 13 men) and released the album "It's the Talk of the Town. This group of word— not just syllable — singing singers brought him the biggest hit he ever had in his career: "Somewhere My Love" (1966). The title track of the album was written to the music of Lara's Theme from the film Doctor Zhivago (1965), and was a top 10 single in the US. The album also reached the US top 20 and went platinum, and Conniff won a Grammy. The single and album reached high positions in the international charts (a.o. Australia, Germany, Great Britain, Japan) as well. Also extraordinarily successful was the first of four Christmas albums by the Singers, "Christmas with Conniff" (1959). Nearly fifty years after its release, in 2004, Conniff posthumously was awarded with a platinum album/CD.
Musically different highlights in Conniff's career are two albums he produced in cooperation with Billy Butterfield, an old buddy from earlier swing days. "Conniff Meets Butterfield" (1960) featured Butterfield's solo trumpet and a small rhythm group; "Just Kiddin' Around" (after a Conniff original composition from the 1940's), released 1963, featured additional trombone solos by Ray himself. Both albums are pure light jazz and did not feature any vocals.
Later in the 1960's he produced an average of two instrumental and one vocal album a year. Among these are (Original albums only):
* "'s Wonderful" (1956)
* "Dance the Bop!" (1957)
* "'s Marvelous" (1957)
* "'s Awful Nice" (1958)
* "Concert in Rhythm, Vol.1" (1958)
* "Broadway in Rhythm" (1958)
* "Hollywood in Rhythm" (1958)
* "It's The Talk of the Town" (1959)
* "Conniff Meets Butterfield" (1959)
* "Christmas with Conniff" (1959)
* "Concert in Rhythm, Vol.2" (1959)
* "Young at Heart" (1960)
* "Say It with Music (A Touch of Latin)" (1960)
* "Memories Are Made of This" (1960, gold album)
* "Somebody Loves Me" (1961)
* "'S Continental" (1961)
* "So Much in Love" (1962, gold album)
* "Rhapsody in Rhythm" (1962)
* "We Wish You a Merry Christmas" (1962, gold album)
* "The Happy Beat" (1962)
* "You Make Me Feel So Young" (1963)
* "Speak to Me of Love" (1963)
* "Friendly Persuasion" (1964)
* "Invisible Tears" (1964)
* "Love Affair" (1965)
* "Music From 'Mary Poppins', 'The Sound of Music', 'My Fair Lady' & Other Great Movie Themes" (1965)
* "Here We Come A-Caroling" (1965)
* "Happiness Is" (1965)
* "Ray Conniff's World of Hits" (1966)
* "En Español (The Ray Conniff Singers Sing It in Spanish)" (1966)
* "This Is My Song" (1967)
* "Ray Conniff's Hawaiian Album" (1967)
* "It Must Be Him" (1967, gold album)
* "Honey" (1968, gold album)
* "Turn Around Look at Me" (1968)
* "I Love How You Love Me" (1968)
* "Live Europa Tournee 1969/Concert in Stereo" (1969)
* "Jean" (1969)
* "Concert In Stereo: Live At 'The Sahara Tahoe'" (1969)
* "Bridge Over Troubled Water" (1970)
* "We've Only Just Begun" (1970)
* "Love Story" (1970)
* "Great Contemporary Instrumental Hits" (1971)
* "I'd Like to Teach the World to Sing" (1971)
* "Love Theme from "The Godfather" (1972)
* "Alone Again (Naturally)" (1972)
* "I Can See Clearly Now" (1972)
* "Ray Conniff in Britain" (1973)
* "You Are the Sunshine of My Life" (1973)
* "Harmony" (1973)
* "The Way We Were" (1973)
* "The Happy Sound of Ray Conniff" (1974)
* "Ray Conniff In Moscow" (1974)
* "Laughter in the Rain" (1975)
* "Another Somebody Done Somebody Wrong Song" (1975)
* "Love Will Keep Us Together" (1975)
* "I Write the Songs" (1975)
* "Live in Japan" (1975)
* "Send in the Clowns" (1976)
* "Theme from 'SWAT' and Other TV Themes" (1976)
* "After the Lovin'" (1976)
* "Exitos Latinos" (1977)
* "Ray Conniff Plays the Bee Gees and Other Great Hits" (1978)
* "I Will Survive" (1979)
* "The Perfect '10' Classics" (1980)
* "Exclusivamente Latino" (1980)
* "Siempre Latino" (1981)
* "The Nashville Connection" (1982)
* "Musik für Millionen" (partly produced for a German TV show in 1982)
* "Amor Amor" (1982)
* "Fantastico" (1983)
* "Supersonico" (1984)
* "Campeones" (1985)
* "Say You Say Me" (1986)
* "30th Anniversary Edition" (1986)
* "Always in My Heart" (1987)
* "Interpreta 16 Exitos De Manuel Alejandro" (1988)
* "Ray Conniff Plays Broadway" (1990)
* "'S Always Conniff" (1991)
* "Latinisimo" (1993)
* "40th Anniversary" (1995)
* "Live in Rio (aka Mi Historia)" (1997)
* "I Love Movies" (1997)
* "My Way" (1998)
* "'S Country" (1999)
* "'S Christmas" (1999)
* "Do Ray Para O Rei" (2000).
Between 1957 and 1968, he had 28 albums in the American Top 40, the most famous one being "Somewhere My Love" (1966). He topped the album list in Britain in 1969 with "His Orchestra, His Chorus, His Singers, His Sound". He also was the first American popular artist to record in Russia—in 1974 he recorded "Ray Conniff in Moscow" with the help of a local choir. His later albums like "Exclusivamente Latino", "Amor Amor" and "Latinisimo" made him very popular in Latin-American countries, even more so after performing in the Viña del Mar International Song Festival. In Brazil and Chile he was treated like a young pop superstar in the 1980s and 1990s when he was in his 70s and 80s. He even played live with his orchestra and eight-person chorus in large football stadiums as well as in Viña del Mar.
Ray Conniff was a quiet, modest sympathetic artist. He always worked in the background so that in the fifties there were rumours that this man didn't even exist and his name was just a name fake as then his orchestral sound was so sensational. Nevertheless he sold about 70 million albums world-wide and continued recording and performing until his death in 2002.
He died in Escondido, California, and is interred in the Westwood Village Memorial Park Cemetery in Los Angeles, California.
In 2004, a memorial two-CD compilation set, "The Essential Ray Conniff", was released, featuring many rare and previously unreleased tracks. "The Singles Collection, Vol.1" was released on the Collectables label in 2005. This also features many rare tracks.
I
Ray Conniff Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
You know you want to be free
Darling, you know I'll let you go
You'd do the same for me
I understand
And darling, you are not to blame
If when we kiss it's not the same
It's not your fault because your heart has changed it's mind
You didn't mean to be unkind
I understand
Forgetting you will be far from easy
I've grown so used to your charms
I'll miss that old thrill and no one can fill
The place here in my arms
But if you find our love was really meant to be
Then darling, hurry back to me
And I'll understand
I understand
And darling, you are not to blame
If when we kiss it's not the same
I understand.
It's not your fault because your heart has changed it's mind
You didn't mean to be unkind
I understand
Forgetting you will be far from easy
I've grown so used to your charms
I'll miss that old thrill and no one can fill
The place here in my arms
But if you find our love was really meant to be
Then darling, hurry back to me
The lyrics of Ray Conniff's "I Understand" are about the emotions and thoughts that come with a break-up. The singer acknowledges that things aren't the same as they used to be between him and his partner. Even though he is let down, he assures his partner that he understands and that there is no blame to be passed. He even says that he'll miss the old thrill and the familiar feeling of holding his partner in his arms, but he's willing to let go and move on. The singer also informs his partner that he would let them go the same way they're letting him go, encouraging the idea of freedom for both of them. Despite the difficulty of losing someone you're used to being with and the longing for them to return, the singer concludes with a message of hope for the possibilities of reconciliation.
"I Understand" is a song that deals with the aftermath of a break-up and the complicated emotions that come with it. The lyrics are simple, yet resonate with the feeling of loss and the struggle to come to terms with it. The meaning of the song is further enhanced by the arrangement of Conniff's orchestra, which emphasizes the sorrowful and sentimental mood of the lyrics.
Line by Line Meaning
Why do you go on pretending
I know you're not happy, why do you pretend you are?
You know you want to be free
You want to leave and be independent, and that's okay.
Darling, you know I'll let you go
I won't hold you back, I'll allow you to leave if you want to.
You'd do the same for me
I know you wouldn't want me to stay if I wanted to leave.
I understand
I get it, I empathize with your feelings.
And darling, you are not to blame
You shouldn't feel guilty for wanting to leave, it's not your fault.
If when we kiss it's not the same
I know that something has changed, and it's not your fault.
It's not your fault because your heart has changed its mind
Your feelings have changed, and that's okay, it's not your fault.
You didn't mean to be unkind
You didn't intend to hurt me by changing your feelings.
Forgetting you will be far from easy
It won't be simple to move on from our relationship.
I've grown so used to your charms
I'm accustomed to your personality, and I'll miss that about you.
I'll miss that old thrill and no one can fill
I'll miss the excitement you brought to my life, and nobody else can match it.
The place here in my arms
I'll miss having you by my side in a romantic sense.
But if you find our love was really meant to be
If you realize that we're meant to be together, then consider returning to me.
Then darling, hurry back to me
If you come to the realization that we should be together, then don't hesitate to return.
And I'll understand
I'll be sympathetic to your situation and understand why you left.
Lyrics © Warner/Chappell Music, Inc.
Written by: WILLIAM PAT BEST
Lyrics Licensed & Provided by LyricFind
Pamela Bennett
When I was growing up in the 60s my parents always listened to Ray Conniff music. I love to listen to it because it reminds me of them and our good times.
Marmaduke Winterbotham
Same here. 😢
guille Gamboa
me too
coolmint2835
My dad too
Raymundo López Tovar
Pa
sergio castro
la mejor música de todos los tiempos. te enternece el alma, te transporta, te descansa y te hace soñar.
João Paulo Cosmelli
Os tempos dourados passaram, mas deixaram suas marcas em nossas lembranças que permanecem, igualmente, douradas. Obrigado, Ray Conniff, onde quer que você esteja.
João Paulo Cosmelli
Aplausos eternos.
Cirugía de Mano
Inigualable..e irrepetible Ray Conniff..
Anita MELLA P
Para mi ésta música me transporta, pasaran los años y los años, pero los que apreciamos ésta orquesta, sus coros , y sus melodías jamás morirán, Ray Conniff, supo darle un sentido a la música inigualable, ojalá salieran varias orquestas de ésta categoría. Gracias por su bello contenido.-